scholarly journals Imitation Of The Forthcoming: Interposition Approach In Communal Organization

Author(s):  
Kambeiz Talebi (PhD)

Regarding the unpredictability of communal frameworks and the presence of self-ruling mediates, planning and making the forthcoming requires an uncommon technique, which can fit these components with itself. This can be conceivable by forthcoming portraying, which makes an understanding into the ideal forthcoming, and presents a genuine point of view of it; as well as it advances an arranged impression of the ideal status to force a roused viewpoint to what's to come. In global levels, portraying the forthcoming which is for the most part led by cutting edge nations causes different nations make responses or inverse response which are worldwide and unexpected in different manners, for example, symphonious, latent, turbulent, dynamic and proactive responses. Nonetheless, the primary accomplishment of this conversation is that communal orders must present their very own fitting image forthcoming, which appreciates enough fascination in empower the individuals from applicable communal orders. This image is here and there molded dependent on reproducing an ideal circumstance through the past dreams, or on the norm, and in some cases simply on a viewpoint zeroing in on forthcoming. What makes a difference is that the forthcoming picture must be led on a reasonable and practical premise, for else it might be considered as a beguiling plan, which is outlaw, delicate, and transient due to its infleXibility toward the optimistic advancement of the human communal orders.

2020 ◽  
Vol 38 (2) ◽  
pp. 337-363
Author(s):  
S. S. Avanesov

This article is devoted to the analysis of autobiography as a form of anthropological practice of yourself. The autobiography of Vladimir Nabokov’s “Other Shores” has been investigated from this perspective in connection with his other works. The philosophical side of Nabokov’s memoirs is considered here. This made it possible to formulate the main problems of the writer’s autobiographical work: the ratio of memory and imagination when plotting, the difference between fact and event in the structure of memory, the degree of individual freedom from coercion of objective historical circumstances, the possibility of discerning the meaning of one’s own biography long before the end of physical life. As a result of the study, Nabokov’s autobiography is characterized as a struggle against time for personal immortality. In this struggle, the writer is not so much expressing as creating yourself. He takes an active position in the act of remembrance, directing memory into the mainstream of the search for the meaning of his past, starting from early childhood. A person who remembers himself gets the opportunity to break out of the linear course of time, to distinguish repetitions in the past and read them as signs of his biography. Finally, reconfiguring biographic optics allows the author to come to a point of view from which he, through ordinary objects, begins to see not only the past and the future in their mutual transition, but also eternity. Thus, the writer avoids the main threat hanging over the mortal creature – the prospect of its annihilation.


1951 ◽  
Vol 71 (4) ◽  
pp. 386-396
Author(s):  
E.R. Callender

The desirability of eradicating bovine tuberculosis from the herds of this country is discussed both from a public health and an economic point of view. Steps taken over the past few years to achieve this end are indicated and some explanation for the apparently slow progress sought. The progress made under the Tuberculosis (Attested Herds) Scheme is reviewed and the proposed steps to be taken in the final stage of the campaign against this disease are discussed. It is of course highly desirable that the programme should interfere as little as possible with the necessary normal movement of animals which takes place throughout the country, and this fact has been kept in mind when framing the necessary proposals. Both the milk producer and the stock rearer have been offered financial inducement, in the way of bonus payments, to eradicate tuberculosis from their herds voluntarily under the Tuberculosis (Attested Herds) Scheme, I950. This scheme is discussed in some detail in view of its importance in the campaign for some years to come, and the lines along which it is proposed to proceed wtih eradication on an area basis are indicated.


Tempo ◽  
1950 ◽  
pp. 14-19
Author(s):  
Guido M. Gatti

Just as the natural seasons have changed their character over a period of time, so, it may be said, have the musical seasons. Of recent years the emphasis has swung over from Autumn and Winter towards Spring and Summer, abandoning the great cities and theatres of ancient tradition for more picturesque abodes, which possess greater interest from the point of view of climate and local colour. Thus the opera and concert seasons which take place in Rome or Milan, Naples or Bologna, Palermo or Genoa begin to lose their appeal; and there is a growth of interest, on the other hand, in Spring or Summer festivals held in cities which are rich in every kind of artistic interest. Musical snobisme has suffered a change: whereas it was once considered fashionable to be present at the first night of the La Scala opera season, now it is even more so to attend the first performance of the “Maggio Musicale Fiorentino” and find oneself on the Lungarno Vespucci between the Hotel Excelsior and the Teatro Communale, or in Venice, in September, for the Festival of Contemporary Music, between the Caffè Florian and La Fenice. At bottom, however, if we consider well, the success of these festivals is due to less superficial and external causes, in as much as they satisfy the entirely modern need for summarising, condensing and intensifying the manifestations of the spirit in a brief space and limited time: for the man of to-day is always in a hurry and his curiosity cannot be kept awake for a long period. In consequence, these festivals are intended to give, in two or three weeks and in a single city, a kind of symposium of the most important musical happenings of the past year–in the fields of opera, ballet and concert–and, moreover, they are combined with the varied and famous attractions of places of touristic interest, thus realising the ideal of the utile dulci; care is taken of the health of the body, and substantial nourishment is provided for the soul.


As children, we would all be able to identify with having affectionate recollections of going from vendor to business with our folks, bouncing all through the secondary lounges of various vehicles, trying out all the distinctive highlights. While test drives haven't fallen by the wayside, the cutting edge 2017 vehicle customer will just visit a normal of 2 businesses on their adventure to purchasing their ideal new vehicle. The vehicle purchasing venture has profoundly changed because of the advanced blast over the past couple years. Individuals are investing less energy in business showrooms and additional time looking into and working out the ideal vehicle. With the monstrous measure of data accessible on each model, it's imperative to draw in potential sellers to give the correct substance, at the ideal time.


1942 ◽  
Vol 11 (33) ◽  
pp. 137-138
Author(s):  
H. G. Mullens
Keyword(s):  
The Past ◽  
To Come ◽  

An ἀγών between the dignity and aspiration of man and the apparently overwhelming power of the gods or of circumstance recurs frequently as a theme in the Greek tragedies. The solution proposed by the Greek writers was always positive and encouraging to man. The same theme is found in the Aeneid, and the answer is not dissimilar to the solution offered in some of his plays by Aeschylus. Virgil views the struggle historically and he makes his hero the embodiment of past, present, and future. He is Aeneas the founder of the Roman race, he is Augustus the inaugurator of the new Rome, and he is also what Augustus and his successors in the poet's opinion should be. That is to say, he is the tradition of the past, the actuality of the present, and an ideal for the future. Above all he is the Roman people then, now, and to come; and the ideal for the future is a social ideal. The tragic idea of the Aeneid is made plain at the beginning of the poem by means of the celestial machinery. The first scene is the storm (i, 34–156) when all the powers of heaven seem to be trying to wreck the already ruined Trojans. We might indulge in a misapplication of words and choose as a motto for this passagetantaene animis caelestibus irae? (l. 11)The gods are cruel and unjust as in Prometheus Vinctus. The second scene shows the effect of this ‘persecution’ upon the Trojans. They are fessi rerum (178), ‘weary of the world’. But from Aeneas suffering evokes a confession of faith—per varios casus, per tot discrimina rerum tendimus in Latium, sedes ubi fata quietas ostendunt; illic fas regna resurgere Troiae. Durate, et vosmet rebus servate secundis. (204–7)


Crisis ◽  
2003 ◽  
Vol 24 (1) ◽  
pp. 24-28 ◽  
Author(s):  
Lourens Schlebusch ◽  
Naseema B.M. Vawda ◽  
Brenda A. Bosch

Summary: In the past suicidal behavior among Black South Africans has been largely underresearched. Earlier studies among the other main ethnic groups in the country showed suicidal behavior in those groups to be a serious problem. This article briefly reviews some of the more recent research on suicidal behavior in Black South Africans. The results indicate an apparent increase in suicidal behavior in this group. Several explanations are offered for the change in suicidal behavior in the reported clinical populations. This includes past difficulties for all South Africans to access health care facilities in the Apartheid (legal racial separation) era, and present difficulties of post-Apartheid transformation the South African society is undergoing, as the people struggle to come to terms with the deleterious effects of the former South African racial policies, related socio-cultural, socio-economic, and other pressures.


Chelovek RU ◽  
2020 ◽  
pp. 18-53
Author(s):  
Sergei Avanesov ◽  

Abstract. The article analyzes the autobiography of the famous Russian philosopher, theologian and scientist Pavel Florensky, as well as those of his texts that retain traces of memories. According to Florensky, the personal biography is based on family history and continues in children. He addresses his own biography to his children. Memories based on diary entries are designed as a memory diary, that is, as material for future memories. The past becomes actual in autobiography, turns into a kind of present. The past, from the point of view of its realization in the present, gains meaning and significance. The au-thor is active in relation to his own past, transforming it from a collection of disparate facts into a se-quence of events. A person can only see the true meaning of such events from a great distance. Therefore, the philosopher remembers not so much the circumstances of his life as the inner impressions of the en-counter with reality. The most powerful personality-forming experiences are associated with childhood. Even the moment of birth can decisively affect the character of a person and the range of his interests. The foundations of a person's worldview are laid precisely in childhood. Florensky not only writes mem-oirs about himself, but also tries to analyze the problems of time and memory. A person is immersed in time, but he is able to move into the past through memory and into the future through faith. An autobi-ography can never be written to the end because its author lives on. However, reaching the depths of life, he is able to build his path in such a way that at the end of this path he will unite with the fullness of time, with eternity.


2017 ◽  
Vol 5 (2) ◽  
pp. 109-120
Author(s):  
Cecília Avelino Barbosa

Place branding is a network of associations in the consumer’s mind, based on the visual, verbal, and behavioral expression of a place. Food can be an important tool to summarize it as it is part of the culture of a city and its symbolic capital. Food is imaginary, a ritual and a social construction. This paper aims to explore a ritual that has turned into one of the brands of Lisbon in the past few years. The fresh sardines barbecued out of doors, during Saint Anthony’s festival, has become a symbol that can be found on t-shirts, magnets and all kinds of souvenirs. Over the year, tourists can buy sardine shaped objects in very cheap stores to luxurious shops. There is even a whole boutique dedicated to the fish: “The Fantastic World of Portuguese Sardines” and an annual competition promoted by the city council to choose the five most emblematic designs of sardines. In order to analyze the Sardine phenomenon from a city branding point of view, the objective of this paper is to comprehend what associations are made by foreigners when they are outside of Lisbon. As a methodological procedure five design sardines, were used of last year to questioning to which city they relate them in interviews carried in Madrid, Lyon, Rome and London. Upon completion of the analysis, the results of the city branding strategy adopted by the city council to promote the sardines as the official symbol of Lisbon is seen as a Folkmarketing action. The effects are positive, but still quite local. On the other hand, significant participation of the Lisbon´s dwellers in the Sardine Contest was observed, which seems to be a good way to promote the city identity and pride in their best ambassador: the citizens.


1957 ◽  
Vol 11 (4) ◽  
pp. 381-393
Author(s):  
Kenneth MacGowan
Keyword(s):  
The Past ◽  

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