Comparative analysis of China (Han) & Bangladesh cultural authentication and transformation context on “Motif Design”

2021 ◽  
Vol 7 (1) ◽  
pp. 1-10
Author(s):  
Md Moniruzzaman ◽  
Md Eanamul Haque Nizam ◽  
Md Tanjubul Hasan ◽  
Md Ahosanul Karim ◽  
Maria Afrin Shammi ◽  
...  
Keyword(s):  
Design Pattern ◽  
Research Team ◽  
Fashion Design ◽  
Key Factors ◽  
Cultural Elements ◽  
Historical Progress ◽  
Fashion Designers ◽  
Two Sides ◽  
Day By Day ◽  
The Ideal

Now a day, fashion design and clothing manufacturing is going to update day by day. Modern fashion designers are interested to work with the new color, trend, design, pattern, cutline. “Motif Design" and its application may have been a positive way to deal with the ideal tasteful look, while social confirmation and diversification have been considered as key factors. In this study, the author tries to investigate the cultural elements motif between Bangladesh and china (Han). The author investigates different Blogs, magazines, journals, and websites used for the analysis. In order to make this research authentic and credible different local and international published books and articles have been studied. Different websites helped by representing historical progress and reference of the information which adorned in this research. Few Bangladeshi and Chinese apparel fashion brands those who worked with traditional costume were also a way to understand today's influence of Cultural elements. After the analysis, the author finds some features of motif like style, positioning, color and pattern. The research team analyzes those points from the view of two sides. Then the authors finally find out the key similarities from the analysis between the two countries. From the finding, the author designs (flat sketch) a series of dresses for the Contemporary market for future sustainability.

The Journey of Silk to the International Fashion Design World

2011 ◽  
Vol 175-176 ◽  
pp. 981-986 ◽  
Author(s):  
Jian Ping Yang ◽  
Yu Qi Sun ◽  
Shao Ning Qing
Keyword(s):  
Chinese Culture ◽  
Fashion Design ◽  
Western World ◽  
Cultural Elements ◽  
Clothing Design ◽  
The World ◽  
Main Factors ◽  
Fashion Designers

The eastern cultural elements, especially represented by Chinese traditional cultural elements, are widely applied in the fashion design when some major international fashion brands introduce the latest design to the world. Silk as one of main factors of Chinese culture has caught lots of attention of international fashion designers and has won great recognition in the western world. The mixtures of cultural elements give those international fashion brands big profits both in the publicity and economy. However at present in china silk is mainly employed into the bed clothing design, underwear design and craft design. Although there are some designers who try silk into the fashion design, the patterns they use are mostly the Chinese traditional ones. The limit of patterns and styles of silk design puts the domestic silk fashion design in the dilemma. The success of the employment of eastern cultural elements of those international fashion brands inspires a new trend of the silk fashion design. This thesis will try to explore approaches to combine the western cultural elements and Chinese traditional cultural elements into the silk fashion design. And at the same time, we like to talk about the concepts of using the Chinese traditional ways of sewing and embroidery in the showing western cultural elements by silk. Also we want to discuss the new access of the silk to the international fashion design world.

Clash of Cultures

2020 ◽  
pp. 86-114
Author(s):  
Jennifer Loy ◽  
Samuel Canning
Keyword(s):  
Additive Manufacturing ◽  
Software Development ◽  
Industrial Design ◽  
Scientific Research ◽  
Fashion Design ◽  
Research Facility ◽  
Research Teams ◽  
Additive Manufacturing Technology ◽  
Clash Of Cultures ◽  
Fashion Designers

In 2012, a Belgian company called Materialise hosted a fashion show featuring designs from a worldwide millinery competition. The featured pieces were paraded down a catwalk by professional models, and an overall winner chosen. What made this fashion show unusual was that the attendees were predominantly clinical and industrial engineers, and the host was a specialist engineering and software development company that emerged in 1990 from a research facility based at Leuven University. Engineers and product designers rather than fashion designers created the millinery and the works were all realized through additive manufacturing technology. This chapter provides an example of how fashion design has become a creative stimulus for the development of the technology. It illustrates how disruptive creativity has the potential to advance scientific research, with the two worlds of engineering and fashion coming together through a collaboration with industrial design. The chapter highlights the challenges and possible implications for preparing trans-disciplinary research teams.

Cognitive Processes in Fashion Design

2017 ◽  
pp. 205-222
Author(s):  
Geraldo Coelho Lima Júnior
Keyword(s):  
Learning Environment ◽  
Cognitive Processes ◽  
Teaching And Learning ◽  
The Body ◽  
Fashion Design ◽  
Key Factors ◽  
Learning Program ◽  
Design Students ◽  
Visually Handicapped

This chapter is concerned with the teaching and learning of modelling in fashion design courses. Following a series of observations, it was found that fashion design students, with normal sight, have difficulties in fully understanding how an item of clothing can be transposed to a modelling display bust, which represents the body of the wearer. The same obstacle affects visually-handicapped students. This study seeks to explore ways of overcoming this problem. It involves seeking to introduce features into teaching that can allow a comprehensive learning program to be taught and in particular, to concentrate on certain key factors - cognition, constancy and abstraction - with regard to the information on fashion projects that can be found in the surrounding learning environment.

scholarly journals Game Analysis between Banks and B2B Platforms in Agricultural Electronic Order Financing

2019 ◽  
Vol 8 (1) ◽  
pp. 11
Author(s):  
Xiaoxu Chen ◽  
Peng Xu
Keyword(s):  
Strategy Choice ◽  
Key Factors ◽  
Main Mode ◽  
Game Analysis ◽  
Moral Hazards ◽  
Compensation Ratio ◽  
Cooperation Mechanism ◽  
Behavior Strategies ◽  
Two Sides ◽  
Electronic Order

In recent years, agricultural electronic order financing has developed rapidly, and cooperation between banks and B2B platforms has become the main mode of operation. In the process of cooperation, there are moral hazards caused by information concealment. On the basis of analyzing the business characteristics and the behavior strategies of both sides, this paper discusses the cooperation mechanism between the two sides by using the game analysis method. The results show that the strategy choice of the banks and the B2B platforms is not only affected by the credit of financing customers, but also by the concealment cost and the concealment income. When the concealment cost is less than the concealment income, the profit distribution ratio and the default compensation ratio can be the key factors of affecting the strategy choice of the B2B platforms and the banks. When the concealment cost is greater than the concealment benefit, the change value of the income distribution caused by the different strategies has an important impact on the strategy choice of the banks.

scholarly journals Figural Creativity, Creative Potential, and Personality among Taiwanese Fashion Design Undergraduates

2018 ◽  
Vol 4 (2) ◽  
pp. 28
Author(s):  
Kuan-Chen Tsai
Keyword(s):  
Undergraduate Students ◽  
Fashion Design ◽  
First Year ◽  
Visual Artists ◽  
Creative Potential ◽  
Relevant Variables ◽  
Fashion Designers

For modern visual artists and graphic designers, creativity is the sine qua non, and it should be equally important to fashion designers. The main objective of this study was to investigate the relationships among figural creativity, creative potential, and personality in a sample of Taiwanese fashion design undergraduates. Convenient sampling was used. A sample of 90 first-year fashion design undergraduate students (73 women and 17 men) at Asia University in Taiwan, was recruited from the Foundation of Design, which is the foundational fashion design course, to participant in this study. This study’s results suggest that figural creativity is not related to creative potential or to personality. However, we suggest that using alternative or additional instruments to measure creative potential and/or include additional relevant variables might build on these findings and increase our understanding of the relationships among figural creativity, creative potential, and personality.

scholarly journals Place Of Creation And Place Of Production: Spatial Dimensions Of The Berlin Fashion-Design Production Network

2015 ◽  
Vol 34 (2) ◽  
pp. 75-85 ◽  
Author(s):  
Marco Copercini
Keyword(s):  
Local Level ◽  
Creative Industries ◽  
Global Network ◽  
Fashion Design ◽  
Production Network ◽  
Spatial Dimensions ◽  
Design Production ◽  
Entrepreneurial Strategies ◽  
Fashion Designers ◽  
Start Ups

Abstract Fashion design plays a significant role in Berlin’s creative industries and for its start-up scene. Berlin has the highest concentration of designers in Germany, most of them working in small start-ups, while the spatial organisation of their production is stretched from the local level to the global network of fashion events, showing different entrepreneurial strategies within the production process. Different spatial structures of the production organisation are identifiable through which it is possible to discuss the role of Berlin in the production network of fashion designers and the kinds of relations holding between the city, designers, and their production network.

The Application of Color Psychological Effect on Fashion Design

2013 ◽  
Vol 796 ◽  
pp. 474-478 ◽  
Author(s):  
Jian Feng Zhang
Keyword(s):  
Major Element ◽  
Psychological Needs ◽  
Psychological Effect ◽  
Fashion Design ◽  
Way Of Life ◽  
Fierce Competition ◽  
Fashion Designers ◽  
Color Psychology

Due to fast-paced society and fierce competition, more and more attentions are paid to consumers way of life and their psychological needs in fashion design. Color, a major element of fashion design, is a certain psychological feeling stimulated from vision, a combination of perception and ration. It should be designed and applied from the aspect of color psychology. Based on the cases and survey, this study aims to explore the application of psychological effect of color in fashion design. Fashion designers should consider the fashion color, focus on consumers preference for color, shade, style, patterns and the psychological effect, meet psychological needs of the target and potential consumers, and express psychological suggestion effect of color. Designers should also develop products at the level of matter and spirit, select fashion color to consumers mind, and finally apply color psychological effect in fashion planning and designing, products developing and marketing. The results of this study may play a guiding role in the strategy of modern fashion design.

A Cooperative Plan to Share Objective-Type Test Items

1951 ◽  
Vol 44 (5) ◽  
pp. 302-306
Author(s):  
Henry W. Syer
Keyword(s):  
Standardized Tests ◽  
Secondary Mathematics ◽  
Test Items ◽  
Type Test ◽  
The Subject ◽  
Teaching Of Mathematics ◽  
Time And Energy ◽  
Day By Day ◽  
Objective Type ◽  
The Ideal

Teachers have long been advised to build and use objective-type test items in their classroom tests in addition to the use of standardized tests which have been constructed and sold by outside authorities. Our own classroom tests reflect the particular topics which we, as teachers, and our students have found interesting and important for our particular class during a particular year. Purchased tests can never fully replace the class tests made and used by the teacher who has carried the class along through the day-by-day development of the subject. However, all who have tried know the time and energy which is required to formulate worthwhile test items in mathematics. Sometimes items which seemed good do not work out in practice at all. If we all had time the ideal procedure would be to use, analyze, revise, use, analyze and discard items in a growing file which would thus be constantly refined and improved. Few teachers have time to follow through such a procedure individually. The purpose of this report is to indicate a procedure which might facilitate the exchange of items concocted by individual teachers of secondary mathematics through the country so that these items could be used by others. The suggested plan is to establish a regular department in The Mathematics Teacher which will collect, classify and publish items supplied by teachers who have written and used them. There is no thought of standardizing the topics or procedure in the teaching of mathematics; the items will be displayed for use, but no teacher is urged to use them if they do not meet the objectives of a particular class. As time goes by this pool of items may contain many which test the same concepts, skills or other objectives. This is all to the good for the bigger the selection, the more interesting the shopping tour.

scholarly journals Berlin As a Creative Field: Deconstructing the Role of the Urban Context in Creative Production

2016 ◽  
Vol 35 (4) ◽  
pp. 121-132
Author(s):  
Marco Copercini
Keyword(s):  
Mutual Influence ◽  
Fashion Design ◽  
Location Decisions ◽  
Creative Work ◽  
Urban Context ◽  
Relational Context ◽  
Innovation Capacity ◽  
Fashion Designers ◽  
The City

Abstract The relation between creative activities and the cities in which they are concentrated is that of mutual influence and dependence. This kind of dynamics is well described by the concept of the creative field by Scott (2006, 2008, 2010, 2014). According to this concept, there is a shared relational context among creative actors in a given place, as well as between them and the local socio-economic-institutional context. Consequently, the economic profile and innovation capacity of a city are determined by the main sectors based there. In this paper, I discuss the role of the creative field in developing the relation between the city of Berlin and creative actors of the fashion design sector, as well as elements of the creative field that are considered relevant by fashion designers in their creative work. This perspective allows the underscoring of some relevant drivers that have made Berlin one of the most relevant places for fashion design in Germany and the whole of Europe. This research has been supported by administrative data from the period 1990-2015, along with personal interviews in the fashion design sector. Shown are not only the existing relations between the urban context and the creative activities of designers, but also how the development of the creative field of the city might be influenced. Consequently, the creative work of fashion designers and their location decisions have to be considered in relation to the creative field as a dynamic combination of variable elements that influence, and are influenced by, each other.

scholarly journals Artisanal Fashion Design: Entrepreneurs on Thinking, Process, and Decision Making

2021 ◽  
Author(s):  
Robert Ott
Keyword(s):  
Decision Making ◽  
Design Process ◽  
Design Thinking ◽  
Fashion Design ◽  
Small Scale ◽  
Fashion Industry ◽  
Structured Interviews ◽  
Manufacturing Enterprises ◽  
Thinking Process ◽  
Fashion Designers

This thesis examines the ways in which fashion designers think about themselves, the design process, and the fashion industry. Recent interest in design thinking has brought decision making to the forefront in an effort to resolve conflicts between creative individuals and managers during the design process. Within the fashion design literature there are studies of processes in large fashion manufacturing enterprises but very little has focused on small-scale fashion design entrepreneurs. In this inductive, qualitative study, I use grounded theory as the methodology in the analysis of semi-structured interviews of twelve Canadian fashion design entrepreneurs. The findings explore their perceptions of their identity as designers, their perceptions of design process, and their relationship to their business. This research has developed the concept of “artisanal fashion design” as a distinct subset of design for further study and for consideration by organizations, the fashion industry, and educators.

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