Some Reflections on Making Popular Culture in Urban Africa

2008 ◽  
Vol 51 (3) ◽  
pp. 75-89 ◽  
Author(s):  
AbdouMaliq Simone

Abstract:In contemporary urban Africa, the turbulence of the city requires incessant innovation that is capable of generating new ways of being. Rather than treating popular culture as some distinctive sector, this article attempts to investigate the popular as methods of bringing together activities and actors that on the surface would not seem compatible, and as experimental forms of generating value in the everyday life of urban residents. This investigation, sited largely in Douala, Cameroon, looks at how youth from varying neighborhoods attempt to get by, and at the unexpected forms of contestation that can ensue.

2017 ◽  
Vol 25 (3) ◽  
pp. 411-424 ◽  
Author(s):  
Solange Muñoz

This article expands on current conceptualizations and applications of precarity by exploring the everyday socio-spatial complexities of migrant squatters living in informal hotels in the center of Buenos Aires, Argentina. Through ethnographic methods, this research investigates squatters’ practices of negotiating access to shared domestic spaces and resources, while experiencing long-term waiting for eviction from their home and potentially from the city center. Employing a cultural geographies approach, this work is concerned with understanding the ways in which precarity is routinely experienced in the micro-spaces of everyday life. Precarity is examined in its temporal and spatial manifestations, with particular emphasis on gendered experiences and home-making practices. Moving through daily spaces and routine situations, I document how precarity is embedded in the mundane tasks of the domestic, and as a result, unevenly impacts women whose traditional roles as mothers and caretakers mean that they are often at the fore of place-making practices and responsibilities.


2018 ◽  
Vol 16 (2) ◽  
pp. 13-27
Author(s):  
Eka Permanasari ◽  
◽  
Thomas Lientino ◽  

Kalijodo has a long history in terms of gambling, prostitution, human trafficking and other illicit activities. Although it is a green belt area, the location had always being filled with semipermanent buildings. The area was changed its meaning in 2016 when the late Governor of Ahok with the help of the police and army, eradicated these housing and transformed this place as the community center (RPTRA-Ruang Publik Terpadu Ramah Anak). Together with Yori Antar, Basuki changed Kalijodo into a new center for Jakarta with its mural and skatepark. Former illicit users have been pushed out from the site. Some built a temporary shelter under the highway bridge while others went to their villages. After the fall of Basuki due to the blasphemy crime, the image of RPTRA Kalijodo was contested. Within a day, the area was filled with illegal parking and prostitution returned in different forms taking place under the highway bridge. Layers of meaning and use of Kalijodo transforms rapidly and in results changes the image of the city. Through observation, interviews and archival research, this paper analyses the contestation of the city image by investigating the relationship between the top-down approach and the everyday life uses of space.


Author(s):  
Anna S. Akimova ◽  

Moscow is the city which united the characters of A.N. Tolstoy’s novel “Peter the First”. Kitay-Gorod is the space where the action of the first book is mainly set. In the novel Tolstoy showed in great detail the everyday life of the city and its inhabi- tants. According to the I.E. Zabelin’s research (“History of the city of Moscow”) in late 17 — early 18 th centuries Moscow was like a big village that is why Tolstoy relied on his childhood memories about the life in the small village Sosnovka (Samara Region) describing the streets of Moscow. The novel begins with the description of a poor peasant household of Brovkin near Moscow, then Volkov’s noble estate is depicted and Menshikov’s house. The space of the city is expanding with each new “address”. Moscow estates, and in particular, connected with the figure of “guardian, lover of the Princess-ruler” V.V. Golitsyn, in Tolstoy’s novel are inextricably linked with the character’s living and with the life of the country. The description of the palace built by Golitsyn at the peak of his career is based on the Sergei Solovyov’s “History of Russia in ancient times”. Golitsyn left it and went to his estate outside Moscow Medvedkovo and from there in exile.


Author(s):  
Ruly Darmawan

Religion in popular culture is inevitable from the packaging that led to the commodification of religion itself. This commodification becomes possible due to the natural properties of agents of popular culture. If we look at it closely, there are some attempts for this commodification to some religious rituals/activities. In some media, this commodification is packed with an effort that blends musical and theatrical compositions. This chapter describes the reality of commodification on religion that exists commonly in some media entertainment. This chapter is a kind of reflection towards the “being religious” situation that is commonly found in the everyday life and daily media consumption, especially on television during religious holidays.


2011 ◽  
Vol 14 (4) ◽  
pp. 415-430 ◽  
Author(s):  
Paul Simpson

This article examines the performative transformation of street spaces into performance places by considering the practices of street performers. Street performance here refers to a set of practices whereby either musical or nonmusical performances are undertaken in the street with the aim of eliciting donations from passersby. Drawing on ethnographic observations undertaken in Bath, U.K., and situating the discussion in recent conceptions of everyday life and public space, the specific sociospatial interventions that street performances make into Bath’s everyday life are considered. In doing so, the article focuses on the fleeting social relations that emerge from these interventions and what these can do to the experience of the everyday in terms of producing moments of sociality and conviviality. This is also reflected on in light of the various debates that have occurred in Bath as a result of these interventions relating to the increased regulation of street performances. The article then highlights the conflicted and contentious position that street performers occupy in the everyday life of such cities.


1960 ◽  
Vol 80 ◽  
pp. 112-117 ◽  
Author(s):  
G. T. W. Hooker

To attempt to relate the fantasies of Old Comedy to reality is no doubt a hazardous business. But the burlesque must have been based on facts, and familiar facts at that, if it was to be effective; and it may enlarge our understanding of theFrogs, and heighten our appreciation of its humour, to inquire what relation the journey of Dionysos may have had to places which were known to Aristophanes' audience. The places alluded to in the course of the journey have been identified in various more or less conflicting ways since at least the time when the Arguments to the play were written. There has been little hesitation over accepting at any rate some of these identifications, for it would certainly have been funny to see Dionysos call on Herakles in, say, Thebes or Tiryns; proceed from there to the Acheron or the Styx; and finally meet the souls of the Initiates in the underworld, moving in an everlasting procession to a ghostly Eleusis. But the fun would surely have been much more pointed had it been more consistent and relevant to the everyday life of the Athenians themselves; and it is the purpose of this article to suggest that it did in fact possess this consistency and relevance—that Dionysos was actually represented as following a route perfectly familiar to the audience, visiting places well known to them and indeed even in view to them as they sat in the theatre. At the beginning of the play Dionysos is on his way to call on Herakles and ask him what route he followed when he went down to the underworld to fetch Kerberos. Dionysos quickly reaches the house of Herakles, and if we take the indications of the play literally at this point we may conclude that this house was not far from Athens. It soon becomes clear that this conclusion is right. Herakles shows by his intimate knowledge of affairs at Athens that he lives in or near the city, and it is easy to see where he lives. He is not the Herakles at Melite, from whom he is sharply distinguished (501); but since Xanthias, when impersonating him, claims to be thinking of the Herakleia in Diomeia (650 f.), he must be the Herakles honoured in that festival. The Herakleia in Diomeia were the principal festival of Herakles at Athens, and were held at Kynosarges, a place outside the walls and not far from the Diomeian gate. There was a Herakleion there, between the city wall and the llissos; and that is evidently the house of Herakles in theFrogs.


2020 ◽  
Vol 15 (2) ◽  
pp. 72-90
Author(s):  
Sepideh Parsapajouh

Abstract: In Iran, the giving of food for a religious purpose is a widespread act among Shiite believers, which can be observed daily in the city and in the villages, in both affluent and popular milieus. In order to understand the social, material and spiritual virtues of such food in the everyday life and worldview of Shiite devotees, this article proposes to analyse the process of preparation and sacredness of such food, and to study some important occasions of votive food giving in the lives of believers. The information in this article comes from previous research carried out in Iranian popular milieus, in some Shiite shrines and at the Behesht Zahra cemetery in Tehran, as well as from interviews conducted for this specific purpose.Résumé : En Iran, le don de nourriture pour une intention religieuse est un acte très répandu chez les croyants chiites, que l’on peut observer quotidiennement en ville comme à la campagne, dans les milieux aisés comme dans les milieux populaires. Pour comprendre les vertus sociales, matérielles et spirituelles d’une telle nourriture dans la vie pratique et la vision du monde des pieux chiites, cet article propose d’analyser le processus de préparation et de sacralisation de cette nourriture, et d’étudier quelques occasions importantes de don de nourriture votive dans la vie des croyants. Les données de cet article proviennent de recherches précédemment effectuées dans les milieux populaires iraniens, dans quelques sanctuaires chiites et au cimetière de Behesht Zahra de Téhéran, ainsi que d’entretiens réalisés à cette fin précise.


Author(s):  
Dolly Kikon ◽  
Duncan McDuie-Ra

For a city in India’s northeast that has been embroiled in the everyday militarization and violence of Asia’s longest-running armed conflict, Dimapur remains ‘off the map’. With no ‘glorious’ past or arenas where events of consequence to mainstream India have taken place, Dimapur’s essence is experienced in oral histories of events, visual archives of everyday life, lived realities of military occupation, and anxieties produced in making urban space out of tribal space. Ceasefire City captures the dynamics of Dimapur. It brings together the fragmented sensibilities granted and contested in particular spaces and illustrates the embodied experiences of the city. The first part explores military presence, capitalist growth, and urban expansion in Dimapur. The second part presents an ethnographic account of lived realities and the meanings that are forged in a frontier city.


2021 ◽  
Author(s):  
McKenzie Wark

It's time to recognize Kathy Acker as one of the great postwar American writers. Over the decades readers have found a punk Acker, a feminist Acker, a queer Acker, a kink Acker, and an avant-garde Acker. In Philosophy for Spiders, McKenzie Wark adds a trans Acker. Wark recounts her memories of Acker (with whom she had a passionate affair) and gives a comprehensive reading of her published and archived works. Wark finds not just an inventive writer of fiction who pressed against the boundaries of gender but a theorist whose comprehensive philosophy of life brings a conceptual intelligence to the everyday life of those usually excluded from philosophy's purview. As Wark shows, Acker's engagement with topics such as masturbation, sadism, body-building, and penetrative sex are central to her distinct phenomenology of the body that theorizes the body's relation to others, the city, and technology.


2020 ◽  
Vol 16 (47) ◽  
pp. 229-240
Author(s):  
Julia Buchatskaja ◽  
◽  
Denis Ermolin ◽  

The reviewed monograph is devoted to the ethnology of Odessa in the broadest sense — from the stages of the formation of individual districts of the city and the image of Odessa in fiction, the press and memoirs, to various aspects of contemporary urban life, such as the functioning of markets, festive culture, the virtual image of the city, or the everyday life of sailors’ wives. The authors of the monograph primarily aim to examine the formation and stages of the evolution of Odessa as a multifaceted city with emphasis on certain subjects of urban everyday life. In the opinion of the reviewers, however, there is practically no analysis of urban spaces in the monograph, in spite of the “successful urbanistic model” of Odessa proposed by the authors. It is also important to emphasize that — with the existing insider knowledge and experience of living in Odessa — the authors of the monograph under review did not fully problematize the described social and cultural reality and the range of modern problems that the city and its inhabitants face with varying degrees of intensity. They thus remain within the comfortable captivity of the so-called “Odessa” myth and, to some extent, end up reproducing rather than deconstructing it through the theoretical tools and methods at their disposal.


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