Nicholas of Cusa (1401–64)

Author(s):  
Jasper Hopkins

Also called Nicolaus Cusanus, this German cardinal takes his distinguishing name from the city of his birth, Kues (or Cusa, in Latin), on the Moselle river between Koblenz and Trier. Nicholas was influenced by Albert the Great, Thomas Aquinas, Bonaventure, Ramon Llull, Ricoldo of Montecroce, Master Eckhart, Jean Gerson and Heimericus de Campo, as well as by more distant figures such as Plato, Aristotle, Proclus, Pseudo-Dionysius and John Scottus Eriugena. His eclectic system of thought pointed in the direction of a transition between the Middle Ages and the Renaissance. In his own day as in ours, Nicholas was most widely known for his early work De docta ignorantia (On Learned Ignorance). In it, he gives expression to his view that the human mind needs to discover its necessary ignorance of what the Divine Being is like, an ignorance that results from the infinite ontological and cognitive disproportion between Infinity itself (that is, God) and the finite human or angelic knower. Correlated with the doctrine of docta ignorantia is that of coincidentia oppositorum in deo, the coincidence of opposites in God. All things coincide in God in the sense that God, as undifferentiated being, is beyond all opposition, beyond all determination as this rather than that. Nicholas is also known for his rudimentary cosmological speculation, his prefiguring of certain metaphysical and epistemological themes found later in Leibniz, Kant and Hegel, his ecclesiological teachings regarding the controversy over papal versus conciliar authority, his advocacy of a religious ecumenism of sorts, his interest in purely mathematical topics and his influence on the theologian Paul Tillich in the twentieth century. A striking tribute to Nicholas’ memory still stands today: the hospice for elderly, indigent men that he caused to be erected at Kues between 1452 and 1458 and that he both endowed financially and invested with his personal library. This small but splendid library, unravaged by the intervening wars and consisting of some three hundred volumes, includes manuscripts written in Nicholas’ own hand.

Numen ◽  
2016 ◽  
Vol 63 (2-3) ◽  
pp. 245-270
Author(s):  
Willemien Otten

The development of medieval Christian thought reveals from its inception in foundational authors like Augustine and Boethius an inherent engagement with Neoplatonism. To their influence that of Pseudo-Dionysius was soon added, as the first speculative medieval author, the Carolingian thinker Johannes Scottus Eriugena (810–877ce), used all three seminal authors in his magisterial demonstration of the workings of procession and return. Rather than a stable ongoing trajectory, however, the development of medieval Christian (Neo)Platonism saw moments of flourishing alternate with moments of philosophical stagnation. The revival of theTimaeusand Platonic cosmogony in the twelfth century marks the achievement of the so-called Chartrian authors, even as theTimaeusnever acquired the authority of the biblical book of Genesis. Despite the dominance of scholastic and Aristotelian discourse in the thirteenth century, (Neo)Platonism continued to play an enduring role. The Franciscan Bonaventure follows the Victorine tradition in combining Augustinian and Dionysian themes, but Platonic influence underlies the pattern of procession and return — reflective of the Christian arc of creation and salvation — that frames the thought of Thomas Aquinas. Echoing the interrelation of macro- and microcosmos, the major themes of medieval Christian Platonic thought are, on the one hand, cosmos and creation and, on the other, soul and self. The Dominican friar Meister Eckhart and the beguine Marguerite Porete, finally, both Platonically inspired late-medieval Christian authors keen on accomplishing the return, whether the aim is to bring out its deep, abyss-like “ground” (Eckhart) or to give up reason altogether and surrender to the free state of “living without a why” (Marguerite), reveal the intellectual audacity involved in upending traditional theological modes of discourse.


Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 431-431
Author(s):  
Albrecht Classen

On the one hand, this new edition, or rather translation, of Christine de Pizan’s The Book of the City of Ladies (1405) certainly deserves to be reviewed in Mediaevistik because Christine still falls squarely into the late Middle Ages. On the other, the publication date of this translation, 1521, places it certainly outside of that period. However, a translation is always an important mirror of the reception history, which proves to be particularly rich in Christine’s case. Brian Anslay’s English translation was the first and only one to appear in print (by Henry Pepwell), at least before the twentieth century. However, we know of twenty-seven surviving manuscripts, whereas there are only five copies of Anslay’s printed work available. It is worth noting that the issues addressed here by Christine, helping women to find their own realm and identity, was apparently of significance also for her male audience since Anslay was sponsored by Richard Grey, third earl of Kent.


2021 ◽  
Vol 65 (4) ◽  
pp. 540-566
Author(s):  
Arthur Mihăilă ◽  

Natural law philosophers believe that human laws must be defined by moral principles that have origins in human nature or the will of God. In this paper the author analyzes the most important natural law theories from Antiquity and Middle Ages. Natural law tradition has its roots in the philosophy of Plato, Aristotle, Cicero, Saint Augustine and Thomas Aquinas. That philosophy was resuscitated in the twentieth century after the Holocaust and continues to be influential to the present day.


2020 ◽  
pp. 009614422093107
Author(s):  
Juan Manuel Santiago Zaragoza ◽  
Francisco Javier Lafuente-Bolívar ◽  
Francisco Javier Salas-Martínez

Spanish Islamic cities stagnated or declined after 1492. Because of the expulsion of Jews and Moors, despite the repopulation policies, they seemed to “petrify” their size. The uninhabited houses and the suburbs disappeared. The extension and population of the main Muslim cities, Almeria, Seville, Toledo, Valencia, Zaragoza, tended to decrease. Murcia and Granada are two paradigmatic cases of evolution. In the kingdom of Granada, Baza was an important settlement at the end of Middle Ages. Urban transformations adapted it to Castilian policies: mosques were transformed into churches, squares and gates were opened, some streets widened, and so on. However, its size remained “petrified.” In the nineteenth century, there was a strong population growth cushioned by the phenomenon of “cave-house.” From mid-twentieth century, it had a strong expansion and growth regardless urban plans. Currently, the city, declared as Historic Site, has slowed down its growth, although its planning foresees it will keep growing.


2021 ◽  
Vol 65 (2) ◽  
pp. 135-155
Author(s):  
Pierluigi Mori

"Brief notes on the relationship between tourism and Italian literature. Using literary sources, the essay covers three points in the relationship between Italians and holidays: the first is the transition from vacation to tourism; the second from summer vacation as a moment of rest (mainly in the countryside) to vacation as an opportunity for fun (mostly at the seaside). In addition to these two, we have a third point: in the second half of the Twentieth century, holidays become a mass phenomenon, no longer elitist as they had been until the first half of the same century. They become something possible for most Italians who, especially in August, leave the cities empty. This historical-sociological parable is revisited through literary testimonies that go back to the roots of the mother literature, the Latin one and then it resumes its path, interrupted in the High Middle Ages, around 1300 in conjunction with the first literary testimonies (the triad Dante, Petrarca, Boccaccio). The vacation phenomenon, intended as staying for the summer months in a villa more or less outside the city walls, finds its maximum expression starting from the 16th century with the Renaissance villas of the aristocracy, until it meets the aspirations of the small nobility and of the upper middle class in the 18th and 19th centuries. Crucial testimony is Carlo Goldoni's “Vacation Trilogy”, a triptych of three comedies that actually constitute a single text portraying the vacation phenomenon as a status symbol far from the motivations of previous centuries (vacation as a moment of peace, ‘’otium’’, rest). During the Nineteenth century, holidays are associated with tourism (especially in the thermal baths and in the mountains), while from the Twentieth century, the favourite option is the seaside. However, another change will characterize the use of leisure in the Twentieth century: the birth of mass tourism. With brief literary notes, we try to explain how in Italy holidays have now turned into something with anxiety-inducing traits, especially among young people and not only, in an almost spasmodic search for fun (with Dionysian and Bacchic traits) at the expense of original motivations (rest, leisure, “otium”) in a relationship in which the “horror vacui” seems to have ousted the “horror pleni”. Keywords: vacation, tourism, holidays, literature, Italy. "


2021 ◽  
Vol 34 (72) ◽  
pp. 1445-1522
Author(s):  
Jakob Hans Josef Schneider

Resumo: No capítulo 5 do Livro III De anima (430a10-19) Aristóteles distingue entre o νοῦς ποιητικός (nous poietikós), chamado pelos Latinos intellectus agens (intelecto agente), e νοῦς παθητικός (nous pathetikós), chamado pelos Latinos intellectus passivus, ou seja, intellectus possibilis (intelecto possível), termos técnicos e filosóficos mais comuns. O capítulo 5 é de grande importância não só para a filosofia antiga e para os comentadores das obras de Aristóteles, como os comentários de Teofrasto, de Alexander de Afrodisias, de Simplício e Themístius entre outros, mas também para a filosofia do mundo árabe e da Europa latina. Sabe-se que Aristóteles não escreveu um tratado próprio sobre o intelecto, embora possam ser encontradas várias observações acerca do intelecto em suas obras. Os tratados do Intelecto começam com Al-Kindi, Al-Farabi, Avicena e sobretudo Averróis, e se refletem, num sentido crítico e afirmativo, (nos debates) dos tratados latinos, por exemplo, nos tratados de Alberto Magno, de Tomás de Aquino, de Sigério de Brabant entre outros. Este artigo apresenta observações preliminares e preparatórias ao projeto de traduções bilíngue (Latim-Português) dos tratados medievais sobre o intelecto ‘Teorias do Intelecto na Idade Média’ que está em desenvovlimento no Centro Internacional de Estudos Medievais da UFU. Palavras-chaves: unidade do intelecto, imaginação, intencionalidade, luz intelectual e cognição Theories of the Intellect in the Latin Middle Ages. De anima III, cap. 5 of Aristotle and his Medieval Tradition  Abstract: In the chapter 5 of the III. Book of De anima (430a10-19) Aristotle distinguishes between the νοῦς ποιητικός (nous poietikós) called by the Latins intellectus agens (agent intellect) and the νοῦς παθητικός (nous pathetikós) called by the Latins intellectus passivus, or intellectus possibilis (possible intellect), most common technical and philosophical terms. The chapter 5 is of great importance not only to ancient philosophy and to the commentators of Aristotle’s works such as the commentaries of Theophrastus, Alexander of Aphrodisias, of Simplicius, and Themistius among others, but also to the philosophy of the Arabic World and the Latin Europe. One knows well that Aristotle does not have written a proper treatise on intellect; although there are several observations about the intellect in his works. Separate treatises begin with Al-Kindi, Al-Farabi, Avicenna, and especially Averroes, which Latin treatises as of Albert the Great, Thomas Aquinas, Siger of Brabant among others reflect in a critical as well as an affirmative sense. This article can be read as preliminary and preparatory observations to a bilingual (Latin-Portuguese) translation project of treatises corresponding to ‘Theories of Intellect in the Middle Ages’ which is ongoing at the International Center for Medieval Studies at UFU. Key-words: Unity of the Intellect, Imagination, Intentionality, Intellectual Light, and Cognition Theorien des Intellekts im Lateinischen Mittelalter. De anima III, 5 des Aristoteles und seine mittelalterliche Tradition Zusammenfassung: Im 5. Kapitel des III. Buchs von De anima (430a10-19) unterscheidet Aristoteles zwischen dem νοῦς ποιητικός (nous poietikós), von den Lateinern intellectus agens (tätiger Intellekt) genannt und dem νοῦς παθητικός (nous pathetikós), von den Lateinern intellectus passivus oder auch intellectus possibilis (möglicher Intellekt) genannt, gemeinhin bekannte technische und philosophische Begriffe. Dieses 5. Kapitel ist von grösster Bedeutung nicht nur für die antike Philosophie und die Kommentatoren der Werke des Aristoteles wie die Kommentare des Theophrastus, des Alexander von Aphrodisias, Simplicius und Themistius unter anderen, sondern auch für die Philosophie der arabischen Welt und des lateinischen Europas. Bekanntlich hat Aristoteles keinen eigenen Traktat über den Intellekt geschrieben, obgleich sich viele Beobachtungen zum Intellekt in seinem Werk antreffen. Selbständige Traktate über den Intellekt beginnen mit Al-Kindi, Al-Farabi, Avicenna und besonders Averroes, die sich in den lateinischen Traktaten, z.B. des Albertus Magnus, Thomas von Aquin, Siger von Brabant und anderen zustimmend wie kritisch widerspiegeln. Dieser Artikel kann als vorläufige und vorbereitende Bemerkungen zu einem zweisprachigen (lateinisch-portugiesischen) Übersetzungsprojekt von Texten gelesen werden, welche „Theorien des Intellekts im Lateinischen Mittelalter“ betreffen. Dieses Projekt ist am Internationalen Zentrum für Mittelalterstudien der UFU in Arbeit genommen worden. Schlüsselwörter: Verstand, Vernunft, Intentionalität, Anschauung und Erkenntnis


2009 ◽  
Author(s):  
Ferdinand Gregorovius ◽  
Annie Hamilton

2009 ◽  
Author(s):  
Ferdinand Gregorovius ◽  
Annie Hamilton

1999 ◽  
Vol 22 (1) ◽  
pp. 126-128
Author(s):  
Catherine S. Ramirez

Throughout the twentieth century (and now the twenty-first), the specter of a Latina/o past, present, and future has haunted the myth of Los Angeles as a sunny, bucolic paradise. At the same time it has loomed behind narratives of the city as a dystopic, urban nightmare. In the 1940s Carey McWilliams pointed to the fabrication of a “Spanish fantasy heritage” that made Los Angeles the bygone home of fair señoritas, genteel caballeros and benevolent mission padres. Meanwhile, the dominant Angeleno press invented a “zoot” (read Mexican-American) crime wave. Unlike the aristocratic, European Californias/os of lore, the Mexican/American “gangsters” of the 1940s were described as racial mongrels. What's more, the newspapers explicitly identified them as the sons and daughters of immigrants-thus eliding any link they may have had to the Californias/os of the eighteenth and nineteenth centuries or to the history of Los Angeles in general.


2019 ◽  
Vol 63 (1) ◽  
pp. 77-86 ◽  
Author(s):  
Bogusław Podhalański ◽  
Anna Połtowicz

Abstract The article discusses a project that features the relocation of the historic Atelier building, built by Krakow-based architect Wandalin Beringer (1839–1923) who was active in the early twentieth century, and the regeneration of a plot belonging to the Congregation of the Resurrection since 1885, which is located at 12 Łobzowska Street in Krakow. The method includes cutting the entire structure off at the foundation and then after reinforcing it with a steel structure transporting it in its entirety to the new location. The project included two possible variants of moving the building in a straight line, either by 21 or 59 metres and evaluates two projects of further regeneration, the adaptive reuse of the building as an exhibition and religious space as well as a proposal for the remodelling of the nearby plot that belongs to the Congregation into a space for meditation and as a recreational park. The aim of these measures is to prevent the demolition of this building, now over a century old, as a result of which a forgotten element of the cultural heritage of the city will be saved. This project was based on the results of analyses of the cultural and historical conditions of Krakow. The block of buildings in which the Atelier in question is located is a very attractive location, near to the very centre of Krakow, adjacent to residential, service and educational buildings. It is directly adjacent to the Monastery Complex of the Congregation of the Resurrection, listed as a heritage building under conservation protection (municipal registry of heritage buildings). In the second half of the twentieth century, the building was used as a workroom by artists such as Xawery Dunikowski and later by the sculptress Teodora Stasiak. The case of the Atelier may provide an inspiration for discussion as well as raising awareness among citizens and city authorities to avoid future situations in which cultural heritage may become forgotten or demolished.


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