The City in Everyday Life

2020 ◽  
pp. 93-114
Author(s):  
William A. Schwab
Keyword(s):  
Everyday Life ◽  
The City

Some Reflections on Making Popular Culture in Urban Africa

2008 ◽  
Vol 51 (3) ◽  
pp. 75-89 ◽  
Author(s):  
AbdouMaliq Simone
Keyword(s):  
Popular Culture ◽  
Everyday Life ◽  
Urban Residents ◽  
The Everyday ◽  
Urban Africa ◽  
The City ◽  
Ways Of Being

Abstract:In contemporary urban Africa, the turbulence of the city requires incessant innovation that is capable of generating new ways of being. Rather than treating popular culture as some distinctive sector, this article attempts to investigate the popular as methods of bringing together activities and actors that on the surface would not seem compatible, and as experimental forms of generating value in the everyday life of urban residents. This investigation, sited largely in Douala, Cameroon, looks at how youth from varying neighborhoods attempt to get by, and at the unexpected forms of contestation that can ensue.

Precarious city: home-making and eviction in Buenos Aires, Argentina

2017 ◽  
Vol 25 (3) ◽  
pp. 411-424 ◽  
Author(s):  
Solange Muñoz
Keyword(s):  
Everyday Life ◽  
Buenos Aires ◽  
City Center ◽  
Place Making ◽  
Domestic Spaces ◽  
The Everyday ◽  
Temporal And Spatial ◽  
The City ◽  
Traditional Roles

This article expands on current conceptualizations and applications of precarity by exploring the everyday socio-spatial complexities of migrant squatters living in informal hotels in the center of Buenos Aires, Argentina. Through ethnographic methods, this research investigates squatters’ practices of negotiating access to shared domestic spaces and resources, while experiencing long-term waiting for eviction from their home and potentially from the city center. Employing a cultural geographies approach, this work is concerned with understanding the ways in which precarity is routinely experienced in the micro-spaces of everyday life. Precarity is examined in its temporal and spatial manifestations, with particular emphasis on gendered experiences and home-making practices. Moving through daily spaces and routine situations, I document how precarity is embedded in the mundane tasks of the domestic, and as a result, unevenly impacts women whose traditional roles as mothers and caretakers mean that they are often at the fore of place-making practices and responsibilities.

scholarly journals Transformasi Makna dan Fungsi Ruang di RPTRA Kalijodo dalam Pergulatan Citra Kota Jakarta

2018 ◽  
Vol 16 (2) ◽  
pp. 13-27
Author(s):  
Eka Permanasari ◽  
◽  
Thomas Lientino ◽  
Keyword(s):  
Everyday Life ◽  
Human Trafficking ◽  
Community Center ◽  
Highway Bridge ◽  
City Image ◽  
Top Down ◽  
Green Belt ◽  
The Everyday ◽  
The Relationship ◽  
The City

Kalijodo has a long history in terms of gambling, prostitution, human trafficking and other illicit activities. Although it is a green belt area, the location had always being filled with semipermanent buildings. The area was changed its meaning in 2016 when the late Governor of Ahok with the help of the police and army, eradicated these housing and transformed this place as the community center (RPTRA-Ruang Publik Terpadu Ramah Anak). Together with Yori Antar, Basuki changed Kalijodo into a new center for Jakarta with its mural and skatepark. Former illicit users have been pushed out from the site. Some built a temporary shelter under the highway bridge while others went to their villages. After the fall of Basuki due to the blasphemy crime, the image of RPTRA Kalijodo was contested. Within a day, the area was filled with illegal parking and prostitution returned in different forms taking place under the highway bridge. Layers of meaning and use of Kalijodo transforms rapidly and in results changes the image of the city. Through observation, interviews and archival research, this paper analyses the contestation of the city image by investigating the relationship between the top-down approach and the everyday life uses of space.

scholarly journals Towards a spatialized utopia: romanticism and everyday life in the Marxism of Henri Lefebvre

2021 ◽  
pp. 1-25
Author(s):  
César Simoni Santos
Keyword(s):  
Everyday Life ◽  
Right To The City ◽  
Henri Lefebvre ◽  
Social Imagination ◽  
Critical Tradition ◽  
Revolutionary Romanticism ◽  
Practical Program ◽  
The Right ◽  
The City ◽  
Spatial Element

The presence of the spatial element in the reflections of Henri Lefebvre does not merely result from work involving the translation and adaptation of critical thinking developed up until his time. The realization that not even the highest expression of the critical tradition had sufficiently noticed this crucial dimension of life was one of the connecting points between theoretical advance, represented by the spatial orientation of critique, and the effort to renew the utopian horizon. A very distinct assimilation of the early work of Marx and the proximity to revolutionary romanticism, particularly of Nietzschean extraction, rendered a decisive impact on Lefebvrian conception. Practice, body, pleasure and instincts, recovering their place in the critical social imagination, went on to become the basis for the re-foundation of a theoretical-practical program that involved the formulation of the notion of the right to the city. The perspective of appropriation thus replaced the vague emancipatory statements of the subject's philosophies.

‘Don’t call the police on me, I won’t call them on you’: self-policing as ethical development in North Manchester

2018 ◽  
Author(s):  
Katherine Smith
Keyword(s):  
Decision Making ◽  
Everyday Life ◽  
Social Housing ◽  
Ethical Decision Making ◽  
Housing Estate ◽  
Ethical Development ◽  
Urban Violence ◽  
The Face ◽  
The City

This chapter explores self-policing of urban violence in Harpurhey, Manchester. Arguing that ethical decision-making is practiced regularly in the process of policing the actions and behaviours of others. The author addresses the questions of, what does self-policing in the city actually look like? How does one determine what one ‘ought’ to do in the face of illegal or unethical actions in this part of the city? It concludes by arguing that the act of judgment of the behaviours and actions of others, and the assessment of where, when and whether or not to draw upon the services of the state to fulfill the role of policing, suggest that self-policing is not simply an outcome of neoliberal ideologies of self-management, but is an ethical engagement with the quotidian aspects of everyday life on this Manchester social housing estate.

The originality of the “estate topos” in the A.N. Tolstoy’s novel “Peter the First”

2020 ◽  
pp. 262-272
Author(s):  
Anna S. Akimova ◽  
Keyword(s):  
Everyday Life ◽  
The Novel ◽  
Childhood Memories ◽  
Research History ◽  
The Everyday ◽  
Peasant Household ◽  
History Of ◽  
Ancient Times ◽  
Poor Peasant ◽  
The City

Moscow is the city which united the characters of A.N. Tolstoy’s novel “Peter the First”. Kitay-Gorod is the space where the action of the first book is mainly set. In the novel Tolstoy showed in great detail the everyday life of the city and its inhabi- tants. According to the I.E. Zabelin’s research (“History of the city of Moscow”) in late 17 — early 18 th centuries Moscow was like a big village that is why Tolstoy relied on his childhood memories about the life in the small village Sosnovka (Samara Region) describing the streets of Moscow. The novel begins with the description of a poor peasant household of Brovkin near Moscow, then Volkov’s noble estate is depicted and Menshikov’s house. The space of the city is expanding with each new “address”. Moscow estates, and in particular, connected with the figure of “guardian, lover of the Princess-ruler” V.V. Golitsyn, in Tolstoy’s novel are inextricably linked with the character’s living and with the life of the country. The description of the palace built by Golitsyn at the peak of his career is based on the Sergei Solovyov’s “History of Russia in ancient times”. Golitsyn left it and went to his estate outside Moscow Medvedkovo and from there in exile.

Debord, Guy (1931–1994)

2018 ◽  
Author(s):  
Ryan Robert Mitchell
Keyword(s):  
Everyday Life ◽  
City Planning ◽  
Urban Spaces ◽  
Art Practice ◽  
Situationist International ◽  
Art And Politics ◽  
Avant Garde ◽  
Political Theorist ◽  
Advanced Capitalism ◽  
The City

Guy Ernest Debord (1931–1994) was a French radical political theorist, writer, activist and filmmaker. After his early involvement with French avant-garde art movements in the 1950s, Debord founded a revolutionary organization, the Situationist International (SI), in 1957. Inspired by earlier avant-garde movements like Dada and surrealism, Debord sought to create an explicitly political and critical art practice that could be employed to transform everyday life. The SI attracted sound poets, architects, writers, activists, graphic artists and painters. The movement sought to merge everyday life, art and politics through such practices as radical city planning, the beautification of the city through graffiti, and rambling psycho-geographic drifts through urban spaces, seeking to uncover the desire and beauty that had been hidden by advanced capitalism.

Sign in / Sign up

Export Citation Format

Share Document