Application Research of Bionic Modeling on High Fashion

2011 ◽  
Vol 332-334 ◽  
pp. 403-406
Author(s):  
Qiang Zhao
Keyword(s):  
Design Method ◽  
Artistic Expression ◽  
Fashion Design ◽  
Application Research ◽  
Bionic Design ◽  
Modern Design ◽  
Creative Ability ◽  
Design Plan ◽  
Fashion Designers ◽  
Flexible Application

Bionic modeling is a kind of design method which used widely in modern design. And high fashion is the highest interpretation and artistic expression of fashion designers to garments. With flexible application, sophisticated skills and exquisite workmanship among high fashion, bionic modeling is an artistic modeling form that has high research value. Mainly, its artistry reflects on garments’ modeling, color, fabric, texture, etc. Bionic design method broadens high fashion design plan, which expresses an extraordinary creative ability of fashion design.

Optimization Design of Drawbead in Drawing Tools of Autobody Cover Panel

2002 ◽  
Vol 124 (2) ◽  
pp. 278-285 ◽  
Author(s):  
Gang Liu ◽  
Zhongqin Lin ◽  
Youxia Bao
Keyword(s):  
Optimization Algorithm ◽  
Optimization Design ◽  
Design Method ◽  
Experimental Results ◽  
Hybrid Optimization ◽  
Force Model ◽  
Hybrid Optimization Algorithm ◽  
Design Plan ◽  
Formed Part ◽  
Restraining Force

In the tooling design of autobody cover panels, design of drawbead will affect the distribution of drawing restraining force along mouth of dies and the relative flowing velocity of the blank, and consequently, will affect the distributions of strain and thickness in a formed part. Therefore, reasonable design of drawbead is the key point of cover panels’ forming quality. An optimization design method of drawbead, using one improved hybrid optimization algorithm combined with FEM software, is proposed in this paper. First, we used this method to design the distribution of drawbead restraining force along the mouth of a die, then the actual type and geometrical parameters of drawbead could be obtained according to an improved drawbead restraining force model and the improved hybrid optimization algorithm. This optimization method of drawbead was used in designing drawing tools of an actual autobody cover panel, and an optimized drawbead design plan has been obtained, by which deformation redundancy was increased from 0% under uniform drawbead control to 10%. Plastic strain of all area of formed part was larger than 2% and the minimum flange width was larger than 10 mm. Therefore, not only better formability and high dent resistance were obtained, but also fine cutting contour line and high assembly quality could be obtained. An actual drawing part has been formed using the optimized drawbead, and the experimental results were compared with the simulating results in order to verify the validity of the optimized design plan. Good agreement of thickness on critical areas between experimental results and simulation results proves that the optimization design method of drawbead could be successfully applied in designing actual tools of autobody cover panels.

Comparative analysis of China (Han) & Bangladesh cultural authentication and transformation context on “Motif Design”

2021 ◽  
Vol 7 (1) ◽  
pp. 1-10
Author(s):  
Md Moniruzzaman ◽  
Md Eanamul Haque Nizam ◽  
Md Tanjubul Hasan ◽  
Md Ahosanul Karim ◽  
Maria Afrin Shammi ◽  
...  
Keyword(s):  
Design Pattern ◽  
Research Team ◽  
Fashion Design ◽  
Key Factors ◽  
Cultural Elements ◽  
Historical Progress ◽  
Fashion Designers ◽  
Two Sides ◽  
Day By Day ◽  
The Ideal

Now a day, fashion design and clothing manufacturing is going to update day by day. Modern fashion designers are interested to work with the new color, trend, design, pattern, cutline. “Motif Design" and its application may have been a positive way to deal with the ideal tasteful look, while social confirmation and diversification have been considered as key factors. In this study, the author tries to investigate the cultural elements motif between Bangladesh and china (Han). The author investigates different Blogs, magazines, journals, and websites used for the analysis. In order to make this research authentic and credible different local and international published books and articles have been studied. Different websites helped by representing historical progress and reference of the information which adorned in this research. Few Bangladeshi and Chinese apparel fashion brands those who worked with traditional costume were also a way to understand today's influence of Cultural elements. After the analysis, the author finds some features of motif like style, positioning, color and pattern. The research team analyzes those points from the view of two sides. Then the authors finally find out the key similarities from the analysis between the two countries. From the finding, the author designs (flat sketch) a series of dresses for the Contemporary market for future sustainability.

Application Research on a Curved CAM Surface Reconstruction Method

2014 ◽  
Vol 971-973 ◽  
pp. 402-405
Author(s):  
Zhou Wen ◽  
Jun Ling Zhang ◽  
Xiu Duan Gong
Keyword(s):  
Reverse Engineering ◽  
Surface Reconstruction ◽  
Design Method ◽  
Subsequent Development ◽  
Reconstruction Method ◽  
Application Research ◽  
Cam Mechanism ◽  
Indexing Mechanism ◽  
Contour Surface ◽  
Rapid Modeling

Globular indexing CAM mechanism is a good indexing mechanism. As the working curve of CAM contour surface is no extending curved surface, there is certain difficulty to design processing. It is new kinds of design method that reverse engineering apply in rapid modeling of curved CAM. In this way, designer can complete curve of CAM reverse modeling, and the rationality of the model is verified. At the same time, it also can reverse modeling and the subsequent development of other products to provide a reference.

Clash of Cultures

2020 ◽  
pp. 86-114
Author(s):  
Jennifer Loy ◽  
Samuel Canning
Keyword(s):  
Additive Manufacturing ◽  
Software Development ◽  
Industrial Design ◽  
Scientific Research ◽  
Fashion Design ◽  
Research Facility ◽  
Research Teams ◽  
Additive Manufacturing Technology ◽  
Clash Of Cultures ◽  
Fashion Designers

In 2012, a Belgian company called Materialise hosted a fashion show featuring designs from a worldwide millinery competition. The featured pieces were paraded down a catwalk by professional models, and an overall winner chosen. What made this fashion show unusual was that the attendees were predominantly clinical and industrial engineers, and the host was a specialist engineering and software development company that emerged in 1990 from a research facility based at Leuven University. Engineers and product designers rather than fashion designers created the millinery and the works were all realized through additive manufacturing technology. This chapter provides an example of how fashion design has become a creative stimulus for the development of the technology. It illustrates how disruptive creativity has the potential to advance scientific research, with the two worlds of engineering and fashion coming together through a collaboration with industrial design. The chapter highlights the challenges and possible implications for preparing trans-disciplinary research teams.

scholarly journals Figural Creativity, Creative Potential, and Personality among Taiwanese Fashion Design Undergraduates

2018 ◽  
Vol 4 (2) ◽  
pp. 28
Author(s):  
Kuan-Chen Tsai
Keyword(s):  
Undergraduate Students ◽  
Fashion Design ◽  
First Year ◽  
Visual Artists ◽  
Creative Potential ◽  
Relevant Variables ◽  
Fashion Designers

For modern visual artists and graphic designers, creativity is the sine qua non, and it should be equally important to fashion designers. The main objective of this study was to investigate the relationships among figural creativity, creative potential, and personality in a sample of Taiwanese fashion design undergraduates. Convenient sampling was used. A sample of 90 first-year fashion design undergraduate students (73 women and 17 men) at Asia University in Taiwan, was recruited from the Foundation of Design, which is the foundational fashion design course, to participant in this study. This study’s results suggest that figural creativity is not related to creative potential or to personality. However, we suggest that using alternative or additional instruments to measure creative potential and/or include additional relevant variables might build on these findings and increase our understanding of the relationships among figural creativity, creative potential, and personality.

scholarly journals Place Of Creation And Place Of Production: Spatial Dimensions Of The Berlin Fashion-Design Production Network

2015 ◽  
Vol 34 (2) ◽  
pp. 75-85 ◽  
Author(s):  
Marco Copercini
Keyword(s):  
Local Level ◽  
Creative Industries ◽  
Global Network ◽  
Fashion Design ◽  
Production Network ◽  
Spatial Dimensions ◽  
Design Production ◽  
Entrepreneurial Strategies ◽  
Fashion Designers ◽  
Start Ups

Abstract Fashion design plays a significant role in Berlin’s creative industries and for its start-up scene. Berlin has the highest concentration of designers in Germany, most of them working in small start-ups, while the spatial organisation of their production is stretched from the local level to the global network of fashion events, showing different entrepreneurial strategies within the production process. Different spatial structures of the production organisation are identifiable through which it is possible to discuss the role of Berlin in the production network of fashion designers and the kinds of relations holding between the city, designers, and their production network.

The Application of Color Psychological Effect on Fashion Design

2013 ◽  
Vol 796 ◽  
pp. 474-478 ◽  
Author(s):  
Jian Feng Zhang
Keyword(s):  
Major Element ◽  
Psychological Needs ◽  
Psychological Effect ◽  
Fashion Design ◽  
Way Of Life ◽  
Fierce Competition ◽  
Fashion Designers ◽  
Color Psychology

Due to fast-paced society and fierce competition, more and more attentions are paid to consumers way of life and their psychological needs in fashion design. Color, a major element of fashion design, is a certain psychological feeling stimulated from vision, a combination of perception and ration. It should be designed and applied from the aspect of color psychology. Based on the cases and survey, this study aims to explore the application of psychological effect of color in fashion design. Fashion designers should consider the fashion color, focus on consumers preference for color, shade, style, patterns and the psychological effect, meet psychological needs of the target and potential consumers, and express psychological suggestion effect of color. Designers should also develop products at the level of matter and spirit, select fashion color to consumers mind, and finally apply color psychological effect in fashion planning and designing, products developing and marketing. The results of this study may play a guiding role in the strategy of modern fashion design.

Study on Bionic Design Based on Aesthetical Form of DNA Curve

2013 ◽  
Vol 312 ◽  
pp. 958-962
Author(s):  
Xiao Yan Chen ◽  
Wen Hua Qi
Keyword(s):  
Gene Structure ◽  
Bionic Design ◽  
Modern Design ◽  
Curve Structure ◽  
Biological Form

This paper illustrates that the DNA gene structure is conformed to the rule of form beauty firstly, and then adopted in bionic design the structure into the bionic design. And discusses the relation between the biological form and modern bionic design, analyzes the association between the curve structure and modern design, and expects there is an effective way of combination between microcosmic structure and bionic design.

scholarly journals Berlin As a Creative Field: Deconstructing the Role of the Urban Context in Creative Production

2016 ◽  
Vol 35 (4) ◽  
pp. 121-132
Author(s):  
Marco Copercini
Keyword(s):  
Mutual Influence ◽  
Fashion Design ◽  
Location Decisions ◽  
Creative Work ◽  
Urban Context ◽  
Relational Context ◽  
Innovation Capacity ◽  
Fashion Designers ◽  
The City

Abstract The relation between creative activities and the cities in which they are concentrated is that of mutual influence and dependence. This kind of dynamics is well described by the concept of the creative field by Scott (2006, 2008, 2010, 2014). According to this concept, there is a shared relational context among creative actors in a given place, as well as between them and the local socio-economic-institutional context. Consequently, the economic profile and innovation capacity of a city are determined by the main sectors based there. In this paper, I discuss the role of the creative field in developing the relation between the city of Berlin and creative actors of the fashion design sector, as well as elements of the creative field that are considered relevant by fashion designers in their creative work. This perspective allows the underscoring of some relevant drivers that have made Berlin one of the most relevant places for fashion design in Germany and the whole of Europe. This research has been supported by administrative data from the period 1990-2015, along with personal interviews in the fashion design sector. Shown are not only the existing relations between the urban context and the creative activities of designers, but also how the development of the creative field of the city might be influenced. Consequently, the creative work of fashion designers and their location decisions have to be considered in relation to the creative field as a dynamic combination of variable elements that influence, and are influenced by, each other.

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