„One Day he Will Find me and Save me”. The Dream for Prince Known from the Fairy Tales of Charles Perrault and Brothers Grimm and the Accompanying Illustrations

Author(s):  
Katerina Gadjeva

Magic stories are extremely difficult to analyze, as they have both folklore (oral) and literary (written) existence, they are oriented towards the little ones, but at the same time they send messages to the adults and last but not least – they are almost always accompanied by illustrations, which further complicate and expand the meaning of the written. Artists become "translators" who have to adapt the content to the specific needs of the particular audience and the peculiarities of its time. Millions of children around the world have shaped their understanding of the roles of man and woman and the relationship between gender and behavior based on the well-known stories of ordinary girls rescued by princes, unusually appeared in their lives. This article will analyze the verbal and pictorial representation of the main characters in two of the most famous fairytales – "Cinderella" and "The Sleeping Beauty". The aim is to highlight certain patterns that have an important contribution to the formation of gender stereotypes in children and their dreams of happy and successful life.

Author(s):  
Jack Zipes

This book explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. The book reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world—the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. The book looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the “Grimm” aspects of contemporary tales, and the tales' utopian impulses. It shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. The book concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. The book examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.


2021 ◽  
Vol 9 (SPE2) ◽  
Author(s):  
Milyausha R Shaimardanova ◽  
Anna V. Zorina ◽  
Leysan A. Akhmetova

The purpose of the study is to conduct a cognitively-comparative analysis of the representation of the communicative-pragmatic frame intellect (Russianум, German Klugheit) objectified in proverbs of English and Russian languages, which, being a reflection of the world view of a particular ethnic group, are a conventional way of expressing stereotypes of the people.The scientific novelty of the study lies in a comprehensive analysis of stereotypical assessments of the intellectual abilities of an individual as a representative of a particular society, through the study of paremias containing the nomination of the intellect – foolishness binome in the English, German and Russian paremiological view of the world.The article bears the result of the study of 1243 proverbial units – 412 English, 433 German and 398 Russian proverbs and sayings. As a result, universal and unique stereotypical representations of the value and the availability of knowledge and intelligence were revealed; the relationship between the level of mental abilities and behavior, luck; dependence of intelligence on alcohol, age, wealth and happiness.In addition, a correlation was determined between related (English and German) and unrelated (Russian) languages, which, in turn, facilitates the process of cognitive learning of the languages studied. Consequently, the article contributes to solving the problems of intercultural communication.


2019 ◽  
pp. 002216781985909 ◽  
Author(s):  
Gianfranco Buffardi

Modern neurosciences have now undermined the notion that so-called archetypes, as conceived of by C. G. Jung in his Analytical Psychology, are innate or preexistent to the psychic development of the individual. Most existential therapists today similarly dismiss the theory of archetypes as being overly deterministic and phenomenologically inaccurate. Nonetheless, archetypes as psychological “models” nonetheless exert a powerful influence on human existence. Thus, existential therapists cannot merely minimize the archetype’s central role in basic human experience and behavior. From an existential perspective, the archetype develops in the relationship between the individual and the information she or he receives from the world. The archetype itself changes over time and across different cultures, although it self-maintains quite uniformly due to the inextricable linkage it has with the most profound aspects of instinctual human behaviors, such as common emotional responses to specific situations. Therefore, there is undeniably a deep and abiding nexus between our emotions, our instincts, and our archetypes. In this article, the author, a psychiatrist and existential therapist, affirms that the analysis during existential therapy of how the individual has interpreted and elaborated the subjective significance of his or her own archetypes promotes the expansion of the client’s “internal maps,” and facilitates the creative search for new possibilities in life.


Author(s):  
Anna Olga Prudente de Oliveira ◽  
Eliana Bueno-Ribeiro

Translated and adapted to the Brazilian reader public from the end of the nineteenth century to the present day, the tales Sleeping Beauty in the Forest, Little Red Riding Hood, Blue Beard, The Boots Cat, The Fairies, Cinderella, Riquet of the Topete and The Little Thumb have recently won a new Brazilian edition that presents a complete translation of the work that became the canon of children's literature: Histories or Tales from the Time Past with Morals (Histoires or Contes du temps passé avec des Moralités) by Charles Perrault. In this interview with the translator, he seeks to know his work, his understanding of the work and the process of translation, and his proposals and strategies, especially in relation to these short stories, elaborated by the French writer of the XVII century with a characteristic that distinguishes them from others fairy tales: morality in verse at the end of the story told in prose.


Neophilology ◽  
2020 ◽  
pp. 134-140
Author(s):  
Margarita S. Sosnizkaja

First in Russian the collection “Tale of Tales” by the Neapolitan writer Giambattista Basile (1566–72?–1632) was published in 2016. Most people know plots fragments of the collection from the tales of Brothers Grimm, Carlo Gozzi, Charles Pierrot and A.S. Pushkin. Inspired by the book the movie “Tale of Tales” was shot in 2015, it was directed by Matteo Garrone and got the Italian national film award “Davide di Donatello”. There are some selected plots of these tales; we indicate who actually is “the little animal” (and the Puss in Boots), what mythological background the figures of the Swan Princess, the Dead Princess have. We also consider the Dead Princess’s relation to different world roving plots, including “The Sleeping Beauty” by P.I. Tchaikovsky. We present analogies in rites and customs of the Russian (as well as Ukrainian) folk tales, a pantheon of gods from different peoples, Old Testament. The meaning of the names we establish along with the alchemical formula of A.S. Pushkin, of N.V. Gogol’s Viy and Basile’s Mother of Time; there is also the characterization of N.V. Gogol by P.V. Annenkov (1813–1887). We show the trans-alphabetic coincidence of the meaning of multilingual words, of the calendar names with the mythologic gods’ names related to the different planets. We also present the A.N. Afanasyev’s analysis of one Basile’s fairy tales from in the “Poetic views on nature of the Slavs”, and there are given some thoughts of V.Y. Propp (1895–1970) on the identified topics along with a brief assessment on the oeuvres of A.S. Pushkin given by the renowned specialist in literature P.V. Palievsky (1932–2019).


2012 ◽  
Vol 524-527 ◽  
pp. 2517-2521
Author(s):  
Xiao Li Hou ◽  
Jing Wang ◽  
Chang Jing Xiao

To develop low-carbon tourism attraction is conducive to the transformation of tourism industry’s development mode. It can also help China to take the carbon-reducing responsibility in the world, reduce carbon emission and develop low-carbon economy and society. This paper takes Beijing Badachu Park as the case study to analyze the relationship between the development of low-carbon tourism attraction and the tourists’ low-carbon cognition. It shows that there’re two kinds of low-carbon cognition, one is “to know it” and the other is “to do it”. But the reality is there always has some inconformity between consciousness and behavior in low carbon tourism which is bad for the construction of tourism attractions. This article put forward some suggestions to solve this problem: “hardware” transformation, scientifically planning and management, to intervene tourists’ low carbon cognition through “attraction also community” ways, etc.


2021 ◽  
Vol 122 ◽  
pp. 06006
Author(s):  
Liudmila A. Mirskaya ◽  
Victor O. Pigulevskiy

Psychologists often use the name of the protagonist of the fairy tale “Cinderella”, which is famous thanks to the brothers Grimm and Charles Perrault, for a sacrificial girl prone to dissociation, illusions, and waiting for a prince. This is typical for psychoanalysis. However, such an idea of Cinderella’s character does not fully reflect the essence of the matter. Moreover, it is generally not true. From the perspective of C.G. Jung’s analytical psychology, Cinderella is not a victim or an infantile dreamer and is not a real girl at all. Any tale represents an archetypal process of individuation. This is a collective natural constant of the psyche that excludes individual problems. Cinderella cultivated in herself what the ancient Greeks called “paideia” – the integrity of the personality and inner strength, influence on others. The purpose of the article is to describe the process of Cinderella’s individualization from the position of C.G. Jung’s archetypal approach based on the amplification method. The most relevant sources of recent years on the archetypal analysis of fairy tales are the works by M.-L. von Franz, H. Dieckmann, and C.P. Estés. The novelty of the study consists in the description and analysis of the archetypal images of the collective unconscious, which underlie the process of Cinderella’s individuation and determine her life path. These archetypal images are Persona, Self, Shadow, Anima/Animus, and the symbolic levels of the individuation process can be represented by such alchemical terms as “separation”, “multiplication”, “calcination”, “initiation”, “transformation”, “conjunction”, “solidification”. The levels testify to the character’s inner transformation and, as a result, lead to a happy woman’s destiny. The result of understanding the deep essence of the tale is a psychologist’s analytical work with modern young women, which will lead to positive changes in thinking and behavior.


2018 ◽  
Vol 28 (5) ◽  
pp. 682-707 ◽  
Author(s):  
Vittoria Marino ◽  
Letizia Lo Presti

Purpose In recent years, marketers have adopted new technologies to engage customers and better meet customer needs throughout the customer journey. The purpose of this paper is to investigate the impact of consumer engagement on satisfaction and behavior-based CRM performance generated by mobile instant messaging (MIM) services. The objective is to verify which aspects of consumer engagement generate satisfaction and optimize customer relationship management. Design/methodology/approach Data were made available for analysis from an online survey on customers who had been contacted or had contacted an organization by means of MIM. Based on literature analysis, relations between customer engagement dimensions, satisfaction and behavior-based CRM performance were studied by using structural equation modeling. Findings The cognitive engagement dimension and the emotional engagement dimension affect the level of satisfaction, but only the emotional engagement dimension has an effect on the behavior-based CRM performance, while social engagement does not affect satisfaction and CRM performance. Moreover, this study confirms the relationship between customer satisfaction and customer behavior-based relationship performance. Practical implications MIM used as support to the relationship with customers contributes to generating customer satisfaction and increases the value of service performance revealing it an excellent marketing tool in support of the customer journey. Originality/value This research extends our understanding of customer engagement in the ambit of the instant messaging application used for business that so far has not been investigated. This work shows how instant messaging can be a valid instrument for customer relationship management in optimizing the benefits deriving from the adoption of disruptive innovations.


2019 ◽  
Vol 67 (2) ◽  
pp. 142-161
Author(s):  
Margreet Boomkamp

The interest in fairy tales grew strongly over the course of the nineteenth century, particularly in Germany, the birthplace of Frans Stracké (1820-1898). Renowned artists made illustrations for popular publications of fairy tales and in the middleof the century characters from fairy tales also appeared in paintings and sculptures. The sculptor Frans Stracké was inspired by this development and in the eighteen-sixties created a Sleeping Beauty and a Snow White. He may have chosen these designs because the sleeping figure offers greater sculptural possibilities, for example in funeral art. He showed Sleeping Beauty at the precise moment she falls asleep, after she had pricked her finger on a spindle. Stracké followed the fairy tale by the Brothers Grimm from 1812, in which the ill-fated event was predicted during the celebration of Sleeping Beauty’s birth. Sleeping Beauty (also known as Briar Rose) was precisely the sort of subject Stracké preferred: he excelled in making genre-like sculpture of a very high standard. This was little appreciated in the Netherlands, whereas in France and Italy practitioners of this type of sculpture enjoyed considerable success. Stracké is credited with introducing contemporary developments in European sculpture into the Netherlands; Sleeping Beauty is a relatively early and typical example.


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