scholarly journals Gdańskie odznaki żebracze (XVI–XVIII w.)

2020 ◽  
Vol 11 ◽  
pp. 149-161
Author(s):  
Tomasz Maćkowski

Beggar badges of Gdańsk In Gdańsk of the 16th century, due to the failure of medieval forms of aiding the poor based on Church institutions, the growing number of people seeking support in a port town which was quickly getting rich and under the influence of ideas spread by Martin Luther, the policy concerning beggars and people seeking aid changed. It was demonstrated by passing the first beggar ordinance in 1525, which introduced the supervision of the city council over the system of social welfare based on the existing hospitals in town. Special badges with the crest of Gdańsk had been known since the middle of the 16th century, which entitled their wearers to beg in the vicinity of the city as well as to receive aid from public funds. Those artefacts were cast from lead and apart from the crest also had a depiction of a beggar and a date specifying the annual validity of the symbol. They would most often be sawn to clothes or worn around the neck. There are four beggar categories known to us: 1) for the inhabitants of Gdańsk unfit for work and their children thus entitled to basic education; 2) badges for the poorest group of citizens having trouble making a living, which included their personal data and address; 3) badges for city visitors who needed aid and had not been admitted to hospitals, which entitled them to beg temporarily; 4) badges for the patients of the City Hospital (the Lazaret), which since the 17th century had become the main centre of medical care for the poorest. Artefacts registering those entitled to permanent or temporary hospital care are known dating even from the middle of the 18th century. With the popularisation of written documentation in the hospital, at the end of the 18th century artefacts of that kind became obsolete.

2020 ◽  
Vol 11 ◽  
pp. 162-188
Author(s):  
Adam Szarszewski

Gdańsk hospitals of the 16th to 18th century and the protestant spirituality Hospitals of the Middle Ages and the Modern era adopted the rule of helping people in need as their basis of operations, especially in the scope of social care over orphans, the poor, widows, the crippled and the elderly. This article aims at sketching the phenomenon of changes undergoing in the sphere of spiritual life in protestant hospitals with the hospital foundations in Gdańsk of the 16th to the 18th century as example. In the Modern era, hospital foundations in Gdańsk constituted a continuation of basic moral values propagated in the hospitals of the 14th and the 15th centuries. Similarly to the Medieval period, the resident of a protestant hospital should be pious, humble and not incite strife. Basic instruments serving the creation of proper models included: community prayer and pastoral service. Providers managing the hospitals were depicted as persons looking after their mentees as well as executing obedience to the rules of hospital laws from the residents. Significant changes in the spiritual life comprised a withdrawal from the importance of prayers said by the poor hospital residents on behalf of the donors, following the notion of negating the participation of good deeds in the act of salvation of humans. It was accompanied by the phenomenon of desacralisation of poverty, which from then on did not constitute any value in itself. The effect of it was the sacralisation of work presented as one of the most important moral precepts. Preachers serving in hospitals did not occupy any prominent positions in the structures of protestant Gdańsk, although working in hospitals would sometimes become a starting point for further career. It seems that a person of beliefs guaranteeing the nurture of orthodox protestant teachings would rather be chosen for the position of a hospital priest. It may be indicated, for instance, by the opposition of a number of hospital preachers against pietistic novelties in the 18th century. It is also important to note the fact that in certain cases (the House of Charity and Orphans or the Institute of the Poor) both the protestant and catholic care existed there. The hospital community was characterised by certain conservatism, which indicated, among others, by preserving pre‑reformation relics in terms of hospital shrines decor. A new decorum, in the reformed spirit, would often be adopted by those churches only after significant devastation resulting from random events (wars, fires). In such cases, the iconography focused on the figure of Christ and biblical scenes known from the lecture of the Holy Script during church services. It indicates the role of paintings in hospital churches, which constituted a visual foundation for sermons enriching the residents spiritually. However, works thematically referring to the virtue of compassion were sparse. It probably resulted from the didactic functions of the art of hospital shrines, which was directed mostly towards the residents and not the potential donors. Influence of the reformation was also indicated by reorienting the shrine space, due to which the pulpit became the place focusing the attention of believers, just like in other protestant churches. Field pulpits established outside were distinctive elements of hospital shrines (at the churches of: the Lazaret, All God’s Angels and Corpus Christi). Intervention of the secular factor (the city council) in hospital life resulted from the sense of responsibility of the city authorities for propagating the model of a good Christian. More broadly speaking, the expectations of hospital community members were identical with those of the city council towards urban community members. The rhetoric used in hospital ordinances was therefore the same as the rhetoric of hospital ordinances issued for the whole of Gdańsk by the city council. Still, the need to constantly call for the authorities to participate in church services and the permanent detailed mentioning the forbidden acts in hospital ordinances constitutes the basis for the assumption that hospital communities did not fully follow the propagated moral precepts. Similarly, maintaining remuneration for as long as to the 19th century (admitting to hospitals for money), steeply criticised in the reformation period as a manifestation of particular pathology of hospital functions, demonstrates the discord between protestant ideals and the realistic possibility of implementing them.


2019 ◽  
Vol 19 ◽  
Author(s):  
Rosana De Moraes Marreco Orsini Brescia

Although theatrical performances were being produced in Portuguese America since the 16th century, it was only in 1719 that the first permanent public theatre was established, offering puppet performances for locals and foreigners who visited the city of Rio de Janeiro. This paper analyses the foundation of the first permanent theatre of Brazil through primary sources and travellers’ journals. The contextualisation of the puppet theatrical activity in the early 18th-century Lisbon is also crucial to our understanding of the importance of this form of art, which figures as one of the most fascinating pages of Portuguese and Brazilian theatre history.


2021 ◽  
pp. 81-111
Author(s):  
Esther Chung-Kim

Although Ulrich Zwingli started the Swiss Reformation in Zürich, his successor Heinrich Bullinger was the main stabilizer for the reform movement during his forty-plus years as chief minister from 1532 to 1575. Bullinger’s advocacy through his sermons and speeches (Fürträge) before the city council regularly reminded the politicians of their duty to care for the poor. Although the Zurich council circumscribed the role of ministers to spiritual matters, Bullinger believed that ensuring a proper poor relief system was an important part of the pastors’ ministry to the people. Because church funds were in secular control, Bullinger’s involvement in poor relief emerged from his development as a church leader in which he justified his social-political critiques against the lack of effective poor relief based on Scripture, church history, Christian ethics, and socioeconomic needs. His persistence urged the Zürich council to reconsider and revise its poor relief policies to include poverty prevention.


2019 ◽  
Vol 11 (1) ◽  
pp. 1090-1096
Author(s):  
Cristina Guarneri

The ability to educate all children, despite social class was an important responsibility. However, some of these problems included social problems that had been faced by poor children during this Victorian Era. Charles Dickens encountered the ragged schooling, which made a lasting impact upon him and is said to have been a significant element in his writing of A Christmas Carol. It was through Charles Dickens’ legacy was using his novels and other works to reveal a world of poverty and unimaginable struggles. His vivid descriptions of the life of street children in the city, workhouses and Yorkshire boarding schools lead to many reforms. Although “Ragged” Schools began to grow and were seen as a movement. For many who would not have been able to have an education, authors such as Charles Dickens, was able to receive a free education and a betterment of life for the poor, that would and will, even today, inspire others to do something to help those suffering in oppression and poverty.


1991 ◽  
Vol 105 (4) ◽  
pp. 291-305 ◽  
Author(s):  
Truus Van Bueren

AbstractKarel van Mander's Schilder-Boeck was published in 1604. During this period the Haarlem city council was pursuing an active cultural policy in which painting played a central role. In 1603, the porter at the Prinscnhof was instructed not to refuse admission to people who wanted to view the paintings and other objects of art housed there. That same year Hendrik Goltzius, Cornelis van Haarlem and Hendrik Vroom were commissioned to paint pictures of their own choice to commemmorate their art. The paintings were to hang in the Prinsenhof. In 1605 the council cndcavoured to ensure the city's claim to a number of paintings from the Jansklooster. This monastery, unlike others in Haarlem, had not been seized when the city became Protestant. The monks were allowed to keep their property until the last one died, but not to adopt any more monks. In 1605 the council demanded an inventory of the immovables and of the paintings too. The majority of the paintings in the inventory, which was supplied a year later, proved to be the work of highly esteemed artists. Although by no means all the art in the monasterey was listed, the city council did not protest. The intention had simply been to secure the important paintings with a view to placing in the Prinsenhof when the time came. Karel van Mander and his friends Cornelis van Haarlem and Hendrik Goltzius undoubtedly contributed to the creation of a climate in which such an art policy was feasible. Van Mander had spent years preparing his Schilder-Boeck, and had paid a great deal of attention to Haarlem painting. In his efforts to gather information the had established numerous contacts. He had carefully described he paintings in the Prinsenhof, and had also seen works by Haarlem painters belonging to private individuals. One such man was Gerrit Willemsz. van Schoterbosch, a burgomaster who had been on the council when that body commissioned Cornelis van Haarlem to make four paintings for the Prinsenhof during the last decade of the 16th century, and also during the period discussed here, 1603-1605. What were the aims of the city council in pursuing this cultural policy? There are two possibilities, both of which are encountered in the Schilder-Boeck. Van Mander wanted to elevate painting to a higher status than a craft. In his praise of painting he therefore dwelt at length on art lovers who collected paintings for art's sake. May not the city council have desired to assemble such a collection? If so, something very special was happening in Haarlem. Perhaps there is more to be said for the other possibility, to which Van Mander also refers: the council could have enlisted the Haarlem painters to sing the praises of the city.


Aschkenas ◽  
2020 ◽  
Vol 30 (1) ◽  
pp. 21-36
Author(s):  
Arno Herzig

AbstractThe situation of the Jews in Breslau in the first half of the 18th century was determined by various interested parties, from the Habsburg emperor as city lord to the council of the city and the monasteries in the suburbs. While the city council had not tolerated Jews in its area since the pogrom of 1453, the monasteries in the suburbs used the economic power of the Jews living there. The Emperor as King of Bohemia was interested in trading with Poland, allowing Polish Jewish merchants to settle in the city. While the emperor allowed Jewish citizens to trade within the city by passing a tax law in 1713, the city council tried to keep the Jews as much as possible away from the market. The situation remained undecided until 1742, when the annexation of Silesia created a new situation in Prussia. A law of 1744 guaranteed the establishment of the Jews in the city and the formation of a community, but the number of Jewish residents permitted in the city was kept very low.


Author(s):  
G. Mirabella Roberti ◽  
V. M. Nannei ◽  
P. Azzola ◽  
A. Cardaci

<p><strong>Abstract.</strong> The historical and cultural relevance of the City Walls built by the ‘Serenissima’ Republic of Venice in the second half of 16th century was recognized in 2017 by the insertion of Bergamo, together with other Venetian Fortresses in Italy, Croatia and Montenegro, in the World Heritage List of UNESCO as transnational site. In the framework of the nomination to the WHL, the City Council together with the University of Bergamo started a campaign of studies and surveys aimed to prepare a conservation planning. The goal of this plan is to assure a constant monitoring of this artwork, so that a strict routine of controls, cleaning and small strengthening works would prevent more relevant interventions, which could corrupt the material integrity of the building.</p><p>This paper delineates the methodological and operational workflow applied to the preparation of the maintenance plan, now in progress, for the Venetian City Walls of Bergamo, where the photogrammetric survey by means of UAV plays an important role. The different working phases, the adopted instrumentation, the difficulties encountered and the choices made are described, and some case studies are also illustrated that represent well the typical problems encountered for the conservation of the Walls.</p>


2018 ◽  
Vol 10 (1) ◽  
pp. 90-103
Author(s):  
Dietmar Plajer

Abstract The Reformation in Transylvania, Lutheran in structure, has been from its very beginning in direct contact with representatives of the Orthodox Church. An Orthodox clergyman, Philippus Pictor (Filip Moldoveanul), had worked for decades in Hermannstadt in the service of the magistrate, with tasks – among other responsibilities – in the printing house; it was probably during his activity in office that the (now lost) Romanian catechism of 1544, the church-slavonic and the bilingual (Slavonic-Romanian) gospels were printed. There are good reasons to assume that these prints were made directly by the initiative of the city council; but this was not an attempt at the conversion of Romanians to the Evangelical faith, but rather an exercise of the duty – emerging from Luther’s theology – to make possible for all people the access to Scripture.


2010 ◽  
Vol 37 (2) ◽  
pp. 39-65 ◽  
Author(s):  
Roger B. Daniels ◽  
Mike Braswell ◽  
Jesse D. Beeler

Empirical research to date has neglected accounting and external financial reporting among 18th century American charitable institutions. Contemporary understanding of 18th century American practices is supported by evidence relating to commercial transactions primarily among colonial merchants. Our study examines the accounting and financial reporting of the Charleston Orphan House, the first municipal orphanage in America, from its inception in 1790 through its first five years of operations. The institution was established by city ordinance in 1790 which required the institution “to keep a book of fair and regular accounts of all receipts and expenditures which will be subject at all times to the inspection of the Commissioners.” The ordinance charged the orphanage's Committee on Accounts to “audit” its accounts. The City Council required the institution's board chairman to countersign the financial statements in 1792 before subjecting them to a second “audit.” The Orphan House employed a system of account books that recorded and facilitated the reporting of expenditures and sources of funds. Accounting and external reporting may have been legitimizing factors to overcome the “liability of newness” by promoting a sense of propriety and transparency among benefactors.“I visited the Orphan House at which there were one hundred and seven boys and girls. This appears to be a charitable organization and under good management.”[President George Washington, diary entry, Saturday, May 7, 1791]


2010 ◽  
Vol 133-134 ◽  
pp. 789-794
Author(s):  
Amina Abdessemed-Foufa ◽  
Hayet Bendjedia

The Palace of the Dey at Algiers is located inside the Citadel of Algiers which was built in the 16th century (1516) by ‘Arrudj (Barbarous). The citadel is located at the higher part of the city and was the first military building at that time. The citadel was the janissary barracks and initially contained a powder keg, a walk, Janissaries residence places and their mosque. Starting from the 18th century appear new constructive strata. In 1716 some part of this military edifice was destroyed by an earthquake. In 1783 the Spanish bombarded Algiers and a bomb fell into the first storey of the palace. The architectural transformations took place in 1817 when the Dey ‘Ali Khūdja lived at the janissary’s barracks. Thereafter and during 12 years several buildings were added to this whole defensive structure as the second and the third floors of the palace, the Dey’s mosque, the bath, the Bey’s palace and the winter garden. During the French colonization, the palace undergoes other transformations as the destruction of most of the rampart of the city contiguous to the palace which caused its instability and which until today accentuates its vulnerability. The lack of maintains, the abandonment and the bad restoration which took place during the 20th century increased this vulnerability. This work based on a visual screening will present the various aspects of vulnerability due to static weaknesses of the angles and absence of wind-bracing of this palace.


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