scholarly journals Personification as Manifestation of Author’s Ironical Attitude from the Title-Text Correlation Standpoint (in the novel Animal Farm by G. Orwell)

2017 ◽  
Vol 13 (1-2 (17)) ◽  
pp. 29-36
Author(s):  
Irina Mkhitaryan
Keyword(s):  
The Novel ◽  
Figure Of Speech ◽  
Abstract Ideas ◽  
Animal Farm

The paper attempts at presenting the author’s ironical attitude in the allegorical novel “Animal farm” written by G. Orwell. Here we posit the idea that the author’s ironical attitude can be embodied by personification, a figure of speech, which makes inanimate objects, animal characters or abstract ideas seem just like people by giving them human traits. The article also clarifies the role of context in defining the title-text correlation, which is best marked by the superiority of pigs ruling the farm instead of people. Hence, the former Manor Farm comes to be named Animal farm, postulating the abilities and strength of animals.

scholarly journals Poetics of descriptions in the novel “A Hero of Our Time” by M.Yu. Lermontov in Literature classes

2020 ◽  
pp. 77-89
Author(s):  
E.N. Kolokoltsev
Keyword(s):  
Literary Criticism ◽  
Art Criticism ◽  
Literary Text ◽  
Object Image ◽  
The Novel ◽  
Time Line ◽  
Aesthetic Development ◽  
Spatial Image ◽  
Figure Of Speech

The purpose of the study is to actualize the role of descriptions in the novel by M. Yu. Lermontov “A Hero of Our Time” as an important constructive element of the narrative. The most common form of description in the novel is the descriptions of nature and descriptions of the characters’ portraits. The descriptions found a lively response in literature studies, literary criticism, in art criticism, which responded to the paintings of the poet-and-artist and illustrations for the novel. Naturally, it attracted the author’s attention to the study of the works of those scholars, who viewed the features of Lermontov’s narrative manner. In the stories that made up Lermontov’s novel, descriptions play an important compositional role: they accompany the narrative, the thoughts of the characters, and they are often motivated by the author. The article highlights a number of techniques that will allow students to specify ideas about the descriptions in the novel. The students’ comprehension of landscape descriptions can be supported by drawing up a plan that will reflect the spatial and time-line structure of the story “Bela”, which represents both “travel notes” and the novelette. The use of reproductions of Lermontov’s Caucasian landscapes, similar in the object image to its verbal descriptions in the novel, serves as a visible emotional aid in the nature descriptions comprehension by schoolchildren. Turning to Pechorin’s psychological portrait caused such ways of discovery of his portrait features as drawing up a stylistic map that assists students to focus on linguistic means that the narrator uses to relate the hero image with his potential ingrain. The image and words are closely intertwined in the art print that performs the function of figure of speech and gives a spatial image to the piece of writing. The illustration serves as a means of specifying the students’ perceptions of the characters’ portraits, descriptions of nature and the related plot situations. Ways to comprehend a literary text with the wide involvement of works of art assist students to learn about the peculiarities of Lermontov’s narrative manner and facilitate their aesthetic development.

Orwell and the Globalization of Literature

2012 ◽  
Author(s):  
Andrew N. Rubin
Keyword(s):  
Cultural Dimensions ◽  
George Orwell ◽  
The Novel ◽  
Animal Farm

This chapter considers the role of author George Orwell in the context of the globalization of literature. Orwell's late fiction, Animal Farm (1945) and Nineteen Eighty-Four (1949), helped to define and structure Western political and cultural conceptions of totalitarianism. In particular, the chapter looks at the universality of Nineteen Eighty-Four and how it has resonated even in the present day. It asks how our understanding of the process by which the novel was repeatedly translated, retranslated, adapted into different forms, and globalized enable us to think beyond the terms of the text and provide us with a better understanding of the cultural dimensions of the transnationalization of literature.

scholarly journals Orwell's Animal Farm: Ideological State Apparatuses and the Crisis of the Modern State

2018 ◽  
Vol 9 (2) ◽  
pp. 815-822
Author(s):  
Munir Ahmed Al-Aghberi
Keyword(s):  
Business Groups ◽  
Modern World ◽  
Modern State ◽  
The Novel ◽  
Democratic State ◽  
The Media ◽  
Animal Farm ◽  
The Masses ◽  
The Way

The present paper explores the crisis of the modern democratic state based on Althusser’s concept of the Ideological State Apparatuses and Chomsky’s investigation into the suspicious role of the media. Orwell’s novel Animal Farm was examined by way of casting the light on the junctures of intersection between history and culture. Re-reading the novel through the perspective of Althusser's ISA and Chomsky’s experienced lens help understand the way of the modern world where the various media means drive the masses into the end determined by the ruling business groups.

scholarly journals The Role of Propaganda in George Orwell's Animal Farm

2021 ◽  
Vol 60 (2) ◽  
pp. 27-58
Author(s):  
Inst. Suaad Hussein Ali
Keyword(s):  
The Novel ◽  
Political Regimes ◽  
Different Types ◽  
Animal Farm

Animal Farm is a novel of pure propaganda. Orwell himself admits that he writes this novel in order to be a propaganda against the 'Soviet's myth', to expose Stalin's propaganda and Stalin's Communism. As propagandist, Orwell shows his ideas and opinions towards the dictatorial regimes. This study presents the outstanding role of different types and techniques of propaganda used in the novel by the characters, and how these techniques' persuasion influences are various from one another. The paper also traces the propagandists' ways and methods to make use of people's emotions by appealing to their profound fears and great dreams to befool and deceive them. Orwell gives the most devastating image of a propagandist through the character of Squealer who is crushingly effective to convince the animals and make them believe in everything he says. The paper also sheds light on Orwell's actual efforts to warn people from the tactics used by political regimes, and his attempt to show the effects of illiteracy and lack of education in supporting propagandists' purposes for exploiting people and make them victims of an evil propaganda.

ROLE OF THE NOVEL INTRODUCED PAN-INTESTINAL CAPSULE ENDOSCOPY SYSTEM IN CELIAC DISEASE

2019 ◽  
Author(s):  
F Foerster ◽  
K Mönkemüller ◽  
PR Galle ◽  
H Neumann
Keyword(s):  
Celiac Disease ◽  
Capsule Endoscopy ◽  
The Novel

Patterns: Rosamond Lehmann

2018 ◽  
Author(s):  
Vike Martina Plock
Keyword(s):  
Coming Of Age ◽  
Public Image ◽  
Market Forces ◽  
The Novel ◽  
Fashion Industry ◽  
To The Lighthouse ◽  
Fashion Magazines ◽  
Female Authorship ◽  
Rosamond Lehmann

This chapter analyzes the role of fashion as a discursive force in Rosamond Lehmann’s 1932 coming-of-age novel Invitation to the Waltz. Reading the novel alongside such fashion magazines as Vogue, it demonstrates Lehmann’s awareness that 1920s fashion, in spite of its carefully stylized public image as harbinger of originality, emphasized the importance of following preconceived (dress) patterns in the successful construction of modern feminine types. Invitation to the Waltz, it argues, opposes the production of patterned types and celebrates difference and disobedience in its stead. At the same time, the novel’s formal appearance is nonetheless dependent on the very same tenets it criticizes. On closer scrutiny, it is seen to reveal its resemblance to Virginia Woolf’s To the Lighthouse (1927). A tension between imitation and originality determines sartorial fashion choices. This chapter shows that female authorship in the inter-war period was subjected to the same market forces that controlled and sustained the organization of the fashion industry.

SARS-COV2 virus and Coronavirus disease (COVID-19)

2020 ◽  
Vol 11 (SPL1) ◽  
pp. 977-982
Author(s):  
Mohamed J. Saadh ◽  
Bashar Haj Rashid M ◽  
Roa’a Matar ◽  
Sajeda Riyad Aldibs ◽  
Hala Sbaih ◽  
...  
Keyword(s):  
Close Contact ◽  
Antiviral Agents ◽  
Health Concern ◽  
The Novel ◽  
Global Public Health ◽  
Fatal Disease ◽  
Mild Disease ◽  
Life Threatening ◽  
Novel Coronavirus

SARS-COV2 virus causes Coronavirus disease (COVID-19) and represents the causative agent of a potentially fatal disease that is of great global public health concern. The novel coronavirus (2019) was discovered in 2019 in Wuhan, the market of the wet animal, China with viral pneumonia cases and is life-threatening. Today, WHO announces COVID-19 outbreak as a pandemic. COVID-19 is likely to be zoonotic. It is transmitted from bats as intermediary animals to human. Also, the virus is transmitted from human to human who is in close contact with others. The computerized tomographic chest scan is usually abnormal even in those with no symptoms or mild disease. Treatment is nearly supportive; the role of antiviral agents is yet to be established. The SARS-COV2 virus spreads faster than its two ancestors, the SARS-CoV and Middle East respiratory syndrome coronavirus (MERS-CoV), but has lower fatality. In this article, we aimed to summarize the transmission, symptoms, pathogenesis, diagnosis, treatment, and vaccine to control the spread of this fatal disease.

THE ROLE OF ARTISTIC PSYCHOLOGY IN THE METAPHORICAL HARMONY OF MAN AND THE REALITY OF LIFE

2020 ◽  
Vol 2 (3) ◽  
pp. 19-23
Author(s):  
Shakhlo Botirova ◽  
Keyword(s):  
The Novel

In this article , in the novel “Rebellion and obedience” by Ulugbek Hamdam, the author analyzes the artistic psychological description of a person on the path of development in the center of an integral complex metaphorical system of being. The novel “Rebellion and obedience” is based onthe method of metaphorization of reality. In it, a personexperiences vertigo about who he is and what powerful being he possesses. The reason for this is a riot. After much agony, he obeys. Allegedly thus proves its existence. Finds answers to certain riddles

Le premier moment de l’art dans À la recherche du temps perdu de Marcel Proust – une « leçon d’idéalisme » ?

2020 ◽  
pp. 25-40
Author(s):  
Larisa Botnari
Keyword(s):  
Essential Role ◽  
Marcel Proust ◽  
The Self ◽  
Philosophy Of Art ◽  
The Novel ◽  
Philosophical Interpretation ◽  
German Philosopher ◽  
Lost Time ◽  
Aesthetic Thinking

Although very famous, some key moments of the novel In Search of Lost Time, such as those of the madeleine or the uneven pavement, often remain enigmatic for the reader. Our article attempts to formulate a possible philosophical interpretation of the narrator's experiences during these scenes, through a confrontation of the Proustian text with the ideas found in the System of Transcendental Idealism (1800) of the German philosopher F. W. J. Schelling. We thus try to highlight the essential role of the self in Marcel Proust's aesthetic thinking, by showing that the mysterious happiness felt by the narrator, and from which the project of creating a work of art is ultimately born, is similar to the experiences of pure self-consciousness evoked and analyzed by Schellingian philosophy of art.

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