Expansion of the City in the Fifth Century

2013 ◽  
pp. 283-314
Keyword(s):  
Author(s):  
Cinzia Arruzza

A Wolf in the City is a study of tyranny and of the tyrant’s soul in Plato’s Republic. It argues that Plato’s critique of tyranny is an intervention in an ancient debate concerning the sources of the crisis of Athenian democracy and the relation between political leaders and the demos in the last decades of the fifth century BCE. The book shows that Plato’s critique of tyranny should not be taken as a veiled critique of the Syracusan tyrannical regime but, rather, as an integral part of his critique of Athenian democracy. The book also offers an in-depth and detailed analysis of all three parts of the tyrant’s soul, and contends that this approach is necessary to both fully appraise the complex psychic dynamics taking place in the description of the tyrannical man and shed light on Plato’s moral psychology and its relation with his political theory.


2016 ◽  
Vol 3 (2) ◽  
pp. 150250 ◽  
Author(s):  
Claudio Ottoni ◽  
Rita Rasteiro ◽  
Rinse Willet ◽  
Johan Claeys ◽  
Peter Talloen ◽  
...  

More than two decades of archaeological research at the site of Sagalassos, in southwest Turkey, resulted in the study of the former urban settlement in all its features. Originally settled in late Classical/early Hellenistic times, possibly from the later fifth century BCE onwards, the city of Sagalassos and its surrounding territory saw empires come and go. The Plague of Justinian in the sixth century CE, which is considered to have caused the death of up to a third of the population in Anatolia, and an earthquake in the seventh century CE, which is attested to have devastated many monuments in the city, may have severely affected the contemporary Sagalassos community. Human occupation continued, however, and Byzantine Sagalassos was eventually abandoned around 1200 CE. In order to investigate whether these historical events resulted in demographic changes across time, we compared the mitochondrial DNA variation of two population samples from Sagalassos (Roman and Middle Byzantine) and a modern sample from the nearby town of Ağlasun. Our analyses revealed no genetic discontinuity across two millennia in the region and Bayesian coalescence-based simulations indicated that a major population decline in the area coincided with the final abandonment of Sagalassos, rather than with the Plague of Justinian or the mentioned earthquake.


2018 ◽  
Vol 2 (4) ◽  
pp. 542-566
Author(s):  
Jessica Wright

In late antique theological texts, metaphors of the brain were useful tools for talking about forms of governance: cosmic, political, and domestic; failed and successful; interior discipline and social control. These metaphors were grounded in a common philosophical analogy between the body and the city, and were also supported by the ancient medical concept of the brain as the source of the sensory and motor nerves. Often the brain was imagined as a monarch or civic official, governing the body from the head as from an acropolis or royal house. This article examines two unconventional metaphors of the brain in the work of the fifth-century Greco-Syrian bishop Theodoret of Cyrrhus—the brain as a treasure within the acropolis, and the brain as a node in an urban aqueduct—both of which adapt the structural metaphor of governance to reflect the changing political and economic circumstances of imperial Christianity. Drawing upon medical theories of the brain, Theodoret expands upon the conventional governance metaphor of brain function to encompass the economic and the spiritual responsibilities of the bishop-administrator. Just as architectural structures (acropolis, aqueduct) contain and distribute valuable resources (treasure, water) within the city, so the brain accumulates and redistributes nourishing substances (marrow, blood, pneuma) within the body; and just as the brain functions as a site for the transformation of material resources (body) into spiritual goods (mind), so the bishop stands as a point of mediation between earthly wealth and the treasures of heaven.


1970 ◽  
Vol 38 ◽  
pp. 183-187 ◽  
Author(s):  
Michael Vickers

In a recent important article on the mosaics of the basilica of St. Demetrius at Thessaloniki, R. S. Cormack proposes a list of churches in the city with mosaics ‘for which a late fifth century date must be considered.’ The list comprises the Acheiropoietos basilica, the first phase of the basilica of St. Demetrius, and Hosios David. The purpose of this article is to show that the mosaics of the second phase of the Rotunda (now known as the church of St. George) should be included in Cormack's list.The first thing to note about the Rotunda mosaics is that there has been less than unanimity concerning the date of their construction. Volbach, Lazarev and Cormack, amongst others, follow Dyggve and Torp in dating the mosaics to c. 400 or slightly earlier; Diehl and Dalton dated them to the fifth century, Weigand to the sixth and Holtzinger to the seventh or eighth century, all on largely stylistic grounds. What are obviously needed are some objective dating criteria, and these are to be found, not so much in the mosaics themselves, but rather in the building fabric and the furniture of the converted Rotunda. The conversion of the Rotunda, incidentally, consisted of the blocking of an opaion in the cupola and the addition of an ambulatory, a monumental entrance to the south, an apse to the east (Plate XXIII) and various subsidiary buildings to east and west. The mosaics were placed in the cupola and in the niches which connected the main body of the Rotunda with the ambulatory.


Arts ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 52
Author(s):  
Bennett

This paper analyzes the trends in depictions of women in Athenian vase-painting during the 5th century BCE through an examination of approximately 88,000 vases in the Beazley Archive Pottery Database. It found a 15% increase in depictions of women during the 5th century BCE and a diversification in subject matter in which women appear. By considering these trends within the historical context of the hegemonic position of Athens in the Delian League and its wars, this paper proposes that the changes in representations and subject matter denote an expanded marketability of vases to female viewers. As targeted imagery, the images give perceptible recognition to an increased valuation of women’s work and lives at a time when their roles in Athenian society were essential for the continued success of the city-state. This paper suggests that these changes also point to the fact that a greater share of the market was influenced by women, either directly or indirectly, and successful artists carefully crafted targeted advertisements on their wares to attract that group. This paper provides new insights into the relationships between vases and their intended audiences within the context of the cultural changes occurring in Athens itself.


1971 ◽  
Vol 66 ◽  
pp. 369-371
Author(s):  
Michael Vickers

There are several buildings at Thessaloniki that can be dated to the middle or second half of the fifth century A.D. and which have one feature in common, namely, the characteristic brick stamps illustrated in Figs, 1a and b. Bricks bearing these stamps occur in the following buildings: Acheiropoietos, the first phase of St. Demetrius, the city walls, and the second phase of the Rotunda. The conventional date for the Acheiropoietos basilica is c. 470 and for the first phase of St. Demetrius some time between 450 and 500. The dates usually given to the walls and the Rotunda are c. 380/390, but I have recently shown that the walls ought to be dated to around the middle of the fifth century and that phase two of the Rotunda belongs with the fifth-century churches. I hope to demonstrate that the Byzantine palace was also built at about the same period.


2016 ◽  
Vol 40 (1) ◽  
pp. 170-175
Author(s):  
Petros Bouras-Vallianatos

This article discusses a unique case of a miraculous fish therapy used for a variety of skin diseases, which seems to have been practised in the mid-fifth century at the shrine of St. Michael in the city of Germia (mod. Gümüşkonak). It aims to enhance our knowledge of Byzantine therapeutic approaches to ‘elephant disease’ and contribute to debates on modern fish spa therapy.


1998 ◽  
Vol 17 (1) ◽  
pp. 123-150 ◽  
Author(s):  
Deborah Steiner

This article treats representations of victors in the Greek athletic games in the artistic and poetic media of the early classical age, and argues that fifth-century sculptors, painters and poets similarly constructed the athlete as an object designed to arouse desire in audiences for their works. After reviewing the very scanty archaeological evidence for the original victory images, I seek to recover something of the response elicited by these monuments by looking to visualizations of athletes in contemporary vase-painting and literary sources, and most particularly in the epinician odes of Pindar. Poets and painters, I suggest, both place their subjects within an erotically-charged atmosphere which replicates that surrounding actual athletes in the city gymnasia and at the games, and encourage audiences to regard the youthful bodies on display as "spectacularized" objects, sources of both aesthetic and sensual pleasure. The makers of monumental images work within the same paradigm, also prompting the viewer to transfer the sentiments aroused by the real-world athlete and victor to his re-presentation in bronze. Through an examination of the conventions used for victor images, and a close study of the so-called Motya charioteer, I propose that the sculptor deploys techniques analogous to those of artist and poet to highlight the appeal of the athlete's body, and displays the victor in a mode calculated not only to mark him as the alluring target of the gaze, but even to cast him as a potential erômenos. The concluding section of the article investigates the impetus behind this mode of representation, and seeks to place the dynamic between the viewer and the viewed within the context of the early fifth-century polis.


1975 ◽  
Vol 55 (1) ◽  
pp. 11-40 ◽  
Author(s):  
Henry Hurst

SummaryIn the first season of excavation by a British team participating in the UNESCO Save Carthage Project, two sites in the harbour area and one inland were examined. On the site on the island in the circular harbour, the remains probably of the νεώρια described by Appian succeeded earlier Punic occupation periods and were in turn followed by two successive Roman temples and a building, probably a pharos, associated with the second temple. After this, there appears to have been domestic or commercial occupation in the fifth and sixth centuries A.D. On the north shore of the circular harbour, remains of the late Roman quayside and associated streets and buildings were found. On the inland site, situated to the south of the Roman street grid, there were the remains of third–fifth-century and fifth–sixth-century buildings fronting a street and backed by a substantial wall identified as the city wall constructed in the reign of Theodosius II.


Author(s):  
Aléssio Alonso Alves

The purpose of this article is to analyse how nature and love were presented and employed as foundations of human society by the Dominican friar Giordano de Pisa (c. 1260- 1311) in his preaching in the early fourteenth-century Florence, Italy. It will be analysed the reportationes of three of his sermons preached on the same liturgical date (Eighteenth Sunday after Trinity Sunday), between 1303 and 1305, which adopts as thema the verse Diliges proximum tuum sicut te ipsum (Love your neighbour as yourself); a model-sermon of the same liturgical date (c. 1267-1286) by the also Dominican Iacopo de Varazze (1228-1298); and a homily of Augustine of Hippo (354-430) from the early fifth century. Thus, it is stressed that Giordano approached the subject both by the use of an Aristotelian-naturalist theory as well as by an Augustinian-voluntarist conception, and it is concluded that the greater emphasis given to the first line of thought is due to its more positive character as regards the city, which allowed a treatment more consistent with the preaching thema and with its internal composition mechanisms.


Sign in / Sign up

Export Citation Format

Share Document