scholarly journals The brothers Stephan, Feodor and Gavrila Basov`s art: marginal ornaments of old Russian manuscripts

2021 ◽  
Vol 61 ◽  
pp. 280-288
Author(s):  
Ekaterina S. Sherstobitova
Keyword(s):  
Structural Method ◽  
Large Variability ◽  
Distinctive Features ◽  
Old Russian ◽  
The Creation ◽  
The Individual ◽  
Individual Style

The paper explores the decoration of manuscripts in an early printed style of the ornamentation dominant during the second half of the 16th – the beginning of the 17th centuries by the example of the works of outstanding scribes and drawing-artists brothers Stephan, Feodor and Gavrila (nicknamed Ivan) Basovs. The author applied the element-structural method and identified the influence of the artworks of the European master Israel van Mekenem the Younger and the Moscow first printers on their art. The brothers Basovs created various examples of the ornamentation: marginal ornaments, headpieces, initial letters. The present study is focused on the artistic features of marginal ornaments. The author reveals various types of the ornamental compositions and highlights distinctive features of the brothers Basovs` art. The study identified that the author's interpretation of the individual motifs of the early printed style by Stephan Basov is most clearly expressed at the creation of the complex (multicomponent) compositions with a combination of the various plant elements. Feodor Basov created ornamentation that is distinguished by the artist's inexhaustible imagination, which manifested itself in a large variability in the combination of components (for example the author's forms of fruits and birds). The Gavrila Basovs' marginal ornaments are characterized not only by the use of color, but also by the variety of compositions, many of which were multi-tiered and framing the text. The author examined the individual style of each of the brothers Basovs at the creation of marginal ornaments in the early printed style and determined the share of author's originality in its interpretation.

Interrelation of Architectural Concepts and Principles of Artificial Lighting in the Moscow Concert Hall Zaryadye

2019 ◽  
pp. 4-13
Author(s):  
Maria M. Ilyevskaya
Keyword(s):  
Concert Hall ◽  
Distinctive Features ◽  
Artificial Lighting ◽  
Building Type ◽  
Concert Halls ◽  
Architectural Language ◽  
The Creation ◽  
Architectural Planning ◽  
The Individual ◽  
Formal Features

The article is focused on the analysis of the Zaryadye Concert Hall building in Moscow in terms of the significance of artificial lighting for the creation of the imagery and perception of this facility within the typology of entertainment music-oriented buildings. Through the example of modern places of entertainment, the author reveals a number of formal features (typological attributes), which, being common to buildings of this function, constitute the basis of their image and become obvious due to the realized lighting concept. The interpretation of these attributes in the interaction of architectural planning and lighting concepts in the Zaryadye Concert Hall is traced. In conclusion, the distinctive features of the building under consideration are determined. At the same time, they reflect a new understanding of concert halls as a building type, the changes related to the overall development of architecture, as well as the elements of the individual architectural language.

scholarly journals LEADERSHIP POTENTIAL OF A FUTURE TEACHER: A COMPONENT OF HIS INDIVIDUAL STYLE

2020 ◽  
Vol 10 (86) ◽  
Author(s):  
Hanna Matukova ◽  
Keyword(s):  
Teaching Style ◽  
Educational Practice ◽  
Basic Element ◽  
Management Style ◽  
Future Teacher ◽  
Leadership Potential ◽  
The Future ◽  
The Creation ◽  
The Individual ◽  
Individual Style

According to the conditions of intensive democratic, social, state and legal transformations in our country, for the effective functioning of the state and radical reform of the education system and socio-economic relations, it is necessary to form in future professionals competencies that ensure the creation of an authoritative professional representative. To ensure successful work, the teacher needs to master a set of qualities of leadership potential, the creation in the future of a certain concept of mastering the necessary practical skills, the formation of an individual teaching style. A modern teacher must have the qualities of leadership, communication, management style, creative abilities. Today's researchers have determined that what is necessary for a competitive teacher is: maximum responsibility, initiative, ability to take risks, make decisions, solve problems creatively, implement modern teaching methods and more. In the works of scientists insufficiently covered issues: the mechanism of formation of personal style of the teacher, his experimental approbation, psychological and pedagogical monitoring of the formation of individual style of pedagogical activity etc.The article investigates theoretical and practical issues theoretical issues of formation of leadership potential in future teachers, which is a basic element of the individual style of teaching future professionals, are studied. It is determined that the process of development of leadership qualities should be part of a holistic pedagogical process of higher education. It was found necessary for the future teacher to quickly master innovative educational technologies, effectively apply them in real educational practice, perform the roles of leader, organizer, mentor, mentor and take into account the individual qualities of students in the learning process. The system of formation of individual style of the teacher is offered.

scholarly journals Obraz kobiety włoskiej w literaturze XIX wieku i jego realizacja w Półdiablęciu weneckim Józefa Ignacego Kraszewskiego

2020 ◽  
pp. 181-198
Author(s):  
Magdalena Bartnikowska-Biernat
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Late Nineteenth Century ◽  
Madame De Stael ◽  
Distinctive Features ◽  
Dark Hair ◽  
Light Skin ◽  
Late Nineteenth ◽  
The Creation ◽  
The Individual

The type of la donna Italiana, the statuesque woman with dark hair, light skin and large, black, hypnotic eyes was popularized among the European men of letters in the nineteenth century. This stereotype had already been solidified in eighteenth-century Italian phraseology, but it was later brought into general use by Madame de Staël and George Byron. The Italian poet of the late nineteenth century, Annetta Ceccoli Boneschi, gathered and described the most distinctive features of the female citizens of different regions of Italy used by foreign writers to create their heroines. Among others, the Venetians were supposed to be the most beautiful and seductive women, with their soft accent and smouldering gaze. In Poland, this type of heroine appeared in Józef Ignacy Kraszewski’s novel The Half-Demon of Venice, which is the main focus of this article. The creation of an Italian donna in this romance uses the stereotypes formed during the nineteenth century, but it also uses the individual observations made by Kraszewski himself during his tour through Italy.

Bacon's "Envy": An Evaluation of Punctuation

2018 ◽  
Keyword(s):  
Pivotal Role ◽  
Complex Sentence ◽  
The Individual ◽  
Individual Style

Punctuation plays a pivotal role in enhancing the comprehensibility of a text. It not only abolishes ambiguity from the text but also adorns the individual style of the author. This paper analyses Bacon’s essay “Envy” evaluating the aberrant use of punctuation to understand its impact on the holistic comprehension of the essay. Bacon has deviated in some punctuation marks in different situations. Most deviations occur in the use of the comma and the semicolon. The least deviations occur in the use of the period. Two explanations may be inferred from the analysis: First, what seems to be deviant in this regard was normal in his time; second, he deviates on purpose to make the long, complex sentence clear and easy for the reader.

Attention Sustainability Impact on Social Status in the Class

2020 ◽  
Vol 8 (1) ◽  
pp. 37-46
Author(s):  
Stanislava Varadinova
Keyword(s):  
Social Status ◽  
Communication Skills ◽  
School Dropout ◽  
Learning Material ◽  
Early School ◽  
The Social ◽  
The Creation ◽  
The Individual ◽  
The Way ◽  
Positive Environment

The attention sustainability and its impact of social status in the class are current issues concerning the field of education are the reasons for delay in assimilating the learning material and early school dropout. Behind both of those problems stand psychological causes such as low attention sustainability, poor communication skills and lack of positive environment. The presented article aims to prove that sustainability of attention directly influences the social status of students in the class, and hence their overall development and the way they feel in the group. Making efforts to increase students’ attention sustainability could lead to an increase in the social status of the student and hence the creation of a favorable and positive environment for the overall development of the individual.

Semantic and stylistic aspects of using geographical vocabulary in Emily Dickinson’s verse

2018 ◽  
pp. 95-99
Author(s):  
В. В. Колівошко ◽  
Keyword(s):  
Emily Dickinson ◽  
Unique Color ◽  
Research Questions ◽  
The Individual ◽  
Empirical Methodology ◽  
Qualitative Characteristics ◽  
Individual Style

This article reports a study according to the tenets of empirical methodology in addressing research questions. The project tests the principles of using geographical vocabulary in Emily Dickinson’s verse. It focuses on the study of stylistic and semantic aspects of the usage of geographical vocabulary. The results demonstrate the quantitative and qualitative characteristics of the usage of geographical vocabulary. Emily Dickinson’s poems are full of geographical names, which she uses with both positive and negative connotations. As we can see, the negative connotations prevail. The results point out how Emily Dickinson manipulates geographical names at all levels of the language. In addition, the findings indicate specific color gamma of Emily Dickinson’s poems. The use of colors is different for each geographical object; especially it applies to the names of countries, towns etc. Emily Dickinson associates every continent with its own unique color. These findings demonstrate the individual style of Emily Dickinson, which is distinctive among other poets.

The Importance of Ergonomics on Urban Squares: Case from Istanbul

2019 ◽  
Vol 4 (11) ◽  
pp. 219
Author(s):  
Cigdem Canbay Turkyilmaz
Keyword(s):  
Open Access ◽  
Peer Review ◽  
Publishing House ◽  
Urban Spaces ◽  
Close Relationship ◽  
Weak Points ◽  
International Publishing ◽  
The Creation ◽  
The Individual ◽  
Open Access Article

There is a close relationship between the creation of urban spaces and ergonomics. To make new stimulating and satisfying urban spaces, ergonomics criteria should consider. In this study, two main urban squares from Istanbul examined. Selected urban squares evaluated by site observation according to the classified ergonomics criteria. Strong and weak points of chosen squares discussed and some suggestions proposed. The results demonstrated the fact that urban equipment meets the individual ergonomic criteria are not sufficient in the use of both squares, and they need to be re-planned.Keywords: Ergomomics; urban squares, IstanbuleISSN: 2398-4287 © 2019. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.DOI: https://doi.org/10.21834/e-bpj.v4i11.1695 .

The Neuropathic Diathesis, or the Diathesis of the Degenerate

1888 ◽  
Vol 34 (146) ◽  
pp. 167-176
Author(s):  
G. T. Revington
Keyword(s):  
Family History ◽  
Normal Development ◽  
Personal History ◽  
Striking Feature ◽  
General Paralysis ◽  
History Of ◽  
The Creation ◽  
The Individual ◽  
The Mind

I think that the foregoing statistics, and those which follow, together with the large number of cases which I quote, and which connect general paralysis with almost every form of neurotic manifestation, will prove conclusively that neurotic inheritance is a striking feature in the causation of general paralysis. I question whether a distinction between “the cerebral and the insane element” in general paralysis can be maintained. If general paralysis is not a degeneration of the mind-tissue, then the pathology of insanity has no existence, and I would say that the subtle influence for evil, which is transmitted from parents, whose brains are deteriorated by neurotic outbursts, or soaked in alcohol, or wrecked by physiological immorality, tends strongly towards such degeneration. If insanity is, as Dr. Savage says, a perversion of the ego, then a general paralytic is the in-sanest of the insane. We know that the children of a melancholic parent, for example, may develop any form of neurosis—in other words, it is not that melancholia or general paralysis, or any other definite disease, is transmitted, but that a certain tendency to deviate from normal development is transmitted. This tendency to deviate is the neurotic diathesis, and the form of its development is determined by collateral circumstances, and a certain series of collateral circumstances determine the development of general paralysis. Perhaps neurotic inheritance may mean in some cases a limited capital of nervous energy, and if this is wasted recklessly the individual breaks down suddenly and pathologically, as we all do slowly and physiologically. I would also point out that considering the number of histories of insanity which owing to ignorance or reticence we, do not receive, and considering that we never receive information as to the existence of the slighter neuroses, it is marvellous that we get so high a percentage as 51. Of the 145 general paralytics with a reliable history, 38 had a family history of insanity, 28 a family history of drink, 8 of both, 43 had a personal history of drink, 8 of a previous attack too remote to be considered, at least, according to our present ideas, as part of the disease, and the vast majority had a history of some physiological irregularity which must be considered as conducive to the creation of an acquired neurosis. We may now pass to some further statistics.

PRAGMATIC POTENTIAL OF AUTHOR’S AND TRANSFORMED PHRASEOLOGIES IN THE WORK OF CARLOS RUIZ ZAFÓN «THE PRISONER OF HEAVEN»

2021 ◽  
pp. 18-28
Author(s):  
A. Yu. Bovsunivska A. Yu.
Keyword(s):  
Emotional State ◽  
Spanish Language ◽  
The Novel ◽  
Unique Combination ◽  
Textual Space ◽  
Different Types ◽  
General Linguistic ◽  
The Individual ◽  
Pragmatic Aspects ◽  
Individual Style

The article is devoted to the study of pragmatic aspects of the use of phraseology in the textual space of Carlos Ruiz Safón’s novel «Prisoner of Heaven». One of the defining features of the individual style of this well-known modern Spanish writer is the metaphoricity and figuration of aristic expression, the saturation of the text with phraseological units that play a significant role in creating a pragmatic charge of the work of art. Along with general linguistic phraseological units, which include commonly-used vocabulary, the author uses dialectal and authorial phraseological units, which is a feature of his individual style. All three designated groups of phraseological units mostly reflect the negative psychophysical and emotional state of the characters. The author uses dialectal, individually-authorial and modified phraseological units, which is a feature of his individual style. It is determined that transformation is one of the most productive and most effective ways to update linguistic means in works of art. Author’s modification of FU leads to a change in the semantics and structure of expression, gives it a more expressive or emotional coloring. Transformed phraseology is limited to individual usage and is subject to the context of the work. Modified FUs in the Zafón’s artistic space acquire certain aesthetic and artistic qualities. Their modification is mainly to create the desired stylistic effect – to achieve emotional or expressive expression, which increases the reader’s interest, focuses on the content, issues of the work, as well as reveals the potential expressive potential of the Spanish language. In the transformed FUs, not just a new meaning is traced, but a combination of the well-known and the occasional. The unique combination of different types of phraseological units in the novel is considered a manifestation of individual style and makes a representation of the individually-authorial linguistic picture of the world more expressive.

LEXICOGRAPHICAL PORTRAIT OF THE LEXEME «POGRYAZNUT’» (X - XVII CENTURIES)

2021 ◽  
pp. 23-30
Author(s):  
Е.Ю. Долгова
Keyword(s):  
Native Speakers ◽  
Word Formation ◽  
Russian Language ◽  
Distinctive Features ◽  
Old Russian ◽  
Slavonic Language ◽  
Abstract Nouns ◽  
Derivatives Of ◽  
The Church ◽  
The Russian Language

Статья посвящена описанию глагола «погрязнуть» по лексикографическим источникам, фиксирующим словарный состав русского языка X - XVII вв. В работе используется метод лингвистического портретирования, позволяющий объединить данные этимологических и исторических словарей и увидеть динамику развития семантического, словообразовательного, сочетаемостного и стилистического потенциала языковой единицы в диахронии. В статье подробно изложены материалы этимологических и исторических словарей русского языка, приведены и описаны многочисленные варианты употребления имперфектива грязнуть и перфектива погрязнуть, зафиксированные в словарях, содержащих лексику древнерусского и старорусского периодов: гр#зъти, гр#зhти, гр#зити, гр#знqти, погрязати - погр#зти, погр#зити, погр#знqти. Установлено, что в древнерусском языке глагол гр#зноути (гр`t#знuти) имел прямое номинативное значение «погружаться, тонуть» и редко употреблялся в памятниках письменности. Многозначным и наиболее частотным был положительный, результативный член глагольной видовой пары перфектив погрязнуть (погр#зноути). В статье приведены все лексико-семантические варианты глагола и примеры словоупотреблений, зафиксированные в словарях, отражающих лексику X - XVII веков. В статье приведены синонимы и многочисленные дериваты глагола погрязнуть , в том числе рассмотрена семантика абстрактных существительных, образованных от глагола погрязнуть ( погрязение, погрязнение, погрязновение ) и отражающих влияние церковнославянского языка на книжно-письменный литературный язык древнерусского и старорусского периодов. Лексикографический портрет лексемы погрязнуть проявляет неоднозначность в трактовке некоторых значений в разные исторические периоды. Проведенный анализ позволяет сравнить значения лексемы, увидеть их отличительные особенности и сделать вывод о существовании самостоятельных стереотипных образов, существующих в сознании носителей языка в X - XVII веках. The article is devoted to the description of the verb "to wallow" from lexicographic sources that fix the vocabulary of the Russian language of the X - XVII centuries. The method of linguistic portraiture is used to combine data from etymological and historical dictionaries and see the dynamics of the development of the semantic, word-formation and stylistic potential of the language unit in the diachrony. The article details the materials of etymological and historical dictionaries of the Russian language, presents and describes numerous variants of the use of an imperfective “gryaznut’” and a perfective “pogryaznut’”, recorded in dictionaries containing the vocabulary of the Russian language of the X - XVII centuries. It has been established that in the ancient Russian language, the imperfective “gryaznut’” had a direct nominative meaning of "dive, sink" and was rarely used in monuments of writing. The multi-valued and most frequency used was the positive, effective perfective “pogryaznut’”. The article presents all lexical and semantic variants of the verb and examples of word usage recorded in dictionaries that reflect the vocabulary of the X - XVII centuries. The article presents synonyms and numerous derivatives of the verb, including the semantics of abstract nouns formed from the verb “pogryaznut’” and reflecting the influence of the Church Slavonic language on the book-written literary language of the old Russian period. The lexicographic portrait of the lexeme “pogryaznut’” shows ambiguity in the interpretation of certain meanings in different historical periods. The analysis allows us to compare the meanings of the lexeme, see their distinctive features and conclude that there are independent stereotypical images that exist in the minds of native speakers in the X - XVII centuries.

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