scholarly journals Rótulos cromolitográficos brasileiros: efêmeros, memória gráfica, cultura material e identidade nacional | Brazilian chromolithographic labels: ephemera, graphic memory, material culture and national identity

2016 ◽  
Vol 13 (3) ◽  
pp. 199-213
Author(s):  
Helena De Barros ◽  
Washington Dias Lessa ◽  
Edna Cunha Lima ◽  
Guilherme Cunha Lima

O presente artigo apresenta a primeira parte de pesquisa voltada para o estudo de rótulos cromolitográficos de produtos brasileiros, com ênfase nas estratégias técnico-projetuais adotadas em sua realização. Localiza inicialmente as áreas de estudo às quais a pesquisa se conecta: impressos efêmeros e memória gráfica brasileira, assim como apresenta as características técnicas da cromolitografia. Em seguida identifica as instituições, na cidade do Rio de Janeiro, que preservam esse tipo de artefato – Fundação Biblioteca Nacional e Arquivo Nacional –, descrevendo em linha gerais os acervos encontrados. Desse material foi feita uma seleção de 100 espécimes, com base em sua maior elaboração gráfica, a qual constitui o corpus da pesquisa. É apresentada, então, uma primeira compreensão desse corpus a partir da identificação de dois conjuntos: rótulos e embalagens para consumo de luxo e para consumo popular. A partir desses enquadramentos são desenvolvidas análises preliminares das características técnico-gráficas – com ênfase na construção da cor – e das estratégias iconográficas. Destaca-se a presença de elementos iconográficos brasileiros nos rótulos para consumo popular, em contraposição aos temas europeus nos rótulos para consumo de luxo.This paper presents the first part of a research, which studies chromolithographic labelsof Brazilian products, emphasizing technical and projectual strategies on their execution.We will first present Ephemera and Brazilian Graphic Memory – areas of study inconnection with this research, and also describe the chromolithography technique. Wewill identify two institutions in the city of Rio de Janeiro that hold this kind of artifact– Fundação Biblioteca Nacional and Arquivo Nacional – describing their collection ofchromolithographed labels. A selection of 100 labels, based on the graphic elaborationof the material, constitutes the research corpus. A first approach of this corpus is basedon the identification of two sets: labels for luxury consumption and labels for popularconsumption. By this framing, we will develop preliminary analysis of the graphic-technicalapproach – emphasizing their color construction – and their iconographic strategies,highlighting the presence of Brazilian’s iconographic elements on the labels for popularconsumption and European themes on the ones for luxury consumption.

Author(s):  
Bruna Fatima Brito ◽  
Andrea Domingues

Este artigo teve como objetivo a realização de uma análise sobre denominado escravo e/ou afro-brasileiro — é representado nos livros didáticos, do 6º ano ao 9º ano, destinados ao ensino fundamental da rede pública estadual da cidade de Pouso Alegre e discutir a implementação da lei n.º 10639/03, que se refere à obrigatoriedade do ensino da cultura africana e afro-brasileira no sistema escolar. Metodologicamente exploramos as memórias diversas contidas no livro didático e nos discursos através das imagens, cabendo ainda reforçar que a utilização de livros didáticos atuais como fonte de análise. Em uma análise preliminar das memórias contidas nos livros didáticos adotados no ensino fundamental na rede pública estadual como fonte desta pesquisa, foi possível perceber que os conteúdos referentes à cultura africana e afro-brasileira ainda trazem as representações calcadas pela ideia de folclore — um indicativo do controle tendencioso da identidade nacional, pois as imagens representadas no cotidiano são facilmente apreendidas e absorvidas sem questionamento.Abstract: This study aimed to carry out an analysis of how the so-called slave and / or african-Brazilian - is represented in textbooks, 6th grade to 9th grade, for the elementary school of public schools in the city of Pouso Alegre and discuss the implementation of law No. 10639/03, which refers to the obligation of the African culture teaching and african-Brazilian in the school system. Methodologically, explore the various memories contained in textbooks and speeches through the images, leaving further enhance the use of existing textbooks as a source of analysis. In a preliminary analysis of the memories contained in textbooks adopted in primary education in public schools as a source of this research, it was observed that the contents related to African culture and african-Brazilian still bring the representations tamped by folklore idea - an indication of biased control of national identity because the pictures represented in everyday life are easily grasped and absorbed without question. 


2018 ◽  
Vol 11 (3) ◽  
pp. 317-328 ◽  
Author(s):  
Verônica C. Araujo ◽  
Christina M. B. Lima ◽  
Eduarda N. B. Barbosa ◽  
Flávia P. Furtado ◽  
Helenice Charchat-Fichman

2020 ◽  
Vol 12 (45) ◽  
pp. 118-122
Author(s):  
Victor Paes Dias Gonçalves ◽  
Hugo Leonardo Matias Nahmias ◽  
Marcus Menezes Alves Azevedo

Among contact sports, the practice of martial arts offers a greater risk of causing dental trauma and fractures as contact with the face is more frequent. The primary objective of the research is to evaluate the incidence of mouthguard use, and the secondary objective is to verify which type has a greater predominance and the difficulties in its use correlating to the type of mouthguard used. A documentary study was carried out with 273 athletes of different contact sports, among them: MMA, Boxing, Muay Thai, Jiu-Jitsu, and Taekwondo of the city of Campos dos Goytacazes, Rio de Janeiro, Brazil. It was concluded that the most commonly used mouthguard is PB Boils and Bites - Type II and its level of approval is poor, interfering with the athletes’ performance, mainly in relation to the breathing factor.


Author(s):  
Muhammad Ghifari Arfananda ◽  
◽  
Surya Michrandi Nasution ◽  
Casi Setianingsih ◽  
◽  
...  

The rapid development of information and technology, the city of Bandung tourism has also increased. However, tourists who visit the city of Bandung have problems with a limited time when visiting Bandung tourist attractions. Traffic congestion, distance, and the number of tourist destinations are the problems for tourists travel. The optimal route selection is the solution for those problems. Congestion and distance data are processed using the Simple Additive Weighting (SAW) method. Route selection uses the Floyd-Warshall Algorithm. In this study, the selection of the best route gets the smallest weight with a value of 5.127 from the Algorithm process. Based on testing, from two to five tourist attractions get an average calculation time of 3 to 5 seconds. This application is expected to provide optimal solutions for tourists in the selection of tourist travel routes.


GEOgraphia ◽  
2010 ◽  
Vol 8 (16) ◽  
Author(s):  
Miguel Ângelo Ribeiro

O objetivo que permeia a presente pesquisa é utilizar a Fortaleza de Santa Cruz, localizada no bairro de Jurujuba, em Niterói, construída em 1555, na entrada da barra da Baía de Guanabara, como foco de antílise, ressaltando a importância deste fixo social enquanto atração turística e de lazer, incluindo a cidade de Niterói no circuito destas atividades, complementares à cidade do Rio de Janeiro; além de abordar conceitos e categorias analíticas, oriundos das ciências sociais, principalmente provenientes da Geografia, pertinentes ao estudo das atividades em tela. Neste contexto, na dinâmica espacial da cidade de Niterói, o processo de mudança de função dos fixos sociais têm sido extraordinário. Residencias unifamiliares, prédios e até mesmo fortificações militares, verdadeiras monumentalidades, foram refuncionalizadas, passando por um processo de turistificação. Assim, a refuncionalização da respectiva Fortaleza em espaço cultural toma-se um importante atrativo da história, do patrimônio, da cultura, marcando no espaço urbano sua expressões e monumentalidade, criada pelo homem como símbolo de seus ideais, objetivos e atos, constituindo-se em um legado as gerações futuras, formando um elo entre passado, presente e futuro. Abstract This paper focuses on Santa Cruz Fortress, built in 1555 in Jurujuba (Niterói), to guard the entrance of Guanabara bay, and stresses its role as a towist attraction and leisure' area, as a social fix which links the city of Niterói to the complementary circuit of these activities in the city of Rio de Janeiro. The study uses important concepts and analytic categories fiom social sciences, particularly fiom Geography.In the spatial dynamic of the city of Niterói, change in functions of social fuces has been extraordinary. Single-family dwellings, buildings and even military installations have been re-functionalized, undergoing a process of touristification. In that way, the refunctionalization of the Fortress as a cultural space provides an important attraction in the domains of history, patrimony, and culture, providing the urban space with an expression of monumentality, created by man as a symbol of his ideals, aims and actions, a legacy to future generations forming a link between past, present and future.


GEOgraphia ◽  
2010 ◽  
Vol 7 (14) ◽  
Author(s):  
Márcio Piñon de Oliveira

A utopia do direito à cidade,  no  caso específico do Rio de Janeiro, começa, obrigatoriamente, pela  superação da visão dicotômica favela-cidade. Para isso, é preciso que os moradores da favela possam sentir-se tão cidadãos quanto os que têm moradias fora das favelas. A utopia do direito à cidade tem de levar a favela a própria utopia da cidade. Uma cidade que não se fragmente em oposições asfalto-favela, norte-sul, praia-subúrbio e onde todos tenham direito ao(s) seu(s) centro(s). Oposições que expressam muito mais do que diferenças de  localização e que  se apresentam recheadas de  segregação, estereótipos e  ideologias. Por outro  lado, o direito a cidade, como possibilidade histórica, não pode ser pensado exclusivamente a partir da  favela. Mas as populações  que aí habitam guardam uma contribuição inestimável para  a  construção prática  desse direito. Isso porque,  das  experiências vividas, emergem aprendizados e frutificam esperanças e soluções. Para que a favela seja pólo de um desejo que impulsione a busca do direito a cidade, é necessário que ela  se  pense como  parte da história da própria cidade  e sua transformação  em metrópole.Abstract The right  to the city's  utopy  specifically  in Rio de Janeiro, begins by surpassing  the dichotomy approach between favela and the city. For this purpose, it is necessary, for the favela dwellers, the feeling of citizens as well as those with home outside the favelas. The right to the city's utopy must bring to the favela  the utopy to the city in itself- a non-fragmented city in terms of oppositions like "asphalt"-favela, north-south, beach-suburb and where everybody has right to their center(s). These oppositions express much more the differences of location and present  themselves full of segregation, stereotypes and ideologies. On  the other  hand, the right to  the city, as historical possibility, can not be thought  just from the favela. People that live there have a contribution for a practical construction of this right. 


Author(s):  
Paul Niell

The Baroque in Ibero-American Architecture and Urbanism, in parts of the Americas formerly comprising the Spanish and Portuguese empires, has been traditionally studied as a question of adherence to or deviation from a Counter-Reformation style promoted primarily by ecclesiastical institutions. This article expands upon what is meant by “Baroque” in the architecture and urbanism of the Iberian empires in the Americas. Through the analysis of urban plans, images of the city, architectural interiors and exteriors, physical urban spaces, and other forms of material culture, this article argues that Ibero-American architecture and urbanism in the age of the Baroque belonged to a phenomenon of ordering and thereby creating the “New World” as ideologically constituted colonial spaces that reified social and political norms. Furthermore, human subjects actively negotiated the spaces created by architecture and the city, making the American Baroque also part of a process of negotiating order and thereby producing American spaces.


2020 ◽  
Vol 52 (4) ◽  
pp. 607-621
Author(s):  
Faedah M. Totah

AbstractThe camp and the city are both important for understanding the relationship between space and identity in the refugee experience of exile. In the Palestinian example, the camp has emerged as a potent symbol in the narrative of exile although only a third of refugees registered with UNRWA live in camps. Moreover, the city and urban refugees remain missing in most of the scholarship on the Palestinian experience with space, exile, and identity. Furthermore, there is little attention to how refugees understand the concept of the city and camp in their daily life. This article examines how Palestinian urban refugees in the Old City of Damascus conceptualized the relationship between the camp and the city. It illustrates how the concept of the camp remained necessary for the construction of their collective national identity while in Syria. However, the city was essential in the articulation of individual desires and establishing social distinction from other refugees. Thus, during a protracted exile it is in the interstice between the city and the camp, where most urban refugees in the Old City situated themselves, that informed their national belonging and personal aspirations.


2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.


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