scholarly journals Borders and bonds: Mali Zvornik and Sakar during the deosmanization of the Balkans of the XIX and XX century

2021 ◽  
Vol 4 (5) ◽  
pp. 7-50
Author(s):  
Safet Bandžović ◽  

Knowledge of world / European history is important for a more complete understanding of complex processes, for comparisons and placing national and regional history in a broader context that provides more meaningful answers. What determines the course of history is sometimes “a series of smaller events in the midst of the context of big ideas”. The borders of the region are determined by geographical, cultural and geopolitical characteristics, as well as the political interests of those builders whose interpretation has dominance. In expanding or narrowing the territory of the Balkans, politics was usually more decisive than geography. Historical events in that area should be presented from the positions of all its peoples, including Muslim communities. Their narratives also form a legitimate part of the picture of that past. Muslims were not the “favorites” of multiple Balkan historiographies that minimized and marginalized their component, functioning as factors shaping their own national and political ideologies. Historiography does not only deal with the reconstruction of the past, but, with all the difficulties and pitfalls, it also interprets it. A fragmentary study of the destinies of Muslim communities hinders the identification of the broader processes and common denominators of their parcelized history. The processes of de-Ottomanization and Balkanization also led to their particular consciousness within the newly formed, post-Ottoman states. Their historical experience is largely not “condensed, preserved, and generationally transmitted”. The attitude that Muslims are “foreigners” in Europe is part of the mentality and process known as the “Eastern Question”. Minds are not too prone to change. Calling all Muslims “Turks” is not the result of ignorance, but of a concrete attitude. It was not until the Berlin Congress of 1878 that the question of their protection became somewhat relevant. The system of such protection was inadequate, without supervisory mechanisms to control the implementation of commitments. Major political changes most often brought about religious and ethnic changes and displacements in the Balkans. In the study of the decades-long process of formation of the Serbian state in the 19th century in the area of the Smederevo Sandzak and the emigration of Muslims from it, special attention is paid to the fate of two small settlements (Mali Zvornik and Sakar) on the right bank of the Drina. After the surrender of the towns to the Serbs in 1862, only Mali Zvornik and Sakar remained in the hands of the Muslims. The origin of the settlement of Mali Zvornik is connected to the existence of the Zvornik fortress and the town of Zvornik on the left bank of the Drina, which was first mentioned in 1412. Mali Zvornik grew on the right bank of the Drina as part of the town of Zvornik. In the first half of the 18th century, travel writers mention that Mala or Mahala of the Bosnian town of Zvornik, whose inhabitants were called Maholjani, was located there. South of Mali Zvornik lies village of Sakar. In the 19th century, in Mali Zvornik and Sakar, on the border with the Smederevo Sandzak, Muslims made up the majority of the population. As only the Drina separated them from the settlements of Divič and Tabaci on its other side, the inhabitants of these settlements were firmly connected by kinship, friendship and marriage, and they were economically oriented towards each other. The Principality of Serbia was persistent in its demands to get Mali Zvornik and Sakar, having in mind their geostrategic position. By the decision of the Berlin Congress in 1878, they became part of Serbia. Until 1912, these were the only settlements in it with a majority Muslim population. They lost that majority over time. What is conditionally called “local” history, in addition to great narratives, indicates, confirmed by various experiences, the multidimensionality of the past, its features and specifics in a particular area.

2017 ◽  
Vol 6 (2) ◽  
pp. 135-140
Author(s):  
Constantin Vadimovich Troianowski

This article investigates the process of designing of the new social estate in imperial Russia - odnodvortsy of the western provinces. This social category was designed specifically for those petty szlachta who did not possess documents to prove their noble ancestry and status. The author analyses deliberations on the subject that took place in the Committee for the Western Provinces. The author focuses on the argument between senior imperial officials and the Grodno governor Mikhail Muraviev on the issue of registering petty szlachta in fiscal rolls. Muraviev argued against setting up a special fiscal-administrative category for petty szlachta suggesting that its members should join the already existing unprivileged categories of peasants and burgers. Because this proposal ran against the established fiscal practices, the Committee opted for creating a distinct social estate for petty szlachta. The existing social estate paradigm in Russia pre-assigned the location of the new soslovie in the imperial social hierarchy. Western odnodvortsy were to be included into a broad legal status category of the free inhabitants. Despite similarity of the name, the new estate was not modeled on the odnodvortsy of the Russian provinces because they retained from the past certain privileges (e.g. the right to possess serfs) that did not correspond to the 19th century attributes of unprivileged social estates.


2006 ◽  
Vol 27 (3) ◽  
pp. 235-246 ◽  
Author(s):  
Peter Trudgill ◽  
Elizabeth Gordon

The division of the world’s Englishes into rhotic and non-rhotic types is clearly due to the fact that the former are conservative in not having undergone loss of non-prevocalic /r/, whereas the latter have. The beginnings of the loss of non-prevocalic /r/ in English have generally been dated by historians of the language to the 18th century. It is therefore obvious, and has been widely accepted, that Irish English, Canadian English, and American English are predominantly rhotic because the English language was exported to these colonial areas before the loss of rhoticity in England began; and that the Southern Hemisphere Englishes are non-rhotic because English was exported to these areas in the 19th century after the loss of rhoticity. Analysing newly-discovered data from Australia, we present some surprising evidence that shows that this obvious conclusion is incorrect.


2019 ◽  
Vol 6 (1) ◽  
pp. 24-28
Author(s):  
Jerzy Supady

The Enlightenment ideology and the French Revolution had a very negative impact on the activities of religious congregations in respect of nursing care of the sick in hospitals in the 18th century. Emperor Napoleon I attempted to improve the existing situation by restoring the right for nursing care to nuns. In the first half of the 19th century, in Germany catholic religious orders had the obligation to provide nursing care and in the 30’s of the 19th century the Evangelical Church also joined charity work in hospitals by employing laywomen, i.e. deaconesses.


MIGRAINE (‘sick headache’) is a common malady, primarily comprising a characteristic visual disturbance (shimmering or scintillating zigzag ‘scotoma’) associated with headache and nausea. The condition is considered to be of very ancient origin, albeit the extreme vagueness of many of the claims for early accounts cited as indicative of migraine. By the 18th century, however, there appear descriptions connoting certain symptoms which undeniably can be construed as migraine, although it was not really until the 19th century that the disease received really serious scientific or medical analysis. The present century, particularly the past twenty-five years, has witnessed considerable research into migraine, and an impressive body of literature, which grows daily, exists on the subject (1). The primary purpose of the present paper is to draw attention to a historically important but overlooked original contribution to the study of migraine made over a century ago by Sir George B. Airy (1801-1892; F.R.S. 1836; P.R.S. 1871; R. S. Copley, and Royal, Medallist) as several of his observations have subsequently become well established clinical entities in the large array of symptoms now recognized as pathognomonic, or variants, of migraine.


2020 ◽  
Vol 48 (1) ◽  
pp. 99-123
Author(s):  
Tomasz Grzegorz Grosse

The aim of the article is to show the centuries-old tradition of Polish elites working for nation-building and nation-preserving purposes. It dates back to at least the 18th century. The nation-preserving formula was developed in the 19th century, that is, during the partitions, when the Polish nation did not have its own statehood. In the first part of the article, I describe the specificity of Poles’ historical experiences, primarily after the partitions that took place at the end of the 18th century. I try to indicate three main approaches to nation-building (and nation-preserving) activities during this period. In the next part of the article, I try to show that this tradition lasted during the period of political transformation and European integration. While the nation-building approach, related to the reconstruction of sovereign statehood, democracy and a political nation, was dominant in the first case, the nation-preserving policy was observed more often, especially among the right-wing elites, after joining the EU, primarily due to the experiences of subsequent European crises.


Author(s):  
Ульяна Михайловна Волкова

В статье рассматриваются медали, созданные в Российской империи в XVIII – начале XX века, с изображением города Москвы. В течение XVIII века была отчеканена всего одна медаль с таким изображением – на основание Московского университета. Все памятники XIX – начала XX века с изображением древней столицы можно разделить на три типа – это виды Кремля, различные сооружения и персонифицированный образ города. Персонификация Москвы – самый увлекательный медальный образ старой столицы. С этой аллегорией существует всего три медали. Первая персонификация Москвы была показана на медали, посвященной Отечественной войне 1812 года – «Освобождение Москвы», отчеканенной в 1834 году и принадлежащей к серии графа Ф.П. Толстого. Одеяние аллегорического персонажа соответствует русской моде начала XIX века и включает стилизованный сарафан и кокошник. На примере трех проанализированных медалей с изображением персонификаций Москвы автор прослеживает основные изменения, произошедшие в отечественном медальерном искусстве – от первых попыток включить элементы традиционной культуры в европейское по своей сути искусство до композиций, созданных на основе исторических источников и научных трудов. The article deals with the images of Moscow in the Russian medallic art of the 18th – beginning of the 20th century. Only one medal with the view of Moscow Kremlin was struck during 18th century. It was a medal dedicated to the inauguration of the Moscow University in 1754 by Helvetian medallieur Jacques-Antoine Dassier. During 19th – beginning of the 20th century, there were three types of the images of Moscow on the Russian medals. Moscow Kremlin, some landmark buildings or personification of the town are the main images depicted on the medals. Personification of Moscow is the most fascinating medallic image of the old capital. There were only three medals with this allegory. First personification of Moscow was shown on a medal dedicated to the Patriotic war of 1812 – “Liberation of Moscow” belonging to the series of count F.P. Tolstoy, minted in 1834. Allegory was dressed according to the Russian fashion of the beginning of the 19th century. And wore stylized sarafan (Russian folk costume) and kokoshnik (traditional Russian headdress). Two other personification were depicted after the first one.


Author(s):  
Roxana Kharchuk

This paper outlines the portrait of Shevchenko’s reader from the Dnieper Ukraine in the first half of the 19th century based on the example of two prominent figures of Kyiv (Old) “Hromada” Volodymyr Antonovych and Mykola Lysenko. The first one represented the intellectuals from the Right Bank Ukraine, the second one ‒ from the Left Bank part. Under the influence of the Ukrainian national renaissance Volodymyr Antonovych became de-Polonized. He was the first political Ukrainian who understood the significance of Shevchenko’s poetry for the formation of Ukrainian national identity (this is evidenced by his memoirs and promoting Shevchenko’s works). According to M. Starytskyi, Mykola Lysenko perceived “Kobzar” passionately. Not only did he become de-Russificated under the influence of Shevchenko’s poetry, but also made the music to “Kobzar” a matter of his life. The author of the paper emphasizes that Shevchenko’s works urged the intellectuals from the Right and Left Bank Ukraine, disconnected after the Truce of Andrusovo, to unite in “Hromada” movement. At the same time the Left Bank intellectuals dominated in “Hromada”. On the researcher’s opinion, this fact may be explained by the high level of education in the Cossak Hetmanate Ukraine. “Kobzar” was a cornerstone for the educational program of Ukrainian ‘narodnyks’ and this whole intellectual movement was based on it. Shevchenko’s works essentially contributed to spreading the Ukrainian idea in Galicia. There is an opinion, that it was the Galician people who separated the Ukrainian national identity from Russian, while in the Left Bank Ukraine both of these identities coexisted. The author of the paper believes that the intellectuals in both parts of Ukraine in 1860s-1870s had an indistinct national identity. Unlike the Galicians the intellectuals from Ukraine under Russian rule, in particular Volodymyr Antonovych, could not speak openly about Ukrainian self-sufficiency. However Shevchenko (born in the Right Bank Ukraine) was first among Ukrainian intellectuals to voice a thesis about the separation of Ukrainians from Russians, about the distinctive Ukrainian history, language and literature that differ from the Russian ones.


Criminologie ◽  
2005 ◽  
Vol 26 (1) ◽  
pp. 165-175
Author(s):  
André Cellard

Like most areas of health that interested medicine in the 19th century, it was almost without opposition that insanity was to become a new medical specialty during the past century. The aim of this article is to shed some light on the dynamics that have allowed doctors since the I7tl% and 18th century to share their point of view with the general public for whom the existential causes of madness seem to have been taken for granted.


2020 ◽  
Vol 17 (33) ◽  
pp. 197-211
Author(s):  
Yara Altez

Se presentan aquí resultados de una investigación documental sobre la historia de una antigua hacienda de cacao fundada a principios del siglo XVII en la costa central venezolana, llamada originalmente Tuasana. Fue una hacienda trabajada por esclavizados que permanecieron asentados allí incluso abolida la esclavitud en 1854, mientras que sus descendientes todavía residen en el lugar, hoy llamado Todasana. A finales del siglo XIX, un grupo de mujeres cambió el apellido que les había impuesto la administración de la hacienda desde inicios del siglo XVIII. Fue una valiente decisión, pero al no transmitirse a la descendencia, dejó en el olvido al pasado de la esclavitud y a sus ancestros. De ellos nadie habla hoy, así como nadie refiere a la importante decisión de aquellas mujeres de Todasana. Abstract: The results of a documentary investigation on the history of an old cocoa farm founded in the early seventeenth century on the Venezuelan central coast, originally called Tuasana, are presented here. It was a farm worked by enslaved who remained seated there even abolished slavery in 1854, while their descendants still reside in the place, today called Todosana. At the end of the 19th century, a group of women changed the last name that had been imposed on them by the administration of the hacienda since the beginning of the 18th century. It was a brave decision, but not being transmitted to the offspring, he left the past of slavery and his ancestors in oblivion. Nobody talks about them today, just as nobody refers to the important decision of those women in Todasana.


2002 ◽  
Vol 19 (2) ◽  
pp. 332-373 ◽  
Author(s):  
Paula Telesco

Enharmonicism steps to the fore only occasionally in 18th-century music. Indeed, over the past two centuries, it has been commonly assumed that it was invoked only when a special affect demanded it (as in the much-discussed "Dance of the Furies" from Rameau's Hippolyte et Aricie). But a survey of 18th-century music refutes this perception and reveals that the enharmonicism of the 18th century can be broadly defined as belonging to one of two categories: simultaneous or immediate enharmonicism, and retrospective enharmonicism. Most early 18th-century examples restrict their usage to the simultaneous/immediate type, which consists of reinterpretations of enharmonic pivot chords. Retrospective enharmonicism, on the other hand, is less common than immediate enharmonicism but is remarkable because it presages the expansion of the diatonic tonal system into the chromatic tonal system of the 19th century. Retrospective enharmonicism does not involve the reinterpretation of an enharmonic pivot chord, nor is a reinterpretation perceived at any one point; it becomes clear only in retrospect that one must have occurred. Rather than a negation of some resolution tendency, as happens in the reinterpretation of a dominant seventh as an augmented sixth, there is a (typically large-scale) trajectory away from some tonic which is eventually regained through the enharmonic door. Some note or chord is respelled as its enharmonic equivalent, but without any aural clue. Drastic key changes of the sort typically encountered in instances of retrospective enharmonicism are for the most part proscribed in the writings of such composers and theorists as Rameau, Kirnberger, Koch, Heinichen, and Vogler, all of whom wrote in detail about staying within an orbit of closely related keys and rarely going directly from one key to another too far away. Nevertheless, this type of enharmonicism was a recognized compositional resource which, though used relatively infrequently in the 18th century, came to occupy a more central place in the realm of available compositional techniques in the 19th century.


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