scholarly journals Hábitos de lectura y consumo de información de los adolescentes en el ámbito digital

2020 ◽  
pp. 72-107
Author(s):  
Rosa Tabernero Sala ◽  
Eva Álvarez Ramos ◽  
Hugo Heredia Ponce

The present work tries to echo how the communicative metamorphoses occurred in the last years, inferring in the reading habits and in the consumption of information in a general way and more specifically in adolescents. The analysis will start from the report prepared by the writers’ guild 2018 (2019), since it allows us to monitor the state of reading habits and book purchases in a generalized way in Spain. Then, apply what has been poured out to young people extensively and, finally, materializing by extrapolating all the data analyzed to the geographical area of Cádiz adolescents and their position in relation to the rest of Spanish adolescents. Gender variables will also be taken into account in a very special way, to see if there is a certain preference depending on the sex of the reader in the choice of medium (digital or analogue) and if within the digital medium there are discrepancies in the type of text read. We will also check whether digital reading by young people is reduced exclusively to short texts and whether this choice can be derived from the very nature of digital. In the same way, we will pay special attention to the preferences of analogical reading versus digital reading, when we talk about long texts, again due to the personal nature of paper reading. We will analyze the reading frequency of the different digital media, as well as the choice of other shorter texts, categorized within the taxonomy of digital reading. Finally, we will take into account what types of readers with respect to reading frequency become from digital media. The idea is to draw up a panorama that shows how reading occurs among adolescents in the digital world, by definition, closer to their thoughts and feelings.

Author(s):  
Rosa Tabernero Sala ◽  
Eva Álvarez Ramos ◽  
Hugo Heredia Ponce

The present work tries to echo how the communicative metamorphoses occurred in the last years, inferring in the reading habits and in the consumption of information in a general way and more specifically in adolescents. The analysis will start from the report prepared by the writers’ guild 2018 (2019), since it allows us to monitor the state of reading habits and book purchases in a generalized way in Spain. Then, apply what has been poured out to young people extensively and, finally, materializing by extrapolating all the data analyzed to the geographical area of Cádiz adolescents and their position in relation to the rest of Spanish adolescents. Gender variables will also be taken into account in a very special way, to see if there is a certain preference depending on the sex of the reader in the choice of medium (digital or analogue) and if within the digital medium there are discrepancies in the type of text read. We will also check whether digital reading by young people is reduced exclusively to short texts and whether this choice can be derived from the very nature of digital. In the same way, we will pay special attention to the preferences of analogical reading versus digital reading, when we talk about long texts, again due to the personal nature of paper reading. We will analyze the reading frequency of the different digital media, as well as the choice of other shorter texts, categorized within the taxonomy of digital reading. Finally, we will take into account what types of readers with respect to reading frequency become from digital media. The idea is to draw up a panorama that shows how reading occurs among adolescents in the digital world, by definition, closer to their thoughts and feelings.


Author(s):  
Armoni Bayar

With the development of technology, media channels have found themselves in the digital environment and continue to reach their target audience digitally. Media consumption is distributed according to age. In the digital world, young people and children make up a large part of this distribution. In addition to this, consumption of digital media has been reflected in many scenarios. The authors examine digital media consumption of children characters in the series by conversation analysis technique. Basic problems of this article are children characters' use of language as a result of the digital media consumption frequency and the language differences that the child and family television series have shown over the years in this context. For this purpose, the relevant old and new episodes of Çocuklar Duymasın series are selected randomly and the children characters are discussed in terms of the language they use during digital media consumption.


MedienJournal ◽  
2020 ◽  
Vol 44 (1) ◽  
pp. 18-29
Author(s):  
Ilona Andrea Cwielong ◽  
Jana Metz

Young people use the potentials of digital media to learn outside of school, for example through explanatory videos and tutorials. The use of such YouTube videos has long since found its way into everyday school life. However, it is entirely unclear how the (educational) market for explanatory videos and tutorials currently presents itself, especially to pupils since it is no longer shaped solely by semi-professional and amateurishly created moving images. In this article, we present the first data and findings of a market analysis of school-related explanatory videos and tutorials with their communicative embedding, and of a survey of ca. 700 secondary school students regarding their usage and motivation gathered for the BMBF-funded project "Digital extracurricular learning and education-related action practices of young people". We present a scope of forms these videos can take, show how differently knowledge and education are valued and how the students’ attention is increasingly treated as a good in business models.


MedienJournal ◽  
2020 ◽  
Vol 44 (1) ◽  
pp. 18-29
Author(s):  
Ilona Andrea Cwielong ◽  
Jana Metz

Young people use the potentials of digital media to learn outside of school, for example through explanatory videos and tutorials. The use of such YouTube videos has long since found its way into everyday school life. However, it is entirely unclear how the (educational) market for explanatory videos and tutorials currently presents itself, especially to pupils since it is no longer shaped solely by semi-professional and amateurishly created moving images. In this article, we present the first data and findings of a market analysis of school-related explanatory videos and tutorials with their communicative embedding, and of a survey of ca. 700 secondary school students regarding their usage and motivation gathered for the BMBF-funded project "Digital extracurricular learning and education-related action practices of young people". We present a scope of forms these videos can take, show how differently knowledge and education are valued and how the students’ attention is increasingly treated as a good in business models.


2017 ◽  
Vol 19 (1) ◽  
pp. 63 ◽  
Author(s):  
Laura Teichert

We know many children are using digital tools, such as mobile phones and tablets. Much has been debated about the appropriateness of these tools in the lives of young children (e.g., American Academy of Pediatrics, 2001, 2011; National Association for the Education of Young Children, 2012). Yet, parents are engaged in digital practices. Adults’ beliefs about the appropriateness of digital media for children influence the environments they create for young children and potentially influence children’s exposure to and interactions with digital tools. This paper describes the digital literacy practices of three families and reports on the tensions mothers felt in whether to allow their children to participate in these practices.


Author(s):  
Dan J. Bodoh

Abstract The growth of the Internet over the past four years provides the failure analyst with a new media for communicating his results. The new digital media offers significant advantages over analog publication of results. Digital production, distribution and storage of failure analysis results reduces copying costs and paper storage, and enhances the ability to search through old analyses. When published digitally, results reach the customer within minutes of finishing the report. Furthermore, images on the computer screen can be of significantly higher quality than images reproduced on paper. The advantages of the digital medium come at a price, however. Research has shown that employees can become less productive when replacing their analog methodologies with digital methodologies. Today's feature-filled software encourages "futzing," one cause of the productivity reduction. In addition, the quality of the images and ability to search the text can be compromised if the software or the analyst does not understand this digital medium. This paper describes a system that offers complete digital production, distribution and storage of failure analysis reports on the Internet. By design, this system reduces the futzing factor, enhances the ability to search the reports, and optimizes images for display on computer monitors. Because photographic images are so important to failure analysis, some digital image optimization theory is reviewed.


2021 ◽  
Vol 21 (1) ◽  
Author(s):  
Yan Hong ◽  
Jingjing Fu ◽  
Dehui Kong ◽  
Siqi Liu ◽  
Zhu Zhong ◽  
...  

Abstract Background With the development of digital media, online activities are increasingly becoming part of the daily life of older adults. Widowed older adults generally would face changes in social interactions and activities due to widowhood; thus, the importance of online participation may be more prominent in this population. However, a detailed evidence on the experiences of online social participation among widowed older adults is relatively sparse. This study aimed to explore widowed older adults’ perceptions regarding online social participation in southwestern China. Methods This study adopted a qualitative approach. Semi-structured, in-depth individual interviews were conducted with 19 widowed older adults between September–December 2020. Thematic analysis was applied to analyse the data. Results Two major themes, “benefits” and “barriers” were identified from the original data analysis. Subcategories concerning the theme “benefits” were “benefit perception (convenience, flexible time, supplementation)”, “health promotion”, “emotional comfort”, and “social connection”. Subcategories of “barriers” were “worries: personal economic loss”, “concerns: security of digital device”, “troubles: the diversity of online social participation”, and “difficulties: using digital media”. Conclusions Social participation of widowed older adults in southwestern China has begun to be integrated into the digital world; however, it remains at an early stage with the simple purpose of engagement. The older adults may face many challenges for online social participation. Although there are barriers and challenges in online social participation, widowed older adults can reap its benefits, which can be used as an important measure to facilitate a fulfilling life and successful ageing. There is no doubt that online social participation will become a trend within the foreseeable future. Family, friends and health care professionals should pay more attention to the needs of online social participation in widowed older adults and provide adequate support for them to achieve a meaningful life.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Jessie Nixon

Purpose This paper aims to demonstrate how teaching the discourse of critique, an integral part of the video production process, can be used to eliminate barriers for young people in gaining new media literacy skills helping more young people become producers rather than consumers of digital media. Design/methodology/approach This paper describes an instrumental qualitative case study (Stake, 2000) in two elective high school video production classrooms in the Midwestern region of the USA. The author conducted observations, video and audio recorded critique sessions, conducted semi-structured interviews and collected artifacts throughout production including storyboards, brainstorms and rough and final cuts of videos. Findings Throughout critique, young video producers used argumentation strategies to cocreate meaning, multiple methods of inquiry and questioning, critically evaluated feedback and synthesized their ideas and those of their peers to achieve their intended artistic vision. Young video producers used feedback in the following ways: incorporated feedback directly into their work, rejected and ignored feedback, or incorporated some element of the feedback in a way not originally intended. Originality/value This paper demonstrates how teaching the discourse of critique can be used to eliminate barriers for young people in gaining new media literacy skills. Educators can teach argumentation and inquiry strategies through using thinking guides that encourage active processing and through engaging near peer mentors. Classroom educators can integrate the arts-based practice of the pitch critique session to maximize the impact of peer-to-peer learning.


2020 ◽  
Vol 3 (1) ◽  
pp. 102-119 ◽  
Author(s):  
Angela Partington

AbstractThis article contributes to debates about how to respond to the changing profile of Higher Education (HE) students, and the marketisation of HE, by challenging prevailing views about student engagement, in order to develop learner-centric and inclusive pedagogies which are relevant to the twenty-first century. The concepts of ‘participatory culture’ and ‘co-creativity’ are often associated with the digital world in which the current generation of students have grown up. But it is a mistake to assume that some learning styles are inherently more participatory than others: participation is not an effect of the medium or form, (analog vs digital), or the space (actual vs virtual), or the mode of interaction a (face-to-face vs networked) through which the learner participates – it is an effect of the practices involved. Students engage with a complex network of both digital and analog texts and spaces, and it is this postdigital hybrid setting within which student engagement takes place. Marketisation provides an opportunity to actively demonstrate our commitments to student-centredness and inclusive practice, by transcending the binary opposition between ‘Student as Partner’ and ‘Student as Consumer’ and recognizing that students are learner-consumers, and allowing students’ diversity to drive innovation, rather than continuing to disempower students by bolstering practices which privilege some learning styles above others, informed by the assumption that innovation is technology-led.


Author(s):  
Lynn Schofield Clark ◽  
Ioana Literat ◽  
Neta Kligler-Vilenchik ◽  
Ashley Lee ◽  
Ellen Middaugh ◽  
...  

We are living through a highly politicized time, with deep divisions foregrounding the significance and importance of political expression and dialogue. Youth have been at the forefront of these important conversations, in both academic research and in the popular press. On the one hand, we are seeing a resurgence of activism and engagement among youth (Bond, Chenoweth & Pressman 2018; Deal 2019), who are using online platforms to express themselves politically in rich and creative ways (Graef 2016; Jenkins et al., 2016). On the other hand, deep concerns have emerged about “some of the darker sides of networked media engagement” (boyd, 2017, n.p.), including the spread of misinformation, increased polarization and politically motivated bullying among youth (Rogers, 2017). If we see youth as active agents in their own political socialization (Youniss, McLellan & Yates, 1997), the ways they actively express and negotiate their civic identities online (Jenkins et al., 2016) offer rich possibilities for understanding how we can best support them as civic actors. The research presented in this panel aims to move beyond a simplified depiction of youth as either idealized political role models (e.g. Greta Thunberg or the Parkland Youth) or, conversely, as apathetic and politically disengaged. In light of the conference theme exploring what it means to have a Life mediated by the internet, we place emergent and senior scholars studying youth and online political expression in dialogue with one another to discuss both findings and particular considerations brought up by internet research (franzke et al., 2020), and especially internet research involving youth (Livingstone & Third, 2017). By encouraging researchers and audience members to reflect on the epistemological, ethical, and practical aspects of their own research, we aim to identify new questions for further study as we seek to understand the evolution of youth and online political expression. The first presentation reviews findings from a cross-platform study utilizing a mixed methods approach to explore youth online political expression and cross-cutting political talk on TikTok, Instagram, and YouTube. These presenters discuss their findings in relation to the challenges and opportunities they encountered when identifying and analyzing youth-generated cross-platform data. The second presentation highlights findings from a social discourse analysis of Twitter and Reddit threads on youth-centric issues of immigration (DACA) and environmental issues (plastic pollution) to identify how the intersection of issue, platform and aims of discourse shape the characteristics of online civic discourse. This presenter discusses the challenges she encountered when creating both a codebook and coding scheme for data analysis. The third presentation considers the role of gender and intersectional identity in online humorous political expression through a case study of a U.S. Black Muslim teen’s TikTok posts. This presenter discusses the challenges of placing critical technocultural discourse analysis into dialogue with digital media literacy and youth participatory action research endeavors. The fourth presentation highlights findings emerging from a series of ethnographic interviews with young people in a comparative study exploring online youth political expression in democratic and non-democratic contexts. This presenter discusses challenges of qualitative research when working with young people, especially marginalized youth, who utilize hidden forms of expression to engage in politics. Finally, our respondent will invite audience members into the discussion by offering a reflection on the four presentations and asking session attendees to comment on their own research experiences and larger implications they see for the study of youth political expression online.


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