scholarly journals Automatic Georeferencing of Heterogeneous Historic and Illustrated Maps

2019 ◽  
Vol 1 ◽  
pp. 1-2
Author(s):  
Enrique J. Arriaga-Varela ◽  
Toru Takahashi

<p><strong>Abstract.</strong> The process of manually georeferencing or aligning historic or illustrated maps with contemporary maps can be a difficult and time consuming task (Fleet et al., 2012). It is generally accepted that the level of understanding necessary to correctly georeference a single image can be rather daunting (Bajcsy and Alumbaugh, 2003). This is especially challenging in an open environment where there is no previous information to help approximating the real coordinates.</p><p>Over the last couple of decades there have been advances in the automatic georeferencing of map images, aerial photographs or raster maps (Chen et al., 2004), (Desai et al., 2005), (Kim et al., 2010), (Cléry et al., 2014). However, there has been little discussion dealing with heterogeneous maps. For instance, some algorithms apply fixed image processing techniques to find features within the map images, and then try to match these patterns of features to a database of geographical information (Chen et al., 2004). The drawback with this approach is that the image processing operations used in a particular style may not work for a map created using a different style. Other techniques only work for a specific kind of map, like street maps (Desai et al., 2005) or aerial photographs (Kim et al., 2010). Furthermore, the artistic vision of the creator or the theme of the map can also result in these features being represented in different ways (Fiori, 2005). For instance, some styles or themes may highlight some roads or completely ignore others. Finally, historic but inaccurate cartography or contemporary illustrated maps can suffer from distortion or unusual perspective (Cajthaml, 2011).</p><p>In this paper, we present a novel algorithm to automatically help start the georeferencing of historic and illustrated maps based on the text found in the map image. To accomplish this, we leverage the power of modern OCR (Optical Character Recognition) and geocoding services on the cloud. The proposed algorithm is able to calculate the area covered by the map, and where north is located in the image, with a precision greater than 80%. This information obtained represents a great help to inexpert users performing the alignment and georeference of maps for the first time. We also propose an optional machine learning module to speed up the process in dynamic environments in which the time required to obtain a result is an important factor. Figure 1 shows some examples of heterogeneous maps processed with the proposed algorithm.</p><p>The proposed algorithm contains five modules as shown in Figure 2. The first module applies an OCR process to extract the text contained within the input image. The results pass through a processing step to filter the text using heuristics to remove incorrect and ambiguous entries. The next module (optional) is a bidirectional LSTM (Long shortterm memory) recurrent neural network (Graves and Schmidhuber, 2005) that takes text and orders it according to likelihood of useful geocoding result return. The third module takes the text (ordered or not) and searches for each line in a geocoding service. The output is a list of locations, each one with its real world latitude and longitude and its coordinates within the image. The fourth module calculates a matrix of distances between locations. Each distance contains the real life geodesic distance (Karney, 2013) in meters, the Euclidean distance between each piece of text in pixels, the calculated meters per pixel (MPP), and the rotation. We define rotation as the difference in angle between real life location and the text in the image. Using the MPP and rotation as dimensions, the module finds clusters of corresponding locations. Lastly, the largest cluster is selected as the best. The fifth and final module uses the best cluster of locations and calculates the georeference information. This output information contains the northeast and southwest corners of the map, a list of mapping points, as well as the angle of north in the image (counter-clockwise, where 0 degrees is pointing up).</p><p>The proposed algorithm has approximately twelve hyper-parameters that can be tuned. We found that one of the most important is the minimum size of the cluster used to calculate the georeference information. In other words, the minimum number of corresponding locations the algorithm needs to converge.</p><p>In Table 1 we show the results of executing the algorithm against a set of 359 illustrated maps obtained from Stroly’s database (Vermeulen et al., 2011). The maps were manually georeferenced, and this information is used as ground truth. The georeference information returned by the algorithm is considered correct when two conditions are met. First, the width of the calculated area is between 50% and 200% of the width of the real area. Second, there is an intersection between both areas. Figure 3 shows the visualization of some results, executing the algorithm against several kinds of maps. The map area delimited in blue is the ground truth, while the one in orange is the one calculated by the presented algorithm. The markers in blue are the locations that are part of the cluster used to calculate the information.</p><p>In conclusion, we offer a novel solution to start and in some cases to complete the georeferencing process for heterogeneous historic and illustrated maps based on the text contained within them. The algorithm does not need vector information or geographical databases, nor image preprocessing. We have proven that even with a small cluster of locations the precision of this method is greater than 80%. The precision increases when the hyper-parameter is set to need larger clusters to converge (98.86% for a minimum of six locations). In future iterations we aim to improve the algorithm to increase the precision for smaller clusters and to improve the recall in general.</p>

Author(s):  
David Brancaleone

In 1945 Roberto Rossellini’s Neo-realist Rome, Open City set in motion an approach to cinema and its representation of real life – and by extension real spaces – that was to have international significance in film theory and practice. However, the re-use of the real spaces of the city, and elsewhere, as film sets in Neo-realist film offered (and offers) more than an influential aesthetic and set of cinematic theories. Through Neo-realism, it can be argued that we gain access to a cinematic relational and multidimensional space that is not made from built sets, but by filming the built environment. On the one hand, this space allows us to “notice” the contradictions around us in our cities and, by extension, the societies that have produced those cities, while on the other, allows us to see the spatial practices operative in the production and maintenance of those contradictions. In setting out a template for understanding the spatial practices of Neo-realism through the work of Henri Lefèbvre, this paper opens its films, and those produced today in its wake, to a spatio-political reading of contemporary relevance. We will suggest that the rupturing of divisions between real spaces and the spaces of film locations, as well the blurring of the difference between real life and performed actions for the camera that underlies much of the central importance of Neo-realism, echoes the arguments of Lefèbvre with regard the social production of space. In doing so, we will suggest that film potentially had, and still has, a vital role to play in a critique of contemporary capitalist spatial practices.


Author(s):  
Liudmyla Kornieieva ◽  
Maryna Diachenko

The article focuses on the image of ground that had various meanings in the human culture from ancient times. On the one hand, it was a place of living that provided people with all means necessary for their physical survival and had an exclusively material value. On the other hand the ground was a part of myth; it was a subject of philosophical (or would-be philosophical) reflections. Step by step, humanity learned to perceive ground from artistic and aesthetic perspectives: as a place that sometimes could be beautiful by itself and sometimes needed to be decorated by people. In the modernity, the ground is more often viewed not only as a surface or a place for artistic work but as an environment or even a material for the latter. Inhabitants tend to decorate not only its aboveground but also its underground surroundings. This tendency has resulted in introduction of the modern high-tech underground buildings and the phenomenon of ecological ground architecture formation. In field of the visual design, the new approach to ground as a material for artistic activity emerged. The article presents a hypothesis that historical traditions contributed to the modern land architecture to a lesser degree. In the past the ground architecture was often awkward, pragmatic, and artistically inconsistent. It was a result of some specific materials, technological and climate conditions which people faced. At the same time, in folklore and fiction literature the aboveground and underground environments, including houses, were often depicted as artistically attractive. Therefore, for modern artists, the popular verbal and visual images of underground buildings serve as a rich source for inspiration in their work on the real-life projects in the field of ground architecture. The names and design features of some projects attest this idea. For instance, the modular “Hobbit House” created by the Green Magic Homes company makes an appeal to the literary works by J. R. R. Tolkien. The links between the modern ground architecture, literary texts and artistic images demonstrate that in the modern world not only the real life influences art, but virtual imaginative worlds begin to form the space of the reality itself.


1983 ◽  
Vol 8 (2) ◽  
pp. 83-95
Author(s):  
Rodney Shewan

Whenever a new fragment by Wilde appears, it inevitably raises hope that the often vulgarized but still fascinating relationship between the life and the work will somehow be clarified. Did the one really get all the genius, the other merely the talent, as he told Gide? Were the two always so disparate, so irreconcilable, as he insisted? Did work always seems, as he once said it seemed, ‘not a reality but a way of getting rid of reality’? If so, was this why ‘the real life is the life we do not lead’, the life of the literary imagination? Or was it that the ‘real life’ and ordinary life alternately promised Wilde those intense experiences his imagination craved, then took it in turns to double-cross him?


2011 ◽  
Vol 1 (3) ◽  
pp. 71
Author(s):  
Chris Reyns-Chikuma

On the one hand, there is a great number of « national » fictions. To various degrees (patriotic, nationalistic) and consciously or not, these fictions participate in the construction of a nation. On the other hand, there are also a lot of fictions that we can characterize as cosmopolitan or postnational and which are situated outside any clear national boundaries. On the contrary, one can count very few fictions on the construction of a European supranationality. To my knowledge, Constellation by Alain Lacroix (2008) is the only one in French and that is the one I am going to write about in this essay. My goal here is threefold. It is first to show that although the interpreter seems to play a minor role (according to the number of pages) and although she is apparently considered an insignificant quantity by both male protagonists, as her regular and obsessive return in the text proves it she is actually important since she haunts the characters sexually and ideologically. I will also show that this haunting spreads through the whole novel through the issue of the interpretation of signs. The second goal is to show that the interpreter, who is explicitly presented as an impersonation of Europe, actually incarnates the ambivalence of any « europeanist » project. She is indeed a bridge not only between two languages & cultures but also between both faces of any European policy. The first one, concrete, tries to incorporate the real life of the Europeans, their daily concerns which themselves are often inscribed within their « national habitus», and the other one to exceed it within a transnational project which is often perceived as too abstract. Finally, I will conclude showing how Constellation “foreignizes” (Venuti, 2008, 6) its translation of the European realities, not by its choices but by the choice of avant-garde esthetic techniques.


The article presents a philosophical analysis of the “Catechism of a Revolutionary” in the light of its paradoxically and nihilistic boundedness which resulted in the system of practical actions of S. G. Nechaev, led to the murder of student Ivanov. In this connection the identification of the philosophical foundation of the Catechism of a Revolutionary becomes relevant, as well as the definition of its nature in the scale of textuality and effectiveness. The author proposes to consider the “Catechism of a Revolutionary” as a philosophical text on the basis of the presence of metaphysical and existential aspects in the article. At the same time, the author highlights such key features: a focus on practice (rejection of theorizing in favour of the action “here and now”), substitution of purpose by means (replacing the value of the public weal with total destruction and the paradox of the struggle for equality through formation of a rigid hierarchy), as well as extreme ethical nihilism and cynicism. All these premises allow the author to designate the ideological foundation of the “Catechism of a Revolutionary” as a holistic and consistent philosophy of destruction. In addition, this philosophy is considered in the context of its direct embodiment, implemented by S. G. Nechayev: lie, blackmail, compromising, and most importantly – murder. The author of the article concludes that it is impossible to explore the “Catechism of a Revolutionary” apart from the actual consequences of the implementation of his philosophy, and therefore one cannot speak only of his textual nature, detached from the real life. Instead, it should be considered as a fusion of textuality and effectiveness, which directly transforms being and affects people’s lives. Thus, the “Catechism of a Revolutionary” is presented by the author as a killer-text, consisting of a philosophy of destruction on the one hand and its embodiment into reality on the other. Such an approach allows not only to comprehensively explore the nature of the “Catechism of a Revolutionary”, but also to identify a number of dangers that the philosophy of destruction bears inside.


2019 ◽  
pp. 309-367
Author(s):  
L. F. Katsis

The search method demonstrated in the discovery and examination of the new sources of O. Mandelstam’s poems and prose is the subject of this article. The author suggests consistent analysis of the mentions of Mandelstam and his works in the newspaper Vecherniy Kiev in the years from 1927 up to 1929. Among them is the poet’s name mentioned in the article by the Leningrad-based ideologist A. Stetsky, attacking the local literary journal Rezets. The study of the two publications reveals a number of real-life sources of the pivotal images in the poems Down the Streets of Kiev, the Viy... [Kak po ulitsam Kieva-Viya...], I’m not Quite a Patriarch Yet... [Eshcho dalyoko mne do patriarkha...], The Fourth Prose [Chetvyortaya proza], etc. More new sources are uncovered to explain the ties of Mandelstam and his works with D. Zaslavsky, I. Selvinsky, M. Tarlovsky, N. Ushakov, etc. A special emphasis is placed on the changing perception of Acmeism by the Leningrad bureau of RAPP [Russian Association of Proletarian Writers], as well as different perceptions of Mandelstam as an active Soviet writer, on the one hand, and àn acmeist, on the other. The study also looks into the roles played by K. Tokar and B. Rosenzveig (the editor and a contributor of Vecherniy Kiev, respectively) in the poet’s life, and discusses the episodes related to B. Lecache, whose novel Mandelstam was translating.


Energies ◽  
2018 ◽  
Vol 11 (12) ◽  
pp. 3506 ◽  
Author(s):  
Diane Palmer ◽  
Elena Koumpli ◽  
Ian Cole ◽  
Ralph Gottschalg ◽  
Thomas Betts

Knowledge of roof geometry and physical features is essential for evaluation of the impact of multiple rooftop solar photovoltaic (PV) system installations on local electricity networks. The paper starts by listing current methods used and stating their strengths and weaknesses. No current method is capable of delivering accurate results with publicly available input data. Hence a different approach is developed, based on slope and aspect using aircraft-based Light Detection and Ranging (LiDAR) data, building footprint data, GIS (Geographical Information Systems) tools, and aerial photographs. It assesses each roof’s suitability for PV deployment. That is, the characteristics of each roof are examined for fitting of at least a minimum size solar power system. In this way the minimum potential solar yield for region or city may be obtained. Accuracy is determined by ground-truthing against a database of 886 household systems. This is the largest validation of a rooftop assessment method to date. The method is flexible with few prior assumptions. It can generate data for various PV scenarios and future analyses.


Author(s):  
Adam Biela

Abstract The purpose of this paper is to show the methodological power and potentiality of the concept paradigm of unity introduced originally in the ceremony on the occasion of honoring Chiara Lubich with the doctor honoris causa title by the Catholic University of Lublin in 1996. Originally this conception was used to suggest the societal activity of Chiara Lubich in building, via the Focolari movement, psychosocial infrastructures for unity in various social domains, (for example in the economy of communion, in politics (politicians for unity project), in public media (journalists for unity), in ecumenism and inter-religious contacts (ecumenical and inter-religion Focolari Centers) This conception is a kind of a great inspiration (a kind of Copernican revolution in the social sciences) which would motivate the social sciences to build their own research paradigm of a type of mental and methodological power and potentiality which could give a new vision of social world (as Copernicus did in natural sciences (Biela, 1996, 2006)). Thomas Kuhn (1962) regarded the Copernician revolution as the one which, in the history of science, best illustrates the nature of scientific revolution. The essence of paradigm in a Kuhnian sense is a mentality change in its nature. Copernicus had to change the well-established geocentric system which functioned not only in the science of his day but also in culture, tradition, social perception, and even in the mentality of religious and political authorities. And he did it in a well prepared empirical, methodological and psychological way. In a similar way Chiara Lubich created by her social acting a revolutionary inspiration for building paradigm in social science She decided in an extremely difficult and risky situation in 1944 in Trento not only to escape from her own life emergency but she with her friends made a decision to help other people who were in a much more difficult situation to survive. She decided to take a war bombing risk to be with lost children and older people who were in need. It was a practical building of the unity with the real people who were in need. This kind of experience rediscovered the community as a model for the real life and made a concretization and clarification of the charisma of the unity. However, the development of this charisma shows that it is simply a concrete and practical actualization of the new vision of social, economic, political and religious relationships which advises, recommends, suggests, and promotes the unity with others persons (Lubich, 2007).


EDIS ◽  
2019 ◽  
Vol 2019 (5) ◽  
pp. 14
Author(s):  
John Rutledge ◽  
Joy C. Jordan ◽  
Dale W. Pracht

 The 4-H Citizenship Project offers the opportunity to help 4-H members relate all of their 4-H projects and experiences to the world around them. The 4-H Citizenship manuals will serve as a guide for 4-H Citizenship experiences. To be truly meaningful to the real-life needs and interests of your group, the contribution of volunteer leaders is essential. Each person, neighborhood, and community has individual needs that you can help your group identify. This 14-page major revision of Unit IV covers the heritage project. Written by John Rutledge, Joy C. Jordan, and Dale Pracht and published by the UF/IFAS Extension 4-H Youth Development program. https://edis.ifas.ufl.edu/4h019


Sign in / Sign up

Export Citation Format

Share Document