History and Future Prospect of Electro-ceramics in Japan and Asia

2012 ◽  
Vol 2012 (CICMT) ◽  
pp. 000002-000009
Author(s):  
Hiroshi Takagi
Keyword(s):  
Mass Production ◽  
Future Prospect ◽  
Ceramic Materials ◽  
Electronic Components ◽  
Zno Varistor ◽  
The World ◽  
History Of ◽  
Tokyo Institute ◽  
Institute Of Technology ◽  
Insulating Ceramics

On the background of a long history of Japanese ceramics, various electro-ceramic materials have been studied and many kinds of electronic components using them have been developed in Japan. The first invention of electro-ceramics in Japan should be a ferrite at Tokyo Institute of Technology in 1930, and the mass production of ferrite started in 1937. Then, Japanese electro-ceramic industry has led the world on electro-ceramic materials and components until now, especially in the fields of BaTiO3, PZT, PTC thermistor, ZnO varistor and insulating ceramics. In recent years, new electro-ceramic materials, their processes and new devices using them have been still studied actively in Japan. Currently, R&D activities in Asia outside of Japan, and electro-ceramic industries in those areas have been grown steadily.

1. What are renewables?

2020 ◽  
pp. 1-15
Author(s):  
Nick Jelley
Keyword(s):  
Climate Change ◽  
Global Warming ◽  
Renewable Energy ◽  
Mass Production ◽  
Fossil Fuels ◽  
Industrial Revolution ◽  
18Th Century ◽  
Clean Energy ◽  
The World ◽  
History Of

‘What are renewables?’ defines renewable energy and provides a brief history of its use. It focuses on energy generated by solar, wind, and hydropower. These energy sources are renewable, in the sense that they are naturally replenished within days to decades. Only a few years ago, giving up our reliance on fossil fuels to tackle global warming would have been very difficult, as they are so enmeshed in our society and any alternative was very expensive. Nearly all of the sources of energy up to the 18th century were from renewables, after which time the world increasingly used fossil fuels. They powered the industrial revolution around the globe, and now provide most of our energy. But this dependence is unsustainable, because their use causes global warming, climate change, and pollution. Other than hydropower, which grew steadily during the 20th century and now provides almost a sixth of the world’s electricity demand, renewable energy was a neglected resource for power production for most of this period, being economically uncompetitive. But now, renewables are competitive, particularly through the support of feed-in tariffs and mass production, and governments are starting to pay more attention to clean energy, as the threat of climate change draws closer. Moving away from fossil fuels to renewables to supply both heat and electricity sustainably has become essential.

Book Reviews

2011 ◽  
Vol 49 (1) ◽  
pp. 164-168
Keyword(s):  
Massachusetts Institute ◽  
Massachusetts Institute Of Technology ◽  
Near Eastern ◽  
Modern Times ◽  
The World ◽  
Industrial Performance ◽  
History Of ◽  
Ancient Mesopotamia ◽  
Institute Of Technology

Michael Bikard of Massachusetts Institute of Technology and NBER reviews “The Invention of Enterprise: Entrepreneurship from Ancient Mesopotamia to Modern Times” edited by David S. Landes, Joel Mokyr, and William J. Baumol. The EconLit Abstract of the reviewed work begins, “Eighteen papers examine the history of entrepreneurship throughout the world since antiquity. Papers discuss global enterprise and industrial performance--an overview; entrepreneurs--from the Near Eastern takeoff to the Roman collapse; Neo-Babylonian entrepreneurs; the scale of entrepreneurship in Middle….”

scholarly journals Hydrophobic Paper Architecture: Studies in the Sustainability of Impermanent Structures

2016 ◽  
Author(s):  
Shelby Doyle ◽  
◽  
Leslie Forehand ◽  
Keyword(s):  
Structural Integrity ◽  
Digital Design ◽  
Particle Coating ◽  
Nano Coating ◽  
The Social ◽  
Hydrophobic Paper ◽  
History Of ◽  
Tokyo Institute ◽  
Default Condition ◽  
Institute Of Technology

“The problem with a tent is that when you use it you throw it away, so it’s money that melts.”—Alejandro Aravena The social project of architecture has long been fascinated with emergency and refugee housing as a primary unit of architectural and urban development. For decades, architects have proposed alternatives to the United Nations’ blue tent cities that are the principal image associated with humanitarian aid and its resulting urbanism. During the 2016 Venice Biennale Reporting from the Front, curator Alejandro Aravena challenges architects to reconsider the discipline’s relationship to society’s most urgent challenges. The ongoing European refugee crisis is one such ‘Front’and this research examines the viability of an alternative to the polyvinylchloride (PVC) tarp as the default condition of emergency and refugee housing. The authors propose that waterproof paper surfaces and members, treated with a proprietary nano-coating can perform as well as traditional materials, but with reduced environmental impact and improved user comfort. A collaboration between researchers in Material Science and Architecture combines ongoing scientific research with digital design tools and methods. Following is a brief history of building with paper, an introduction to hydrophobic nano-coatings, and several fabricated prototypes. This project expands upon initial applications from the Tokyo Institute of Technology (2012) where researchers successfully prepared paper surfaces with a nano-particle coating, repelling water and maintaining structural integrity.

A History of the World Semiconductor Industry

IEE Review ◽  
1991 ◽  
Vol 37 (10) ◽  
pp. 355
Author(s):  
D.A. Gorham
Keyword(s):  
Semiconductor Industry ◽  
The World ◽  
History Of

The problem of periodization of the history of religion

1997 ◽  
pp. 3-8
Author(s):  
Borys Lobovyk
Keyword(s):  
Religious Studies ◽  
Human Being ◽  
Religious Development ◽  
History Of Religion ◽  
The Social ◽  
The World ◽  
History Of ◽  
Role Of Religion

An important problem of religious studies, the history of religion as a branch of knowledge is the periodization process of the development of religious phenomenon. It is precisely here, as in focus, that the question of the essence and meaning of the religious development of the human being of the world, the origin of beliefs and cult, the reasons for the changes in them, the place and role of religion in the social and spiritual process, etc., are converging.

Mülteci olmak: Mersin’de yaşayan Filistinli mültecilerin göç hikâyeleri

2016 ◽  
Vol 3 (2) ◽  
pp. 200-224
Author(s):  
Bilge Deniz Çatak
Keyword(s):  
Oral History ◽  
Daily Life ◽  
Palestinian Refugees ◽  
Emotional Bonds ◽  
The World ◽  
History Of ◽  
Oral History Interviews ◽  
Refugee Experience

Filistin tarihinde yaşanan 1948 ve 1967 savaşları, binlerce Filistinlinin başka ülkelere göç etmesine neden olmuştur. Günümüzde, dünya genelinde yaşayan Filistinli mülteci sayısının beş milyonu aştığı tahmin edilmektedir. Ülkelerine geri dönemeyen Filistinlilerin mültecilik deneyimleri uzun bir geçmişe sahiptir ve köklerinden koparılma duygusu ile iç içe geçmiştir. Mersin’de bulunan Filistinlilerin zorunlu olarak çıktıkları göç yollarında yaşadıklarının ve mülteci olarak günlük hayatta karşılaştıkları zorlukların Filistinli kimlikleri üzerindeki etkisi sözlü tarih yöntemi ile incelenmiştir. Farklı kuşaklardan sekiz Filistinli mülteci ile yapılan görüşmelerde, dünyanın farklı bölgelerinde mülteci olarak yaşama deneyiminin, Filistinlilerin ulusal bağlılıklarına zarar vermediği görülmüştür. Filistin, mültecilerin yaşamlarında gelenekler, değerler ve duygusal bağlar ile devam etmektedir. Mültecilerin Filistin’den ayrılırken yanlarına aldıkları anahtar, tapu ve toprak gibi nesnelerin saklanıyor olması, Filistin’e olan bağlılığın devam ettiğinin işaretlerinden biridir.ABSTRACT IN ENGLISHPalestinian refugees’ lives in MersinIn the history of Palestine, 1948 and 1967 wars have caused fleeing of thousands of Palestinians to other countries. At the present time, its estimated that the number of Palestinian refugees worldwide exceeds five million. The refugee experience of Palestinians who can not return their homeland has a long history and intertwine with feeling of deracination. Oral history interviews were conducted on the effects of the displacement and struggles of daily life as a refugee on the identity of Palestinians who have been living in Mersin (city of Turkey). After interviews were conducted with eight refugees from different generations concluded that being a refugee in the various parts of the world have not destroyed the national entity of the Palestinians. Palestine has preserved in refugees’ life with its traditions, its values, and its emotional bonds. Keeping keys, deeds and soil which they took with them when they departed from Palestine, proving their belonging to Palestine.

War of Perception, Perception of Time

2018 ◽  
Vol 12 (2) ◽  
pp. 252-267
Author(s):  
Kuniichi Uno
Keyword(s):  
Michel Tournier ◽  
Crucial Question ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
Desert Island ◽  
Perception Of Time

For Gilles Deleuze's two essays ‘Causes and Reasons of Desert Islands’ and ‘Michel Tournier and the World Without Others’, the crucial question is what the perception is, what its fundamental conditions are. A desert island can be a place to experiment on this question. The types of perception are described in many critical works about the history of art and aesthetical reflections by artists. So I will try to retrace some types of perception especially linked to the ‘haptic’, the importance of which was rediscovered by Deleuze. The ‘haptic’ proposes a type of perception not linked to space, but to time in its aspects of genesis. And something incorporeal has to intervene in a very original stage of perception and of perception of time. Thus we will be able to capture some links between the fundamental aspects of perception and time in its ‘out of joint’ aspects (Aion).

Mass Production: Impossible London’s Criminal Subjects

2018 ◽  
Author(s):  
Ted Geier
Keyword(s):  
Print Culture ◽  
Mass Production ◽  
History Of ◽  
Mass Events

Considers mass readership and the ‘tastes’ it produces. Maps the history of criminals and execution spectacles, particularly as addressed by the London ‘public’ voices of Defoe and Dickens. Connects these mass events to the new mass print culture and circulation forms, such as the penny dreadfuls and their Newgate novel precursor. This shows the development of the public’s ‘taste for blood’, anxieties at an encroaching nonhumanity, and an infatuation with the inhuman from Jack Sheppard to Sweeney Todd and Dracula.

Hard Objects in George Oppen's Discrete Series

2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock
Keyword(s):  
Twentieth Century ◽  
Ludwig Wittgenstein ◽  
Discrete Series ◽  
Human Experience ◽  
John Ruskin ◽  
Gerard Manley Hopkins ◽  
Marcel Duchamp ◽  
The World ◽  
Production History ◽  
History Of

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.

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