scholarly journals How 'Afro-Americanophilia' became Polyphilia: Joachim-Ernst Berendt’s Journey from Jazz to “Weltmusik”

2015 ◽  
Vol 12 (2) ◽  
Author(s):  
Andrew Wright Hurley
Keyword(s):  
African American ◽  
African Americans ◽  
National Socialism ◽  
World Music ◽  
West Germany ◽  
National Socialist ◽  
African American Culture ◽  
The Past ◽  
Stuart Hall ◽  
1960S And 1970S

This article contributes to our understanding of the continuities and disconnects in the way that ‘race,’ and in particular African-American culture, were conceived of in the long postwar era in West Germany. It does so by examining some salient racial aspects in the writings and production activities of West-German ‘jazz pope,’ Joachim-Ernst Berendt, between the late 1940s and the mid-1980s. I demonstrate that the late 1960s brought about a sharpening in talk concerning the racial ‘ownership’ of jazz, and that in these circumstances, Berendt proceeded beyond his earlier, liberal elaborations about jazz, race, and African-Americans to advance an inclusive, ecumenical model of ‘Weltmusik’ (world music). Germany’s National Socialist history figured in important ways in his conception of both jazz and then Weltmusik. Whilst he initially saw jazz as an antidote to National Socialism, by the late 1960s and 1970s, he regarded certain traits of jazz discourse to be, themselves, proto-fascist.  Far from being a boon, Afro-Americanophilia—or at least one strain of it—now became something from which to distance oneself. What was important for Berendt, as for others of his generation, was distance from the past, as much as seeking out racial Others in Germany, engaging with them on their own terms, and yielding to a new racial ‘relationships of representation’ (Stuart Hall). 

scholarly journals The Ramifications of Covid-19 Within the African American Community

2021 ◽  
Vol 2 (4) ◽  
pp. 15-26
Author(s):  
Libby Goodman ◽  
Fayetta Lake ◽  
Chinyere Maureen Ndu
Keyword(s):  
African American ◽  
African Americans ◽  
Mortality Rates ◽  
African American Community ◽  
Current Policy ◽  
African American Culture ◽  
African American Population ◽  
General Article ◽  
Perceived Reasons ◽  
Healthcare Leaders

The coronavirus (Covid-19) perplexed many aspects of everyday life. Sadly, Covid-19 took a greater toll on African Americans. As Covid-19 developed, medical professionals, health care authorities, and advocates recognized several day-to-day living situations and intrinsic medical conditions that distressed African Americans with higher mortality rates during the pandemic. It is imperative that healthcare leaders understand the ramifications that have occurred and that may continue to surface from the Covid-19 affliction, which could be utilized to adjust and amend current policy surrounding the adversely affected African American population. We explored several substantial questions regarding this pandemic: the perceived reasons for the vast impact of Covid-19 within the African American culture; and what recommendations are needed to aid healthcare leaders in the fight against Covid-19 within the African American community. There are six ramifications that the authors address in this general article, including- employment, poverty, deaths, mental illness, and distrust. We offer suggestions to implement, prevent, and educate the African American public to circumvent these ramifications for present and future pandemics.

The Bible in African American Culture

2017 ◽  
Author(s):  
Abraham Smith
Keyword(s):  
United States ◽  
African American ◽  
African Americans ◽  
American Culture ◽  
The United States ◽  
African American Culture ◽  
The Bible ◽  
African Descendants ◽  
King James Bible ◽  
British Colonies

The chapter explores the motivations for the use of the Christian Bible in distinctive temporal arcs within African American culture. Initially, the chapter acknowledges the oddity of an African American affinity with the Bible because that Bible was deployed to support the enslavement and perpetual exploitation of African descendants in the British colonies that later became the United States. Then, it articulates three reasons for the aforementioned affinity: the availability of the Bible (especially the King James Bible) to provide a language world for personal and collective expression; the versatility or pliability of the Bible in the imagination of African Americans as they repeatedly and creatively read their own identities through the struggles of the characters of the Bible; and the perceived persuasiveness of the Bible in some of the heated debates with which the larger US public has been engaged since its inception.

German archaeology and National Socialism. Some historiographical remarks

2005 ◽  
Vol 12 (1) ◽  
pp. 73-90 ◽  
Author(s):  
Martijn Eickhoff
Keyword(s):  
National Socialism ◽  
National Socialist ◽  
The Past ◽  
Its Analysis ◽  
Academic Exchange ◽  
Nuanced Understanding ◽  
Post War ◽  
Do So

This paper reconsiders German reflection on National Socialist pre- and protohistoric archaeology from 1933 onwards. It tries to do so by means of a case study of the academic contacts between the Dutch prehistorian A.E. van Giffen (1884–1973) and his German colleague H. Reinerth (1900–90). The approach adopted here differs from traditional historiographical writing on National Socialist archaeology in two respects. First, in its analysis of the academic exchange between the two scholars, the case study seeks to bridge the classical caesura between a pre- and post-war period. Second, contemporary and historical studies of National Socialist archaeology and archival sources, as well as interviews, have been incorporated in the research alongside the usual publications of the scholars involved. It is argued that with the approach taken here we may arrive at a more nuanced understanding of the different ways archaeologists have reacted to National Socialism over the past seven decades.

Lessons from the Past: Developing Allegiances for the Future

2001 ◽  
Vol 7 (1) ◽  
pp. 1-15
Author(s):  
Linda S. Moore
Keyword(s):  
Social Movements ◽  
African American ◽  
Social Work ◽  
African Americans ◽  
Progressive Era ◽  
Shared Resources ◽  
Settlement House ◽  
The Past ◽  
The Future ◽  
African American Leaders

This article analyzes linkages among the 60 Settlement House workers and other white and African-American leaders of the Progressive Era who signed “The Call,” a media statement calling for aid for African Americans in 1908 that eventually led to development of the NAACP. The analysis demonstrates the value of linkage and shared resources for success of social movements during the Progressive Era. This article applies the discussion to issues facing social work today.

Beyond the White Negro

2014 ◽  
Author(s):  
Kimberly Chabot Davis
Keyword(s):  
African American ◽  
Hip Hop ◽  
American Culture ◽  
Racial Justice ◽  
African American Culture ◽  
College Classrooms ◽  
The Past ◽  
American Novels ◽  
Ethnographic Data ◽  
Self Examination

Critics often characterize white consumption of African American culture as a form of theft that echoes the fantasies of 1950s-era bohemians, or “White Negroes,” who romanticized black culture as anarchic and sexually potent. This book claims such a view fails to describe the varied politics of racial crossover in the past fifteen years. The book analyzes how white engagement with African American novels, film narratives, and hip-hop can help form anti-racist attitudes that may catalyze social change and racial justice. Though acknowledging past failures to establish cross-racial empathy, the book focuses on examples that show avenues for future progress and change. Its study of ethnographic data from book clubs and college classrooms shows how engagement with African American culture and pedagogical support can lead to the kinds of white self-examination that make empathy possible. The result is a book that challenges the trend of focusing on society's failures in achieving cross-racial empathy and instead explores possible avenues for change.

Love beyond the White Lines: Using the Genius of the Harlem Renaissance to Reignite the Once-Forbidden Love between African Americans and Tennis

2016 ◽  
Vol 3 (2) ◽  
Author(s):  
Ernest J. Quarles
Keyword(s):  
African American ◽  
African Americans ◽  
Harlem Renaissance ◽  
American Culture ◽  
Black History ◽  
Collective Consciousness ◽  
African American Culture ◽  
Tennis Court ◽  
Motivation And Confidence ◽  
The Harlem Renaissance

My curriculum brings the Harlem Renaissance to life on the tennis court. Foremost in my mind is the need to nurture a collective consciousness that will foster confidence and competence in my students by expanding awareness of the prior successes of African Americans in tennis, linking these to achievements in Black history and culture, and helping them learn from the experiences of contemporary star athletes. In this place, only greatness is celebrated, and it is my fondest wish that only greatness will be inspired. I feel successful if I’m able to get my students to relax and let it flow, literally allowing the ancestors to provide the motivation and confidence to achieve. My highest ambition is to instill in every student not only the knowledge that tennis is now, has always been, and will always be an integral part of African American culture but also the confidence each one needs to discover the greatness that lies within.

scholarly journals “An Authentic Record of My Race”: Exploring the Popular Narratives of African American Religion in the Music of Duke Ellington

2015 ◽  
Vol 25 (1) ◽  
pp. 1-36
Author(s):  
Vaughn Booker
Keyword(s):  
African American ◽  
Cultural Production ◽  
Religious Practice ◽  
African American Culture ◽  
African American Religion ◽  
American Christianity ◽  
Duke Ellington ◽  
Protestant Christianity ◽  
1960S And 1970S ◽  
The 1960S

AbstractEdward Kennedy “Duke” Ellington (1899–1974) emerged within the jazz profession as a prominent exponent of Harlem Renaissance racial uplift ideals about incorporating African American culture into artistic production. Formed in the early twentieth century's middle-class black Protestant culture but not a churchgoer in adulthood, Ellington conveyed a nostalgic appreciation of African American Christianity whenever hewrote music to chronicle African American history. This prominent jazz musician's religious nostalgia resulted in compositions that conveyed to a broader American audience a portrait of African American religiosity that was constantly “classical” and static—not quite primitive, but never appreciated as a modern aspect of black culture.This article examines several Ellington compositions from the late 1920s through the 1960s that exemplify his deployment of popular representations of African American religious belief and practice. Through the short filmBlack and Tanin the 1920s, the satirical popular song “Is That Religion?” in the 1930s, the long-form symphonic movementBlack, Brown and Beigein the 1940s, the lyricism of “Come Sunday” in the 1950s, and the dramatic prose of “My People” in the 1960s, Ellington attempted to capture a portrait of black religious practice without recognition of contemporaneous developments in black Protestant Christianity in the twentieth century's middle decades. Although existing Ellington scholarship has covered his “Sacred Concerts” in the 1960s and 1970s, this article engages themes and representations in Ellington's work prefiguring the religious jazz that became popular with white liberal Protestants in America and Europe. This discussion of religious narratives in Ellington's compositions affords an opportunity to reflect upon the (un)intended consequences of progressive, sympathetic cultural production, particularly on the part of prominent African American historical figures in their time. Moreover, this article attempts to locate the jazz profession as a critical site for the examination of racial and religious representation in African American religious history.

scholarly journals The Nickel: A History of African-Descended People in Houston’s Fifth Ward

Genealogy ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 33
Author(s):  
Denise Frazier
Keyword(s):  
African American ◽  
African Americans ◽  
Research Review ◽  
Early 20Th Century ◽  
Port City ◽  
East Texas ◽  
Religious Groups ◽  
The Past ◽  
History Of ◽  
Over Time

This paper will chronicle the unique stories that have come to exemplify the larger experience of Fifth Ward as a historically African American district in a rapidly changing city, Houston. Fifth Ward is a district submerged in the Southern memory of a sprawling port city. Its 19th century inception comprised of residents from Eastern Europe, Russia, and other religious groups who were fleeing persecution. Another way to describe Fifth Ward is much closer to the Fifth Ward that I knew as a child—an African American Fifth Ward and, more personally, my grandparents’ neighborhood. The growing prosperity of an early 20th century oil-booming Houston had soon turned the neighborhood into an economic haven, attracting African Americans from rural Louisiana and east Texas. Within the past two decades, Latino communities have populated the area, transforming the previously majority African American ward. Through a qualitative familial research review of historic documents, this paper contains a cultural and economic analysis that will illustrate the unique legacies and challenges of its past and present residents. I will center my personal genealogical roots to connect with larger patterns of change over time for African Americans in this distinct cultural ward.

scholarly journals Rebirth of a Nation: Frederick Douglass as Postwar Founder in Life and Times

2005 ◽  
Vol 39 (1) ◽  
pp. 19-39 ◽  
Author(s):  
EDWARD TANG
Keyword(s):  
African American ◽  
African Americans ◽  
Frederick Douglass ◽  
Washington Dc ◽  
Vital Importance ◽  
The Past ◽  
Colored People ◽  
White Resistance ◽  
The Moment ◽  
Centennial Celebrations

In 1875, a year from the upcoming centennial celebrations, Frederick Douglass commemorated the African American presence in the nation's revolutionary past and Reconstruction present. “If … any man should ask me what colored people have to do with the Fourth of July, my answer is ready,” he proclaimed to a black audience in Washington, DC. “Colored people have had something to do with almost everything of vital importance in the life and progress of this great country” from its beginnings in 1776 to its greatest test in 1861 and beyond. Douglass drew upon the Revolution's legacies of liberty and democracy, urging his listeners to meet the challenge of incorporating themselves into the nation's citizenry despite sustained white resistance. Albeit a tall order, he placed this agenda in a broader perspective: “The fathers of this Republic … had their trial ninety-nine years ago. The colored citizens of this Republic are about to have their trial now.” The moment was full of possibilities: African Americans, he emphasized, faced comparable obstacles and hardships much like the founders themselves. Implied too within Douglass's invocation of the revolutionaries was the potential heroism and accomplishments of which African Americans were similarly capable, just as they had proven in the past.

The Past Is Prologue: African American Opinion toward Undocumented Immigration

2014 ◽  
Vol 38 (3-4) ◽  
pp. 389-410 ◽  
Author(s):  
Tatishe M. Nteta
Keyword(s):  
African American ◽  
African Americans ◽  
Eastern Europe ◽  
Undocumented Immigration ◽  
Economic Competition ◽  
Factors Associated ◽  
The Past ◽  
New Immigrants ◽  
Late Nineteenth ◽  
Using Data

Using data from the 2011 Multi-State Survey on Race and Politics (Parker 2011), I ask if African American1opinion toward undocumented immigration mirrors African American opinion toward immigration from Southern and Eastern Europe in the late nineteenth and early twentieth centuries. I find evidence that contemporary African American opinion does reflect the manner in which a previous generation of African Americans reacted to immigrant newcomers. More specifically, I find that factors associated with past reactions to new immigration, most notably political and economic competition, egalitarianism, the belief that new immigrants are distancing themselves from African Americans, and the belief that restrictive immigration policies were fueled by racism, continue to predict contemporary African American opinion on undocumented immigration. Taken together, I take my findings as evidence that the past may be prologue in accounting for black opinion toward the newest wave of immigration.

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