Un altro ordine del tempo

2018 ◽  
Vol 3 (1) ◽  
Author(s):  
Riccardo Fazi
Keyword(s):  
Performing Arts ◽  
Social Perspective ◽  
European Context ◽  
Analysis Tools ◽  
Artistic Works ◽  
The Relationship ◽  
Different Order ◽  
Actual Point ◽  
A Performance

During the last decade, there has been a radical rethink, in the European context of both theatre and performing arts, on how a performance or a spectacle is narrated and enjoyed. Artists like Milo Rau, Tino Sehgal, Marten Spangberg, Rabih Mrouè, Amir Reza Koohestani, and Richard Maxwell structure their practices on a reflection about the concept of time and on how it can be returned on stage. "A different order of time" is a three-parts essay focused on the analysis of the artists' works; the essay aims to create a dialogue between the artistic works and the actual point of the debate about time through a philosophical, scientific and social perspective. How does performing arts design the relationship between time and our evolution as individuals today? In which manner the collective tale configures itself through this artistic, utopian narrative? And what about the analysis tools we might need to effectively enjoy these works?

Un altro ordine del tempo

2019 ◽  
Vol 5 (1) ◽  
Author(s):  
Riccardo Fazi
Keyword(s):  
Performing Arts ◽  
Social Perspective ◽  
European Context ◽  
Analysis Tools ◽  
Artistic Works ◽  
The Relationship ◽  
Different Order ◽  
Actual Point ◽  
A Performance

During the last decade there has been a radical rethink, in the European context of both theatre and performing arts, on how a performance or a spectacle is narrated and enjoyed. Artists like Milo Rau, Tino Sehgal, Marten Spangberg, Rabih Mrouè, Amir Reza Koohestani, and Richard Maxwell structure their practices on a reflection about the concept of time and on how it can be returned on stage. A different order of time is the second chapter of a three-parts essay focused on the analysis of the artists' works; the essay aims to create a dialogue between the artistic works and the actual point of the debate about time through a philosophical, scientific and social perspective. How does performing arts design the relationship between time and our evolution as individuals today? In which manner the collective tale configures itself through this artistic, utopian narrative? And what about the analysis tools we might need to effectively enjoy these works?

Intangible, invisible and eternally nascent: Designing sound in Australian performing arts

Scene ◽  
2021 ◽  
Vol 9 (1-2) ◽  
pp. 117-132
Author(s):  
Roger Alsop
Keyword(s):  
Performing Arts ◽  
Integrated Approach ◽  
Visual Object ◽  
Sound Design ◽  
A Performance

This article is primarily focused on sound design in the performing arts. While scenography is usually defined as the visual/object elements of a performance design, it is often discussed as including all of the heard and seen elements: sound, costume, lighting, sets, props and projections. The intention is that these elements work synergistically to create a ‘whole-more-than-the-sum-of-its-parts’, with scenography considered a wholistic discipline that embraces many aspects to support the intentions of the creators and the performers in a performance. Scenographic designers provide bespoke or unique solutions required to do this across specific briefs and budgets. While the discussion here centres on sound design for performance in Melbourne, it is intended to apply more broadly, particularly in developing a more complementary, integrated approach to sound in scenography, and regarding education and processes. This is to encourage a more global and inclusive consideration of the topic – to develop discussion, and therefore potential – of the manifold interrelationships in scenographic design in the performing arts. While there is no attempt to explicitly answer a key question or propose a defined theory, this discussion intends to illuminate various issues in sound design for performing arts in order to develop conceptual and practical approaches that enhance the collaborations and synergies possible in scenography for performing arts, ensuring that the whole is indeed more than the sum of its parts.

Risks of Using Statistical Analysis Tools in Project Management Environments

2020 ◽  
Vol 7 (2) ◽  
pp. 1-19
Author(s):  
Brian J. Galli
Keyword(s):  
Risk Management ◽  
Project Management ◽  
Statistical Analysis ◽  
Common Type ◽  
Systematic Search ◽  
Statistical Tools ◽  
Early Stages ◽  
Analysis Tools ◽  
The Common ◽  
The Relationship

The purpose of this study is to examine the risks of using statistical tools in a project basis. A systematic search of certain academic databases has been conducted for this study. Statistical tools could be used in a project, and they should be properly planned and designed. Statistical tools include major activities, such as collecting and analyzing data, providing meaningful interpretation, and reporting findings. When dealing with statistical tools, there are several risks that may exist and impact the project either positively or negatively. This study covers a brief outline of the risk management, statistical tools, and the relationship between the two concepts. Finally, a discussion of the common type of risks that are initiated by using statistical analysis tools are provided, which could be planned, identified, and analyzed in the early stages of the project.

scholarly journals "The show must go on!" Beserings van dramastudente tydens opleiding

2017 ◽  
Vol 12 (1) ◽  
pp. 137
Author(s):  
Rika Snyman ◽  
Jaco Deacon
Keyword(s):  
Working Conditions ◽  
Working Hours ◽  
Practical Training ◽  
The University ◽  
The Relationship ◽  
A Performance

This article also tries to compare the situation of a student sports person injured while participating in university sports, and a drama student injured during a performance or rehearsal of a play. It is stated that the relationship between the drama student and lecturer is similar to the relationship between a sports person and his/her coach, but the relationship differs in that a sports person’s risk of getting hurt is much greater than that of a drama student, The contracts between sports players and their authorities are also stipulated in much more detail than the contracts (if any) between the drama students and the university. It is concluded that the legislation is not clear on the specific matters where a student undergoes practical training while they are still studying. The suggestion is that a sectoral determination must be put in place to regulate the relationship, the remuneration, the working hours and the working conditions and risks involved.

scholarly journals Espaços deslocados: poéticas de interação entre arte e tecnologia

REPERTÓRIO ◽  
2017 ◽  
pp. 298
Author(s):  
Regina Miranda
Keyword(s):  
Performing Arts ◽  
Empty Space ◽  
Scenic Design ◽  
The Body ◽  
Theoretical Contribution ◽  
Art And Technology ◽  
Geometric Configurations ◽  
The Creation ◽  
New Interactions ◽  
The Relationship

<p class="p1">Resumo:</p><p class="p2">Ao tomar como contexto teórico as pesquisas em Harmonias Espaciais desenvolvidas pelo teórico de movimento Rudolf Laban na primeira metade do século XX, este artigo considera o longo predomínio da visão de um <em>alguém</em> que habitava um <em>espaço vazio </em>separado do corpo e aponta perspectivas contemporâneas, que<em> </em>tornaram o<em> </em>espaço entre/em ambos mais fluido e plástico. A contribuição teórica aqui apresentada indicou a necessidade da inclusão de configurações geométricas mais instáveis no campo Labaniano e também a criação de percursos para a encarnação de conceitos, que pudessem representar essas novas interações. Como um dos territórios da pesquisa artística que fundamenta esta narrativa, o encontro com a tecnologia foi explorado, inicialmente, como uma forma de ampliar a experiência corpo-espacial dos atuantes formais e informais de uma performance, oferecendo a possibilidade de um desenho cênico que incluía a articulação entre espaços físicos e virtuais e de conexões espaciais de livre escolha. Mais recentemente, a relação se ampliou em uma experiência interdisciplinar de criação cênica e coreográfica em interatividade com processos computacionais. Nos exemplos apontados, o que rege a escolha das tecnologias é o interesse artístico e conceitual de investigar como cada tecnologia pode colaborar na criação, deslocamento e distorção de espaços performáticos.</p><p class="p3"><span class="s1">Palavras-chave: </span>Arte e tecnologia. Artes cênicas. Campo labaniano. Corpo-espaço. Performance imersiva.</p><p class="p3"> </p><p>SHIFTING SPACES: POETICS OF INTERACTION BETWEEN ART AND TECHNOLOGY</p><p class="p1"><em>Abstract:</em></p><p class="p5"><em>Embracing as theoretical context the Space Harmonies’ research developed by movement theorist Rudolf Laban during the first half of the 20th century, this paper considers the long predominance of the vision of someone who inhabited an empty space separated from the body, and points toward contemporary perspectives, which have made the space between/in both more fluid and plastic. The theoretical contribution presented here indicated the need to include more unstable geometric configurations in the Labanian field and the creation of paths for the incarnation of concepts, which could represent these new interactions. As one of the areas of artistic research that underlies this narrative, the encounter with technology was initially explored as a way to broaden the body-space experience of the formal and informal participants of a performance. It offered the possibility of a scenic design that included the articulation between physical and virtual spaces and free-choice spatial connections. More recently, the relationship expanded in an interdisciplinary experience of scenic and choreographic creation in interactivity with computational processes. In the mentioned examples, what defines the choice of the technologies is the artistic and conceptual interest to investigate how each technology can collaborate in the creation, displacement and distortion of performative spaces.</em></p><p class="p3"><span class="s1"><em>Keywords: </em></span><em>Art and technology. Performing arts. Labanian field. Body-space. Immersive performance.</em></p>

Migrants and healthcare within the European Union

2011 ◽  
Vol 1 (1) ◽  
pp. 61-72
Author(s):  
Raluca Nagy
Keyword(s):  
European Union ◽  
Local Population ◽  
Healthcare Systems ◽  
Health Problems ◽  
The European Union ◽  
European Context ◽  
The Relationship ◽  
Migrant Groups

Abstract The investigation of migration can help us understand how the types of migration interact with each other as well as with the various local/national ‘immobilities’. Migrants pose special challenges to healthcare systems, in their origin as well as destination countries. Available data on this topic, following EU interests and policies, focuses on health problems of vulnerable migrant groups, often directed exclusively to issues that can affect the local population. This paper aims to set some explanatory contexts when it comes to the relationship between migration and healthcare within the European context.

Relation of Motivational Climate and Fear of Failure in Taiwanese Adolescent Athletes

2009 ◽  
Vol 104 (2) ◽  
pp. 627-632 ◽  
Author(s):  
Ying-Mei Tsai ◽  
Lung Hung Chen
Keyword(s):  
Motivational Climate ◽  
Fear Of Failure ◽  
Adolescent Athletes ◽  
Perceived Motivational Climate ◽  
The Relationship ◽  
A Performance

In this study, the relationship between motivational climate and fear of failure in sport was examined. 176 adolescent athletes were recruited ( M=16.3 yr., SD =13). Athletes completed the Chinese Perceived Motivational Climate in Sport Questionnaire and the Performance Failure Appraisal Inventory. Results indicated a performance climate was positively related to the fear of failure, while a mastery climate was not.

A Review of The Sundanese Scale Theory

2022 ◽  
Vol 21 (2) ◽  
pp. 318-329
Author(s):  
Mariko Sasaki ◽  
Juju Masunah
Keyword(s):  
19Th Century ◽  
Performing Arts ◽  
Educational Institutions ◽  
West Java ◽  
Scale Theory ◽  
The 19Th Century ◽  
The Relationship

This article aims to discuss Kusumadinata’s scale theory in Sundanese music which has been taught in educational institutions in West Java, Indonesia. According to Kusumadinata’s scale theory, sorog and pelog are scales derived from salendro scale in gamelan salendro performance. In my previous research, I investigated three genres of Sundanese performing arts which have existed since the Hindu era, namely goong renteng, pantun, and tarawangsa. The results indicate that the pelog scale has independently existed since the Hindu era. Then, I analyzed the phenomenon that occurs in the gamelan salendro performance, i.e., its melody (rebab and vocals) conventionally modulate into scale ‘like sorog’, occasionally into scale ‘like pelog’. In contrast, the instruments of gamelan are in the salendro scale. However, the analysis on the sorog in the previous research was not enough, so that in this paper, I will focus on the sorog. To find out the relationship between melody (vocal and rebab) and gamelan instruments, I examined the actual performances of gamelan salendro and wayang golek purwa. It became clear that the salendro scale derives four types of sorog. The findings of this study indicate that sorog has existed since the 19th century by this phenomenon, and the scale now called sorog is a scale derived from salendro.

Clothing Matter: Thomas Carlyle’s Sartor Resartus

2018 ◽  
pp. 259-271
Author(s):  
Philipp Erchinger
Keyword(s):  
Scientific Knowledge ◽  
Ways Of Knowing ◽  
Literary Work ◽  
Material World ◽  
Personal Experiences ◽  
Building Activities ◽  
Bridge Building ◽  
The Relationship ◽  
A Performance

The book concludes with a reading of Thomas Carlyle’s Sartor Resartus. For this work can be characterised, the chapter suggests, as a performance of, and meditation on, what the foregoing sections were meant to examine: namely the bridge-building activities or ways of knowing through which personal experiences of the material world come to be dressed in recognisable social or ideal forms. The chapter ends with an attempt to situate the practice-based approach developed in Artful Experiments within a wider theoretical debate about the relationship between literary work and scientific knowledge.

Visualization of works of fiction in the cinema

2021 ◽  
pp. 92-96
Author(s):  
Tatyana G. Kupriyanova ◽  
Keyword(s):  
Information Behavior ◽  
Technological Innovations ◽  
Film Production ◽  
Visual Content ◽  
Artistic Works ◽  
The Relationship ◽  
Book Publication

The vector of development of modern forms of information consumption is aimed at visual content, which is due to technological innovations. The problem focus in the article is related to the transformation of information behavior caused by the availability of screen culture for the presentation of literary and artistic works. The material of this article traces the relationship between publications of works of fiction and their filmed productions; typological features of publishing and film production are revealed, such as genre, implementation of the author’s idea in the publication and in the cinema, material forms of its embodiment; the specifics of the text and images in the book publication and in the screened product are considered, originality of the director’s reading of literary material.

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