The Interpretation of the Rules of Formal Beauty in Landscape Design

2013 ◽  
Vol 409-410 ◽  
pp. 758-761
Author(s):  
Yong Zhang
Keyword(s):  
Essential Role ◽  
Landscape Design ◽  
Good Design ◽  
Methods Of Analysis ◽  
Landscape System ◽  
Guiding Principles ◽  
The Aesthetic ◽  
Human Landscape

The artistry of landscape design is rested with the components and principles, with the practice of rational methods of analysis, and then, to lay the foundation on the relationships of design, art, economy, comprehensive function. With the aesthetic and scientific view to have repeated comparisons can eventually come up with a good design. Following the regular laws of formal beauty has become one of the guiding principles of landscape design. A study of the laws of formal beauty plays an essential role in landscape design to create an optimal human landscape system.

Improving the integrated reporting of electric-power industry companies

2020 ◽  
Vol 23 (8) ◽  
pp. 922-939
Author(s):  
N.V. Malinovskaya ◽  
M.D. Malinovskii
Keyword(s):  
Comparative Analysis ◽  
Electric Power ◽  
Electric Power Industry ◽  
Power Industry ◽  
Integrated Reporting ◽  
Strategic Objectives ◽  
Methods Of Analysis ◽  
Analysis And Synthesis ◽  
Guiding Principles

Subject. This article deals with the issues relating to improving integrated reporting in terms of dovetailing strategic objectives with capital changes. Objectives. The article aims to develop a system of indicators for disclosure of capital types in integrated reporting of electricity generating companies, as well as recommendations aimed at implementing the fundamental concepts and guiding principles of integrated reporting. Methods. For the study, we used the methods of analysis and synthesis, comparison, generalization, and abstraction. As a case study, we conduct a comparative analysis of the disclosure of six types of capital by the largest electricity generating companies, namely PAO Inter RAO, AO Rosenergoatom and PAO RusHydro. Results. The article formulates proposals for disclosure of capital information to address such a lack of accountability as a contradiction to the principle of coherence. It proposes a system of indicators (core and additional) for disclosure of six types of capital by electricity generating companies. Conclusions. A significant reporting problem is the lack of correlation between key strategic objectives and capital changes. The formulated recommendations for disclosure of capital information can help solve this problem, and increase the attractiveness of the integrated report for capital providers.

scholarly journals The role of a stylistic device in creating the image of the author

2020 ◽  
pp. 81-91
Author(s):  
N.V. Khalikova
Keyword(s):  
Main Subject ◽  
Artistic Style ◽  
The World ◽  
The Aesthetic ◽  
Subject Of Cognition ◽  
Artistic Image ◽  
Human Landscape ◽  
Stylistic Device ◽  
Book Culture

The purpose of the article is to compare the definitions of a stylistic device with modern philological ideas about the text and the image of the author as the main subject of cognition of reality in a feature. The methods of structural poetics make it possible to separate the stylistic means and methods as functionally different units of the artistic speech and the language of the writer. There is a steady connection between the worldview of the writer, their “image of the author” and their style. Autological and metalogical stylistic means are equally important for creating both an artistic and a non-artistic image (journalistic, scientific, everyday). Artistic means and techniques perform fundamentally different functions. Artistic means of image expressiveness contribute to the aesthetization of speech. Stylistic techniques organize the processes of meaning generation, preservation and transmission of meanings. The text records and reproduces artistic thinking, typical for this very writer, a set of ideas about a human, landscape, interior, ways of action and other classes of images. The artistic style is the same as the style of thinking, a level speech style of reflecting the perception of reality. The style can be adopted, it can be imitated and, thus, one can understand how the author thinks, what their manner of the aesthetic transformation of reality, forms of perception, is. The stylistic forms of the same author are reproduced from work to work, regardless of the plot and ideological content. To explain how the technique works is to identify the ways of the artistic thinking about the world (images). The stylistic device is closely connected with the intellectual book culture of society.

scholarly journals On Approximate Aesthetic Curves

Symmetry ◽  
2020 ◽  
Vol 12 (9) ◽  
pp. 1394
Author(s):  
Ioana Crăciun ◽  
Dorian Popa ◽  
Florina Serdean ◽  
Lucian Tudose
Keyword(s):  
Essential Role ◽  
Basic Element ◽  
Neutral Curve ◽  
Aesthetic Value ◽  
Straight Line ◽  
Neutral Curves ◽  
The Aesthetic ◽  
Aesthetic Forms

Symmetry plays an essential role for generating aesthetic forms. The curve is the basic element used by designers to obtain aesthetic forms. A curve with a linear logarithmic curvature graph gradient is called aesthetic curve. The aesthetic value of a curve increases when its gradient is close to a straight line. We introduce the notions of approximate aesthetic curves and approximate neutral curves and obtain estimations between the curvature of an approximate aesthetic/neutral curve and an aesthetic curve.

scholarly journals Pamenan as an Aesthetic Concept of Creating a Wayang Padang Theatre

2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Sahrul Nazar
Keyword(s):  
Essential Role ◽  
Work Of Art ◽  
Stage Music ◽  
The Aesthetic

AbstractWayang Padang Theater performance, perceived from the communication perspective, commonly uses a lapau—a traditional coffeestall (pamenan kato)—style dialogue. Meanwhile, Wisran Hadi also makes use of visual aesthetic (pamenan mato). Pamenan is defined as a game, both creatively or philosophically. Dialogue plays an essential role in the performance that can provide a playful sense that sometimes sounds like there is a misscommunication or an altered meaning. This is actually a distinct characteristic of Wisran Hadi in presenting an entertainment through words. Pamenankato is a technique used by Wisran Hadi in creating a work of art that can entertain the society. The society itself is quite appreciative in absorbing the words uttered by the actors on the stage. On he other side, the visual aesthetic or pamenan matois related with thevisual elements shown on the stage. The aesthetic concept of the play can be seen from the use of words or expressions, the flow of the story, the characters, the costumes, the movements, and the organization of stage, music and lighting. These elements are effectively applied by Wisran Hadi in his Wayang Padang performance.Keywords : pamenan; pamenan Kato; pamenan Mato; Wayang Padang; Wisran HadiAbstrakPamenan sebagai Konsep Estetis Penciptaan Teater Wayang Padang. Pementasan teater Wayang Padang, ditinjau dari segi komunikasi, menggunakan dialog gaya lapau atau warung kopi (pamenan kato). Sementara itu, ditinjau dari segi estetika visual, Wisran Hadi memakai keindahan lihatan (pamenan mato). Pamenan diartikan sebagai permainan, baik permainan secara kreatif maupun permainan secara filosofis. Dialog menjadi hal yang utama dalam pementasan ini. Dialog dalam Wayang Padang seperti bermain-main, kadang-kadang tidak menyambung dan diplesetkan. Hal ini merupakan ciri khas Wisran Hadi dalam menghadirkan hiburan lewat kata-kata. Pamenan kato seperti ini merupakan cara Wisran Hadi dalam membangun karya yang bisa menghibur masyarakat. Masyarakat cukup apresiatif dalam menyimak seluruh kata yang diucapkan oleh aktor di atas pentas. Estetika visual atau pamenan mato berkaitan dengan permainan yang terlihat di panggung pementasan. Estetika konsep penciptaan yang mengarah pada permainan yang terlihat, meliputi unsur kata atau ucapan, cerita, tokoh, kostum, gerak, tata pentas, musik, dan cahaya. Unsur inilah yang dipermainkan oleh Wisran Hadi dalam pementasan teater Wayang Padang.Kata kunci : pamenan; pamenan Kato; pamenan Mato; Wayang Padang; Wisran Hadi

scholarly journals Penggunaan Composit Resin pada Kasus Resisi Gingiva

2012 ◽  
Vol 19 (1) ◽  
pp. 86
Author(s):  
S. Suryono
Keyword(s):  
Essential Role ◽  
Case Reports ◽  
Gingival Recession ◽  
Root Surface ◽  
Gingival Tissue ◽  
Clinical Appearance ◽  
Color Effect ◽  
The Aesthetic ◽  
Exposed Root

Background: The clinical appearance of gingival tissue play an essential role in aesthetics. Gingival morphology and color effect on the aesthetic concerns for the patient. Gingival recession can cause exposure of the underlying rootsurface and hypersensitive of the tooth. Purpose: this case reports showed the treatment of gingival recession by using gingival-shaded composite. Case and treatment: Exposed root surface is layered by gingival-shaded composite and its also improved aesthetics by replacement of the restoration. Conclusion: The use of gingival-shaded composite in the area of exposed root surface for layering improved the aesthetic and relief the sensitive denting of patient.

Private Garden Design Based on Oriental Traditional Cultural Interest: The Design of Lu’s Garden in Xishan Land of Suzhou

2012 ◽  
Vol 174-177 ◽  
pp. 2701-2705
Author(s):  
Jie Xia
Keyword(s):  
Traditional Culture ◽  
Landscape Design ◽  
Garden Design ◽  
Cultural Interest ◽  
The Aesthetic ◽  
Technical Solutions ◽  
Aesthetic Values ◽  
Private Garden

This paper analyzes the aesthetic characters of traditional religious and cultural, as well as traditional culture and landscape design combination. It is suggested that we can learn from the aesthetic values of traditional culture to guide the current landscape design, and try to propose several possible technical solutions.

scholarly journals A Study on the Public Landscape Order of Xinye Village

2019 ◽  
Vol 11 (3) ◽  
pp. 586
Author(s):  
Li Xu ◽  
Shang-chia Chiou
Keyword(s):  
Public Space ◽  
Field Research ◽  
Landscape Design ◽  
The Public ◽  
Space Design ◽  
Aesthetic Sense ◽  
Cultural Schemata ◽  
Five Elements ◽  
Modernization Process ◽  
The Aesthetic

In the modernization process since China’s reform and liberalization, urban and village space design is reflected in the characteristics of Western cultures. The idea of Western space design has a profound influence on China, but the piecemeal individuation of art design, the disorderly public art modeling and concept, not only interferes with the aesthetic sense of urban and village public space itself, but also seriously affected the landscape order of public space. In fact, Chinese traditional settlement landscape excels in abundant landscape design and spatial sequence. This paper, using the methods of literature discussion, field research and spatial analysis, takes the typical traditional landscape settlement “Xinye Village” (新葉村) in the south of the Yangtze River as an example, and explores its public landscape order as a whole, and finds its spatial structure based on the “Five Elements and Nine Divisions (五行九宮)” cultural schemata. In the process of development, it has experienced the competition of public space, thus forming a stable and sustainable spatial order form. The purpose is to explore the cultural schema of the public landscape from the traditional Chinese settlement, and to put forward the possibility of “constructing the public landscape order based on culture” in future urban and village landscape design.

Women and the Werkbund: Gender Politics and German Design Reform, 1907-14

2003 ◽  
Vol 62 (4) ◽  
pp. 490-511 ◽  
Author(s):  
Despina Stratigakos
Keyword(s):  
Gender Roles ◽  
Daily Life ◽  
Modern Society ◽  
Attitudes Toward Women ◽  
Good Design ◽  
Business People ◽  
Design Values ◽  
The Aesthetic ◽  
Everyday Design

In this article, I explore the gender of everyday design in the Werkbund discourse. The German Werkbund, an alliance of artists, critics, and business-people, sought to restore harmony to German culture through the aesthetic transformation of daily life. Analyzing new sources that introduce the voices of women and expand the category of texts hitherto used for Werkbund scholarship, I examine the role of gender in the organization's efforts to impose a new aesthetic discipline. In the first section, I address attitudes toward women as consumers, sellers, and producers of everyday commodities. Whether seeking to portray women as agents of reform or to dismiss them as lovers of kitsch, women and men in the Werkbund employed gender norms in formulating their notions of good design and in devising strategies for its implementation. In the second section, I focus on how contemporary theories of gender, and particularly the idea of a female aesthetic lack, contributed to shaping the Werkbund's central design values of quality and Sachlichkeit. In the concluding section, I track the convergence of these issues at the Haus der Frau, the women's pavilion at the 1914 Werkbund exhibition in Cologne. I discuss how the organizers of the Haus der Frau attempted to feminize Werkbund design values in their conception and presentation of female-designed spaces and objects. The pavilion's critical reception reflects deeply divided beliefs on gender and modern design. By bringing together these elements, I seek to demonstrate that the Werkbund's discipline, which promised a new spiritual and aesthetic unity in Germany, was grounded in conflicting assumptions about gender roles in modern society.

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