Divide and Conquer: can we handle complex markup simply?

Author(s):  
Robin La Fontaine

Cultural Heritage markup can quickly become complex because of the need to represent multiple, and even overlapping, hierarchical structures. It can therefore become very difficult to maintain correctly. This talk suggests that a better approach is now possible: markup that is designed to represent different aspects of a text could be handled separately from the point of view of checking and maintenance, and then only combined into a single document when needed, e.g. for some kind of analysis. Advances in comparison and merge tools for XML make this a possibility.

2019 ◽  
Author(s):  
Michiru Makuuchi

Symbolic behaviours such as language, music, drawing, dance, etc. are unique to humans and are found universally in every culture on earth1. These behaviours operate in different cognitive domains, but they are commonly characterised as linear sequences of symbols2,3. One of the most prominent features of language is hierarchical structure4, which is also found in music5,6 and mathematics7. Current research attempts to address whether hierarchical structure exists in drawing. When we draw complex objects, such as a face, we draw part by part in a hierarchical manner guided by visual semantic knowledge8. More specifically, we predicted how hierarchical structure emerges in drawing as follows. Although the drawing order of the constituent parts composing the target object is different amongst individuals, some parts will be drawn in succession consistently, thereby forming chunks. These chunks of parts would then be further integrated with other chunks into superordinate chunks, while showing differential affinity amongst chunks. The integration of chunks to an even higher chunk level repeats until finally reaching the full object. We analysed the order of drawing strokes of twenty-two complex objects by twenty-five young healthy adult participants with a cluster analysis9 and demonstrated reasonable hierarchical structures. The results suggest that drawing involves a linear production of symbols with a hierarchical structure. From an evolutionary point of view, we argue that ancient engravings and paintings manifest Homo sapiens’ capability for hierarchical symbolic cognition.


Author(s):  
Francisca Fernández ◽  
Lourdes Canós-Darós ◽  
Cristina Santandreu-Mascarell

X ◽  
2020 ◽  
Author(s):  
Alessandra Cattaneo ◽  
Laura Baratin

The castle Colonna of Arnara: from the restoration of the monument to the enhancement of the ancient village and its territoryThe castle of Arnara, is located in Ciociaria in southern Lazio, in what was once the feud of the Conti of Ceccano. For the territory it is the most important monumental complex of medieval architecture. In fact, despite its small size, it is one of the few examples of fortified architecture still original in its essential lines. This castle represents an exceptional case of sedimentation and stratification, which even today, from its reading, allows us to reconstruct both its historical events and those related to the urban development of the adjacent historic village. Moreover it can be considered of priority importance also from the urbanistic point of view because it represents the first historical nucleus of Arnara. Unfortunately, today, the castle is in a bad state of conservation. With the passing of time its conditions have become more and more aggravated also because of the complex events linked to the various passages of property, of private and public nature, which have strongly influenced the management of the monument. The study of the castle of Arnara is part of the national and international debate that considers participation a key factor for the sustainable enhancement of the cultural heritage, because it promotes greater awareness of its social and economic value. The objective of the research work is to develop, taking the castle as a case study, a new approach that sees cultural heritage (tangible and intangible) as an irreplaceable heritage of knowledge and as a precious resource for economic growth, employment and social cohesion; therefore a cultural heritage seen as a driving force. In the specific case of Colonna Castle, attention has been focused on the importance of being able to activate virtuous circles around this very important place of culture, enhancing its role as a centre of knowledge and incubator of creativity and social innovation.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Héctor Moreno - Mendoza ◽  
Agustín Santana - Talavera ◽  
José Molina - González

PurposeThe purpose of this study is to affirm that it is possible to segment visitors of cultural heritage into homogeneous groups according to a series of characteristics to detect the variables that have statistical significance to identify visitor clusters.Design/methodology/approachFour case studies were selected, where a total of 500 questionnaires were made to visitors. The authors proceeded with cluster analysis using SPSS software to differentiate visitor segments. Four groups of visitors were first identified and which have subsequently been reduced to three, according to several factors.FindingsThe main contributions of this paper are: (1) the segment to which each one of the determinants of the cultural tourism product is dedicated; (2) the variable object of the analysis, i.e. the formation of visitor segments; and (3) the inclusion of less studied variables such as type of accommodation contracted, treatment offered in the museums or entrance price.Research limitations/implicationsThe analysis has been developed in different museums, with different management models, in a specific place. However, the results are generalizable to other places and to other institutions that manage cultural heritage. The implications are management strategies for a sustainable cultural development in institutions of tourism and heritage.Practical implicationsFrom a practical point of view, the results are useful for cultural managers, travel agencies, tour operators, tourism companies or political offices, among others, because they generate new ideas and strategies focused on maximizing the use of the resources of cultural institutions.Social implicationsFor both local and non-local agents, the knowledge of the factors that make up the groups of visitors in the heritage sites represents a strategy in aspects of marketing, promotion and distribution, thus generating capacities for the different intermediaries, and the possibility of negotiating lower prices with better benefits. It is also possible to create new products destined for other publics.Originality/valueThe study is original because this has not been published.


Author(s):  
Aysu Altaş

Technology has penetrated every aspect of life and it proceeds with the aim of facilitating people's lives. Geographical information systems as a part of the developing technology provide services in every area with different forms. One of these areas is museology. The desire to make visual and written information and cultural heritage that are presented by museums with auditory and interactive experiences has brought together digital technologies and cultural and historical activities. From this point of view, the “Müze Asist” is a remarkable application in terms of the fact that it is a local app and in use in most of the museums in Turkey and the convenience provided for all tourists who want to visit a museum, especially for those who prefer self-guided tours. This chapter may be a guide to its objects and to the next researchers.


1999 ◽  
Vol 2 (2) ◽  
pp. 159-175
Author(s):  
Laura Domanico

The study examines the Italian legislation on the cultural heritage and the environment, and points out the cultural gaps from the point of view of the definition and comprehension of these matters, and the delays surrounding the management of the cultural heritage in the territory. While theoretical debate on the environment in Italy has received a strong impulse in recent years, the cultural heritage continues to be governed by generally outdated laws of an essentially restrictive and punitive nature. The environment and cultural heritage are also seen by the Italian legislation as two separate entities, with negative consequences at the level of the protection, safeguarding and evaluation of the heritage. The study also puts forward a unified, dynamic view of the human environment (the interaction between human beings and the environment), which includes both the visible and invisible landscapes, the latter existing concealed beneath the surface. The proposed concept of the subsoil is that of a structured universe, in whose understanding and interpretation archaeology plays a determining role. By protecting and safeguarding only what ‘we can see’, i.e. the environmental and historic landscape above the soil, the law forgets that this is nothing other than the product of a series of partial landscapes fossilized and stratified in the course of time. By seeking out a new definition of the human environment, the study advances a conception that takes into account continuing transformations while not excluding an intuitive and emotional approach.


2012 ◽  
Vol 36 (1) ◽  
pp. 63-72
Author(s):  
Nijolė Steponaitytė

The paper discusses objects of the research on Kaunas Fortress, listing of the Fortress in the Register of Cultural Property of the Republic of Lithuania, and process for establishing respective territory and preservation zones. Some protection objects – forts, batteries and their territories – are analysed from the point of view of new construction penetration into the territories and preservation zones of cultural heritage. Creation of terriologic reservates around objects of the Fortress and their regulation influence to buildings is discussed. Natural environment planning, the European Union supported projects, their results and realisation, practical benefit, some solutions of the master plan of Kaunas, that harm objects of cultural heritage territories of Kaunas Fortress are discussed as well. Santrauka Straipsnyje aptariami Kauno tvirtovės objektų tyrimai, įtraukimas į LR nekilnojamojo kultūros paveldo vertybių registrą, teritorijų ir apsaugos zonų nustatymas. Analizuojama kai kurių Kauno tvirtovės gynybinių statinių teritorijų būklė, naujų statybų skverbimasis į kultūros paveldo objektų apsaugos zonas ir teritorijas. Aptariamas teriologinių draustinių įkūrimas tvirtovės gynybiniuose objektuose, jų nuostatų įtaka statiniams, gamtotvarkos planų ir kitų Europos Sąjungos finansuojamų projektų rezultatai ir siūlymų įgyvendinimas, praktinė nauda, kai kurie Kauno miesto Bendrojo plano sprendiniai, kenkiantys Kauno tvirtovės kultūros paveldo objektų išlikimui.


Author(s):  
Emanuela Sorbo ◽  
Gianluca Spironelli

The paper is an initial form of dissemination of the research activities carried out by the IUAV University of Venice working group which, on behalf of the Municipal administration of Brendola, seeks to delineate the application of a methodology for the study and analysis of the architectural and landscape heritage of significant cultural interest that is in a state of abandonment. The case study application is the church of San Michele Arcangelo in Brendola (Vicenza), known as the “Incompiuta” (“Unfinished”). The case study proposed is an interesting exemplar of ecclesiastical architecture, designed by engineer-architect Fausto Franco, in which its characteristics of being unfinished and in a state of ruin contribute to redefining the image of a work that fits in a historical context of architectural and technical experimentation, where the reference to historical architecture is mediated by contemporary forms and by the use of modern building materials, among which, the use of reinforced bricks is noteworthy. The research activity, which is taking place in the context of the COVID-19 health emergency, aims at putting a series of strategies and operational practices based on the digitisation of data to the test, so as to allow increased interoperability and sharing through the building of an online open data repository addressed to the actors involved in the conservation process and to the community. In the processes of conservation and valorisation, in-depth knowledge and documentation of the materials and construction techniques involves multidisciplinary areas; effectively organising them in a system that regulates their collection, cataloguing, processing and archiving according to shared procedures, therefore becomes a fundamental prerequisite for the development of operational planning of the valorisation strategies. All the instruments that make it possible to collect data and reach a true knowledge of the object therefore become indispensable. From this point of view, the push towards the digitisation of the data that emerged during the pandemic phase plays a fundamental role in the range of application possibilities, from the survey to the mechanisms for the conservation and management of the cultural heritage.


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