scholarly journals The utility of the application of new three-dimensional technologies for the study and dissemination of heritage from a historical-technical perspective: case studies

2017 ◽  
Vol 11 ◽  
pp. 208-213 ◽  
Author(s):  
Irene Ruiz Bazán ◽  
Gianluca Emilio Ennio Vita
Keyword(s):  
Case Studies ◽  
Three Dimensional ◽  
Restoration Project ◽  
In The Beginning ◽  
Santa Maria ◽  
The Church

In this article we analyse the different applications of convergent photogrammetry in three different cases. In the first one, the application in the beginning of a restoration project of the Chapel of the Purification in the Church of the Carmine in Milan (Italy), where we will explain the usefulness of this technology. In the second case the utility of the three-dimensional reproduction made to the hidden murals at the Collegiate Church of Santa Maria in Daroca (Spain) for its diffusion and finally the application of this technique as a tool for communicating the results of research in projects. The confrontation of these cases in which the same technology is applied at various stages of the process of conservation and study of heritage, with distinctly different purposes, aims both to deepen their usefulness, such as delineating its limits and requirements.

Investigating Baroque Creativity of Minor Examples in Southern Sicily

2016 ◽  
pp. 201-228 ◽  
Author(s):  
Mariateresa Galizia ◽  
Cettina Santagati ◽  
Nuccio Delfo Giuffrida
Keyword(s):  
Design Process ◽  
Dimensional Space ◽  
Three Dimensional ◽  
Geometric Figures ◽  
The Core ◽  
Complex Structural ◽  
Minor Architecture ◽  
Simple Query ◽  
Santa Maria ◽  
The Church

This study takes advantage of digital surveying to investigate in reverse the complexity and creativity of architectural composition in religious Baroque buildings while studying a so-called minor architecture, the church of Santa Maria dell'Odigitria in Acireale (CT), whose interior is modeled with geometric rigor, through a design process that is based on the use of simple geometric figures but articulated differently, such as to structure a complex structural and proportional order. The three-dimensional space of a computer instead becomes the core of the unveiling process, the place where the scholar has the opportunity to interact and communicate with millions of points gained, to reason on the geometric and spatial qualities of the object; where the geometric intuition about the genesis of the shape can be verified in real time through a simple query / overlap, in which one can move from measurement to representation, from the spatiality of the real to its discretization and viceversa.

The Samarin Family and the Parish Question in the Russian Empire. 1860s–1910s

2019 ◽  
Vol 54 ◽  
pp. 235-246
Author(s):  
Alexey L. Beglov
Keyword(s):  
Twentieth Century ◽  
Russian Empire ◽  
Public Discussion ◽  
The Public ◽  
The Social ◽  
Church Life ◽  
The Russian Empire ◽  
In The Beginning ◽  
The Church ◽  
Do So

The article examines the contribution of the representatives of the Samarin family to the development of the Parish issue in the Russian Empire in the late 19th and early 20th centuries. The issue of expanding the rights of the laity in the sphere of parish self-government was one of the most debated problems of Church life in that period. The public discussion was initiated by D.F. Samarin (1827-1901). He formulated the “social concept” of the parish and parish reform, based on Slavophile views on society and the Church. In the beginning of the twentieth century his eldest son F.D. Samarin who was a member of the Special Council on the development the Orthodox parish project in 1907, and as such developed the Slavophile concept of the parish. In 1915, A.D. Samarin, who took up the position of the Chief Procurator of the Most Holy Synod, tried to make his contribution to the cause of the parish reforms, but he failed to do so due to his resignation.

scholarly journals Generative Models for Relief Perspective Architectures

2021 ◽  
Author(s):  
Leonardo Baglioni ◽  
Federico Fallavollita
Keyword(s):  
Research Methodology ◽  
Affine Space ◽  
Three Dimensional ◽  
Generative Models ◽  
Linear Perspective ◽  
Dimensional Structure ◽  
Three Dimensional Structure ◽  
Present Essay ◽  
Santa Maria

AbstractThe present essay investigates the potential of generative representation applied to the study of relief perspective architectures realized in Italy between the sixteenth and seventeenth centuries. In arts, and architecture in particular, relief perspective is a three-dimensional structure able to create the illusion of great depths in small spaces. A method of investigation applied to the case study of the Avila Chapel in Santa Maria in Trastevere in Rome (Antonio Gherardi 1678) is proposed. The research methodology can be extended to other cases and is based on the use of a Relief Perspective Camera, which can create both a linear perspective and a relief perspective. Experimenting mechanically and automatically the perspective transformations from the affine space to the illusory space and vice versa has allowed us to see the case study in a different light.

scholarly journals Per Ravenna trecentesca: nuove proposte per l’assetto architettonico di Santa Maria in Porto Fuori

2019 ◽  
Vol 82 (1) ◽  
pp. 3-31
Author(s):  
Fabio Massaccesi
Keyword(s):  
Fourteenth Century ◽  
Second World War ◽  
World War ◽  
The Subject ◽  
First Time ◽  
Santa Maria ◽  
Second World ◽  
The Church

Abstract This contribution intends to draw attention to one of the most significant monuments of medieval Ravenna: the church of Santa Maria in Porto Fuori, which was destroyed during the Second World War. Until now, scholars have focused on the pictorial cycle known through photographs and attributed to the painter Pietro da Rimini. However, the architecture of the building has not been the subject of systematic studies. For the first time, this essay reconstructs the fourteenth-century architectural structure of the church, the apse of which was rebuilt by 1314. The data that led to the virtual restitution of the choir and the related rood screen are the basis for new reflections on the accesses to the apse area, on the pilgrimage flows, and on the view of the frescoes.

A gravity model of the basement structure in the Santa Maria Basin, California

Geophysics ◽  
1986 ◽  
Vol 51 (5) ◽  
pp. 1127-1140 ◽  
Author(s):  
Paul M. Kieniewicz ◽  
Bruce P. Luyendyk
Keyword(s):  
Short Wavelength ◽  
Large Scale ◽  
Bouguer Anomaly ◽  
Three Dimensional ◽  
Average Density ◽  
Structure Model ◽  
Basement Structure ◽  
Santa Maria Basin ◽  
Clastic Rocks ◽  
Santa Maria

The Santa Maria Basin in southern California is a lowland bounded on the south by the Santa Ynez River fault and on the northeast by the Little Pine‐Foxen Canyon‐Santa Maria River faults. It contains Neogene sedimentary rocks which rest unconformably on a basement of Cretaceous and older clastic rocks. Analysis of over 4 000 gravity stations obtained from the Defense Mapping Agency suggests that the Bouguer anomaly contains a short‐wavelength component arising from a variable‐density contrast between the basin’s Neogene units and the Cretaceous basement. A three‐dimensional inversion of the short‐wavelength component (constrained by wells drilled to basement) yields a structure model of the basement and the average density of the overlying sediments, assuming that the basement does not contain large‐scale density variations. The density anomalies modeled in the Neogene sediments, showing higher densities in the basin troughs, can be related to diagenetic changes in the silica facies of the Monterey and Sisquoc formations. The basement structure model shows the basin as composed of parallel ridges and troughs, trending west‐northwest and bounded by steep slopes interpreted as fault scarps. The basin is bounded on the west by a north‐south trending slope which may also represent a fault scarp.

Immersion, interactivity and three-dimensionality: virtual reality documentation of media art installations

2021 ◽  
Author(s):  
Kira A. Brown
Keyword(s):  
Virtual Reality ◽  
Case Studies ◽  
Three Dimensional ◽  
Research Paper ◽  
Sensory Experience ◽  
Three Dimensions ◽  
Media Art ◽  
Essential Information ◽  
Art Installation ◽  
High Level

This research paper explores the possibilities for virtual reality (VR) documentation of media art installations. Based on an analysis of the characteristics of media art, and a survey of current documentation strategies, this paper investigates the viability of three-dimensional documentation. Four cross-disciplinary case studies are presented and analysed to demonstrate that VR documentation provides an immersive and richer reconstruction of a media art installation in three dimensions. In addition, the interactive components can be simulated within the VR environment, offering the possibility for curators and visitors to virtually re-experience the artwork. The case studies show that, although the creation of VR documentation can be costly and time-consuming, and currently requires a high-level of expertise, it can be a useful addition to established documentation strategies by providing essential information about the visual aspects of the artwork, its environment and the user’s multi-sensory experience.

The Fresco Cycle of Saint Maria Maddalena De’ Pazzi (1566–1607)

2021 ◽  
Vol 25 (4) ◽  
pp. 421-454
Author(s):  
Michal Shalit-Kollender
Keyword(s):  
Counter Reformation ◽  
Santa Maria ◽  
The Church ◽  
Fresco Cycle

Abstract Saint Maria Maddalena de’ Pazzi, a Florentine Carmelite nun and mystic, was recognized as a saint in 1669. After her canonization, a church in Florence was renovated and renamed Santa Maria Maddalena de’ Pazzi, and new artworks were commissioned for it. This article will explore in detail a series of ten frescoes on the top section of the walls in the church, part of the renovation. Although these works are part of the saint’s public iconography and depict major narratives of her cult, they have not been studied in depth to date. Though the scenes have meaning to a general Catholic audience, they appeal to different audiences—the Carmelite nuns, the local Florentine population, and the post-Counter Reformation believer—to differing degrees, the scenes with Jesuit undertones aimed particular at the latter group.

scholarly journals GPR and IRT Tests in two Historical Buildings in Gravina in Puglia

2016 ◽  
Author(s):  
Loredana Matera ◽  
Raffaele Persico ◽  
Edoardo Geraldi ◽  
Maria Sileo ◽  
Salvatore Piro
Keyword(s):  
Southern Italy ◽  
Historical Buildings ◽  
Santa Croce ◽  
Stepped Frequency ◽  
Santa Maria ◽  
The Church

Abstract. This paper describes a noninvasive investigation conducted in two important churches, namely the Cathedral of Santa Maria Assunta and the church Santa Croce, both placed in Gravina in Puglia (close to Bari, southern Italy). The church of Santa Croce, now deconsecrated, lies below the Cathedral. Therefore, indeed the two churches constitute a unique building body. Moreover, below the church of Santa Croce there are several crypts, only partially known. The prospecting was performed both with a pulsed commercial GPR system and with a prototypal reconfigurable stepped frequency system. The aim was twofold, namely to achieve some information about the monument and to test the prototypal system. The GPR measurements have been also integrated with an IRT investigation performed on part of the vaulted ceiling of the church of Santa Croce, in order to confirm or deny a possible interpretation of some GPR results.

V. Models of Dissent: The Chicano Movement in the Roman Catholic Church

Horizons ◽  
2018 ◽  
Vol 45 (1) ◽  
pp. 146-149
Author(s):  
Jason Steidl
Keyword(s):  
Case Studies ◽  
Catholic Church ◽  
Roman Catholic ◽  
The Other ◽  
Roman Catholic Church ◽  
Chicano Movement ◽  
Catholic Priests ◽  
The Church ◽  
Successes And Failures ◽  
The Catholic Church

This contribution to the roundtable will compare two forms of protest in the church—one that is radical and challenges the church from the outside, and the other that is institutional and challenges the church from the inside. For case studies, I will compare Católicos Por La Raza (CPLR), a group of Chicano students that employed dramatic demonstrations in its protest of the Catholic Church, and PADRES, an organization of Catholic priests that utilized the tools at its disposal to challenge racism from within the hierarchy. I will outline the ecclesiologies of CPLR and PADRES, the ways in which these visions led to differing means of dissent, and the successes and failures of each group.

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