New Forms of the Russian Private Charity in the Middle of the 19th Century: The Activities of the Society for Visiting the Poor

Клио ◽  
2021 ◽  
pp. 108-115
Author(s):  
ALLA NIKOLAEVNA Grivastova
2017 ◽  
Vol 62 (1-2) ◽  
pp. 41-46
Author(s):  
Helma Schaefer

In her article, the author discusses the merits of the German craft bookbinder Paul Kersten (1865-1943) in the development of modern decorative papers as an expression of artistic individuality in the field of applied arts. From the Middle Ages, decorative paper had been used in decoration and bookbinding. Bookbinding workshops had traditionally made starched marbled paper. The interest of Paul Kersten, coming from a bookbinding family, in these papers had already dated from his youth. During his travels abroad, he was aware of the poor state of the bookbinding craft, which was affected by the mass production of books and book bindings as well as the industrialisation of paper production at the end of the 19th century. Kersten helped to introduce Art Nouveau into the design of German bookbinding and the methods of the modern production of decorative papers. At first, he worked as a manager in German paper manufactures and then as a teacher of bookbinding. His work was later oriented towards Symbolic Expressionism and he also tried to cope with the style of Art Deco.


Author(s):  
Jagabandhu Sarkar

Swami Vivekananda was the pioneer of the 19th century renaissance by religious revolution in India. He was one of the foremost leaders who were very much concerned about the poor and subjugated persons of the society. Vivekananda realized that there is need of reformation in society. Vivekananda wanted to revive the lost confidence of the common people in society. He visited extensively within the country to understand their problem. He wanted to eliminate all the social evils of the society which are major obstacles for the mankind. These social evils are poverty in general, untouchability, illiteracy, intolerance, religious superstitions etc. He always pleaded for the fraternity, humanity and harmony. He realized that the ultimate goal can be achieved through self-development of human values, not only by laws. In this short discourse, I would like to highlight Vivekanada’s philosophical realization towards the mankind and his ideo of Rerormation. KEYWORDS- Reformation, Untouchability, Self-realization, Harmony, Humanism, Brahman, Narayana, Brotherhood.


Author(s):  
Judit Poór ◽  
◽  
Éva Tóth ◽  

At the end of the 18th century, only 3-4 % of the cultivated area was covered with vineyards. However, the importance of viticulture was not proportionate with the extent of its territorial size - due to the poor public health conditions, most of the waters were non-drinkable, so people usually drunk wines with a 4-5 % alcohol content. The wine production was 13-17 million hectoliters in the first third of the 19th century. During this period, several large estates switched from the former taxation approach to income-oriented market production, in which winemaking played a key role, as it had been an important vital market product before. According to Kaposi, lordships’ cellar economy of lordships was engaged in the storage and treatment operations of wine community customs duty, ninth wine, the supply of wine to inns and public houses, and other wine sales.1 In our study, we examined the most important characteristics of the viticulture and wine sector of the Keszthely-based Festetics estate in the period between 1785-1807, both in terms of production and profitability. We concluded that the share of income from wine within the total income decreased at the beginning of the 1800s, besides high production fluctuation characterized the production of lordships as well as production of the estate; however, the production of the lordships could compensate each other to confirm the diversified production in space.


2005 ◽  
Vol 23 (1) ◽  
pp. 1-24 ◽  
Author(s):  
Kenneth Hudson ◽  
Andrea Coukos

This article examines the impact of the Protestant Ethic and the Spirit of Capitalism on the recent welfare reform movement and the 19th-century campaign to abolish outdoor relief. Contemporary advocates of welfare reform adopted the 19th-century model of charity organization and reform as their exemplar. The welfare reform movement focused on the morals of the poor and “welfare dependence,” while the 19th-century movement attempted to eliminate the distribution of aid outside the poorhouse and to discourage “indiscriminate almsgiving”“ on the part of individuals. We argue that the Protestant ethos represents a uniquely Anglo-American variety of Calvinist Puritanism. We also show that while this ethos is a fairly constant component of American culture it has under certain conditions produced severe retrenchments in aid to the poor that is welfare reform and the abolition of outdoor relief. These conditions include the presence of a tight labor market and political mobilization by advocates of reform. Drawing on Ragin's (1987) model of conjunctural causation, we argue that both conditions must be met before such reform movements are likely to occur. We also employ the comparative method to show why alternative explanations based on economic and demographic factors are inadequate to explain the events in question.


2020 ◽  
Vol 45 (2) ◽  
Author(s):  
Magdalena Dąbrowska

The article presents the publications in the periodical “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” and the literary almanac Podarok bednym in the light of the development of charity in Russia (motives, forms, results): 1. The publications of Alexander Sturdza (About social charity, About private charity), Pyotr Shalikov etc.; 2. The charity institutions in the capital and the provinces; 3. The charity initiatives of women and the Russian writers. “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” (the monthly magazine) was published in St. Petersburg from 1817 to 1826. It contained, among other elements, information and reports about the activity of philanthropists and charity institutions, and literary works (Hymn to love for a man by Pyotr Shalikov). Podarok bednym was published in Odessa in 1834 (the motto was a quotation from the Aeneid by Vergil: “Miseris succurrere disco”) by a women’s benevolent society. It contained the commentaries and works of belles-lettres. The paper compares “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” and Podarok bednym (the “common places”, for instance the articles by Alexander Strudza About social charity published in “Zhurnal Imperatorskogo chelovekolubivogo obshchestva” in 1817 and in Podarok bednym in 1834). It presents also the discussions about charity in the Russian periodicals in the first half of the 19th century.


2019 ◽  
Vol 64 (1-2) ◽  
pp. 45-55
Author(s):  
Petr Voit

This article deals with printed graphic sheets, cycles and illustrations by Albrecht Dürer, which penetrated into book printing in the Czech language (Nuremberg) and in Bohemia (Prague, Litomyšl) through original printing blocks as well as copies in the first half of the 16th century. Dürer’s graphic sheets were distributed by the Nuremberg printers Hieronymus Höltzel (1509, 1511) and Friedrich Peypus (1534), the Litomyšl printing workshop working for the Unity of the Brethren (Unitas fratrum) in Litomyšl (1520), and the so-called Severin Workshop, connected to the Prague printing workshop of Pavel Severin of Kapí Hora (1529, 1539). Eleven works of religious character associated with Dürer have been discovered among Czech illustrations so far – they were made by means of seven original printing blocks and four copies, which is not so much. In this respect, Dürer was greatly surpassed by his Nuremberg successor, Erhard Schön. After Schön died in 1542, the printer Jan Günther received roughly one quarter of workshop printing blocks (approximately 340 pieces). Two years later, he moved them to Moravia, where they were coming to life in Prostějov, then in Olomouc and eventually in popular books, brochures and broadsides from Skalice until the end of the 19th century. Dürer’s printing blocks that functioned in the context of Czech book printing depict: [1a] the Nativity, [2c] the apocalyptic Woman Clothed with the Sun, and [5a–e] the Saints (James the Greater, Peter, John the Evangelist, John the Baptist and Judas Thaddaeus). The following subjects were copied: [2b] the apocalyptic Woman Clothed with the Sun, [3b] Christ in the Garden of Gethsemane, [4c] Two Angels (Geniuses), and [6b] the Holy Trinity. The woodcut copies are not exact replicas. The poor artistry and craftsmanship of the copyists, whose names are not known, led to the omission of details. The problem is that the copyists were not trying to present Dürer’s graphic art but needed a cheap and simple acquisition of the biblical scene required. More detailed information on the printing blocks and copies is available in the catalogue attached.


Diacronia ◽  
2015 ◽  
Author(s):  
Simona-Andreea Șova

Benefiting from the consequences of cultural and scientific development which kicked off in the 19th century, the Romanian space also felt the lags up till then. The development and organisation deficit of science and culture, the poor quality of their relationships with the social complex, were augmented frequently not necessarily by the poor quality of the Romanian scholars, but by a certain superficiality of theirs in the approach and presentation of the treated matters. Trying to confer reliability, accuracy and transparency to the scientific construction in which he took part, A. Philippide often felt in a negative manner some of the scientific behaviours and results presented by his generation colleagues. In this context, beyond the high quality of his results and his highly responsible attitude, the way in which the scholar from Iași tried to improve the process was the scientific polemic.


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