scholarly journals The Ideological Function of “Positive Energy” Discourse: A People’s Daily Analysis

2019 ◽  
Vol 9 (2) ◽  
pp. 83-112 ◽  
Author(s):  
Francesca Triggs

Following its emergence as a popular social byword, in 2012 the term “positive energy” was adopted into frequent usage in Chinese political discourse. Previous studies have analysed the term’s usage in a social context alongside a growing interest in positive psychology, resulting in a portrayal of its main function as that of spreading hope and optimism in the face of challenges. This study now seeks to understand the ideological function the term has served in the political sphere, arguing for a deeper understanding of positive energy discourse within a Gramscian framework of political consensus-building, aimed at reinforcing CCP hegemony. This is shown through an exploratory analysis of People’s Daily Online articles inspired by framing and content-analysis theory, which considers the thematic components, sub-frame problems and actors of the term since the beginning of Xi Jinping’s time in power. The results of this analysis reveal four key trends. These are a focus on challenges which undermine Party dominance; an emphasis on ideas of social responsibility, and communality of interest between the state and the people; a promotion of moral action a grassroots level; and the advocation of state authority over the Internet. The results demonstrate how positive energy discourse has encouraged a popular consensus around CCP hegemony, creating a Gramscian “common sense” due to its grassroots origins, association with an increasingly popular positive psychology movement, and in-built connotations of happiness.

2018 ◽  
Vol 2 (1) ◽  
Author(s):  
Chukwuma Anyanwu ◽  
Bifatife Olufemi Adeseye

Nollywood, the adopted name of the Nigerian Film Industry, can be argued, would not have been but for Igbo movie makers and business men and women. This is not a mean contribution to the economic, social and political life of the nation. But how much and to what extent has the industry been utilized by the film makers to uphold the integrity, culture, language and overall image of the Igbo nation? This paper tries to examine how the Igbo movie has been used or not used to rebrand the Igbo ways of life. How it has fared in the hands of the people, the makers and viewers and how it has treated the issues dear to the people, such as culture, language and identity. How far has the Igbo video film been faithful to, projected, or tried to preserve these ways of life of the Igbo people? The movie has become one of the major items on the people’s daily conversation menu and as such, cannot be ignored except by the most backward of people. This is why this paper sets out to examine ways via which the medium can be utilized to appeal more to the people, make their culture more relevant and create avenues for its projection and preservation.


2020 ◽  
Vol 51 (1) ◽  
pp. 23-37
Author(s):  
Qingye Tang ◽  
Liang He

This article draws on critical discourse analysis to examine how China’s mainstream newspaper People’s Daily represents illicit drugs from 1949 to 2016. The quantity of drug reports varies but has steadily increased with the severity of drug situations. Lexical variations show the prevalence of synthetic drugs and the newspaper’s major concern about drugs at different times. The diverse representations of drug types reveal the historical change in illicit drug use, production, and trafficking, and the rhetorical use of drug argots and metaphors disguises the outcomes of addiction and drug trade. The discursive variations in the reporting on illicit drugs are markedly conditioned by the social change and the domestic and global drug context and also reflect the evolution in China’s drug policies and attitudes toward drugs in society. The findings reveal the gradual shifts from the government’s strong ideological vigilance, concerns over Western imperialism, and the advocacy for strict law enforcement and draconian punishment to the people-oriented and public health approach.


ASTONJADRO ◽  
2022 ◽  
Vol 11 (1) ◽  
pp. 207
Author(s):  
Diah Intan Kusumo Dewi ◽  
Jihan Hafizha ◽  
Anita Ratnasari Rakhmatulloh

<p>The Covid-19 Pandemic was indicated in March 2020, which has changed people's daily activities patterns. Implementing the restricting regulation imposed by the government made some of the people's daily activities diverted to an online system. As a result, community mobility has decreased, especially on private car usage. However, there is a shift in vehicle usage which many people are starting to switch their mode to the private car in daily travel. This condition was predicted would continue even after the Pandemic ends. The increase in private car usage will worsen the congestion than before the Covid-19 Pandemic appropriate steps and handling are needed to prevent the increase in congestion. One of them is by knowing the characteristics and journeys of private car users during the Covid-19 Pandemic. This research is a typology of private car users during the Covid-19 Pandemic to identify the similarities and differences in the characteristics possessed by each private car user through the typological groups formed. Through this research, it can be seen the movement patterns and characteristics of the people who use private cars. This study uses the Hierarchical Cluster Analysis method. The analysis is based on several variables such as private car usage frequency variables, socioeconomic characteristics variables, demographic variables, household variables, and household travel patterns object of this research is 107 households which are owners and use of private cars for further analysis and form clusters of private car users that have the same characteristics of each cluster. The typology of private car users is compiled based on the unique characteristics possessed by each cluster that is formed. The results of this study are 8 typologies of private car users, which are divided from intensive users to irregular users. Typology 1 has the largest number of respondents and dominates the frequency of trips by private car users. The benefit of this research for the government is as input in the formulation of policies to regulate the use of private cars so that the policies taken by the government can be right on target</p>


2020 ◽  
Vol 99 (4) ◽  
pp. 379-383
Author(s):  
Vasily N. Afonyushkin ◽  
N. A. Donchenko ◽  
Ju. N. Kozlova ◽  
N. A. Davidova ◽  
V. Yu. Koptev ◽  
...  

Pseudomonas aeruginosa is a widely represented species of bacteria possessing of a pathogenic potential. This infectious agent is causing wound infections, fibrotic cystitis, fibrosing pneumonia, bacterial sepsis, etc. The microorganism is highly resistant to antiseptics, disinfectants, immune system responses of the body. The responses of a quorum sense of this kind of bacteria ensure the inclusion of many pathogenicity factors. The analysis of the scientific literature made it possible to formulate four questions concerning the role of biofilms for the adaptation of P. aeruginosa to adverse environmental factors: Is another person appears to be predominantly of a source an etiological agent or the source of P. aeruginosa infection in the environment? Does the formation of biofilms influence on the antibiotic resistance? How the antagonistic activity of microorganisms is realized in biofilm form? What is the main function of biofilms in the functioning of bacteria? A hypothesis has been put forward the effect of biofilms on the increase of antibiotic resistance of bacteria and, in particular, P. aeruginosa to be secondary in charcter. It is more likely a biofilmboth to fulfill the function of storing nutrients and provide topical competition in the face of food scarcity. In connection with the incompatibility of the molecular radii of most antibiotics and pores in biofilm, biofilm is doubtful to be capable of performing a barrier function for protecting against antibiotics. However, with respect to antibodies and immunocompetent cells, the barrier function is beyond doubt. The biofilm is more likely to fulfill the function of storing nutrients and providing topical competition in conditions of scarcity of food resources.


2018 ◽  
Vol 3 (1) ◽  
pp. 93-103
Author(s):  
Lina Aniqoh

This paper seeks to elaborate on the textual interpretation of Q.S Muhammad verse 4 and Q.S at Taubah verse 5. These two verses are often employed by the extremist Muslim groups to legitimize their destructive acts carried out on groups considered as being infidels and as such lawfully killed. The interpretation was conducted using the double movement hermeneutics methodology offered by Fazlur Rahman. After reinterpretation, the two verses contain moral values, namely the war ordered by God must be reactive, fulfill the ethics of "violence" and be the last solution. Broadly speaking, the warfare commanded in the Qur'an aims to establish a benefit for humanity on the face of the earth by eliminating every crime that exists. These two verses in the contemporary socio-historical context in Indonesia can be implemented as a basis for combating the issue of hoaxes and destructive acts of extremist Muslim groups. Because both are crimes and have negative implications for the people good and even able to threaten the unity of mankind.


Trictrac ◽  
2018 ◽  
Vol 10 ◽  
Author(s):  
Petru Adrian Danciu

Starting from the cry of the seraphim in Isaiahʹ s prophecy, this article aims to follow the rhythm of the sacred harmony, transcending the symbols of the angelic world and of the divine names, to get to the face to face meeting between man and God, just as the seraphim, reflecting their existence, stand face to face. The finality of the sacred harmony is that, during the search for God inside the human being, He reveals Himself, which is the reason for the affirmation of “I Am that I Am.” Through its hypnotic cyclicality, the profane temporality has its own musicality. Its purpose is to incubate the unsuspected potencies of the beings “caught” in the material world. Due to the fact that it belongs to the aeonic time, the divine music will exceed in harmony the mechanical musicality of profane time, dilating and temporarily cancelling it. Isaiah is witness to such revelation offering access to the heavenly concert. He is witness to divine harmonies produced by two divine singers, whose musical history is presented in our article. The seraphim accompanied the chosen people after their exodus from Egypt. The cultic use of the trumpet is related to the characteristics and behaviour of the seraphim. The seraphic music does not belong to the Creator, but its lyrics speak about the presence of the Creator in two realities, a spiritual and a material one. Only the transcendence of the divine names that are sung/cried affirms a unique reality: God. The chant-cry is a divine invocation with a double aim. On the one hand, the angels and the people affirm God’s presence and call His name and, on the other, the Creator affirms His presence through the angels or in man, the one who is His image and His likeness. The divine music does not only create, it is also a means of communion, implementing the relation of man to God and, thus, God’s connection with man. It is a relation in which both filiation and paternity disappear inside the harmony of the mutual recognition produced by music, a reality much older than Adam’s language.


2020 ◽  
Author(s):  
abdul muiz amir

This study aims to find a power relation as a discourse played by the clerics as the Prophet's heir in the contestation of political event in the (the elections) of 2019 in Indonesia. The method used is qualitative based on the critical teory paradigm. Data gathered through literary studies were later analyzed based on Michel Foucault's genealogy-structuralism based on historical archival data. The findings show that, (1) The involvement of scholars in the Pemilu-Pilpres 2019 was triggered by a religious issue that has been through online social media against the anti-Islamic political system, pro communism and liberalism. Consequently create two strongholds from the scholars, namely the pro stronghold of the issue pioneered by the GNPF-Ulama, and the fortress that dismissed the issue as part of the political intrigue pioneered by Ormas NU; (2) genealogically the role of scholars from time to time underwent transformation. At first the Ulama played his role as well as Umara, then shifted also agent of control to bring the dynamization between the issue of religion and state, to transform into motivator and mediator in the face of various issues Practical politic event, especially at Pemilu-Pilpres 2019. Discussion of the role of Ulama in the end resulted in a reduction of the role of Ulama as the heir of the prophet, from the agent Uswatun Hasanah and Rahmatan lil-' ālamīn as a people, now shifted into an agent that can trigger the division of the people.


2019 ◽  
Vol 2 (2) ◽  
pp. 27-37
Author(s):  
Dwi Putri Agustini

The present phenomenon has clearly brought a change and the influence of the development of traditional music in Palembang society, if this is not carefully addressed, it will experience a shift, alienation and even lose its supporters. The rejung pesirah music group is one of the music groups that still maintains traditional arts in the people of Palembang. This study examines how the adaptation strategy of the rejung pesirah music group in dealing with changes and developments in Palembang society. For this reason, the approach used is cultural anthropology with qualitative case study research methods in Palembang. Data collection is done through observation, interviews and document studies that use triangulation techniques as the validation of the data, while for data analysis through content analysis and interactive models. The results showed that the adaptation strategy undertaken by the rejung pesirah music group was an act and creative ability and had a positive mindset, understanding in responding to changes and needs as an impulse to develop in the face of environmental change and development through learning processes and cultural modification, which resulted a creativity that is the creation of songs, musical arrangements, and musical instruments in the rejung pesirah music group.


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