How Strange, Her Voice: On Mourning, Language, Texture and Time

APRIA Journal ◽  
2021 ◽  
Vol 3 (2) ◽  
pp. 51-53
Author(s):  
Jesse Ahlers

The combination of text and images in How Strange, Her Voice. The Mourning Diariesallows for the unfolding of two aspects at play in Jesse Ahler's recent work on colour and mourning. One is a reorganisation of time in a book – created as part of the ongoing work How Strange, Her Voice – that attempts to give form to a transformation in and through grief, which defies chronological representation in many ways. Another is the sensation that arises when I think of my parents. Deceased, they are no longer attached to a specific moment in time. Rather, they seem to be everything they ever were – all of it, all at once and all the time – condensations of themselves, which contradicts the idea that they are completely and forever 'gone'. The writing emerged to form a kind of palimpset with the diary Roland Barthes kept after the death of his mother, and the material processes of dying literally gave colour to this transformative, nonlinear process, as an incongruous, impertinent signifier. 'mourning

2021 ◽  
Vol 90 ◽  
pp. 11-31
Author(s):  
Sven Nyholm

AbstractThe absence of meaningfulness in life is meaninglessness. But what is the polar opposite of meaningfulness? In recent and ongoing work together with Stephen Campbell and Marcello di Paola respectively, I have explored what we dub ‘anti-meaning’: the negative counterpart of positive meaning in life. Here, I relate this idea of ‘anti-meaningful’ actions, activities, and projects to the topic of death, and in particular the deaths or suffering of those who will live after our own deaths. Connecting this idea of anti-meaning and what happens after our own deaths to recent work by Samuel Scheffler on what he calls ‘the collective afterlife’ and his four reasons to care about future generations, I argue that if we today make choices or have lifestyles that later lead to unnecessarily early deaths and otherwise avoidable suffering of people who will live after we have died, this robs our current choices and lifestyles of some of their meaning, perhaps even making them the opposite of meaningful in the long run.


2018 ◽  
pp. 1-16
Author(s):  
Kristin Bluemel ◽  
Michael McCluskey

The introduction defines what is meant by rural modernity, what work has informed this understanding, and how this concept offers a new reading of early twentieth-century British literature, art, and culture. It begins with an analysis of ongoing work in social history, rural studies, and cultural geography that has engaged with ideas of rural modernity. It then considers recent work in literary studies and modernist studies that tends to polarize the writers, artists, and their works that this book brings together. Finally, it offers a rationale for the organization of this collection of essays, provides a brief summary of individual chapters, and draws out the themes explored within and developed across chapters.


Maska ◽  
2017 ◽  
Vol 32 (185) ◽  
pp. 32-42
Author(s):  
Steven Corcoran

This paper discusses Rancière’s recent work The Lost Thread: The Democracy of Modern Fiction. Similar to his directly preceding work, Aisthesis, The Lost Thread explores the transformation of the very paradigm of fiction itself with the advent of modern realism in its break with the conventions of belles lettres. For Rancière, the specific logic of modern fiction, its democracy, consists in a logic of (im)purity that generates what he calls effects of equality. The specificity of modern fiction thus yields a rather different idea of the politics of fiction than that conveyed by modernist readings and epitomized by Roland Barthes’ notion of the reality effect. This paper discusses the logic of this change in fiction implicit within Rancière’s account, a logic the author refers to as ‘creative destruction’ in contradistinction to modernist dialectics; second, it explores the kind of subject implied by this fiction – where subject is understood both as the kind of limit situation that this fiction recounts and the constitution of its characters. Third, the author briefly suggests that Rancière’s reading of the logic of the event, in particular in Joseph Conrad’s Lord Jim, can be seen as sketching an answer to why it is that the key question of ‘how are we to live?’ only ever comes after the event.


2019 ◽  
Vol 42 ◽  
Author(s):  
Charlie Kurth

Abstract Recent work by emotion researchers indicates that emotions have a multilevel structure. Sophisticated sentimentalists should take note of this work – for it better enables them to defend a substantive role for emotion in moral cognition. Contra May's rationalist criticisms, emotions are not only able to carry morally relevant information, but can also substantially influence moral judgment and reasoning.


1976 ◽  
Vol 32 ◽  
pp. 457-463
Author(s):  
John M. Wilcox ◽  
Leif Svalgaard

SummaryThe sun as a magnetic star is described on the basis of recent work on solar magnetism. Observations at an arbitrary angle to the rotation axis would show a 22-year polar field variation and a 25-day equatorial sector variation. The sector variation would be similar to an oblique rotator with an angle of 90° between the magnetic and rotational axis.


Author(s):  
Shulin Wen ◽  
Jingwei Feng ◽  
A. Krajewski ◽  
A. Ravaglioli

Hydroxyapatite bioceramics has attracted many material scientists as it is the main constituent of the bone and the teeth in human body. The synthesis of the bioceramics has been performed for years. Nowadays, the synthetic work is not only focused on the hydroapatite but also on the fluorapatite and chlorapatite bioceramics since later materials have also biological compatibility with human tissues; and they may also be very promising for clinic purpose. However, in comparison of the synthetic bioceramics with natural one on microstructure, a great differences were observed according to our previous results. We have investigated these differences further in this work since they are very important to appraise the synthetic bioceramics for their clinic application.The synthetic hydroxyapatite and chlorapatite were prepared according to A. Krajewski and A. Ravaglioli and their recent work. The briquettes from different hydroxyapatite or chlorapatite powders were fired in a laboratory furnace at the temperature of 900-1300°C. The samples of human enamel selected for the comparison with synthetic bioceramics were from Chinese adult teeth.


2003 ◽  
Vol 70 ◽  
pp. 39-52 ◽  
Author(s):  
Roy A. Black ◽  
John R. Doedens ◽  
Rajeev Mahimkar ◽  
Richard Johnson ◽  
Lin Guo ◽  
...  

Tumour necrosis factor α (TNFα)-converting enzyme (TACE/ADAM-17, where ADAM stands for a disintegrin and metalloproteinase) releases from the cell surface the extracellular domains of TNF and several other proteins. Previous studies have found that, while purified TACE preferentially cleaves peptides representing the processing sites in TNF and transforming growth factor α, the cellular enzyme nonetheless also sheds proteins with divergent cleavage sites very efficiently. More recent work, identifying the cleavage site in the p75 TNF receptor, quantifying the susceptibility of additional peptides to cleavage by TACE and identifying additional protein substrates, underlines the complexity of TACE-substrate interactions. In addition to substrate specificity, the mechanism underlying the increased rate of shedding caused by agents that activate cells remains poorly understood. Recent work in this area, utilizing a peptide substrate as a probe for cellular TACE activity, indicates that the intrinsic activity of the enzyme is somehow increased.


Physica ◽  
1954 ◽  
Vol 3 (7-12) ◽  
pp. 1065-1067
Author(s):  
H HROSTOWSKI ◽  
M TANENBAUM
Keyword(s):  

2018 ◽  
Vol 68 (2) ◽  
pp. 498-516
Author(s):  
Neil O'Sullivan

Of the hundreds of Greek common nouns and adjectives preserved in our MSS of Cicero, about three dozen are found written in the Latin alphabet as well as in the Greek. So we find, alongside συμπάθεια, also sympathia, and ἱστορικός as well as historicus. This sort of variation has been termed alphabet-switching; it has received little attention in connection with Cicero, even though it is relevant to subjects of current interest such as his bilingualism and the role of code-switching and loanwords in his works. Rather than addressing these issues directly, this discussion sets out information about the way in which the words are written in our surviving MSS of Cicero and takes further some recent work on the presentation of Greek words in Latin texts. It argues that, for the most part, coherent patterns and explanations can be found in the alphabetic choices exhibited by them, or at least by the earliest of them when there is conflict in the paradosis, and that this coherence is evidence for a generally reliable transmission of Cicero's original choices. While a lack of coherence might indicate unreliable transmission, or even an indifference on Cicero's part, a consistent pattern can only really be explained as an accurate record of coherent alphabet choice made by Cicero when writing Greek words.


1921 ◽  
Vol 3 (6supp) ◽  
pp. 561-562
Author(s):  
Vernon Kellogg ◽  
R. M. Yerkes ◽  
H. E. Howe
Keyword(s):  

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