scholarly journals ‘The Fatal Fact of the Woman Writer’: Transnational Encounters in the Avant-Garde Scene of Interwar Spain

2021 ◽  
Vol 98 (8) ◽  
pp. 797-814
Author(s):  
CHRISTINA BEZARI
Keyword(s):  
Comparative Analysis ◽  
Woman Writer ◽  
Special Focus ◽  
Literary Field ◽  
Gabriela Mistral ◽  
Avant Garde ◽  
Spanish Speaking ◽  
Cultural Sphere ◽  
Alfonsina Storni ◽  
Ernestina De Champourcin

‘The fatal fact of the woman writer’ is a phrase coined by the Argentine author Alberto Pineta in the late 1920s, a time marked by women’s growing presence in the cultural sphere. On both sides of the Atlantic, women expressed an acute interest in the avant-garde literary culture and faced similar challenges in their attempt to negotiate their place in the literary field. By considering Spanish-speaking women as mediators across cultural and geographical borders, this study seeks to move beyond the concepts of ‘centre’ and ‘periphery’ in order to rethink the avant-garde as a transnational and multifaceted phenomenon. To explore the intertwined trajectories of Gabriela Mistral, Alfonsina Storni and Ernestina de Champourcín, this study examines their literary activities in Madrid and provides a comparative analysis of the avant-garde themes that recur in their poetry. Special focus is set on the transnational processes that shaped their work and allowed them to assert their identity as female writers and poets.

Ästhetisch konstruierte Traditionen?

2019 ◽  
Vol 44 (2) ◽  
pp. 442-470
Author(s):  
Torsten Voß
Keyword(s):  
Discursive Practice ◽  
German Romanticism ◽  
Literary Field ◽  
Avant Garde ◽  
Art And Literature ◽  
European Tradition ◽  
Concept Of Beauty

Abstract Throughout various literary and artistic periods, artists have referred to or even converted to Catholicism as a means of conjuring a certain perception of a European tradition. In doing this, they seek to create an aesthetic of romanticism and/or an idea and concept of beauty, the artist, artwork etc. After giving a brief overview of this discursive practice in modern avant-garde movements, this article focuses on early forms of literary Catholic movements, such as the French Renouveau catholique and François-René de Chateaubriand’s Le Génie du Christianisme (The Genius of Christianity), as well as Novalis’ ‘invention’ of German romanticism in his essay Die Christenheit oder Europa (Christianity or Europe). It shows that there are a variety of parallels to be identified across these periods and places, namely, in programs, performances, rhetoric-building and group-building processes, and in cultivating an anti-bourgeois distinction, both in the texts themselves and in the positioning of the artists within the literary field. Despite accusations of being reactionary, writers and artists who elaborate a Catholic concept of art and literature aim to develop a traditionalist and anti-modern stance within (aesthetical and social) modernity.

Gabriela Mistral

1946 ◽  
Vol 3 (02) ◽  
pp. 168-189
Author(s):  
Margaret J. Bates
Keyword(s):  
Nobel Prize ◽  
Gabriela Mistral ◽  
The Real ◽  
Spanish Speaking ◽  
Fundamental Reason ◽  
Selection Of

When, on November sixteenth last, the newspapers announced the awarding of the Nobel Prize for literature to a Chilean poetess, Gabriela Mistral, the news came as a surprise to many Americans, who, although they considered themselves well read, had never heard her name. The fundamental reason we know so little of this remarkable woman who enjoys such a great popularity in the Spanish-speaking world, not only for her words but for her deeds, is because the limited number of her poems which have been translated into English, by heavy hands, for the most part, allow hardly a glimmer of the real Mistral to shine through them. Of course, all translation of poetry is difficult but that of Gabriela extremely so because of her unique selection of words. She has created a plant that does not grow on English soil.

P2-340 Comparative analysis of cognitive impairment among five survey studies in Spanish-speaking elders

2004 ◽  
Vol 25 ◽  
pp. S329-S330
Author(s):  
Silvia Mejia ◽  
Alejandro Miguel ◽  
Luis M. Gutiérrez ◽  
Antonio R. Villa ◽  
Feggy Ostrosky-Solis
Keyword(s):  
Cognitive Impairment ◽  
Comparative Analysis ◽  
Spanish Speaking

scholarly journals Katherine Mansfield and Periodical Culture

2019 ◽  
Author(s):  
Chris Mourant
Keyword(s):  
Social Contexts ◽  
Woman Writer ◽  
The Political ◽  
Katherine Mansfield ◽  
Avant Garde ◽  
Literary Journal ◽  
Depth Study ◽  
New Perspective ◽  
Story Writer ◽  
The Many

Katherine Mansfield’s contemporaries knew her primarily as a contributor to magazines and periodicals. In 1922, for instance, Wyndham Lewis described her as ‘the famous New Zealand Mag.-story writer’. This book provides the first in-depth study of Mansfield’s engagement in periodical culture, examining her contributions to the political weekly The New Age, the avant-garde little magazine Rhythm and the literary journal The Athenaeum. Reading these writings against the editorial strategies and professional cultures of each periodical, Chris Mourant situates Mansfield’s work within networks of production and uncovers the many ways in which she engaged with the writings of others and responded to the political, aesthetic and social contexts of early twentieth-century periodical culture. By examining Mansfield’s ambivalent position as a colonial woman writer working both within and against the London literary establishment, in particular, this book provides a new perspective on Mansfield as a ‘colonial-metropolitan modernist’ and proto-postcolonial writer.

scholarly journals Notes on the nature of avant-garde and constructivism

2020 ◽  
pp. 106-119
Author(s):  
Vadim Markovich Rozin
Keyword(s):  
Comparative Analysis ◽  
Avant Garde ◽  
Analysis Methods ◽  
Figurative Art ◽  
The Family ◽  
Methods Of Reconstruction ◽  
Applied Arts

Based on the materials of the family of architects Zimonenko-Feierstein, this article examines the peculiarities of avant-garde and constructivism. Roman Feierstein and Lyubov Zimonenko graduated the Moscow University of Arctitecture and were taught by pedagogues – the representative of avant-garde and constructivism. To understand the nature of avant-garde and constructivism, the author characterizes the goals and tasks solved by these trends and concepts, as well as analyzes the works of Roman Feierstein and Lyubov Zimonenko. It is demonstrated that constructivists create artistic reality, juxtaposing and simultaneously combining various processes and contents, sending over consciousness of a spectator to a particular reality. This pattern is inherent not only to figurative art, but also literature. The article employs situational and comparative analysis, methods of reconstruction of the works of applied arts and generalization. As a result, the author was able to reveal certain peculiarities of avant-garde and constructivism as an approach and activity, as well as underline that avant-garde and constructivism as approaches also suggest conceptualism. The role of conceptualism consists in outlining and explaining of reality, created by an artist for their audience.

scholarly journals Miloš Zeman and Andrzej Duda – reinventing image for election campaign purposes

Bohemistyka ◽  
2019 ◽  
Vol 4 ◽  
Author(s):  
Renata Rusin Dybalska ◽  
Agnieszka Budzyńska-Daca ◽  
Tomasz Rawski
Keyword(s):  
Comparative Analysis ◽  
Communication Channels ◽  
Presidential Campaign ◽  
Target Group ◽  
Election Campaign ◽  
Basic Information ◽  
Image Communication ◽  
Common Features ◽  
The Future ◽  
Cultural Sphere

The aim of this paper is to present a comparative analysis of selected elements of strategies for building political image of Miloš Zeman and Andrzej Duda, applied in the presidential campaign in Poland and Czechia in 2013 and 2015. The paper presents not only basic information about both campaigns, but primarily points to a number of common features, such as main motifs (history, family, the future), the target group and its image, communication channels, all used in both strategies for communicating with voters, despite different PR and cultural sphere of application.

scholarly journals Heavily Armed Ancestors: CRISPR Immunity and Applications in Archaea with a Comparative Analysis of CRISPR Types in Sulfolobales

Biomolecules ◽  
2020 ◽  
Vol 10 (11) ◽  
pp. 1523
Author(s):  
Isabelle Anna Zink ◽  
Erika Wimmer ◽  
Christa Schleper
Keyword(s):  
Comparative Analysis ◽  
Molecular Mechanisms ◽  
Model Organisms ◽  
Special Focus ◽  
Natural Environments ◽  
Type I ◽  
Accessory Proteins ◽  
Type Iii

Prokaryotes are constantly coping with attacks by viruses in their natural environments and therefore have evolved an impressive array of defense systems. Clustered Regularly Interspaced Short Palindromic Repeats (CRISPR) is an adaptive immune system found in the majority of archaea and about half of bacteria which stores pieces of infecting viral DNA as spacers in genomic CRISPR arrays to reuse them for specific virus destruction upon a second wave of infection. In detail, small CRISPR RNAs (crRNAs) are transcribed from CRISPR arrays and incorporated into type-specific CRISPR effector complexes which further degrade foreign nucleic acids complementary to the crRNA. This review gives an overview of CRISPR immunity to newcomers in the field and an update on CRISPR literature in archaea by comparing the functional mechanisms and abundances of the diverse CRISPR types. A bigger fraction is dedicated to the versatile and prevalent CRISPR type III systems, as tremendous progress has been made recently using archaeal models in discerning the controlled molecular mechanisms of their unique tripartite mode of action including RNA interference, DNA interference and the unique cyclic-oligoadenylate signaling that induces promiscuous RNA shredding by CARF-domain ribonucleases. The second half of the review spotlights CRISPR in archaea outlining seminal in vivo and in vitro studies in model organisms of the euryarchaeal and crenarchaeal phyla, including the application of CRISPR-Cas for genome editing and gene silencing. In the last section, a special focus is laid on members of the crenarchaeal hyperthermophilic order Sulfolobales by presenting a thorough comparative analysis about the distribution and abundance of CRISPR-Cas systems, including arrays and spacers as well as CRISPR-accessory proteins in all 53 genomes available to date. Interestingly, we find that CRISPR type III and the DNA-degrading CRISPR type I complexes co-exist in more than two thirds of these genomes. Furthermore, we identified ring nuclease candidates in all but two genomes and found that they generally co-exist with the above-mentioned CARF domain ribonucleases Csx1/Csm6. These observations, together with published literature allowed us to draft a working model of how CRISPR-Cas systems and accessory proteins cross talk to establish native CRISPR anti-virus immunity in a Sulfolobales cell.

Comparative Analysis of Cognitive Impairment Among Mexicans and Spanish-Speaking Immigrant’s Elders

2006 ◽  
Vol 18 (2) ◽  
pp. 292-314 ◽  
Author(s):  
Silvia Mejía ◽  
Alejandro Miguel ◽  
Luis Miguel Gutiérrez ◽  
Antonio R. Villa ◽  
Feggy Ostrosky-Solis
Keyword(s):  
Cognitive Impairment ◽  
Comparative Analysis ◽  
Spanish Speaking

scholarly journals MitoAge: a database for comparative analysis of mitochondrial DNA, with a special focus on animal longevity

2015 ◽  
Vol 44 (D1) ◽  
pp. D1262-D1265 ◽  
Author(s):  
Dmitri Toren ◽  
Thomer Barzilay ◽  
Robi Tacutu ◽  
Gilad Lehmann ◽  
Khachik K. Muradian ◽  
...  
Keyword(s):  
Mitochondrial Dna ◽  
Comparative Analysis ◽  
Special Focus

Free Jazz and the French Critic

2008 ◽  
Vol 61 (3) ◽  
pp. 541-581
Author(s):  
Eric Drott
Keyword(s):  
African American ◽  
Cultural Nationalism ◽  
Free Jazz ◽  
Avant Garde ◽  
European Culture ◽  
French Experience ◽  
Norms And Values ◽  
Cultural Sphere ◽  
The Subject ◽  
Political Radicalism

Abstract From the mid-1960s to the early 1970s, free jazz was the subject of considerable public interest in France. The present article examines the conditions that fueled enthusiasm for American avant-garde jazz, focusing on the politicization of discourse surrounding the ‘new thing.’ Critics hostile to the movement felt that it undermined jazz's claim to universality, a cornerstone of postwar attempts to valorize the genre in the French cultural sphere. Yet the tendency to identify free jazz with various forms of African American political radicalism presented no less of a challenge for the movement's advocates. By constructing an image of free jazz that stressed its irremediable difference from the norms and values of European culture, writers were compelled to find alternative ways of relating it to contemporary French concerns. A reading of Philippe Carles and Jean-Louis Comolli's text Free Jazz Black Power shows how the authors' attempt to reinscribe African American cultural nationalism as an expression of transnational anticolonial struggle not only helped bring free jazz closer to the French experience, but also served as a way of working through the unresolved legacies of colonialism.

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