scholarly journals An algorithm for generating ribbon tableaux and spin polynomials

2007 ◽  
Vol Vol. 9 no. 2 ◽  
Author(s):  
Francois Descouens
Keyword(s):  
General Algorithm ◽  
Ribbon Tableaux ◽  
International Audience

arXiv:math.CO/0611824 International audience We describe a general algorithm for generating various families of ribbon tableaux and computing their spin polynomials. This algorithm is derived from a new matricial coding. An advantage of this new notation lies in the fact that it permits one to generate ribbon tableaux with skew shapes.

scholarly journals Cyclic Sieving and Plethysm Coefficients

2015 ◽  
Vol DMTCS Proceedings, 27th... (Proceedings) ◽  
Author(s):  
David B Rush
Keyword(s):  
Fixed Points ◽  
Schur Function ◽  
Young Tableaux ◽  
Jeu De Taquin ◽  
Cyclic Action ◽  
Domino Tableaux ◽  
Ribbon Tableaux ◽  
International Audience ◽  
Cyclic Sieving ◽  
Element Set

International audience A combinatorial expression for the coefficient of the Schur function $s_{\lambda}$ in the expansion of the plethysm $p_{n/d}^d \circ s_{\mu}$ is given for all $d$ dividing $n$ for the cases in which $n=2$ or $\lambda$ is rectangular. In these cases, the coefficient $\langle p_{n/d}^d \circ s_{\mu}, s_{\lambda} \rangle$ is shown to count, up to sign, the number of fixed points of an $\langle s_{\mu}^n, s_{\lambda} \rangle$-element set under the $d^e$ power of an order $n$ cyclic action. If $n=2$, the action is the Schützenberger involution on semistandard Young tableaux (also known as evacuation), and, if $\lambda$ is rectangular, the action is a certain power of Schützenberger and Shimozono's <i>jeu-de-taquin</i> promotion.This work extends results of Stembridge and Rhoades linking fixed points of the Schützenberger actions to ribbon tableaux enumeration. The conclusion for the case $n=2$ is equivalent to the domino tableaux rule of Carré and Leclerc for discriminating between the symmetric and antisymmetric parts of the square of a Schur function. Une expression combinatoire pour le coefficient de la fonction de Schur $s_{\lambda}$ dans l’expansion du pléthysme $p_{n/d}^d \circ s_{\mu}$ est donné pour tous $d$ que disent $n$, dans les cas où $n=2$, ou $\lambda$ est rectangulaire. Dans ces cas, le coefficient $\langle p_{n/d}^d \circ s_{\mu}, s_{\lambda} \rangle$ se montre à compter, où l’on ignore le signe, le nombre des point fixés d’un ensemble de $\langle s_{\mu}^n, s_{\lambda} \rangle$ éléments sous la puissance $d^e$ d’une action cyclique de l’ordre $n$. Si $n=2$, l’action est l’involution de Schützenberger sur les tableaux semi-standard de Young (aussi connu sous le nom des évacuations), et si $\lambda$ est rectangulaire, l’action est une certaine puissance de l’avancement jeu-de-taquin de Schützenberger et Shimozono.Ce travail étend les résultats de Stembridge et Rhoades, liant les point fixés des actions de Schützenberger aux tableaux de ruban. Pour le cas $n=2$ , la conclusion est équivalent à la règle des tableaux de dominos de Carré et Leclerc, qui distingue entre les parties symétriques et asymétriques du carré d’une fonction de Schur.

Somethin’ about Scandinavia: Danish Shorts on the Post-war International Scene

2018 ◽  
Author(s):  
C. Claire Thomson
Keyword(s):  
United Nations ◽  
International Collaboration ◽  
Marshall Plan ◽  
The Third ◽  
Animated Film ◽  
International Audience ◽  
Post War ◽  
Nordic Cooperation

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.

Conclusion

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
National Identity ◽  
New Zealand ◽  
Identity Formation ◽  
Essential Role ◽  
Coming Of Age ◽  
Financial Returns ◽  
Self Recognition ◽  
International Audience ◽  
National Identity Formation

The conclusion reaffirms the essential role played by cinema generally, and the coming-of-age genre in particular, in the process of national identity formation, because of its effectiveness in facilitating self-recognition and self-experience through a process of triangulation made possible, for the most part, by a dialogue with some of the nation’s most iconic works of literature. This section concludes by point out the danger posed, however, by an observable trend toward generic standardization in New Zealand films motivated by a desire to appeal to an international audience out of consideration for the financial returns expected by funding bodies under current regimes.

Early Cinema in Scotland

2018 ◽  
Keyword(s):  
Social History ◽  
Small Towns ◽  
Early Cinema ◽  
Popular Song ◽  
Feature Film ◽  
Local Newspapers ◽  
The Social ◽  
Production History ◽  
History Of ◽  
International Audience

This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.

A Study on Musical Purchase Factors among the Domestic and International Audience

2018 ◽  
Vol 19 (2) ◽  
pp. 217-235
Author(s):  
Ha Na Oh ◽  
Young Taek Kim
Keyword(s):  
International Audience

Spiritual and Ecclesiastical Biographies: Research, Results, and Reading, ed. Anders Jarlert. Konferenser, 94. Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien, 2017, 245 pp.

Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 327-327
Author(s):  
Albrecht Classen
Keyword(s):  
South Africa ◽  
Middle Ages ◽  
Life Writing ◽  
Emeritus Professor ◽  
Royal Swedish Academy ◽  
Research Results ◽  
International Audience ◽  
Binghamton University ◽  
Sciences Sociales ◽  
The Middle Ages

The papers combined in this volume were originally presented at a conference at the Royal Swedish Academy of Letters, History and Antiquities in Stockholm, June 11–12, 2015. The explicit purpose of this event and the subsequent volume was to expose the work of Swedish and other scholars on the genre of biographies to an international audience, reflecting on life-writing or ego-documents, emphasizing spiritual autobiographies. According to the brief bios at the end of the book, Robert Swanson, for instance, is Emeritus Professor at Binghamton University; Jean-Mark Ticchi teaches at the Centre d’Etudes en Sciences Sociales du Religieux in Paris; and Enock Bongani Zulu was lecturer at the Lutheran Theological Institute in Pietermaritzburg, South Africa. The book cover is decorated with an image showing a page in Margery Kempe’s Book from ca. 1440, indicating that the focus might rest on the Middle Ages. This is only very partially the case.

Food museums as cultural institutions and tourist attractions: Evidence from Italy

2020 ◽  
Author(s):  
Roberta Garibaldi ◽  
Andrea Pozzi
Keyword(s):  
Private Companies ◽  
Tourist Attractions ◽  
Local Stakeholders ◽  
Cooking Shows ◽  
International Audience ◽  
External Relationships ◽  
Museum Experience ◽  
Public Museums ◽  
Modes Of Engagement ◽  
Heritage Interpretation

In recent years, food museums have turned into popular attractions for tourists. Scholars and practitioners have emphasized their role as agents of preservation, education and cultural heritage interpretation, but devoted little attention to tourism related issues. To fill the gap, this paper investigates Italian food museums in order to assess their characteristics, tasks, audience and modes of engagement. Findings suggest that community engagement is an important task along with safeguarding and promoting food heritage. Creating or improving external relationships is crucial for public museums to get recognized for their role and value. For museums operated by private companies, engaging with local stakeholders and residents serves not just a branding purpose, but also in awakening their interest in past and present issues concerning the product (nutrition, safety, taste, cultural and social values). The majority of Italian food museums mainly appeal to domestic travelers, which indicates the potential to reach a larger, international audience. Visibility and language issues remain crucial to reach international tourists but reframing the museum experience is also essential to meet new visitors’ needs. Exploiting traditional exhibitions of food-related objects with multimedia technology and practical activities such as classes, workshops, cooking shows can help in engaging the audiences.

Introduction

2017 ◽  
Author(s):  
Stefan Homburg
Keyword(s):  
Great Recession ◽  
Rational Expectations ◽  
Borrowing Constraints ◽  
Distinctive Features ◽  
Net Worth ◽  
The Great Recession ◽  
External Finance ◽  
International Audience ◽  
Aims And Scope

Chapter 1 describes the book’s aims and scope. The main objective is to improve understanding of the Great Recession and its aftermath. The book provides a unified theoretical framework that uses dynamic general equilibrium models, or DGE, but dispenses with the rational expectations assumption. Its distinctive features are clean models with a rich institutional structure encompassing credit money, external finance, borrowing constraints, net worth, real estate, and commercial banks. Written for economists in universities, governments, and financial institutions, the book addresses an international audience.

Contractual Relationships among Artists, Record Labels, and Artist Management Companies in Japan

2020 ◽  
Author(s):  
Kazuhiro Ando
Keyword(s):  
Music Industry ◽  
Music Business ◽  
Know How ◽  
Contractual Relationships ◽  
The World ◽  
Employee Relationship ◽  
International Audience ◽  
Music Market ◽  
Japanese Music ◽  
The Relationship

Although Japan is the second largest music market in the world, the structure and practices of the music industry are little understood internationally. People overseas need to know how the music business works in Japan so that they can conduct business comfortably. The Japanese music industry has unique features in some respects. First, Japanese record labels remain heavily dependent on traditional physically packaged music although its profitability is much lower than that of digital distribution. Second, full-scale competition in the music copyright management business has just begun. While JASRAC monopolized this market for more than sixty years, the new entrant, NexTone has gradually increased the market share thanks to the frustration experienced by many music publishers and songwriters in their dealings with JASRAC. Third, the relationship between artists and artist management companies is more like an employer-employee relationship than a client-agent relationship. Artist management companies are fully invested in discovering, nurturing, and marketing young artists just the way big businesses handle their recruits. This chapter illuminates practices of the Japanese music industry for an international audience.

scholarly journals Two-Dimensional Sampling-Recovery Algorithm of a Realization of Gaussian Processes on the Input and Output of Linear Systems

Entropy ◽  
2020 ◽  
Vol 22 (10) ◽  
pp. 1079
Author(s):  
Vladimir Kazakov ◽  
Mauro A. Enciso ◽  
Francisco Mendoza
Keyword(s):  
Gaussian Processes ◽  
Research Method ◽  
General Algorithm ◽  
Two Dimensional ◽  
Recovery Algorithm ◽  
Conditional Mean ◽  
Quality Of Recovery ◽  
Input And Output ◽  
Statistical Relationships

Based on the application of the conditional mean rule, a sampling-recovery algorithm is studied for a Gaussian two-dimensional process. The components of such a process are the input and output processes of an arbitrary linear system, which are characterized by their statistical relationships. Realizations are sampled in both processes, and the number and location of samples in the general case are arbitrary for each component. As a result, general expressions are found that determine the optimal structure of the recovery devices, as well as evaluate the quality of recovery of each component of the two-dimensional process. The main feature of the obtained algorithm is that the realizations of both components or one of them is recovered based on two sets of samples related to the input and output processes. This means that the recovery involves not only its own samples of the restored realization, but also the samples of the realization of another component, statistically related to the first one. This type of general algorithm is characterized by a significantly improved recovery quality, as evidenced by the results of six non-trivial examples with different versions of the algorithms. The research method used and the proposed general algorithm for the reconstruction of multidimensional Gaussian processes have not been discussed in the literature.

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