How Can Live Together Very Old Owner And His Beloved Dog

2020 ◽  
Vol 1 (1) ◽  
Author(s):  
Altyn Esbulatova ◽  
Kirill VOINOV

Introduction: It is common knowledge, that usually a dog is a friend to a man. There are very many examples which can confirm this thesis. And really, we know many cases when dogs/pets help in our life and even save a man if he/she is in a dangerous situation (into a water – to protect against to sink into the water), to defend against many people (robber, thief, violator, murderer). There are dogs which have the good skills like a leader/guide for the old people or in the case if a man is practically blind. On the other hand, there are many persons/owners who are ready to help their dogs, to feed, to wash, to treat, to go for a walk in any weather, to create rather comfortable conditions for living. Unfortunately, each of us has the tendency to aging both a man and a dog. In this case we are needed to help to all of them. Elderly people very often have different diseases connected, for example, with a head (sclerosis/memory), with eyesight (cataract, glaucoma), with a heart (tachycardia), with lungs (pneumonia) and they can quickly gather big weight in accordance with their life activity. But let’s suppose the definite man periodically has a problem with his legs to go for a walk with his beloved dog twice a day and for a long time. So, in this article there is one example how to solve this problem for the old man using special cage with the automated system of a control. It helps for the animal to save shape and activity in the flat conditions without any walk. And at the same time there is one important information about a man who has the different activities in a life to protect against the obesity.

2020 ◽  
Vol 7 (2) ◽  
pp. 411-430
Author(s):  
Maja Tabea Jerrentrup

Abstract The art of bodypainting that is fairly unknown to a wider public turns the body into a canvas - it is a frequently used phrase in the field of bodypainting that illustrates the challenge it faces: it uses a three-dimensional surface and has to cope with its irregularities, but also with the model’s abilities and characteristics. This paper looks at individuals who are turned into art by bodypainting. Although body painting can be very challenging for them - they have to expose their bodies and to stand still for a long time while getting transformed - models report that they enjoy both the process and the result, even if they are not confident about their own bodies. Among the reasons there are physical aspects like the sensual enjoyment, but also the feeling of being part of something artistic. This is enhanced and preserved through double staging - becoming a threedimentional work of art and then being staged for photography or film clips. This process gives the model the chance to experience their own body in a detached way. On the one hand, bodypainting closely relates to the body and on the other hand, it can help to over-come the body.


1935 ◽  
Vol 55 (2) ◽  
pp. 232-235
Author(s):  
Anne Roes

Well known though the grylli are, we have still very little to say about their meaning and about their origin.Our knowledge of them, which has hardly increased since the days of Furtwangler, amounts to the following facts. Grylli were one of the most popular motives for the decoration of gems in Roman times; they remained in favour during more than three centuries. Several indications lead us to believe that some pro-phylactic value was ascribed to them; this may also account for their long popularity. In appearance they can as a rule be divided into two classes. Either they are a composition of various human and animal heads, sometimes with birds added to them, or else they consist of the body of a bird, generally a cock, to which heads and masks are attached in different ways. As the cock often is provided with a horse's head, we are reminded of the Attic hippalectryon; it is, however, impossible to trace their descent from Greek art, for we do not know of any more complicated Greek design that may have inspired Roman gem-cutters; the hippalectryon itself even does not seem to have lived down to the Hellenistic period. On the other hand, it is equally impossible to regard them as an original Roman fantasy. In the first place, their connexion with the hippalectryon, though distant, is unmistakable; secondly and chiefly, we know there were grylli before the days of Roman glyptic art. In the necropolis of Tharros in Sardinia have been found several scarabs decorated with motives closely resembling the Roman grylli. Now the necropolis seems to have been in use for a very long time, but Furtwangler believed, no doubt rightly, that the bulk of the objects found in it, and especially the grylli, must be dated rather early as they still show some of the traditions of archaic art. Our Fig. 3a is a good example.


2019 ◽  
Vol 39 (3) ◽  
pp. 1237-1258
Author(s):  
Jakub Handrlica

The term “international administrative law” is understood in two separate ways. On one hand, the authors (diritto internazionale amministrativo) used this term regarding the administrative competencies of various international administrative unions, as provided by applicable international conventions. On the other hand, other authors (e.g. Karl Neumeyer, Paul Négulescu, Giuseppe Biscottini) used the term to exclusively refer to the norms of national law (diritto amministrativo internazionale, droit administratif international, internationales Verwaltungsrecht), which address certain foreign elements. This article follows the second understanding of the term “international administrative law.” For a long time, these norms had been quite rare in administrative law and, consequently, the legal scholarship did not pay much attention to the discipline of international administrative law. However, most recently, the sources of EU law increasingly require reflection of certain foreign elements in the norms of administrative law. In this respect, this article argues that international administrative law represents a legal discipline that is fully capable of addressing those problems arising by the application of these norms in administrative law.


Arabica ◽  
2010 ◽  
Vol 57 (1) ◽  
pp. 57-67 ◽  
Author(s):  
Munira Al-Azraqi

AbstractAl-dād is a unique sound in Arabic. It is believed that this sound is what makes Arabic a distinguished language. However, its description has confused the linguists for long time. Some modern linguists believe that al-dād described by the ancient linguists is not used in the present time. On the other hand, Arabic speakers may not know that the sound they use for the classical pronunciation of al-dād is not the one described by the ancient Arab linguists. This study records the existence of a sound that has the features of al-dād as described by the ancient Arab linguists. It is used among some speakers in Southwest Saudi Arabia.


2012 ◽  
Vol 10 (06) ◽  
pp. 1250073
Author(s):  
JIAN-FENG AI ◽  
JIAN-SONG ZHANG ◽  
AI-XI CHEN

We investigate the transfer of bipartite (measured by cocurrence) and multipartite (measured by global discord) quantum correlations though spin chains under phase decoherence. The influence of phase decoherence and anisotropy parameter upon quantum correlations transfer is investigated. On the one hand, in the case of no phase decoherence, there is no steady state quantum correlations between spins. On the other hand, if the phase decoherence is larger than zero, the bipartite quantum correlations can be transferred through a Heisenberg XXX chain for a long time and there is steady state bipartite entanglement. For a Heisenberg XX chain, bipartite entanglement between two spins is destroyed completely after a long time. Multipartite quantum correlations of all spins are more robust than bipartite quantum correlations. Thus, one can store multipartite quantum correlations in spin chains for a long time under phase decoherence.


2019 ◽  
Vol 21 (1) ◽  
pp. 64-86
Author(s):  
Netanel Nissim ◽  
Aner Sela

We study an elimination tournament with four contestants, each of whom has either a high value of winning (a strong player) or a low value of winning (a weak player) and these values are common knowledge. Each pairwise match is modeled as an all-pay auction. The winners of the first stage (semifinal) compete in the second stage (final) for the first prize, while the losers of the first stage compete for the third prize. We examine whether or not the game for the third prize is profitable for the designer who wishes to maximize the total effort of the players. We demonstrate that if the players are asymmetric and there are at least two strong players, then there is always a seeding of the players such that the third place game is not profitable. On the other hand, if there are at least two weak players, then there is always a seeding of the players such that the third place game is profitable.


1883 ◽  
Vol 4 ◽  
pp. 335-350 ◽  
Author(s):  
Ad. Michaelis

Of peculiar interest among the Arundel marbles of the Pomfret donation at Oxford, is a slab in the shape of a pediment, ‘in which there is in basso relievo the figure of a man as big as the life with his arms extended as if he was crucified, but no lower than about his paps is seen, the cornice cutting him off as it were; and this extension of his arms is called a grecian measure, and over his arm is a grecian foot.’ The marble thus described by George Vertue, the engraver, was first published in Chandler's Marmora Oxoniensia, Pt. I., Pl. lix., No. 166, but its importance was completely overlooked until the late Prof. Matz, in one of his last papers, published a better drawing and pointed out the artistic interest of the relief as a sculpture belonging to a rather early period of Greek art. On the other hand, the merit of the monument as an authentic document of Greek metrology was set forth, at my request, by my friend Dr. Fr. Hultsch, the author of Griechische Metrologie, whose views are repeated in my Ancient Marbles in Great Britain. The chief result of his exposition was that our relief unites in a most interesting way the indication of the length of a fathom (ὀρλυιά) of 2·06 or 20·07 m. with that of a foot of 0·295 m., which is not, as one might expect, the sixth, but exactly the seventh part of the fathom. As such a division of the fathom does not agree with the well-known facts of Greek metrology, Hultsch imagined that the foot on our marble might rather be a modulus used by sculptors and architects, and he observed that the recent excavations of Olympia seem to show the dimensions of some of the temples, particularly of the very old temple of Heré, to be based on a double measure, on a foot but little longer (of 0·298 m.), as well as on a fathom of 2·084 m. which, again, corresponds to seven of those feet.


1995 ◽  
Vol 11 (1) ◽  
pp. 57-83 ◽  
Author(s):  
Hamish Stewart

There are, broadly speaking, two ways to think about rationality, as defined in the following passage: ‘Reason’ for a long time meant the activity of understanding and assimilating the eternal ideas which were to function as goals for men. Today, on the contrary, it is not only the business but the essential work of reason to find means for the goals one adopts at any given time. (Horkheimer, 1974, p. vii) To use what Horkheimer called objective reason, and what others have called expressive or non–instrumental reason, is to reflect on one's goals, to attempt to determine what preferences one ought to hold. On the other hand, to use what Horkheimer called subjective reason is to ‘be concerned with means and ends, with the adequacy of procedures for purposes more or less taken for granted’ (1947, p. 3), that is, to be instrumentally rational. This contrast between non-instrumental and instrumental reason is at the heart of many contemporary social and philosophical disputes.1


2012 ◽  
Vol 4 (2-3) ◽  
pp. 96-105
Author(s):  
Vitaly Fyodorovich Poznin

The article investigates one of the aspects of psychology of art, namely, the role of different types of human memory — sensory, long-time, short-time — in the forming of an artistic image in the perception of an audiovisual entity. The audience’s perception of such specific cinematic methods as pan shot and dolly shot, as well as different types of parallel, associative and distance montage rests on the peculiarities of our short-time and long-time memory. On the other hand, the complex polyphonic combination of various visual chronotopes in modern films is based on the imitation of memory typical for our dreams.


Ekonomia ◽  
2018 ◽  
Vol 23 (4) ◽  
pp. 85-93
Author(s):  
Katarzyna Sawicz

Comparative ana lysis of the quality of life of seniors in selected countries of the European UnionFor more than twenty years, the number of elderly people in Europe has been increasing. This process is called “the graying of the continent”. The aging of societies raises many problems of a medical, social and economic nature. On the other hand, the increase in the quality of life of seniors caused less spending on medical and social care.The article attempts to analyze the quality of life of seniors in selected countries of the European Union. The level of quality of life was examined in economic aspect. Particular attention is paid to the health of the population in selected EU country and the level of poverty. The article indicates countries with the highest quality of life of the elderly and countries in which the quality of life of seniors is low.


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