scholarly journals New Findings on the Origin and Making of Napoli, Biblioteca Nazionale, Ms VI E 40

Muzyka ◽  
2021 ◽  
Vol 66 (3) ◽  
pp. 148-184
Author(s):  
Nicolò Ferrari

Recent research into the manuscript Napoli, Biblioteca Nazionale, VI.E.40 (I-Nn 40) has led to the identification of the coat of arms present at the end of the manuscript, and to a new updated codicological description. The same coat of arms is present also in a 1476 printed book of Pliny the Elder’s Historia Naturalis belonging to the rather obscure de Janly family of Burgundy, made up of courtiers and civil servants, ennobled in the first half of the fifteenth century. Discussed in this article are three members of the de Janly family who might have been the original owner of I-Nn 40, with Philibert de Janly identified as the most plausible candidate. The historical context of ownership and gift-giving typical of Burgundian courtiers of the new nobility is discussed, as well as manuscript’s donation to Beatrice of Aragon, and its history after it left Burgundy. The article also presents a new codicological description of the manuscript, offering new insights into its preparation and the copying process.


Author(s):  
Xavier Tubau

This chapter sets Erasmus’s ideas on morality and the responsibility of rulers with regard to war in their historical context, showing their coherence and consistency with the rest of his philosophy. First, there is an analysis of Erasmus’s criticisms of the moral and legal justifications of war at the time, which were based on the just war theory elaborated by canon lawyers. This is followed by an examination of his ideas about the moral order in which the ruler should be educated and political power be exercised, with the role of arbitration as the way to resolve conflicts between rulers. As these two closely related questions are developed, the chapter shows that the moral formation of rulers, grounded in Christ’s message and the virtue politics of fifteenth-century Italian humanism, is the keystone of the moral world order that Erasmus proposes for his contemporaries.



2014 ◽  
Vol 65 (1) ◽  
pp. 13-32 ◽  
Author(s):  
Catriona Anna Gray

Montrose was one of Scotland's earliest royal burghs, but historians have largely overlooked its parish kirk. A number of fourteenth and fifteenth-century sources indicate that the church of Montrose was an important ecclesiastical centre from an early date. Dedicated to Saints Peter and Paul, by the later middle ages it was a place of pilgrimage linked in local tradition with the cult of Saint Boniface of Rosemarkie. This connection with Boniface appears to have been of long standing, and it is argued that the church of Montrose is a plausible candidate for the lost Egglespether, the ‘church of Peter’, associated with the priory of Restenneth. External evidence from England and Iceland appears to identify Montrose as the seat of a bishop, raising the possibility that it may also have been an ultimately unsuccessful rival for Brechin as the episcopal centre for Angus and the Mearns.



2001 ◽  
Vol 33 (3) ◽  
pp. 450-452
Author(s):  
KATHRYN CAMP

In The Fortress of Faith: The Attitudes Towards Muslims in Fifteenth Century Spain, Ana Echevarría presents a study of four mid-15th-century texts and argues that their polemical tone toward the Muslim world was inspired by contemporary historical events and revealed a Christian Spain preparing itself to end Muslim rule on the Iberian Peninsula. She argues that the events of 1450–70 are key to understanding Fernando and Isabel's renewed march against Granada in 1474 and that ecclesiastical literature of this time—as a manifestation of a “frontier church”—can provide a glimpse of the ideas common at court and among the clergy. At the center of her book are the works of three theologians (Juan de Segovia, Alonso de Espina, and Juan de Torquemada) and one layman (the Aragonese Pedro de Cavallería)—all written between 1450 and 1461—and Echevarría juxtaposes these texts with a wide selection of similar treatises written in Spain and elsewhere since the Muslim invasion of Iberia in 711. For each of her four primary texts, she provides the historical context of the author's life as well as an analysis of each work's style, sources, symbolism, and mode of argumentation against Islam (which, in general, involved allegations about the illegitimacy of the Muslim Prophet, holy text, or tenets). She then compares the views of these authors with the legal norms governing interactions among Muslims, Christians, and Jews in 15th-century Spain and concludes that both reveal an “evolution towards intolerance and violence which was common to the society and its rulers” and that impelled the eventually successful conquest of Granada.



Author(s):  
Miles Pattenden

This chapter sets out the historical context to the cardinal as a subject of portraiture. It engages recent historiography to explain how the cardinal’s function and role in the Roman Curia, including his relationship to the pope, developed from the fifteenth century onwards, and how this was reflected in the range of men who occupied the cardinal’s office. The Sacred College changed substantially over these centuries, with its proud ‘princes of the Church’ giving way to an altogether humbler breed of Counter-Reformation cleric. Naturally, this affected both how cardinals depicted themselves and how they and others used their depictions.



1996 ◽  
Vol 76 ◽  
pp. 51-72
Author(s):  
N. W. Alcock ◽  
C. T. Paul Woodfield

That architecture makes social statements is obvious in grand buildings from Norman castles to country houses. In smaller houses, such statements are often muted by our ignorance of their historical context and their date. This paper examines a small but sophisticated medieval house in which the combination of precise dating and informative documentation surmounts simple architectural analysis, to reveal something of its social importance to the family who built it. In the early nineteenth century, the status of Hall House, Sawbridge, was the lowest possible. It belonged to the Sawbridge Overseers of the Poor and was rented to families receiving parish support; later it became farm labourers' cottages. Most of the stages in the decline of the elegant medieval house to this lowly state can be documented, and links established to the only family in fifteenth-century Sawbridge with pretensions to sophistication. These clues lead to the identification of John Andrewe as the builder of Hall House in 1449, and to the recognition of it as a concrete expression of a family pride that was also being fostered by the invention of a distinguished ancestry.



2002 ◽  
Vol 99 (4) ◽  
pp. 541-568 ◽  
Author(s):  
Heidi J. Hornik

The role held by Job in fifteenth-century Venetian culture will be evaluated through the study of three High Renaissance paintings. The master artists Giovanni Bellini and Vittore Carpaccio each painted Job in a unique, visual manner. The analysis of the formal compositional characteristics, the iconographic elements and the historical context of the San Giobbe altarpiece and the Sacred Allegory by Giovanni Bellini and the Meditation on the Passion by Vittore Carpaccio compose a visual alternative for understanding Job. The issues of patronage, compositional artistic sources, and contemporary theological sources will be identified. Their direct relevance to these paintings contributes to the full understanding of how and why some of the artist's decisions were made for each commission. The specific Joban iconography is presented and interpreted as it relates to these three works of art. Bellini and Carpaccio are contemporaries who live, worship, and compete for work in the same city. They interpret the role that Job plays for the contemporary viewer/worshipper in different ways. The question of Job as an intercessor or prophet becomes essential in ascertaining their significance then and now to both the student of art and religion.



2017 ◽  
Vol 15 (2) ◽  
pp. 200-221
Author(s):  
Albrecht Fuess

Abstract Presently, the role of in-law relationships in the Middle Eastern historical context has been understudied, even as it is known that high officials could bolster their political prestige and claim to power by marrying or being married to a royal princess. This is especially true in the Mamluk context of the fifteenth century, when it became impossible for sons of reigning sultans to succeed their fathers. These sons were only allowed to ascend the throne for short periods as mere placeholders, as the effective successors who replaced their fathers were usually drawn from among the membership of the inner circle of the Mamluk military elite. Their marker of identity was that they had been imported as young slave boys from regions to the north of the Black Sea or the Caucasian region. Because there were no direct dynastic ties present, a new Mamluk sultan would create a family bond to the old sultan and bolster his legitimacy by becoming his in-law. The following article will therefore look at the process of becoming an in-law at the Mamluk court and the possible consequences of a royal wedding in terms of transmission of legitimacy.



Author(s):  
Marina A. Kurysheva ◽  

This article puts forward a new later dating of the Greek manuscript BnF, Paris. gr. 1783 kept in the National Library of France and containing portraits of emperors of the Palaiologoi dynasty. The manuscript contains important texts related to the Constantinople period of court history and culture. Historiographers used to date the manuscript to the fifteenth century according to the portrait of Patriarch Joseph II (†1439), a famous participant of the Ferraro-Florence Council, which can be seen in the Italian fresco paintings of the fifteenth century. Meanwhile, the study of the manuscript’s palaeographical features shows that it was written by an anonymous scribe from Crete who worked in Venice and Rome for Italian humanists in the middle — third quarter of the sixteenth century. The handwriting of the famous Cretan calligrapher, employee of Francis I’s library in Fontainebleau Angelus Vergecius, as well as some other scribes associated with him was typologically close to the handwriting of the main scribe of the manuscript. Analogies to this handwriting can also be seen in the handwriting of Manuel Provataris, another famous scribe of the epoch, a Cretan Greek from Rethymno, employee and copyist of the Vatican Library. The new palaeographic dating of the Paris. gr. 1783 manuscript changes the date of creation of portrait drawings of the Byzantine emperors of the Palaiologoi dynasty and Patriarch Joseph II. Also, it is important to change the dating of all texts contained in the manuscript including such important texts as one of the three lists of imperial tombs of the Church of Sts. Apostles in Constantinople, as well the list of the offices of the Byzantine court. The Paris. gr. 1783 manuscript should be excluded from the circle of Late Byzantine booklore and attributed to post-Byzantine book heritage.



2021 ◽  
Author(s):  
Renata Segre

A history of the Jewish presence in Venice and in the Serenissima Republic before the establishment of the Venice Ghetto had not yet been written, because there was no relevant investigation into the documentary sources of archives and libraries. On the occasion of the celebrations for the five hundred years of the Ghetto, it was still maintained that only from 1516 did the Jews settle in the city. This book, the result of twenty years of systematic research, intends to controvert that myth, which is an integral part of the larger myth of Venice. The documentary scope covers almost three hundred years (between the midthirteenth century and the second decade of the sixteenth century), that is, from the first ascertained presence of Jews to their definitive settlement in the urban area called the Ghetto, in a particularly troubled period of Venetian history. In this historical context, Mestre had special importance, becoming, close to the fifteenth century, the capital of Venetian Judaism: not only did the loan banks operate there, but there were also the only official synagogue (with relative cult and rabbinate), the hostel for those who had business to see to in the capital, and the cemetery. Unfortunately, none of these testimonies was preserved, and the very memory of that community was soon erased. A very similar story took place in Treviso, a primary Ashkenazi centre, which disappeared at the end of the fifteenth century, unlike Padua that was the only one, among the largest and oldest Jewish communities, to overcome the centuries, without ever being able to contend for primacy with the Venice Ghetto.



2021 ◽  
Author(s):  
Christopher S. Celenza

Christopher Celenza is one of the foremost contemporary scholars of the Renaissance. His ambitious new book focuses on the body of knowledge which we now call the humanities, charting its roots in the Italian Renaissance and exploring its development up to the Enlightenment. Beginning in the fifteenth century, the author shows how thinkers like Lorenzo Valla and Angelo Poliziano developed innovative ways to read texts closely, paying attention to historical context, developing methods to determine a text's authenticity, and taking the humanities seriously as a means of bettering human life. Alongside such novel reading practices, technology – the invention of printing with moveable type – fundamentally changed perceptions of truth. Celenza also reveals how luminaries like Descartes, Diderot, and D'Alembert – as well as many lesser-known scholars – challenged traditional ways of thinking. Celenza's authoritative narrative demonstrates above all how the work of the early modern humanist philosophers had a profound impact on the general quest for human wisdom. His magisterial volume will be essential reading for all those who value the humanities and their fascinating history.



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