scholarly journals CDA IN THE PERCEPTIONS OF THE PUBLIC SPACE OF IMMIGRATION: THE IDEOLOGY AND ELEMENTS OF HALLIDAY’S THEORY (SFG) IN THE INTERPRETATION OF MIGRATION NARRATIVES IN THE US PUBLIC SPACE

2021 ◽  
Vol 03 (06) ◽  
pp. 187-207
Author(s):  
Rajaa Hamid SALIH
Keyword(s):  
New York ◽  
Public Space ◽  
Target Audience ◽  
Theoretical Understanding ◽  
Daily News ◽  
The Public ◽  
Migration Narratives ◽  
The Us ◽  
Critical Methods

The key point of this article is to provide an interpretation of the selected immigration narratives of two periodical New York Post and New York Daily News, focusing on CDA and the ideological issues approached from the perspective of critical linguistics relies on SFL Halliday (1985) and Hart (2014). This article applies the theoretical understanding and concepts associated with CDA, to the interpretation of media literature and periodicals. Because CDA and SFG have a common relation in the link between language and society. Accordingly, the study investigates a number of statements/ texts in the public space in America by means of critical methods associated with CDA; the aim is to discover the mechanisms by means of which tabloids manage to persuade/ manipulate a certain target audience of Western readers.

scholarly journals Public space: an exhibition of photography and video

2021 ◽  
Author(s):  
Martin Franchi
Keyword(s):  
New York ◽  
Public Space ◽  
General Public ◽  
Private Property ◽  
Urban Environments ◽  
First Century ◽  
The Public ◽  
Unrestricted Access ◽  
Private Corporations ◽  
The Public Sphere

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.

scholarly journals NYC POPS: Exploring Human Agency of the Public Sphere

2021 ◽  
Author(s):  
◽  
Anna Constable
Keyword(s):  
New York ◽  
Public Space ◽  
Social Life ◽  
Social Space ◽  
Public Spaces ◽  
Test Case ◽  
Late 20Th Century ◽  
The Public ◽  
The Public Sphere ◽  
Privately Owned

<p>This thesis aims to investigate, through design, spatial agency within the realm of New York City’s Privately Owned Public Spaces. The notion of agency in architecture is directly linked to social and political power. Starting in 1961, New York’s city planners introduced an incentive zoning scheme (POPS) which encouraged private builders to include public spaces in their developments. Many are in active public use, but others are hard to find, under surveillance, or essentially inaccessible. Within the existing POPS sites, tension is current between the ideals of public space - completely open, accessible - and the limitations imposed by those who create and control it. Designed to be singular, contained, and mono-functional, POPS do not yet allow for newer ideas of public space as multi-functional, not contained/bounded but extending and overlapping outward.  As public-private partnerships become the model for catalyzing urban (re)development in the late 20th century, bonus space is an increasingly common land use type in major cities across the world. The quality and nature of bonus spaces created in exchange for floor area bonuses varies greatly. In many cases, tensions in privately owned space produce a severely constricted definition of the public and public life. Incentive zoning programmes continue to serve as a model for numerous urban zoning regulations, so changing ideas of public space and its design need to be tested in such spaces.  These urban plazas offer a test case through which to examine agency, exploring how social space is also political space, charged with the dynamics of power/ empowerment, interaction/ isolation, control/ freedom. This thesis looks at one such site, the connecting plaza sites along Sixth Avenue between West 47th St and West 51st St. This is an extreme example of concentrated POPS sites in New York City. Here one’s perception and occupation of space is profoundly affected by the underlying design of that space which reflects its private ownership. Privately Owned Public Space can be designed that is capable of/ challenging the notion of the public in public space, and modifying the structure of the city and its social life.</p>

Analysis on Building Readable Image of Urban Public Spaces

2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng
Keyword(s):  
New York ◽  
Public Space ◽  
Urban Space ◽  
Public Spaces ◽  
Urban Life ◽  
Space Images ◽  
Urban Public Space ◽  
Good Image ◽  
The Public ◽  
The City

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.

scholarly journals Afterword: Ghosts of Slavery

2020 ◽  
Vol 65 (S28) ◽  
pp. 225-236
Author(s):  
Ana Lucia Araujo
Keyword(s):  
New York ◽  
Public Space ◽  
Rio De Janeiro ◽  
Special Issue ◽  
Social Actors ◽  
The Public ◽  
Chattel Slavery ◽  
Urban Slavery

AbstractThis afterword engages with the theme of this Special Issue by discussing the significance of urban slavery in slave societies and societies where chattel slavery existed in Europe, Africa, and the Americas. It discusses how, despite the omnipresence of slavery in cities such as Rio de Janeiro, Salvador, New York, and Charleston, the tangible traces of the inhuman institution were gradually erased from the public space. It also emphasizes that, despite this annihilation, over the last three decades, black social actors have made significant interventions to make the slavery past of Atlantic cities visible again.

scholarly journals One issue, different stories: The construction of GMO issues on Chinese, American and British mainstream media portals

2019 ◽  
Vol 2 (4) ◽  
pp. 255-275
Author(s):  
Yiqin Ruan ◽  
Jing Yang ◽  
Jianbin Jin
Keyword(s):  
New York ◽  
Media Coverage ◽  
Genetically Modified Organisms ◽  
Scientific Information ◽  
New York Times ◽  
The Public ◽  
Mainstream Media ◽  
The Us ◽  
The Media ◽  
The Uk

Biotechnology, as an emerging technology, has drawn much attention from the public and elicited hot debates in countries around the world and among various stakeholders. Due to the public's limited access to front-line scientific information and scientists, as well as the difficulty of processing complex scientific knowledge, the media have become one of the most important channels for the public to get news about scientific issues such as genetically modified organisms (GMOs). According to framing theory, how the media portray GMO issues may influence audiences’ perceptions of those issues. Moreover, different countries and societies have various GMO regulations, policies and public opinion, which also affect the way media cover GMO issues. Thus, it is necessary to investigate how GMO issues are covered in different media outlets across different countries. We conducted a comparative content analysis of media coverage of GMO issues in China, the US and the UK. One mainstream news portal in each of the three countries was chosen ( People's Daily for China, The New York Times for the US, and The Guardian for the UK). We collected coverage over eight years, from 2008 to 2015, which yielded 749 pieces of news in total. We examined the sentiments expressed and the generic frames used in coverage of GMO issues. We found that the factual, human interest, conflict and regulation frames were the most common frames used on the three portals, while the sentiments expressed under those frames varied across the media outlets, indicating differences in the state of GMO development, promotion and regulation among the three countries.

Vultures in Courts: Why the UNCTAD Principles on Responsible Financing Cannot Stop Litigation

2015 ◽  
Vol 28 (4) ◽  
pp. 849-862 ◽  
Author(s):  
MAURO MEGLIANI
Keyword(s):  
New York ◽  
Financial Markets ◽  
Sovereign Debt ◽  
Legal Status ◽  
Legal Framework ◽  
Federal Courts ◽  
The Public ◽  
The Us ◽  
Us Supreme Court ◽  
Abusive Behaviour

AbstractThe decision of the US Supreme Court rendered in NML v. Argentina has enabled the vulture funds to enforce in full their claims against the payments to be made by Argentina in favour of those holders who had tendered their bonds under a previous exchange offer. This scenario may have a disruptive impact on the functioning of the financial markets and endanger the restructuring processes of sovereign debt. The race to the courts by the vulture funds could be stopped under the UNCTAD Principles on Responsible Financing where the behaviour of those creditors who acquire debt instruments of sovereigns in distress and remain aloof from a restructuring to secure preferential treatment is marked as abusive. Unfortunately, so far the legal status of this abusive behaviour is unable to overturn the interpretation of the pari passu clause under New York law given by the US Federal Courts which stands at the base of the problem. To overcome this impasse the suggestion is to insert in the UN proposal of a multilateral legal framework for sovereign restructuring processes a specific provision qualifying as overriding a mandatory restructuring plan approved through a certain quorum which has received certification by the IMF. This qualification would serve the purpose of applying the plan to all creditors, and not just to those who register under the process. Moreover, this qualification would be considered as part of the public policy of the states participating to the UN proposal so as to block the enforcement of judgments rendered in non-participating fora.

Outside the World of Tomorrow

2014 ◽  
Vol 40 (6) ◽  
pp. 1011-1027
Author(s):  
Daniel Hart London
Keyword(s):  
New York ◽  
Public Space ◽  
Trade Unions ◽  
Public Support ◽  
Corporate America ◽  
The Public ◽  
American Federation ◽  
The World ◽  
The Face ◽  
Workplace Rights

This paper analyzes the 1939–1940 New York World’s Fair as a conflicted site of public-sphere formation, and the repercussions of these conflicts on organized labor in New York. Conceived within the liberal administration of Mayor La Guardia and dedicated to the principles of social cooperation, this “closed-shop exposition” granted American Federation of Labor (AFL) trade unions an unprecedented degree of workplace benefits and rhetorical support by the Fair administration. This was undermined, however, by the trade unions’ limited public activities within the fair itself and their refusal of city offers to establish outreach and educational programs through events, rallies, and pavilions. As a result, the public space and discourse of a fair nominally devoted to social interdependence was appropriated by a variety of other interests, particularly those of corporate America. This marginalization would ultimately contribute to delegitimization, as allegations of graft and racketeering by visitors, exhibitors, and the national media framed labor as a direct threat to the “World of Tomorrow” and its visitors. Millions of Americans found their visits marred by exorbitantly inflated prices, delayed by strikes, and disappointed by cancelled exhibits. In the face of outside pressure, and with labor groups unable to address hostile critiques within the fair itself, the exposition administration withdrew its public support for unions while dramatically restricting their workplace rights. In this way, the “business-union” principles of the AFL not only undermined their legitimacy in the eyes of the public, despite the efforts of liberal municipal officials to promote them, but ultimately served to undo those very workplace gains such principles were meant to secure.

scholarly journals Review of Digitize and Punish: Racial Criminalization in the Digital Age by Brian Jefferson (University of Minnesota Press)

Lateral ◽  
2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Anastasia Kārkliņa
Keyword(s):  
New York ◽  
New York City ◽  
Digital Technology ◽  
Data Science ◽  
Digital Technologies ◽  
War On Drugs ◽  
University Of Minnesota ◽  
The Public ◽  
The Us ◽  
Drugs And Crime

In Digitize and Punish, Brian Jefferson argues that the US policing and incarceration infrastructure is increasingly marked by new forms of racialized digital criminalization. Examining the incorporation of digital technologies into the criminal justice apparatus, Jefferson shows the central role that digital technology and data science has had in reinforcing racial surveillance practices since the War on Drugs and Crime began more than four decades ago. Jefferson’s timely new book traces the merging of carcerality and technology in Chicago and New York City, unveiling forms of digital racial management that have remained largely obscured from the public.

scholarly journals A voz feminista em ação: Suzanne Lacy e Andrea Dworkin

2020 ◽  
Vol 2 (2) ◽  
pp. 389-417
Author(s):  
Mirna Xavier Gonçalves
Keyword(s):  
Public Space ◽  
Contemporary Art ◽  
Target Audience ◽  
The Public ◽  
The People ◽  
Contemporary Artist

Dentre todas as possibilidades de ação feminista, há a militância em espaço público e a prática em apoio às mulheres, bem como a levada de consciência sobre pautas feministas para as mulheres, tanto no âmbito privado como no público. Esta era a abordagem de Andrea Dworkin, que proferia discursos em marchas e levava suas próprias experiências para o âmbito da escrita, sua prática profissional. A mesma abordagem era utilizada por Suzanne Lacy, artista contemporânea que, através de instalações urbanas, realizava suas ações de militância combinada à arte. Este trabalho visa traçar parâmetros comuns entre estas duas mulheres, focando em suas pautas e na reverberação de seus trabalhos um em relação ao outro, bem como na sociedade.Palavras-chave: Público. Arte Contemporânea. Feminismo. AbstractAmongst all possibilities of feminist action there’s the militant strategy: to take the word of action into the public space, to act in women’s aid, to talk to your target audience and bring your discourse to the people. That was Andrea Dworkin’s strategy, who would bring her speeches into women’s marches and take her experience into her writing, which was her profession. The same strategy was taken by Suzanne Lacy, contemporary artist who focuses on urban installations to mix political and artistic action. This paper correlates these two authors, focusing on their preferred subjects and how their works reverberated together and in society.Keywords: Public. Contemporary Art. Feminism.

Sign in / Sign up

Export Citation Format

Share Document