scholarly journals Die Anglo-Boereoorlog (1899-1902) in die Afrikaanse letterkunde: ’n geheelperspektief

2011 ◽  
Vol 7 (2) ◽  
Author(s):  
André Wessels
Keyword(s):  
Short Stories ◽  
South African ◽  
Military History ◽  
African Studies ◽  
Boer War ◽  
Literary Works ◽  
War Novels ◽  
History And Literature ◽  
The Way

This study reviews Afrikaans literary works (poems, plays, novels and short stories) dealing with the Anglo-Boer War (1899-1902). War poems written by well- known Afrikaans poets such as Jan F.E. Celliers, Eugène Marais, C. Louis Leipoldt, Totius and D.J. Opperman, as well as some of the few plays that have the war as background, receive attention. See in this regard, for example, N.P. van Wyk Louw’s Die pluimsaad waai ver of bitter begin, which in its day elicited a substantial amount of controversy. In addition to the short stories that deal with the war, many novels on the war have also been published. Attention is drawn to the fact that the upsurge in Afrikaner nationalism in the 1930s (and later) went hand-in-hand with the publication of Anglo-Boer War novels. The youth was also not neglected, thanks to best-selling books on the war by Mikro and others. Etienne Leroux’s controversial novel Magersfontein, o Magersfontein! (1976) paved the way for several other noteworthy war novels that demythologise the Afrikaner’s so-called heroic role in the war. The article also identifies the most important topics that have thus far been explored in the Afrikaans literature on the war, for example the role played by Cape rebels; the consequences of the British scorched-earth policy and concomitant camps for white and black civilians; feminism, and the role and experiences of black and coloured people. In conclusion, the mutually enriching relationship between history and literature is investigated.Keywords: Afrikaans literature, Anglo-Boer War (1899-1902), Cape rebels, black civilians, faminism, relations history and literatureSubjects: Military history, Literature Studies, South African Studies

scholarly journals Winged women on book covers for contemporary African fiction: Shubnum Khan’s creation for Mohale Mashigo’s Intruders (2018)

2021 ◽  
Author(s):  
Lize Kriel
Keyword(s):  
Short Stories ◽  
Popular Culture ◽  
Mass Media ◽  
South African ◽  
Visual Image ◽  
Cover Image ◽  
Visual Imagination ◽  
African Spirituality ◽  
Book Covers ◽  
The Way

In her collection of short stories, Intruders, Mohale Mashigo (2018) draws on popular culture as well as local cultural memories as invested in South African folktales, to conjure up a fantastical world in which spirituality is often invoked. In this article, I consider the way in which the visual image of a woman with angelic wings designed for the book cover by artist Shubnum Khan, serves the purpose of marketing the commodity by means of connotations presumed to be familiar to potential readers, but also still suggestive enough to stimulate, rather than prescribe, the visual imagination ignited in the process of reading. I link book cover designer Peter Mendelsund’s argument that the reading imagination, although fuelled by memory, remains “loosely associative” and “not overtly coherent”, with Ingvild Gilhus’s cultural-historical appraisal of the angel’s appeal as such a malleable symbol of (increasingly, specifically) female superhuman capabilities. I argue that the cover image ‘works’ because of its ability to kindle memories of precolonial African spirituality, associations with Christianity, as well as images circulating in mass media.

Poetic Trespass

2014 ◽  
Author(s):  
Lital Levy
Keyword(s):  
Twentieth Century ◽  
Visual Art ◽  
Prose Poetry ◽  
Old World ◽  
History And Literature ◽  
Political Boundaries ◽  
Depth Study ◽  
Emile Habiby ◽  
The Relationship ◽  
The Way

A Palestinian-Israeli poet declares a new state whose language, “Homelandic,” is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a “language plague” that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. This book brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, the book presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, the book traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, the book finds writers who have boldly crossed over this divide to create literature in the language of their “other,” as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, the book introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, the book will change the way we understand literature and culture in the shadow of the Israeli–Palestinian conflict.

More about Diamonds

2019 ◽  
pp. 115-119
Author(s):  
Vladimir Shubin
Keyword(s):  
United Kingdom ◽  
South African ◽  
Personal Experience ◽  
African Studies ◽  
Short Term ◽  
Soviet State ◽  
The United Kingdom ◽  
De Beers

The article is a rejoinder to the work of Yury S. Skubko, previously published in the Journal of the Institute for African Studies, on Moscow’s relations with De Beers. It is based not only on the available literature but also on the author’s personal experience. The author shows that under the monopoly of this South African company in the field of diamond sales, Soviet organizations, even in the conditions of a South African boycott, were forced to deal with its subordinate structures and the attempts to sideline them were in vain. In particular the article analyses the attitude to a controversial agreement signed by the Soviet state-owned “Glavalmalmazzoloto” and De Beers Centenary in 1990, when, like in many other cases in the “Gorbachev’s era” Moscow’s principle stand was eroded for short-term results even personal gains. The author comes to the conclusion that the responsibility for Moscow’s dealings with De Beers must be borne not by our country, but above all by the United Kingdom, which allowed De Beers have the headquarters of its Central Selling Organisation (CСO) in London.

Menelusuri Bentang Alam Dalam Karya Sastra Yang Bertema Lingkungan Alam

Jurnal KATA ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 89
Author(s):  
Nanny Sri Lestari
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Natural Environment ◽  
Human Life ◽  
Space Communications ◽  
Story Structure ◽  
Literary Works ◽  
Media Space ◽  
The Media ◽  
The Subject

<p>Sebuah peristiwa, dalam kehidupan manusia, dapat menjadi inspirasi bagi penulisan sebuah cerita. Pengarang, sebagai bagian dari masyarakatnya, mengangkat relung-relung kehidupan manusia, ke dalam sebuah cerita. Namun harus dipahami, bahwa pengalaman pengarang dalam kehidupannya sehari-hari, juga mempengaruhi subjek yang ditulisnya. Saat ini tidak dapat dipungkiri lagi, bahwa teknologi komunikasi yang sangat canggih, telah mempengaruhi perkembangan karya sastra. Media penulisan karya sastra, tidak lagi melalui media cetak seperti kertas tetapi sudah melalui peralatan modern yang sesuai jamannya. Namun demikian ragam karya sastra prosa, seperti cerita pendek, justru mampu mengisi ruang media kommunikasi tersebut. Dua orang pengarang, yang menulis cerita pendek di media masa, berusaha mengangkat isu tentang lingkungan. Isu yang diangkat, lebih menekankan kepada masalah lingkungan alam dengan mengangkat isu tentang pohon sebagai bagian dari kehidupan manusia. Tujuan penelitian ini, untuk menelusuri struktur cerita pendek yang mengangkat isu lingkungan dalam jalinan ceritanya. Untuk memenuhi tujuan penelitian, langkah awal dari penelitian ini, adalah melakukan pendekatan struktur cerita, yang kemudian dikaitkan dengan pencarian makna cerita tersebut. Sering sekali di balik sebuah cerita ada pesan yang ingin disampaikan kepada masyarakat pembacanya. Bentuk pesan tersebut tersirat, dalam jalinan struktur cerita pendek tersebut. Pesan yang disampaikan, dalam kedua cerita pendek tersebut,  adalah pesan tentang lingkungan alam, yang  saat ini tidak pernah diperhatikan oleh masyarakat. Dengan alasan, kebutuhan ekonomi yang sangat dominan.</p><p><em>An event, in human life, can be an inspiration for writing a story. The author, as a part of his society, lifts the niches of human life, into a story. But it must be understood, that the author's experience in everyday life, also affects the subject he wrote.</em><em> </em><em>Today it is undeniable, that highly sophisticated communication technology, has influenced the development of literary works. Media writing literature, no longer through print media such as paper but have been through modern equipment that fit his era.</em><em> </em><em>However, the variety of prose literary works, such as short stories, is able to fill the media space communications. Two authors, who write short stories in the mass media, try to raise issues about the environment. Issues raised, more emphasis on the issue of the natural environment by raising the issue, about the tree as part of human life. The purpose of this research, is to trace the structure of short stories, which raised environmental issues in the composition of the story. To fulfill the purpose of research, the first step of this research, is to approach the structure of the story, which is then linked with the search for the meaning of the story. Very often, behind a story, there is a message to be conveyed to the readers. The form of the message is implied, in the composition of the short story structure. The message conveyed, in both short stories, is a message about the natural environment, which today is never noticed by society. The message conveyed, in both short stories, is a message about the natural environment, which today is never noticed by society.</em></p>

scholarly journals Truth and reconciliation in South Africa: Hindu experiences and concerns

2004 ◽  
Vol 60 (4) ◽  
Author(s):  
P.G.J. Meiring
Keyword(s):  
South Africa ◽  
South African ◽  
Truth And Reconciliation Commission ◽  
Faith Communities ◽  
The South ◽  
Reconciliation Commission ◽  
Truth And Reconciliation ◽  
Hindu Community ◽  
The Way

The author who served on the South African Truth and Reconciliation Commission (TRC), focuses on the Hindu experience in South Africa during the apartheid years. At a special TRC Hearing for Faith Communities (East London, 17-19 November 1997) two submissions by local Hindu leaders were tabled. Taking his cues from those submissions, the author discusses four issues: the way the Hindu community suffered during these years, the way in which some members of the Hindu community supported the system of apartheid, the role of Hindus in the struggle against apartheid, and finally the contribution of the Hindu community towards reconciliation in South Africa. In conclusion some notes on how Hindus and Christians may work together in th

Suffering, hope and forgiveness: the ubuntu theology of Desmond Tutu

2009 ◽  
Vol 62 (4) ◽  
pp. 477-489 ◽  
Author(s):  
Charles G. Haws
Keyword(s):  
South African ◽  
Jesus Christ ◽  
Blaise Pascal ◽  
Desmond Tutu ◽  
The Way

AbstractBlaise Pascal once said, ‘Knowing Jesus Christ strikes the balance [for theology] because he shows us both God and our wretchedness’. Indeed, the majesty of Christ is that in him the despair of wretchedness and the hope of God are held together. Theology often does not reflect this balance, leading towards either anthropocentrism or nihilism. The ubuntu theology of Desmond Tutu does, however, by proclaiming the inherent interconnectedness of humankind. Tested by the context of South African apartheid, this notion called ‘ubuntu’ counters segregation and violence with reconciliation and justice. It refuses to execute retribution upon transgressors, instead committing itself to re-membering the disinherited of Christ's inclusive body. Forgiveness is the only future for this body and, though it remains an aporia in the context of radical evils such as apartheid, it is the only way to achieve justice without economising balance. That is, only forgiveness can realise ubuntu because it progresses forward toward justice not backward toward vengeance. Ubuntu is the prophetic balance of a divine gift that transforms the wretchedness of human atrocities. It represents Tutu's attempt to realise the way of God in his context, an attempt from which all theologising can benefit.

The Religiosity of Javanese Society in Modern Indonesian Literature

2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari
Keyword(s):  
Short Stories ◽  
Literary Work ◽  
Community Life ◽  
The Novel ◽  
Literary Works ◽  
Islamic Values

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.

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