scholarly journals Performing the Pandemics

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Jorge Poveda Yánez ◽  
María José Bejarano Salazar ◽  
Naiara Müssnich Rotta Gomes de Assunção ◽  
Subhashini Goda Venkataramani

Stemming from one creative experience that emerged in London during the lockdown period of early 2020, called the “Emergency Festival”, this article is a result of observations based on practice, centred around the festival that a group of multicultural, interdisciplinary movement-based researchers and dancers created, curated, and participated in. It explores the possibility of making a radical alterity out of a hitherto previously established ideas of territory, time, and community, using performative writing as practice-based analysis scheme. Employing the concept of “communitas” by Victor Turner (1969) to approach the phenomenon of dance through distance, the article examines the importance of the emergence of collaboration as a way forward, epistemologically looking at dance as a method of creating and sustaining communities that are longing for a sense of home in times of change. The writing is divided into three parts, focussing on the aspects of space, time, and community, all the while embedded in the nature of movement and its effect on the practitioners, and onlookers, concluding with contemplation on the place of dance in varied mediums and the way forward to study it in a period of global disruption.

Author(s):  
Graham Ward

Revelation cannot be approached directly. It is mediated all the way down. That is not just because of ‘sin’. Though sin is the manifestation of our alienation from God—an alienation overcome by God’s reconciling operations in salvation—a diastema between Creator and creation still pertains. There is no immediate encounter with the Word of God available to us as such. It is always mediated to us through human words and human acts, stories (biblical and autobiographical) and material practices, the Church and its liturgies, and the cultures we inhabit that shape us. The voice of the Lord comes to us in and through the darknesses and ambivalences of our various unredeemed and yet to be redeemed states. We are addressed, continually addressed, by God’s transformative grace, by his love and mercy, in and through our condition as created. The voice is accommodated to that condition, and can be accommodated because the Word of God is written into creation, coming finally, and intensively, in Jesus Christ. So the voice can be heard: makes itself available to be heard. But the eternal presence of God pro nobis (where the ‘we’ is not just humankind but all God’s creatures, pace Barth), the eternal presence of God-with-us that is the touchstone and content of revelation, bubbles up intrinsically through the obscurities of created and creative experience.


2018 ◽  
pp. 1-4
Author(s):  
Alvaro De Rújula

Beauty and simplicity, a scientist’s view. A first encounter with Einstein’s equations of General Relativity, space-time, and Gravity. Ockham’s Razor. Why the Universe is the way it is: The origin of the laws of Nature.


Target ◽  
1992 ◽  
Vol 4 (2) ◽  
pp. 171-189 ◽  
Author(s):  
Anthony Pym

Abstract The notion of text transfer, understood as the material moving of texts across space-time, makes it possible to see the relationships between transfer and translation as not only causal (texts are translated because they are transferred), but also economic (translation is one of several options for the distribution of textual resources), semiotic (translations represent acts of transfer), and epistemological (attention to transfer affects the way translations are perceived). Awareness of these relationships should open up new possibilities for strongly interdisciplinary research into the nature and history of translation.


2001 ◽  
Vol 16 (04n06) ◽  
pp. 291-298 ◽  
Author(s):  
TOMÁŠ KOPF ◽  
MARIO PASCHKE

A set of data is supposed to give possible axioms for space–times. It is hoped that such a proposal can serve to become a testing ground on the way to a general formulation. At the moment, the axioms are known to be sufficient for cases with a sufficient number of symmetries, in particular for 1+1 de Sitter space–time.


2019 ◽  
Vol 19 (1) ◽  
pp. 123-136 ◽  
Author(s):  
Angelos Mantzaflaris ◽  
Felix Scholz ◽  
Ioannis Toulopoulos

AbstractIn this paper we present a space-time isogeometric analysis scheme for the discretization of parabolic evolution equations with diffusion coefficients depending on both time and space variables. The problem is considered in a space-time cylinder in {\mathbb{R}^{d+1}}, with {d=2,3}, and is discretized using higher-order and highly-smooth spline spaces. This makes the matrix formation task very challenging from a computational point of view. We overcome this problem by introducing a low-rank decoupling of the operator into space and time components. Numerical experiments demonstrate the efficiency of this approach.


Author(s):  
Rodney Bartlett

In 1982, MIT physicist Frank Wilczek predicted and named ANYONS, quasiparticles (particle-like formations) that are confined to 2 dimensions and were discovered in 2020. The name might come from Prof. Wilczek's lighthearted comment "anything goes". This article's main goal is to show that anyons could be another name for 1) virtual particles, 2) Mobius strips, and 3) figure-8 Klein bottles. Along the way, we'll see the picture painted by the article confirm that Einstein's dream of gravitational-electromagnetic unity fits in with anyons being Mobius strips. The topological hypothesis offers an explanation of dark matter and dark energy. We'll also have encounters with intergalactic travel and imaginary computers. They really could exist but are imaginary in the sense that they use imaginary time (as well as space-time warping).


Revista Prumo ◽  
2021 ◽  
Vol 6 (9) ◽  

Desde o início da Idade Moderna, a maneira como enxergamos a realidade à nossa volta esteve pautada por uma lógica inevitavelmente contextualista, linear e contínua. Fragmentação e anacronismo são, assim, propriedades inconcebíveis do espaço e do tempo, o que se reflete na maneira como se percebe e se age na cidade. Contudo, autores como Gilles Deleuze e Félix Guattari, Peter Eisenman e Robert Smithson (entre outros e outras), com seus respectivos conceitos de Rizoma, Diagrama e Site/Non-site exploram a potência e as múltiplas possibilidades de um espaço-tempo intermediado pela modernidade. O presente ensaio lança mão desses conceitos com o intuito de fazer emergir uma outra realidade. Para tanto, propõe um grid ficcional como ferramenta que opera sobre a cidade factual do Rio de Janeiro, que assim se transforma em um Rio aos Pedaços. Palavras-chave: Rio de Janeiro; Rizoma; Diagrama; Grid. Abstract Since the beginning of the Modern Age, the way we see the reality around us has been guided by an inevitably contextualist, linear and continuous logic. Fragmentation and anachronism are, therefore, inconceivable properties of both space and time, precluding the way one perceives and acts upon the city. Yet, authors such as Gilles Deleuze and Félix Guattari, Peter Eisenman and Robert Smithson (among others), with their respective concepts of Rhizome, Diagram and Site/Non-site, have explored the power and multiple possibilities of a space-time alien to the modern worldview. This essay makes use of these concepts in order to bring about another reality. To this effect, it proposes a fictional grid that acts upon the factual city of Rio de Janeiro, which becomes a Rio in Pieces. Keywords: Rio de Janeiro; Rhizome; Diagram; Grid.


Author(s):  
Maud Ceuterick

Abstract The way mobility and gender are perceived and analysed in the cinema needs to change. As this chapter retraces the scholarship on gender and space, it draws attention to the binaries, starting with the figure of the flâneur, that have portrayed women as being restricted in their movement and in their wilfulness. A transformation of women’s spatial imaginaries beyond patriarchal boundaries requires the consideration of space as fluid, practised, and affective rather than conceived and fixed. Placing feminist geographer Doreen Massey’s concepts of space-time and power-geometries in dialogue with feminist film theory and affect theory shows how cinema may act as a ‘way of thinking’ towards the world and contribute to transforming negative affects into productive forces, as advocated by Rosi Braidotti.


Author(s):  
Joseph Mendola

This chapter is an account of the particularity of spatial and temporal regions as they appear within our experience. It argues that the spatial and temporal relations of these regions are sufficient to individuate them, despite standard objections. This involves a kind of moderate substantivalism about space. The chapter also explores some of the complex modal structure of the spatial relations in question, relevant for instance to geometric truth and the way in which things seem to reverse in mirrors. The eternalist view of time presumed by this account is defended against alternative conceptions of time such as presentism and the moving spotlight theory.


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