scholarly journals PARADIGMA ITALIJANSKOG DRUŠTVA U ROMANU "CRVENI KARANFIL" ELIJA VITTORINIJA / A PARADIGM OF THE ITALIAN SOCIETY IN "THE RED CARNATION" BY ELIO VITTORINI

2020 ◽  
pp. 288-304
Author(s):  
Mirza Mejdanija
Keyword(s):  
Adult Life ◽  
Italian Society ◽  
Original Version ◽  
The Novel ◽  
Historical Events ◽  
Time And Space ◽  
Historical Reality ◽  
Best Friend ◽  
First Time ◽  
The Way

Following 1925, Italy was facing a downright fascist dictatorship. The ruling politics imposed dictatorship starting with oaths of faithfulness to the regime, all the way to newspapers and school textbooks censorship. The first novel by Elio Vittorini, The Red Carnation, was confiscated by fascist censors, then revised and edited by a Florentine official. The edited and censored novel was published for the first time in 1948 by Mondadori publishing and the version published was not the original version the author himself no longer possessed. The novel tells a story of a local youth, Alessio Mainardi, and his initiation into adult life. He lives in a student dormitory together with other boys of his age.  He falls in love with a classmate, Giovanna, and even manages to kiss her on one occasion. As a token of her affection, Giovanna presents him with a red carnation that he keeps and holds dear. He is constantly holding onto this illusion of love and confides in his best friend, Tarquinio. The story in the novel takes place by the end of spring 1924, the days which are in Italy known for the Matteotti affair. Alessio and his friends consider themselves fascist. They attend protests against the Matteotti commemoration organised by antifascists. It is in this novel that Vittorini is trying to resort to a mythical transfiguration owing to which the narrative reality becomes fairytale-like, distant from time and space, without losing anything from its actual heaviness of the balance achieved between myth and reality. By means of a stylistic quest, Vittorini is trying to transfer history into a literary dimension in an allusive and symbolic way. He understands that his duty, as an author, is to transfer historical reality into symbols while the historical events depicted in the novel are the rise of fascism in Italy and Matteottiʼs murder. By means of fairytale imagery, myth and symbol, the author is trying to portray the reality in Italy at the time.

Space in Ancient Times

Space ◽  
2020 ◽  
pp. 11-51
Author(s):  
Barbara Sattler
Keyword(s):  
Ancient Greek ◽  
Time And Space ◽  
Greek Thought ◽  
Ancient Times ◽  
First Time ◽  
The Way

This chapter tells the story of the way in which, in ancient Greek thought, space first came to be established as an independent and unified dimension. The story begins with prephilosophical as well as philosophical understandings of space, in which spatial notions are often not clearly distinguished from time and matter. This leads to difficulties accounting for motion and change. While Plato’s Timaeus conceives of time and space for the first time as two independent magnitudes, this chapter shows that they are assumed to be different to such a degree that it is unclear how they could be related to each in an account of motion and change. The task of distinguishing time and space in a way that they can, nevertheless, be intelligibly related, is finally accomplished in Aristotle’s Physics. There, time and space are both conceived as (distinct) continua, which can be combined.

scholarly journals Poetic Frameworks and Narrative Procedures of Bosnia and Herzegovina Novels about Kulin Ban

2021 ◽  
Vol 6 (4(17)) ◽  
pp. 57-72
Author(s):  
Melida Travančić
Keyword(s):  
Past History ◽  
The Other ◽  
The Novel ◽  
Historical Events ◽  
Narrative Texts ◽  
The Past ◽  
Historical Figures ◽  
The One ◽  
The Relationship ◽  
The Way

This paperwork presents the literary constructions of Kulin Ban's personality in contemporary Bosnian literature on the example of three novels: Zlatko Topčić Kulin (1994), Mirsad Sinanović Kulin (2007), and Irfan Hrozović Sokolarov sonnet (2016). The themes of these novels are real historical events and historical figures, and we try to present the way(s) of narration and shape the image of the past and the way the past-history-literature triangle works. Documentary discourse is often involved in the relationship between faction and fiction in the novel. Yet, as can be seen from all three novels, it is a subjective discourse on the perception of Kulin Ban today and the period of his reign, a period that could be characterized as a mimetic time in which great, sudden, and radical changes take place. If the poetic extremes of postmodernist prose are on the one hand flirting with trivia, and on the other sophisticated meta- and intertextual prose, then the Bosnian-Herzegovinian romance of the personality of Kulina Ban fully confirms just such a range of stylistic-narrative tendencies of narrative texts of today's era.

scholarly journals FAKTA SEJARAH DALAM NOVEL PEREMPUAN KEUMALA KARYA ENDANG MOERDOPO

2015 ◽  
Vol 9 (1) ◽  
pp. 25
Author(s):  
Wildan Wildan ◽  
Mohd. Harun ◽  
Yeni Safrida
Keyword(s):  
Historical Novel ◽  
New Historicism ◽  
The Novel ◽  
Military Academy ◽  
Historical Events ◽  
Historical Fact ◽  
First Time

This study aims at analyzing historical facts encountered in the novel  Keumala Woman (Perempuan Keumala) written by Endang Moerdopo. The analyses comprises of historical facts about: (1) Keumalahayati, (2) historical events, and (3) places having historical story. Data of this study are sequences of events in the novel pertaining to historical realities.  New historicism analysis is used to describe the data.  The study reveals some findings. First, Keumalahayati is a royal woman who finished her education in Military Academy Makhad Baitul Makdis. Several names that supports historical fact is her husband Sultan Alaiddin Riayat Syah, Cut Limpah, Alfonso, Sultan Muda, Cornelis de Houtman and Frederick de Houtman. Second, historical events incurred in the novel included the development of Makhad Baitul Makdis, the war to Portoguuese in Teluk Haru, rebellion of Sultan Muda, and the arrival of the Dutch for the first time in Aceh.  Third, name of places supporting historical facts consisted of Makhad Baitul Makdis, kingdom palace, Krueng Raya Harbor, Pulau Weh, Benteng Inong Balee, Teluk Haru, and Tamiang.  This novel is in fact a historical novel particularly that describes the heroism of Keumalahayati.  

scholarly journals L’homme et la bête : chiens et politique dans Les Mohicans de Paris

2015 ◽  
Vol 12 (2) ◽  
pp. 138-151
Author(s):  
Nicolas Gauthier
Keyword(s):  
The Political ◽  
The Novel ◽  
Alexandre Dumas ◽  
Best Friend ◽  
Mise En Scene ◽  
Political Project ◽  
The Way

Cet article étudie comment le recours à l’animalisation dans Les Mohicans de Paris d’Alexandre Dumas est l’espace d’une véritable réflexion sur les rapports entre l’humain et l’animal. Ceci apparaît de façon nette dans la fictionnalisation du chien qui induit un brouillage des limites séparant humain et animal, brouillage qui a pour fonction de permettre l’articulation des personnages canins aux enjeux fondamentaux du roman. De façon plus précise, la mise en scène du « meilleur ami de l’homme » sert à redoubler le projet politique au cœur des Mohicans de Paris. This paper examines how, in Les Mohicans de Paris, Alexandre Dumas assigns animalistic features to some characters to question the relations between humans and animals while portraying the various dogs in the novel in a way which blurs the limits between humans and animals. These seemingly accessory canine characters are actually closely associated with the fundamental elements of the novel. More precisely, the way “man’s best friend” is put in fiction actually repeats the political project at the heart of Les Mohicans de Paris.

scholarly journals Трилогія Ренсома Риггза про дивних дітей і криза міфотворчості початку ХХІ століття

2017 ◽  
Vol 9 ◽  
pp. 52-61
Author(s):  
Андрій Іванович Гурдуз
Keyword(s):  
The Novel ◽  
Literary Art ◽  
The Status ◽  
First Time ◽  
The Way

In this article the attempt of the determination of the status of the novel series about the peculiar children by Ransom Riggs in the literary-art process of the beginning of the XXI century is realised for the first time. Accordingly our attention is concentrated on the questions of tradition and innovation decisions in this trilogy by comparison with its typological and / or genetic given art row. Also we analyse the way of function and the role of the national component in the named novel circle.

scholarly journals A Bakhtinian Approach to the Study of Eighteenth-Century English Gothic Novels

2021 ◽  
Vol 5 (4) ◽  
pp. p42
Author(s):  
Shuping Chen
Keyword(s):  
Eighteenth Century ◽  
Space Structure ◽  
The Novel ◽  
Time And Space ◽  
Time Space ◽  
Gothic Novels ◽  
Space Coordinate ◽  
The Common ◽  
The Mysteries Of Udolpho ◽  
First Time

M. M. Bakhtin in the third essay of The Dialogic Imagination coined the term “chronotope” to denote the interaction and integration of time and space in novelistic narratives. Bakhtin’s concept of chronotope emphasizes that time and space coordinate with each other rather than insist on their individualities in narratives. The major chronotope of the novel usually determines its generic characteristics. The current study attempts to utilize Bakhtin’s notion of chronotope to anatomize the time-space structure of major Gothic novels in the eighteenth century, namely, Horace Walpole’s The Castle of Otranto (1764), Ann Radcliffe’s Athlin and Dunbayne (1789), A Sicilian Romance (1790), The Romance of the Forest (1791), and The Mysteries of Udolpho (1794), for the purpose of detecting and summarizing the common features of the Gothic genre. Manifold approaches and theories had been applied in this area, but it is the first time that Bakhtin’s chronotope was employed in the stylistic study of eighteenth-century Gothic novels written by Walpole and Radcliffe.

Self-sacrifice for in-group's history: A diachronic perspective

2018 ◽  
Vol 41 ◽  
Author(s):  
Maria Babińska ◽  
Michal Bilewicz
Keyword(s):  
Clinical Psychology ◽  
Historical Events ◽  
Emotional Events ◽  
Reciprocal Process ◽  
The Way

AbstractThe problem of extended fusion and identification can be approached from a diachronic perspective. Based on our own research, as well as findings from the fields of social, political, and clinical psychology, we argue that the way contemporary emotional events shape local fusion is similar to the way in which historical experiences shape extended fusion. We propose a reciprocal process in which historical events shape contemporary identities, whereas contemporary identities shape interpretations of past traumas.

If Looks Could Kill

2020 ◽  
Vol 3 ◽  
pp. 81-84
Author(s):  
Karen Chan
Keyword(s):  
Skin Color ◽  
Daily Rhythm ◽  
Significant Rate ◽  
Chinese Canadian ◽  
First Time ◽  
The Way

For me, rhythm means having consistency. The piece highlights my own experience with the disruption of my daily rhythm due to COVID-19. The first half shows my routine and interactions prior to COVID-19 while the second half shows my experiences in the present day. Prior to the virus, I had a day to day routine that was filled with noise. Everyday moved quickly and I established a daily rhythm. However, when COVID-19 spread, it changed everything. I felt like I didn’t have a routine anymore because I wasn’t allowed to go anywhere. Time was moving much slower and worst of all, xenophobia was growing at a significant rate. As a Chinese Canadian, this was the first time I truly felt the weight of the color of my skin. COVID-19 changed the way that I consistently assumed that the color of my skin wasn’t something that strangers would significantly care about. However, as I got on a bus, I unintentionally scared a woman simply because of my skin color. From that point, I knew that xenophobia would affect the way people perceived me everyday. The woman was scared of the virus— which in turn was scared of me—and I was scared that she would thwart her anger towards me because I am Chinese. If looks could kill, then the woman and I ironically both feared each other. Now, due to COVID-19, I am adapting to a new routine. A routine where the color of skin rings louder than any other sound.

Buried Narratives: Exhuming the Mother's Story in Oliver Twist

2018 ◽  
Vol 8 (3) ◽  
pp. 247-266
Author(s):  
Michelle L. Wilson
Keyword(s):  
Social Change ◽  
Maternal Inheritance ◽  
The Novel ◽  
Poor Law ◽  
The Family ◽  
The Law ◽  
First Time ◽  
Critical Consideration

Initially, Oliver Twist (1839) might seem representative of the archetypal male social plot, following an orphan and finding him a place by discovering the father and settling the boy within his inheritance. But Agnes Fleming haunts this narrative, undoing its neat, linear transmission. This reconsideration of maternal inheritance and plot in the novel occurs against the backdrop of legal and social change. I extend the critical consideration of the novel's relationship to the New Poor Law by thinking about its reflection on the bastardy clauses. And here, of course, is where the mother enters. Under the bastardy clauses, the responsibility for economic maintenance of bastard children was, for the first time, legally assigned to the mother, relieving the father of any and all obligation. Oliver Twist manages to critique the bastardy clauses for their release of the father, while simultaneously embracing the placement of the mother at the head of the family line. Both Oliver and the novel thus suggest that it is the mother's story that matters, her name through which we find our own. And by containing both plots – that of the father and the mother – Oliver Twist reveals the violence implicit in traditional modes of inheritance in the novel and under the law.

HERMENEUTIKA HANS-GEORG GADAMER DAN SIGNIFIKANSINYA TERHADAP PENAFSIRAN AL-QUR’AN

2018 ◽  
Vol 2 (1) ◽  
pp. 93-108 ◽  
Author(s):  
Muh. Hanif
Keyword(s):  
Text Interpretation ◽  
Historical Reality ◽  
The Mind ◽  
Hans Georg Gadamer ◽  
The Way

The paper discusses the introduction of hermeneutics, Gadamer's biography, Gadamer's hermeneutics and Quranic exegesis, and examples of interpreters using the Gadamer hermeneutics model. hermeneutics tried to grasp the meaning of the Quranic text. Meaning comes from the German "Meinen" which means "to be in the mind or right." Meanings are produced on the basis   of a fusion of horizon or a mixture of the author's horizon of thought, reader, and text.  interpretation is a productive act involving the subjectivity of the interpreter and is  influenced by the historical reality and the presupposition of the interpreter. Gadamer hermeneutics is widely applied in the way of interpretation of the Qur'an bi al-ra'yi.

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