scholarly journals Transformasi Makna dan Fungsi Ruang di RPTRA Kalijodo dalam Pergulatan Citra Kota Jakarta

2018 ◽  
Vol 16 (2) ◽  
pp. 13-27
Author(s):  
Eka Permanasari ◽  
◽  
Thomas Lientino ◽  

Kalijodo has a long history in terms of gambling, prostitution, human trafficking and other illicit activities. Although it is a green belt area, the location had always being filled with semipermanent buildings. The area was changed its meaning in 2016 when the late Governor of Ahok with the help of the police and army, eradicated these housing and transformed this place as the community center (RPTRA-Ruang Publik Terpadu Ramah Anak). Together with Yori Antar, Basuki changed Kalijodo into a new center for Jakarta with its mural and skatepark. Former illicit users have been pushed out from the site. Some built a temporary shelter under the highway bridge while others went to their villages. After the fall of Basuki due to the blasphemy crime, the image of RPTRA Kalijodo was contested. Within a day, the area was filled with illegal parking and prostitution returned in different forms taking place under the highway bridge. Layers of meaning and use of Kalijodo transforms rapidly and in results changes the image of the city. Through observation, interviews and archival research, this paper analyses the contestation of the city image by investigating the relationship between the top-down approach and the everyday life uses of space.

2020 ◽  
Vol 5 (2) ◽  
pp. 137-156
Author(s):  
Yuris Fahman Zaidan ◽  
Aquarini Priyatna ◽  
R. M. Mulyadi

The mosque is generally known as a place of worship for Muslims.  Besides being seen as a physical and spiritual space, a mosque is also a cultural space.  The culture is manifested through the everyday life of people who are connected to the mosque.  The economy is part of the everyday life that will connect the mosque with other economic sectors such as shopping centers.  This research will show the relationship between the mosque and shopping centers that contribute to the development or production of capital space in the city.  Masjid Raya Bandung (MRB) is the focus of research to uncover the formation of capital space and its relationship with shopping centers around the MRB.  The method used is observation and in-depth interviews with people visiting the mosque and shopping centers.  The theory used to look at this case is the production of space from Henri Lefebvre.  The results showed that the mosque was not only seen as a place of worship, but also a capital space.  The formation of this capital space can be seen from the relation of MRB with the shopping places around it and the relations of the activities of visitors who presuppose these two spaces: the mosque and the shopping centers.  That way, the mosque is used as a means of perpetuating the economic process or consumerism in the surrounding spaces, including in shopping centers.


2008 ◽  
Vol 51 (3) ◽  
pp. 75-89 ◽  
Author(s):  
AbdouMaliq Simone

Abstract:In contemporary urban Africa, the turbulence of the city requires incessant innovation that is capable of generating new ways of being. Rather than treating popular culture as some distinctive sector, this article attempts to investigate the popular as methods of bringing together activities and actors that on the surface would not seem compatible, and as experimental forms of generating value in the everyday life of urban residents. This investigation, sited largely in Douala, Cameroon, looks at how youth from varying neighborhoods attempt to get by, and at the unexpected forms of contestation that can ensue.


2017 ◽  
Vol 25 (3) ◽  
pp. 411-424 ◽  
Author(s):  
Solange Muñoz

This article expands on current conceptualizations and applications of precarity by exploring the everyday socio-spatial complexities of migrant squatters living in informal hotels in the center of Buenos Aires, Argentina. Through ethnographic methods, this research investigates squatters’ practices of negotiating access to shared domestic spaces and resources, while experiencing long-term waiting for eviction from their home and potentially from the city center. Employing a cultural geographies approach, this work is concerned with understanding the ways in which precarity is routinely experienced in the micro-spaces of everyday life. Precarity is examined in its temporal and spatial manifestations, with particular emphasis on gendered experiences and home-making practices. Moving through daily spaces and routine situations, I document how precarity is embedded in the mundane tasks of the domestic, and as a result, unevenly impacts women whose traditional roles as mothers and caretakers mean that they are often at the fore of place-making practices and responsibilities.


2015 ◽  
Vol 1 (1) ◽  
pp. 50-69 ◽  
Author(s):  
Hong-bumm Kim ◽  
Sanggun Lee

Purpose – The purpose of this paper is to examine the causal relationships of city personality and city image, together with the possible effect of city image on the revisit intention of visitors, through empirical validation, so that some meaningful implications can reveal to city planners and marketers how the city tourists can be affected by the personality and image of the city. Design/methodology/approach – This study offers an integrated approach to understanding the relationship between city personality and city image. The research model investigates the relevant relationships among the underlying dimensions of city personality and city image by using a structural equation modeling (SEM) approach. Data obtained from a sample of 302 respondents drawn from a web-based survey in South Korea were analyzed with AMOS program. Findings – The results of this empirical study indicate that city personality positively or negatively affect city image depending on the nature of constructs. Positive relationships are found to exist between excitement as well as sophistication personality and dynamic image of city. On the contrary, the relationship between sincerity personality and dynamic image is negative. All the specific three images of city: dynamic, specific, and static image show positive impact on revisit intention of city tourists. Originality/value – The empirical results of this study provide tenable evidence that the proposed SEM designed to consider city personality and city image, and revisit intention simultaneously is acceptable. Even though in the previous literature, researchers tried to explain the relationship between city personality and city image, the conceptual model and empirical studies pertaining to causal relationships among those constructs have not been thoroughly examined. It is believed that this study has a substantial capability for generating more precise applications related to city tourism, especially concerning city personality and city image.


ILUMINURAS ◽  
2021 ◽  
Vol 22 (57) ◽  
Author(s):  
Vitória Mendes Alves ◽  
Israel Martins Araujo

Este ensaio visual trata do mundo da vida cotidiana de camponeses agroextrativistas no Pará, especificamente no baixo Tocantins, região das ilhas do município de Mocajuba. Segue o método da etnografia sensorial, discute a relação entre corpo, ambiente e formas de aprendizagem técnica com a virtuosidade dos indicadores socioambientais e argumenta que tais técnicas não são transmitidas, mas ensinadas e aprendidas por meio de um complexo engajamento sensorial com o ambiente.Palavras-chave: Camponeses agroextrativistas. Cotidiano. Trabalho. Etnografia Sensorial. Corpo. Ambiente.  Glueing fragments of the world of life: cuttings from the daily life of peasants from downtown Tocantins paraense Abstract: This visual essay deals with the respect of the everyday life world of agro-extractivist peasants in Pará, specifically in the lower Tocantins, region of the islands of the municipality of Mocajuba. It follows the method of sensory ethnography, discusses the relationship between body, environment and forms of technical learning with the virtuosity of socio-environmental indicators and argues that such techniques are not transmitted, but taught and learned through a complex sensory engagement with the environmentKeywords: Agroextractive peasants. Daily. Work. Sensory Ethnography. Body. Environment.


Author(s):  
Anna S. Akimova ◽  

Moscow is the city which united the characters of A.N. Tolstoy’s novel “Peter the First”. Kitay-Gorod is the space where the action of the first book is mainly set. In the novel Tolstoy showed in great detail the everyday life of the city and its inhabi- tants. According to the I.E. Zabelin’s research (“History of the city of Moscow”) in late 17 — early 18 th centuries Moscow was like a big village that is why Tolstoy relied on his childhood memories about the life in the small village Sosnovka (Samara Region) describing the streets of Moscow. The novel begins with the description of a poor peasant household of Brovkin near Moscow, then Volkov’s noble estate is depicted and Menshikov’s house. The space of the city is expanding with each new “address”. Moscow estates, and in particular, connected with the figure of “guardian, lover of the Princess-ruler” V.V. Golitsyn, in Tolstoy’s novel are inextricably linked with the character’s living and with the life of the country. The description of the palace built by Golitsyn at the peak of his career is based on the Sergei Solovyov’s “History of Russia in ancient times”. Golitsyn left it and went to his estate outside Moscow Medvedkovo and from there in exile.


2021 ◽  
pp. 59-78
Author(s):  
Francesca Emiliani

What do we talk about when we talk about everyday life? This chapter considers everyday life as a “metasystem” in Moscovici’s terms, a normative system that checks and organizes knowledge and thought. Looking at social representations theory, the chapter considers the structuring power of this metasystem, referring to two kinds of research where the absence (for deprived children) or suspension (in the first COVID-19 lockdown in Italy) of everyday life causes delays in children’s development and dismay in adults. The suspension of ordinary life highlights the social representation of “normality.” The structure of the “everyday life” metasystem is largely taken for granted, and this calls into question the relationship between the taken-for-granted and the knowledge that constructs social representations or, in other words, between stability and change in common knowledge.


2011 ◽  
Vol 14 (4) ◽  
pp. 415-430 ◽  
Author(s):  
Paul Simpson

This article examines the performative transformation of street spaces into performance places by considering the practices of street performers. Street performance here refers to a set of practices whereby either musical or nonmusical performances are undertaken in the street with the aim of eliciting donations from passersby. Drawing on ethnographic observations undertaken in Bath, U.K., and situating the discussion in recent conceptions of everyday life and public space, the specific sociospatial interventions that street performances make into Bath’s everyday life are considered. In doing so, the article focuses on the fleeting social relations that emerge from these interventions and what these can do to the experience of the everyday in terms of producing moments of sociality and conviviality. This is also reflected on in light of the various debates that have occurred in Bath as a result of these interventions relating to the increased regulation of street performances. The article then highlights the conflicted and contentious position that street performers occupy in the everyday life of such cities.


1960 ◽  
Vol 80 ◽  
pp. 112-117 ◽  
Author(s):  
G. T. W. Hooker

To attempt to relate the fantasies of Old Comedy to reality is no doubt a hazardous business. But the burlesque must have been based on facts, and familiar facts at that, if it was to be effective; and it may enlarge our understanding of theFrogs, and heighten our appreciation of its humour, to inquire what relation the journey of Dionysos may have had to places which were known to Aristophanes' audience. The places alluded to in the course of the journey have been identified in various more or less conflicting ways since at least the time when the Arguments to the play were written. There has been little hesitation over accepting at any rate some of these identifications, for it would certainly have been funny to see Dionysos call on Herakles in, say, Thebes or Tiryns; proceed from there to the Acheron or the Styx; and finally meet the souls of the Initiates in the underworld, moving in an everlasting procession to a ghostly Eleusis. But the fun would surely have been much more pointed had it been more consistent and relevant to the everyday life of the Athenians themselves; and it is the purpose of this article to suggest that it did in fact possess this consistency and relevance—that Dionysos was actually represented as following a route perfectly familiar to the audience, visiting places well known to them and indeed even in view to them as they sat in the theatre. At the beginning of the play Dionysos is on his way to call on Herakles and ask him what route he followed when he went down to the underworld to fetch Kerberos. Dionysos quickly reaches the house of Herakles, and if we take the indications of the play literally at this point we may conclude that this house was not far from Athens. It soon becomes clear that this conclusion is right. Herakles shows by his intimate knowledge of affairs at Athens that he lives in or near the city, and it is easy to see where he lives. He is not the Herakles at Melite, from whom he is sharply distinguished (501); but since Xanthias, when impersonating him, claims to be thinking of the Herakleia in Diomeia (650 f.), he must be the Herakles honoured in that festival. The Herakleia in Diomeia were the principal festival of Herakles at Athens, and were held at Kynosarges, a place outside the walls and not far from the Diomeian gate. There was a Herakleion there, between the city wall and the llissos; and that is evidently the house of Herakles in theFrogs.


Ars Adriatica ◽  
2015 ◽  
pp. 67
Author(s):  
Josip Belamarić

It can be said that the town statute of Split and the stipulations concerning the everyday life in this medieval town are not characterized by the aim to create an ideal city and, in this, they are far from the long-range urban planning contained in the statute of Dubrovnik. The fact that less than five per cent of the stipulations in the statute of Split relate to urban planning ought to be understood as indicating that the town, set in Diocletian’s Palace and determined by its structures, had already been defined to a large extent and that it functioned well and fulfilled the needs of its inhabitants. Thirty chapters of the statute deal with different aspects of the development of medieval Split and its everyday maintenance. This article focuses on the relationship between the local government and private property, that is, with the cases of private spaces being transformed into public spaces and the ‘ritualistic erasures’, that is, the demolition of houses whose owners committed treason and broke the law. This phenomenon of demolition as setting example was not limited to medieval Split but was recorded in other Dalmatian communes (in Omiš and Dubrovnik as late as the eighteenth century) and this discussion of it is based on the examination of a wider set of primary sources.


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