Seismic Vulnerability of the Dey’s Palace (Algiers, Algeria)

2010 ◽  
Vol 133-134 ◽  
pp. 789-794
Author(s):  
Amina Abdessemed-Foufa ◽  
Hayet Bendjedia
Keyword(s):  
20Th Century ◽  
Seismic Vulnerability ◽  
18Th Century ◽  
16Th Century ◽  
The Third ◽  
Defensive Structure ◽  
Visual Screening ◽  
The City

The Palace of the Dey at Algiers is located inside the Citadel of Algiers which was built in the 16th century (1516) by ‘Arrudj (Barbarous). The citadel is located at the higher part of the city and was the first military building at that time. The citadel was the janissary barracks and initially contained a powder keg, a walk, Janissaries residence places and their mosque. Starting from the 18th century appear new constructive strata. In 1716 some part of this military edifice was destroyed by an earthquake. In 1783 the Spanish bombarded Algiers and a bomb fell into the first storey of the palace. The architectural transformations took place in 1817 when the Dey ‘Ali Khūdja lived at the janissary’s barracks. Thereafter and during 12 years several buildings were added to this whole defensive structure as the second and the third floors of the palace, the Dey’s mosque, the bath, the Bey’s palace and the winter garden. During the French colonization, the palace undergoes other transformations as the destruction of most of the rampart of the city contiguous to the palace which caused its instability and which until today accentuates its vulnerability. The lack of maintains, the abandonment and the bad restoration which took place during the 20th century increased this vulnerability. This work based on a visual screening will present the various aspects of vulnerability due to static weaknesses of the angles and absence of wind-bracing of this palace.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

scholarly journals PERANG BUBAT, REPRESENTASI SEJARAH ABAD 14 DAN RESEPSI SASTRANYA

2018 ◽  
Vol 10 (1) ◽  
pp. 51
Author(s):  
Yeni Mulyani Supriatin
Keyword(s):  
Data Collection ◽  
20Th Century ◽  
18Th Century ◽  
The Other ◽  
16Th Century ◽  
Historical Aspect ◽  
14Th Century ◽  
Literary Structure ◽  
The Will ◽  
The Difference

Penelitian ini bertujuan mengungkap peristiwa Perang Bubat yang terjadi pada abad ke-14 atau tahun 1357 M dan resepsi sastranya. Masalah yang dibahas adalah bagaimana latar belakang terjadinya Perang Bubat, reaksi, dan tanggapannya. Teori yang digunakan adalah resepsi sastra. Metode untuk pengumpulan data adalah kualitatif dengan menerapkan prinsip resepsi sastra. Hasil penelitian menggambarkan bahwa terjadinya Perang Bubat adalah Raja Sunda tidak tunduk pada kehendak Gajah Mada dan Gajah Mada ingin menyatukan Nusantara. Resepsi sastra terhadap Perang Bubat dapat dikelompokkan menjadi 3, yaitu resepsi dari aspek kesejarahannya, resepsi pengaruhnya terhadap penciptaan karya baru, dan resepsi terhadap struktur sastra.  Simpulan penelitian ini adalah peristiwa Bubat diresepsi setelah dua abad berlalu, yaitu pada abad ke-16  dan peristiwa tersebut diresepsi ulang pada abad ke-20-an. Hasil resepsi sastra  dari abad ke-18 sampai dengan abad ke-20 cukup beragam. Keberagaman resepsi itu menunjukkan bahwa terdapat perbedaan horizon harapan pembaca.  This study aims to reveal the events of the Bubat War that occurred in the 14th century or the year 1357 AD and literary receptions that emerged after the incident occurred. The issue discussed is how the background of the Bubat War and the reactions and responses to the event through literary receptions. The theory used in analyzing data is literary receptions. The method used for data collection is qualitative by applying the principle of literary receptions. The results of this study illustrate that the background of the Bubat War have two versions and both controversial, the first version because the King of Sunda entourage do not obey to the will of Gajah Mada, on the other hand, the second version is that Gajah Mada tactics in unifying the archipelago while the Kingdom of Sunda is a state that has not been submitted. Literary receptions to the War of Bubat can be grouped into three, they are the reception of its historical aspect, the reception of its influence on the creation of new works, and the reception of the literary structure. The conclusion of this research is  Bubat event was perceived after two centuries passed, in the 16th century and the event was redrawn in the 20th century. Results of literary receptions in the 18th century until the 20th century quite diverse. The diversity of the receptions shows the difference in the horizon of readers' expectations.    

scholarly journals Maciej Ziemierski, Testamenty krakowskiej rodziny Królików z XVII w.

2020 ◽  
Vol 26 ◽  
pp. 11-41
Author(s):  
Maciej Ziemierski
Keyword(s):  
18Th Century ◽  
Family Members ◽  
17Th Century ◽  
16Th Century ◽  
Fourth Generation ◽  
Third Generation ◽  
The Third ◽  
The Family ◽  
The Town ◽  
Distinguished Member

17th century testaments of the Królik family from Krakow The article is dedicated to the Królik family from Krakow, who lived in the town from the late 16th century until the first years of the 18th century. The family members initially worked as tailors, later reinforcing the group of Krakow merchants in the third generation (Maciej Królik). Wojciech Królik – from the fourth generation – was a miner in Olkusz. The text omits the most distinguished member of the family, Wojciech’s oldest brother, the Krakow councillor Mikołaj Królik, whose figure has been covered in a separate work. The work shows the complicated religious relations in the family of non-Catholics, initially highly engaged in the life of the Krakow Congregation, but whose members gradually converted from Evangelism to Catholicism. As a result, Wojciech Królik and his siblings became Catholics. This work is complemented by four testaments of family members, with the first, Jakub Królik’s, being written in 1626 and the last one, Wojciech Królik’s, written in 1691.

Moscow: The Third Rome

2021 ◽  
Author(s):  
Nick Mayhew
Keyword(s):  
Early Modern ◽  
19Th Century ◽  
Early Modern Period ◽  
16Th Century ◽  
Human Soul ◽  
The Third ◽  
Modern Period ◽  
Imperial Ideology ◽  
The City ◽  
Modern Russian

In the mid-19th century, three 16th-century Russian sources were published that alluded to Moscow as the “third Rome.” When 19th-century Russian historians discovered these texts, many interpreted them as evidence of an ancient imperial ideology of endless expansion, an ideology that would go on to define Russian foreign policy from the 16th century to the modern day. But what did these 16th-century depictions of Moscow as the third Rome actually have in mind? Did their meaning remain stable or did it change over the course of the early modern period? And how significant were they to early modern Russian imperial ideology more broadly? Scholars have pointed out that one cannot assume that depictions of Moscow as the third Rome were necessarily meant to be imperial celebrations per se. After all, the Muscovites considered that the first Rome fell for various heretical beliefs, in particular that Christ did not possess a human soul, and the second Rome, Constantinople, fell to the Turks in 1453 precisely because it had accepted some of these heretical “Latin” doctrines. As such, the image of Moscow as the third Rome might have marked a celebration of the city as a new imperial center, but it could also allude to Moscow’s duty to protect the “true” Orthodox faith after the fall—actual and theological—of Rome and Constantinople. As time progressed, however, the nuances of religious polemic once captured by the trope were lost. During the 17th and early 18th centuries, the image of Moscow as the third Rome took on a more unequivocally imperialist tone. Nonetheless, it would be easy to overstate the significance of allusions to Moscow as the third Rome to early modern Russian imperial ideology more broadly. Not only was the trope rare and by no means the only imperial comparison to be found in Muscovite literature, it was also ignored by secular authorities and banned by clerics.

Waving the historian’s magic wand: Temporal comparisons and analogies in the writing of history

2020 ◽  
pp. 0961463X2094403
Author(s):  
Javier Fernández-Sebastián
Keyword(s):  
18Th Century ◽  
Historical Consciousness ◽  
16Th Century ◽  
Western Tradition ◽  
Conceptual History ◽  
Magic Wand ◽  
The Third ◽  
History Of ◽  
Modern Europe

The main purpose of this article is to raise some questions about temporal comparisons and analogies in the writing of history. The article has four parts. The first one shows that historical discipline, conceptual history and language itself can scarcely be conceived of in the absence of comparisons, implicit or explicit, between events, processes and individuals. The second section provides a few samples of the sources of inspiration of some recurrent temporal parallelisms in the Western tradition. The third identifies two key moments in the history of modern Europe when temporal analogies assumed particular importance. These two periods – two turns of the century (16th century and 18th century) – correspond to transitional phases between successive stages in the development of Western historical consciousness. The article ends with a brief reflection on the usefulness and limits of temporal analogies in the writing of history.

Art in Renaissance Florence

2013 ◽  
Author(s):  
Sarah Blake McHam ◽  
Stephen Mack
Keyword(s):  
20Th Century ◽  
Considerable Degree ◽  
16Th Century ◽  
14Th Century ◽  
Works Of Art ◽  
The Family ◽  
Renaissance Florence ◽  
Art And Architecture ◽  
The City ◽  
Lives Of The Artists

Florence was a crucial locus for developments in Italian art throughout the peninsula in the period between 1300 and 1600, and so this article will concern itself with art created in the city rather than by Florentine artists working outside of Florence. To a considerable degree, the pervasive influence of Giorgio Vasari’s Lives of the Artists (1550, 1568) affected all later historiography, which followed the patriotic Florentine in his claims that everything of importance throughout the Renaissance originated in the city and spread from there elsewhere. That myth was challenged only in the latter part of the 20th century. Nevertheless, no matter how Vasari exaggerated Florence’s importance, the city was a major center. It was wealthy particularly from the wool trade and through dominance in banking throughout Europe, and the city’s humanists early advised private and corporate patrons about the advantages to their reputations and to that of the city of commissioning art and architecture. Although in the 14th century, Florence was governed as a guild republic, and the major guilds commissioned most of the major works of art, by 1434, Cosimo de’ Medici rose to power, and thereafter except for brief intervals (1494–1512; 1527–1530), the Medici family controlled the city. In the mid-16th century, the family consolidated its power and ruled over all of Tuscany as grand dukes, and changed the nature of commissions to those flattering its rule.

scholarly journals From Puppets to Opera

2019 ◽  
Vol 19 ◽  
Author(s):  
Rosana De Moraes Marreco Orsini Brescia
Keyword(s):  
Rio De Janeiro ◽  
18Th Century ◽  
Primary Sources ◽  
16Th Century ◽  
Theatre History ◽  
Theatrical Performances ◽  
The City ◽  
Early 18Th Century

Although theatrical performances were being produced in Portuguese America since the 16th century, it was only in 1719 that the first permanent public theatre was established, offering puppet performances for locals and foreigners who visited the city of Rio de Janeiro. This paper analyses the foundation of the first permanent theatre of Brazil through primary sources and travellers’ journals. The contextualisation of the puppet theatrical activity in the early 18th-century Lisbon is also crucial to our understanding of the importance of this form of art, which figures as one of the most fascinating pages of Portuguese and Brazilian theatre history.

Seismic vulnerability evaluation of educational buildings of Mymensingh city, Bangladesh using rapid visual screening and index based approach

2020 ◽  
Vol 11 (3) ◽  
pp. 379-402
Author(s):  
Md. Shaharier Alam ◽  
Shamim Mahabubul Haque
Keyword(s):  
Seismic Vulnerability ◽  
Hazard Mitigation ◽  
Secondary Source ◽  
Equal Weight ◽  
Content Type ◽  
Rapid Visual Screening ◽  
Vulnerability Evaluation ◽  
Educational Buildings ◽  
Visual Screening ◽  
The City

Purpose Seismic vulnerability evaluation of various public structures, especially school buildings, is very crucial for designing hazard mitigation initiatives in seismic prone areas. The city of Mymensingh is at great risk of earthquake because of its geographical location, geological structure and proximity to active faults. The city is famous for its ancient and renowned educational institutes that need to be evaluated for understanding the seismic performance of the building during an earthquake. This study aims to evaluate the seismic vulnerability of educational buildings of Mymensingh city using rapid visual screening (RVS) and index based approach. Design/methodology/approach RVS procedure includes field survey and secondary source assessment for evaluating structural vulnerability attributes. Analytical hierarchy process is applied to develop an index focusing on systematic attributes of vulnerability based on expert opinions. Then, a composite vulnerability map is developed combining both structural and systematic vulnerability score providing an equal weight. Findings This study evaluates the seismic vulnerability of 458 educational buildings of Mymensingh city and the result shows that 23.14% educational building has high, 46.29% has moderate and 26.86% has moderately low and only 3.71% buildings has the low seismic vulnerability. This study expected to be helpful in resource targeting and prioritizing seismic hazard mitigation activities for education buildings of Mymensingh city. Originality/value This study endeavors to present a comprehensive vulnerability assessment method by integrating RVS and index based approach that incorporates both structural and systematic dimensions of vulnerability. The result is expected to be helpful in the formulation of disaster prevention policy for vulnerable educational buildings and development of the earthquake-resistant building codes for the new building construction in Mymensingh city.

scholarly journals An analysis of the Chinese techniques and methods in the objects of landscape heritage in the city of Saratov, Russia

2018 ◽  
Vol 212 ◽  
pp. 04018
Author(s):  
Yu. Barinov ◽  
O. Sokolskaya
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
East Asian ◽  
Volga Region ◽  
Asian Countries ◽  
Poor Condition ◽  
Green Architecture ◽  
Landscape Heritage ◽  
Industry Relations ◽  
The City

In many regions of Russian Federatio, the objects of landscape heritage are in poor condition. They were created between the second half of the 18th century and the beginning of the 20th century. It was the period when landscape park constructions became widespread in Europe and Russia after establishing active trade and industry relations with East Asian countries, such as China. The research includes analysis of Chinese techniques and methods, which emerged in Russian objects of landscaping art, particularly in estate gardens and parks of the Volga region. The main criteria and flora used in “green” architecture in the territories of the landscape heritage objects of Saratov Volga region are discovered. The assessment of the range of greenery introduced from China and of the elements of the park architecture is given.

scholarly journals La Basilica di San Miniato al Monte di Firenze (1018-2018)

2021 ◽  
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Ecclesiastical Reform ◽  
Leading Role ◽  
Cultural Life ◽  
Points Of View ◽  
First Time ◽  
The City

Between the 11th and the 20th century, the monastery of San Miniato al Monte in Florence played a leading role in the religious and cultural life of the city. The volume analyses for the first time the historical and documentary evolution of this regular institute, famous almost only from the architectural and artistic points of view. The book focuses the period of the bishop’s patronage in the 11th century, when the monastery and some of its members emerged in the context of the ecclesiastical reform, and continues with the study of the the Olivetan monks community, during the 14th-16th centuries, to arrive at the important structural and functional, but also semantic, transformations of the monument between the 18th century and the contemporary times.

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