scholarly journals The presence of large sunspots near the central solar meridian at the times of major geomagnetic storms

2009 ◽  
Vol 27 (1) ◽  
pp. 185-197 ◽  
Author(s):  
D. M. Willis ◽  
R. Henwood ◽  
F. R. Stephenson

Abstract. A further study is made of the validity of a technique developed by the authors to identify historical occurrences of intense geomagnetic storms, which is based on finding approximately coincident observations of sunspots and aurorae recorded in East Asian histories. Previously, the validity of this technique was corroborated using scientific observations of aurorae in Japan during the interval 1957–2004 and contemporaneous white-light images of the Sun obtained by the Royal Greenwich Observatory, the Big Bear Solar Observatory, the Debrecen Heliophysical Observatory, and the Solar and Heliospheric Observatory spacecraft. The present investigation utilises a list of major geomagnetic storms in the interval 1868–2008, which is based on the magnitude of the AA* magnetic index, and reconstructed solar images based on the sunspot observations acquired by the Royal Greenwich Observatory during the shorter interval 1874–1976. It is found that a sunspot large enough to be seen with the unaided eye by an "experienced" observer was located reasonably close to the central solar meridian for almost 90% of these major geomagnetic storms. Even an "average" observer would easily achieve a corresponding success rate of 70% and this success rate increases to about 80% if a minority of ambiguous situations are interpreted favourably. The use of information on major geomagnetic storms, rather than modern auroral observations from Japan, provides a less direct corroboration of the technique for identifying historical occurrences of intense geomagnetic storms, if only because major geomagnetic storms do not necessarily produce auroral displays over East Asia. Nevertheless, the present study provides further corroboration of the validity of the original technique for identifying intense geomagnetic storms. This additional corroboration of the original technique is important because early unaided-eye observations of sunspots and aurorae provide the only possible means of identifying individual geomagnetic storms during the greater part of the past two millennia.

2006 ◽  
Vol 24 (10) ◽  
pp. 2743-2758 ◽  
Author(s):  
D. M. Willis ◽  
R. Henwood ◽  
F. R. Stephenson

Abstract. The validity of a technique developed by the authors to identify historical occurrences of intense geomagnetic storms, which is based on finding approximately coincident observations of sunspots and aurorae recorded in East Asian histories, is corroborated using more modern sunspot and auroral observations. Scientific observations of aurorae in Japan during the interval 1957–2004 are used to identify geomagnetic storms that are sufficiently intense to produce auroral displays at low geomagnetic latitudes. By examining white-light images of the Sun obtained by the Royal Greenwich Observatory, the Big Bear Solar Observatory, the Debrecen Heliophysical Observatory and the Solar and Heliospheric Observatory spacecraft, it is found that a sunspot large enough to be seen with the unaided eye by an "experienced" observer was located reasonably close to the central solar meridian immediately before all but one of the 30 distinct Japanese auroral events, which represents a 97% success rate. Even an "average" observer would probably have been able to see a sunspot with the unaided eye before 24 of these 30 events, which represents an 80% success rate. This corroboration of the validity of the technique used to identify historical occurences of intense geomagnetic storms is important because early unaided-eye observations of sunspots and aurorae provide the only possible means of identifying individual historical geomagnetic storms during the greater part of the past two millennia.


2021 ◽  
Vol 257 (2) ◽  
pp. 33
Author(s):  
Kashvi Mundra ◽  
V. Aparna ◽  
Petrus Martens

Abstract There have been a few previous studies claiming that the effects of geomagnetic storms strongly depend on the orientation of the magnetic cloud portion of coronal mass ejections (CMEs). Aparna & Martens, using halo-CME data from 2007 to 2017, showed that the magnetic field orientation of filaments at the location where CMEs originate on the Sun can be used to credibly predict the geoeffectiveness of the CMEs being studied. The purpose of this study is to extend their survey by analyzing the halo-CME data for 1996–2006. The correlation of filament axial direction on the solar surface and the corresponding Bz signatures at L1 are used to form a more extensive analysis for the results previously presented by Aparna & Martens. This study utilizes Solar and Heliospheric Observatory Extreme-ultraviolet Imaging Telescope 195 Å, Michelson Doppler Imager magnetogram images, and Kanzelhöhe Solar Observatory and Big Bear Solar Observatory Hα images for each particular time period, along with ACE data for interplanetary magnetic field signatures. Utilizing all these, we have found that the trend in Aparna & Martens’ study of a high likelihood of correlation between the axial field direction on the solar surface and Bz orientation persists for the data between 1996 and 2006, for which we find a match percentage of 65%.


Author(s):  
Michael Germana

Chapter 5 treats Ellison’s music criticism as an expression of his commitment to durational time and a critique of cultural forms like bebop that, in Ellison’s estimation, lend form to a discontinuous present. Rather than suggest, as many critics have, that Ellison was simply nostalgic for danceable swing music or hostile toward emerging musical forms, this chapter shows that Ellison’s primary criticism of bebop is that it formalizes a discontinuous sense of time and thereby affirms an historical view of the past structured by an analogous, sequentially static sense of time. Ellison’s problem with bebop, in other words, is neither musicological nor sociological, but temporal. Folk jazz and the blues, by contrast, affirm a durational view of time in the form of a “pocket” or groove entirely unlike the spatialized groove of history described in Invisible Man. In short, Ellison finds in musical grooves antidotes to the groove of history.


2015 ◽  
Vol 1 ◽  
Author(s):  
Francesco Spampinato

During the past few years, New York has seen the restaging of two groundbreaking underground art exhibitions, originally organized in 1980 by Lower East Side-based collective Colab: The Real Estate Show and The Times Square Show. The former, which took place illegally on New Year’s Eve in a vacant, city-owned building at 125 Delancey Street—and was shut down by the police after few hours—was restaged in Spring 2014 at four Downtown venues: James Fuentes Gallery, Cuchifritos, The Lodge Gallery, and ABC No Rio. The latter was organized in a disused Times Square massage parlor and restaged in Fall 2012 at Hunter College’s Bertha and Karl Leubsdorf Art Gallery.


2018 ◽  
Vol 70 (3) ◽  
pp. 285-306 ◽  
Author(s):  
Rebecca Schneider
Keyword(s):  
The Past ◽  

2006 ◽  
Vol 1 (1) ◽  
pp. 3-39 ◽  
Author(s):  
Patrick O’Brien

This essay has been written to serve as a prolegomenon for a new journal in Global History. It opens with a brief depiction of the two major approaches to the field (through connexions and comparisons) and moves on to survey first European and then other historiographical traditions in writing ‘centric’ histories up to the times of the Imperial Meridian 1783–1825, when Europe’s geopolitical power over all other parts of the world became hegemonic. Thereafter, and for the past two centuries, all historiographical traditions converged either to celebrate or react to the rise of the ‘West’. The case for the restoration of Global History rests upon its potential to construct negotiable meta-narratives, based upon serious scholarship that will become cosmopolitan in outlook and meet the needs of our globalizing world.


Author(s):  
Michaela Sibylová

The author has divided her article into two parts. The first part describes the status and research of aristocratic libraries in Slovakia. For a certain period of time, these libraries occupied an underappreciated place in the history of book culture in Slovakia. The socialist ideology of the ruling regime allowed their collections (with a few exceptions) to be merged with those of public libraries and archives. The author describes the events that affected these libraries during and particularly after the end of World War II and which had an adverse impact on the current disarrayed state and level of research. Over the past decades, there has been increased interest in the history of aristocratic libraries, as evidenced by multiple scientific conferences, exhibitions and publications. The second part of the article is devoted to a brief history of the best-known aristocratic libraries that were founded and operated in the territory of today’s Slovakia. From the times of humanism, there are the book collections of the Thurzó family and the Zay family, leading Austro-Hungarian noble families and the library of the bishop of Nitra, Zakariás Mossóczy. An example of a Baroque library is the Pálffy Library at Červený Kameň Castle. The Enlightenment period is represented by the Andrássy family libraries in the Betliar manor and the Apponyi family in Oponice. 


2021 ◽  
pp. 185-192
Author(s):  
Ekaterina Karavaeva

The article explores the motif of love in a totalitarian society in Anchee Min’s novel “Wild Ginger”. Though an American citizen, Anchee Min belongs to a group of modern Chinese-American writers whose interests focus around the past of her home country China. Childhood and teenage years which Min spent in Communist China provided her with a lot of material for her later novels. In Wild Ginger through a classic plot of love triangle the writer approaches the motif of love in the times of Cultural Revolution. The author examines love as a relationship between a man and a woman, and as a religious feeling and communist ideology. Grotesque becomes the main literary device. Over-exaggeration bordering on incredibility expresses the author’s rejection of the surrounding reality. Intertwining comical and tragical situations, the novels brings the reader to a conclusion that love is the only means of attainting personal freedom and maturity in a totalitarian society.  


2015 ◽  
Vol 5 ◽  
pp. 155-230 ◽  
Author(s):  
Andrzej Kompa

In a nutshell: 1. I believe that Ekloge Chronographias of George Syncellus and Chronographia of Theophanes the Confessor should be treated as a single project, undertaken in turn by two authors; 2. There are important stylistic differences between the two parts, noticeable in the fragments, in which the authors deliver some editorial remarks or disclose their personal opinions; from a wider selection of such phrases, references to the past or future such as ‘as I have mentioned/as I said/as have been said/as we demonstrated above, etc.’, being diverse and individual, are especially helpful. 3. This observation is of great use not only for the texts analysed here, it may be used to confirm authorship of many other texts. 4. As for George and Theophanes, the TLG search of such structures in all extant classical Greek and Byzantine output confirms the statement nr 1, with clauses like ὡς προέφην/καθὼς καὶ προέφην/ὡς προέφημεν/καθὼς προέφημεν both rare in the whole preserved corpus, and relatively often used by the author of Chronographia. The style of the proemium of Chronographia fits the rest of the work and differs from Ekloge Chronographias. 5. Precise analysis of a wider group of similar clauses shows that Ekloge Chronographias and Chronographia were written by two different authors; Chronographia was created by one author, distinctive and independent, no matter how reproductive at the same time he was. I see no convincing arguments not to call this author Theophanes. Some later and partial editiorial interventions to Chronographia, conceivable (rubrics?) and in some instances even certain, do not challenge this view. 6. Only a few entries from the initial parts of Chronographia fit more the George’s work; their style and content bear much more similarities with Ekloge (in AM 5796, 5814, 5818, 5827, 5828). These paragraphs, George’s aphormai, probably in form of loose notes, were inserted to Chronographia by its author the same way as he used his sources for the subsequent parts; they did not reach beyond the times of Constantine I. 7. I do not dismiss the message of the proemium to the Chronographia as it is much more credible than the discussion, sometimes hypercritical, on the vitae and the scraps of the Confessor’s biography. I see no reason not to believe that the idea established and developed by George was then taken over by his friend; the differences result from the independent work of the former and then of the latter, presumably with only rudimentary guidance at the beginning. 8. The ‘genuine friendship’, the crucial relation between the two authors is still the most useful key to understand the history of the tripartita – therefore, I analyse it in the final part of the paper.


2020 ◽  
Vol 3 (5) ◽  
pp. 94
Author(s):  
Pankaj Chaturvedi ◽  
Natarajan Ramalingam
Keyword(s):  
The Past ◽  

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