Across the Sonorous Desert: Sounding Migration in El Mar la Mar

Author(s):  
Selmin Kara

Joshua Bonnetta and J. P. Sniadecki’s El Mar La Mar (2017), an experimental documentary on the migrant trail across the Mexico–US border, features a striking audiovisual assemblage that gives equal weight to sights and sounds, allowing the viewer to contemplate the history of not only the cinema of migration but also the various traditions that engage with field recordings. This chapter investigates the ways in which the film challenges our expectations of what a migrant geography feels like, with special attention to the film’s soundtrack, from its contact mic-enabled drone sounds to disembodied audio testimonials, and the broader acoustic ecology that the film construes (influenced by musique concrète and post-Pierre Schaeffer anecdotal sound, in the work of Luc Ferrari).

2017 ◽  
Vol 22 (2) ◽  
pp. 172-186
Author(s):  
Geoffrey Cox

Standard histories of electronic music tend to trace the lineage of musique concrète as lying mainly in the Futurists’ declarations of the 1910s, through Cage’s ‘emancipation’ of noise in the 1930s, to Schaeffer’s work and codifications of the late 1940s and early 1950s. This article challenges this narrative by drawing attention to the work of filmmakers in the 1930s that foreshadowed the sound experiments of Pierre Schaeffer and thus offers an alternative history of their background. The main focus of the article is on the innovations within documentary film and specifically the sonic explorations in early British documentary that prefigured musique concrète, an area ignored by electronic music studies. The theoretical and philosophical underpinnings of the documentary movement’s members, particularly their leader John Grierson, will be compared with those of Pierre Schaeffer, and the important influence of Russian avant-garde filmmaking on the British (and musique concrète) will be addressed. Case studies will focus on the groundbreaking soundtracks of two films made by the General Post Office Film Unit that feature both practical and theoretical correspondences to Schaeffer: 6.30 Collection (1934) and Coal Face (1935). Parallels between the nature and use of technologies and how this affected creative outputs will also be discussed, as will the relationship of the British documentary movement’s practice and ideas to post-Schaefferian ‘anecdotal music’ and the work of Luc Ferrari.


Acoustics ◽  
2021 ◽  
Vol 3 (1) ◽  
pp. 118-136
Author(s):  
John L. Drever ◽  
Aysegul Yildirim ◽  
Mattia Cobianchi

In a leading article by Sir Percival Philips in the UK popular newspaper, the Daily Mail, July 16, 1928, came the following headlines: “Millions Lost by Noise – Cities’ Worst Plague – Menace to Nerves and Health – What is Being Done to Stop it”. The article was supported by research from Prof Henry J. Spooner, who had been researching and campaigning on the ill-effects of noise and its economic impact. The article sparked subsequent discussion and follow-up articles in the Daily Mail and its international partners. In an era of rapid technological change, that was on the cusp of implementing sound pressure measurements, the Daily Mail, in collaboration with the Columbia Graphophone Company Ltd, experimented with sound recording technology and commentary in the field to help communicate perceived loudness and identify the sources of “unnecessary noise”. This resulted in the making of series of environmental sound recordings from five locations across central London during September 1928, the findings of which were documented and discussed in the Daily Mail at the time, and two recordings commercially released by Columbia on shellac gramophone disc. This was probably the first concerted anti-noise campaign of this type and scale, requiring huge technological efforts. The regulatory bodies and politicians of the time reviewed and improved the policies around urban noise shortly after the presentation of the recordings, which were also broadcast from the BBC both nationally and internationally, and many members of the public congratulated and thanked the Daily Mail for such an initiative. Despite its unpreceded scale and impact, and the recent scholarly attention on the history of anti-noise campaigning, this paper charts and contextualises the Daily Mail’s London Street Noise campaign for the first time. As well as historical research, this data has also been used to start a longitudinal comparative study still underway, returning to make field recordings on the site on the 80th and 90th anniversaries and during the COVID-19 lockdown, and shared on the website londonstreetnoises.co.uk.


Forests ◽  
2019 ◽  
Vol 10 (6) ◽  
pp. 520 ◽  
Author(s):  
Kyle G. Dexter ◽  
Ricardo A. Segovia ◽  
Andy R. Griffiths

Lineage diversity can refer to the number of genetic lineages within species or to the number of deeper evolutionary lineages, such as genera or families, within a community or assemblage of species. Here, we study the latter, which we refer to as assemblage lineage diversity (ALD), focusing in particular on its richness dimension. ALD is of interest to ecologists, evolutionary biologists, biogeographers, and those setting conservation priorities, but despite its relevance, it is not clear how to best quantify it. With North American tree assemblages as an example, we explore and compare different metrics that can quantify ALD. We show that both taxonomic measures (e.g., family richness) and Faith’s phylogenetic diversity (PD) are strongly correlated with the number of lineages in recent evolutionary time, but have weaker correlations with the number of lineages deeper in the evolutionary history of an assemblage. We develop a new metric, time integrated lineage diversity (TILD), which serves as a useful complement to PD, by giving equal weight to old and recent lineage diversity. In mapping different ALD metrics across the contiguous United States, both PD and TILD reveal high ALD across large areas of the eastern United States, but TILD gives greater value to the southeast Coastal Plain, southern Rocky Mountains and Pacific Northwest, while PD gives relatively greater value to the southern Appalachians and Midwest. Our results demonstrate the value of using multiple metrics to quantify ALD, in order to highlight areas of both recent and older evolutionary diversity.


2015 ◽  
Vol 12 (2) ◽  
pp. 197-224 ◽  
Author(s):  
LAURA ANDERSON

AbstractJean Cocteau (1889–1963) is recognized as one of France's most well-known film directors, directing six films over a thirty-year period. This article argues that his film soundscapes occupy a unique position in the history of French film sound, providing a key link between contemporary experimentation in art music and the sonic experimentation of the New Wave filmmakers. This argument is best exemplified byLe Testament d'Orphée(1960), which represents the apotheosis of Cocteau's artistic output as well as the stage at which he was most confident in handling the design of a film soundscape. Indeed, Cocteau was comfortable with the selection and arrangement of sonic elements to the extent that his regular collaborator Georges Auric became almost dispensable. Nevertheless, Auric's willing support enriched the final film and Cocteau created a highly self-reflexive work through his arrangement of the composer's music with pre-existing musical borrowings. Cocteau's engagement with contemporary developments in film and art music can be heard throughout this film, highlighting his position as a poet simultaneously establishing himself in the canon of art and looking to the future.


2017 ◽  
Vol 22 (3) ◽  
pp. 369-377
Author(s):  
Sam Mcauliffe

French musique concrète artist Pierre Schaeffer pioneered new ways of listening to and studying sound. His study and manipulation of recorded sounds to create music changed the way contemporary musicians, from a multitude of disciplines, approach making music. Additionally, Schaeffer’s treatise on acousmatic listening to sonorous objects has deeply influenced contemporary sound studies. In this article, I elucidate how musique concrète has informed my practice-led research project,Looking Awry– from which I will discuss two case studies. I outline how acousmatic listening to field recordings from everyday environments informed the development of performance strategies that guide improvised musical performance; a malleable practice that can be applied to a variety of performance settings.


Author(s):  
Katrin Kello ◽  
Hesi Siimets-Gross

This paper analyses court cases, a hitherto little acknowledged source in Estonian history of early modern law. Specifically, we analyse six cases where a person’s status – that of a free man or of a serf – was at stake. We ask how different sources of law were used in the claims of the parties and the judgments of the courts, and which arguments and interpretations were drawn upon. The cases took place about two to three decades before the abolishment of serfdom in the province. They are of interest from the perspective of the history of early modern serfdom, modern reception of Roman law and the hierarchy of legal sources, as well as with regard to the history of the Enlightenment and human rights. The court cases illustrate how legal practice participates in discourses of its time. They shed light on the legal situation during the Regency Era, when Estland’s local system of justice was altered with the aim of harmonising the administrative system in the Russian Empire. The scarcity of such cases is explained by the fact that they affected only a small portion of the population of the province of Estland. Of the approximately 200,000 people living in the countryside, only 3.5 per cent were of free status – mainly people such as craftsmen, millers, sextons, innkeepers, and manor servants. It is not surprising that there were even fewer persons of borderline status who could go to court to claim their freedom. Peasant families of foreign origin, families descending from sextons, and a manor servant figure in the trials. The court cases were shaped by the scarcity of local law and the uncertainty of court practice under Regency. There was no provision in Estland’s written law concerning the two central questions in the trials – the expiry and the relinquishment of a person’s freedom. The most relevant stipulation was a 30-year limit, after which the affiliation of runaway peasants expired. Whether a court considered it possible to carry this limitation over to the expiry of a person’s freedom as well depended on the court’s interpretation of both local custom and the current legal situation. Local custom and earlier Russian ordinances permitted the enserfment of free persons, whereas more recent ordinances prohibited it. The question arose in the courts concerning the extent to which the more recent provisions should be implemented retroactively, and how to relate the ‘spirit of the age’ manifested in them to local custom. Moreover, if a court considered it appropriate to apply the provisions concerning Roman slaves or coloni to local serfs, it had to consider the prohibition in Roman law against enserfing free persons and negating the possibility of expiry of freedom. In fact, the judgments depended on the court’s understanding of the applicability of favor libertatis in Roman law – the principle that court judgments were to be pronounced in favour of freedom in cases where there was evidence of equal weight in favour of a person’s serfdom and freedom. Deriving from favor libertatis, the principle of praesumptio libertatis stated that what had to be proven was a person’s slave or serf status, not their freedom. Therefore, applying Roman slave law to local serfs was beneficial for claimants of freedom, whereas for landlords it was useful to state a difference between Roman slavery and local serfdom. Estate owners also claimed that in provinces like Estland, presumption of serfdom was to be applied in cases concerning peasants. The question of whether or not someone appeared like a ‘normal peasant’ hence became one of the issues discussed in court. We can see a certain consolidation of court practice over time. The courts applied Roman law in the event that they wished to take the ‘spirit of the age’ into account: when they needed to ground the position that a free man could not have been enserfed even prior to Catherine’s ordinances that prohibited enserfment. In the two earliest cases in the 1780s, the court of first instance applied Roman law almost exclusively in justifying its positions. In the three subsequent cases, living like a serf for 30 years, or having been registered among the serfs of an estate during land audits was seen either as evidence of the expiry of freedom, or as evidence of the acceptance of serf status, yet without referring to any specific legal provision. Thus, over time the courts’ emphasis shifted from applying “foreign law” towards local practice and Russian regulations. The sixth court case was exceptional in that the person in question was a manor servant rather than a peasant. In his case, the central questions were whether a soldier had the right to grant freedom to his servant, who was given to him by his parents to accompany him in war, and whether or not returning to the manor to serve as a valet entailed becoming a serf once again.


Author(s):  
Michael Jerryson

This postscript examines religious authority that is beyond strictly doctrine and practice. It traces the history of Western scholarship on religion and authority. Drawing from their own religious background, Western scholars first emphasized orthodoxy (doctrine) as an important religious authority in Buddhism. This was gradually expanded to include orthopraxy (the practice itself). Throughout this development, scholars acknowledged the importance of culture, but never as an equal authoritative axis to orthodoxy and orthopraxy. The postscript argues that the absence of an alternative religious authority, of equal weight, hinders the analysis of Buddhist roles in politics and violence, as well as the study of Buddhism in general.


Weed Science ◽  
2007 ◽  
Vol 55 (5) ◽  
pp. 528-535 ◽  
Author(s):  
Dale L. Shaner ◽  
W. Brien Henry ◽  
L. Jason Krutz ◽  
Brad Hanson

Atrazine is widely used to control broadleaf weeds and grasses in corn, sorghum, and sugarcane. Field persistence data published before 1995 showed that the average half-life of atrazine in soil was 66 d, and farmers expect to achieve weed control with a single application for the full season. However, reports of enhanced atrazine degradation in soil from fields that have a history of atrazine applications are increasing. A rapid laboratory assay was developed to screen soils for enhanced atrazine degradation. Soil (50 g) was placed in a 250 ml glass jar and treated with 7.5 ml of water containing atrazine (5 µg ai ml−1) and capped with a Teflon-lined lid. The assay was conducted at room temperature (25 C). Soil subsamples (1.5 to 3 g) were removed at 0, 1, 2, 4, 8, and 16 d after treatment and extracted with an equal weight of water (wt/vol). The atrazine in the water extract was assayed with high-pressure liquid chromatography (HPLC). The half-life of atrazine in soils with a history of use was ≤ 1.5 d, whereas the half-life in soils with no history of atrazine use was > 8 d. The advantages of this assay are (1) the ease of set up; (2) the rapidity of extraction, and (3) the simplicity of the quantification of the atrazine.


Tempo ◽  
2021 ◽  
Vol 75 (296) ◽  
pp. 46-56
Author(s):  
Ed McKeon

AbstractColin Riley's collaborative and curated project In Place (2015–18) – with its exploration of memory, place, language and identity – becomes a stimulus for considering the intertwining relationship between the song cycle and the album form. Featuring seven commissioned poets alongside found texts, In Place simultaneously assembles fragments of contemporary Britain and its broken tongues whilst reflecting on the current possibilities for binding these through song. Riley and his collaborators construct a sense of place in the movements between idiom, psychogeography, field recordings, samples, instrumental voices, speech and song, rather than from any fixed location, reference, identity or origin. I argue that this adapts and learns from the history of the album as a form of double binding, both of a finite set of materials and, crucially, of a community or interpersonal relations. With its development in the modern era through the poetry collection, song cycle, and recording, the album provides a model for living, collective remembrance, contrasting with the archival paradigm of preserving cultural authority. Its transformation and persistence are pursued with the emergence of the concept album through to music streaming, offering an historical framework in which In Place can be appreciated as a contribution to the contemporary ‘return to memory’.


2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Abdullahi Suleiman Gwani ◽  
Eduitem Sunday Otong ◽  
Sani Abubakar Bello ◽  
Hamza Mustapha Ahmed ◽  
Dlama Zira Joseph ◽  
...  

Studies have shown that knee alignment parameters differ among races. However, to our knowledge, radiographic frontal plane knee alignment has not been studied in normal northern Nigerian adults. The objective of this study was therefore to determine the frontal plane knee alignment in normal northern Nigerian adults. This study recruited a total of 59 consented subjects (44 males, 15 females). The entire subjects are without any history of lower extremity deformity. Anteroposterior radiographs of both knees with the patella positioned straight ahead were obtained from each participant while standing in a relaxed bipedal stance and placing equal weight on each limb. Alignment was assessed by measuring the tibiofemoral angle (TFA), distal femoral angle (DFA) and proximal tibial angle (PTA). The angles were measured with the aid of a universal plastic goniometre and a plastic ruler. Descriptive statistics of the alignment parameters, independent and paired t-test were computed. In the male population, the mean (standard deviation) obtained were 179.06 (3.87)o for the TFA, 85.94 (3.03 o for the DFA and 89.27 (3.26)o for the PTA. In the female population, the values were 179.53 (3.38)o for the TFA, 86.40 (2.97)o for the DFA and 89.27 (2.15)o for the PTA. No significant mean difference was observed between genders in all the parameters. The TFA does not show any significant difference between the right and left angle regardless of gender. However, significant mean differences were observed in the DFA and PTA of males and combined population. No significant difference was observed in the DFA and PTA of females. Accordingly, northern Nigerian adults may have varus knee alignment compared to other races. Thus, this pre-existing varus alignment should be taken into consideration during clinical examination, preoperative planning and postoperative evaluations of knee deformities in this population.


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