scholarly journals POSTMODERN VISION OF THE WORLD IN MODERN LITERATURE

Keruen ◽  
2021 ◽  
Vol 71 (2) ◽  
Author(s):  
S.V. Ananyeva ◽  
Keyword(s):  
World View ◽  
Literary Texts ◽  
Gender Policy ◽  
The Past ◽  
Temporal Relationships ◽  
The World ◽  
Literary Process ◽  
The Media ◽  
Spatio Temporal ◽  
And Gender

The leading trends in the world literary process are summarized in the article based on the analysis of modern Kazakh, Belarusian and Finnish literature, which are characterized by new approaches to the interpretation of reality, reflecting the postmodern world view. Prose writers and poets build complex spatio-temporal relationships in literary texts, when pictures of the past replace the present, complementing and concretizing what has already happened. The transformation of the structure of the work of art, the chain of incredible coincidences and repetitions, the lyrical-autobiographical nature of the narrative, the metaphorical style, mythological imagery make it possible to fancifully interweave pictures of reality and fiction. The authors continue the experiment with the language and text, graphic design in different fonts, the inclusion of SMS messages, visuals, editing and clip series of images. A characteristic feature of the works is autobiography. The theme of family, childhood and gender policy is becoming a leading topic in modern Finnish and Belarusian literature. The literary text comes closer to the media text. Belarusian, Kazakh and Finnish literature are active participants in the world literary process. A postmodern vision of the world opens up new possibilities for creating characters of heroes and entering into dialogue thanks to new literary translations.

A measure of humanity in internal disturbances and tensions: proposal for a Code of Conduct

1988 ◽  
Vol 28 (262) ◽  
pp. 38-58 ◽  
Author(s):  
Hans-Peter Gasser
Keyword(s):  
Code Of Conduct ◽  
The Past ◽  
States Of Emergency ◽  
The World ◽  
The Media

From time to time, States are affected by outbreaks of internal violence. Such upheavals are usually referred to as internal disturbances or tensions, disorders, states of emergency, revolutions or insurrections. These expressions all refer to situations that appear contrary to justice, order, stability and internal peace. There have been many examples of the kind in the past, and we know from the media that they continue to occur. Almost every nation in the world has a history marked by periods of insecurity and protest accompanied by outbreaks of violence.

scholarly journals Young People: Between Literature and Advanced Technologies

2017 ◽  
Vol 1 (1) ◽  
pp. 13-23
Author(s):  
Ahmad Idris Asmaradhani
Keyword(s):  
Life Choices ◽  
Face To Face ◽  
Human Essence ◽  
The Past ◽  
Technological Advances ◽  
The World ◽  
Simple Question ◽  
The Media ◽  
The Individual ◽  
The Ideal

In the eyes of literature, existentialist thinkers focus on the question of concrete human existence and the conditions of this existence rather than hypothesizing a human essence, stressing that the human essence is determined through life choices. The ideal, however, is that humans exist in a state of distance from the world that they nonetheless remain in the midst of. This distance is what enables humans to project meaning into the disinterested world of in-itselfs. This projected meaning remains fragile, constantly facing breakdown for any reason— from a tragedy to a particularly insightful moment. In such a breakdown, humans are put face to face with the naked meaninglessness of the world, and the results can be devastating. It is porposed that literature and the media combined have a powerful impact on those who wish to truly realize and understand their message. By studying, reading, learning, experiencing, and knowing the culture of the present and those cultures of the past then one can understand the ideas of life and how the two work together to help us better understand each other and ourselves. In what ways our present culture, our technological advances, and the media shape who we are as individuals is not a simple question. The answer seems to elusively hide in a world filled with cultural complexities. But, it is no secret to find that literature is a source of power. It does influence, guide, and shape the human become as they continue their journey through life. Hence, since human are never without the influence of literature, they will always have factors working to modify the human being. However, it is their choice as to how they internalize what they are exposed to, and in turn, it is up to them to determine the individual that ultimately prevails.

Ends of French

2018 ◽  
Author(s):  
Yasser Elhariry
Keyword(s):  
Arabic Literature ◽  
Western Civilization ◽  
French Society ◽  
Progressive Decline ◽  
The Past ◽  
The World ◽  
Literary Cultures ◽  
The Media ◽  
Charlie Hebdo

Pacifist Invasions begins with a short preface that engages the polemics surrounding Michel Houellebecq’s latest novel on Islam and France, Soumission (2015), which hit bookstands nationwide across France on the same day as the attack on the Charlie Hebdo offices in Paris. Ever since his first novels, Houellebecq has been lyrically singing the progressive decline and suicide of French society and Western civilization. With Soumission, he—and not the attackers—kills them off altogether. This recent episode in literature exposes the difficulty of coping with the afterlives of literatures and languages after colonialism: tellingly, what remains entirely absent from the media circus around Houellebecq in the on-going aftermath of the Charlie Hebdo attack is how France, for the past fifty years, has continued to lurk in the shadows of the postcolony. Pacifist Invasions takes as its beginning and its end the metaphorical conceit of Houellebecq’s ‘end of French,’ particularly through its textual and poetic manifestations in Francophone literary cultures that are in dialogue with the world of Arabic letters, to argue that French is undergoing a necrophilological colonization by Arabic literature and Islamic scripture under the pens of the five writers studied in Pacifist Invasions.

Transgender and Nonbinary Gender Policy in the Public Sector

2019 ◽  
Author(s):  
Nicole M. Elias
Keyword(s):  
The United States ◽  
Physical And Mental Health ◽  
Public Agencies ◽  
Transgender People ◽  
The Public ◽  
Gender Policy ◽  
The Past ◽  
Government Documents ◽  
Nonbinary Gender ◽  
And Gender

Our understanding and treatment of gender in the United States has evolved significantly over the past four decades. Transgender individuals in the current U.S. context enjoy more rights and protections than they have in the past; yet, room for progress remains. Moving beyond the traditional male–female binary, an unprecedented number of people now identify as transgender and nonbinary. Transgender identities are at the forefront of gender policy, prompting responses from public agencies at the local, state, and federal levels. Because transgender individuals face increased rates of discrimination, violence, and physical and mental health challenges, compared to their cisgender counterparts, new gender policy often affords legal protections as well as identity-affirming practices such as legal name and gender marker changes on government documents. These rights come from legal decisions, legislation, and administrative agency policies. Despite these victories, recent government action targeting the transgender population threatens the progress that has been made. This underscores the importance of comprehensive policies and education about transgender identities to protect the rights of transgender people.

Rising public piety and the status of women in Indonesia two decades after reformasi

2019 ◽  
Vol 8 (1) ◽  
pp. 65-80
Author(s):  
Dina Afrianty
Keyword(s):  
The Public ◽  
Gender Policy ◽  
Faith Based ◽  
The Past ◽  
Traditional Gender Roles ◽  
The Status ◽  
The Public Sphere ◽  
And Gender ◽  
The Relationship ◽  
Status Of Women

AbstractIndonesian women were at the forefront of activism during the turbulent period prior to reformasi and were a part of the leadership that demanded democratic change. Two decades after Indonesia embarked on democratic reforms, the country continues to face challenges on socio-religious and political fronts. Both the rise of political Islam and the increased presence of religion and faith in the public sphere are among the key features of Indonesia's consolidating democracy. This development has reinvigorated the discourse on citizenship and rights and also the historical debate over the relationship between religion and the state. Bearing this in mind, this paper looks at the narrative of women's rights and women's status in the public domain and public policy in Indonesia. It is evident, especially in the past decade, that much of the public conversation within the religious framework is increasingly centred on women's traditional social roles. This fact has motivated this study. Several norms and ideas that are relied on are based on cultural and faith-based interpretations - of gender. Therefore, this paper specifically examines examples of the ways in which social, legal, and political trends in this context affect progress with respect to gender equality and gender policy. I argue that these trends are attempts to subject women to conservative religious doctrines and to confine them to traditional gender roles. The article discusses how these developments should be seen in the context of the democratic transition in Indonesia.

scholarly journals Discours du président : Splendeurs et misères de Clio

2006 ◽  
Vol 16 (1) ◽  
pp. 1-7
Author(s):  
Pierre Savard
Keyword(s):  
Soap Operas ◽  
Historical Novels ◽  
Strong Force ◽  
The Past ◽  
Canadian Studies ◽  
The World ◽  
The Media ◽  
Department Of National Defence ◽  
Parks Canada ◽  
Sixtieth Anniversary

Abstract Clio in Canada today has notable strengths and weaknesses. Historiography itself has been greatly enriched as younger historians using better methods have opened up many new frontiers in labour, urban, Northern, and women's history, among others. As well, historians have had an important part in the flowering in many disciplines over the past decade of ethnic, regional, and Canadian studies-all leading to a fuller understanding of our heritage and nation. The last twenty years have seen a great expansion, too, in the numbers of historians, not only in the colleges and universities, but also among archivists (normally first trained in history) and government researchers (especially at the Department of National Defence and Parks Canada). As it approaches its sixtieth anniversary with well over two thousand members, the Canadian Historical Association itself is very healthy, a leader among learned societies in Canada and a strong force uniting far-flung historians through its annual meeting, its publications, and its defence of historians' interests, as in our recent representations in Ottawa regarding Bill C-43. But all is not well among Clio's Canadian disciples. Historians of countries other than Canada and especially francophone Quebeckers are still very much underrepresented in the CHA, despite laudable attempts to make the association more appealing to them. Our profession is more deeply threatened by attempts by the media through television soap operas and historical novels to equate history with a romantic popularization of the past, at the possible expense of reflective contemplation based on careful research and analysis. And if nineteenth-century historians too often came to history after a full career in public life, which led to obvious biases in their writings, do we now not risk the opposite extreme? Too many historians today are cold analysts removed from the world on isolated campuses, writing only for each other in specialized journals quite divorced from contemporary society. The natural critical capacity of historians — their training to take no evidence or information at face value — is too often lost in the affairs of the world. Despite our differences of temperament, ideology, subject fields, ages, and languages, we as historians in Canada are united in the belief that the past has more to teach us than the present. The lessons so gleaned we must make a source of wisdom for our contemporaries.

Mimitabu at Atalante, Gothenburg

Tempo ◽  
2017 ◽  
Vol 71 (281) ◽  
pp. 91-92
Author(s):  
Magnus Haglund
Keyword(s):  
Contemporary Music ◽  
Art Nouveau ◽  
Contemporary World ◽  
The Past ◽  
Richard Strauss ◽  
The World ◽  
Critical Attention ◽  
The Media ◽  
Romantic Aesthetics

Why Swedish contemporary music over the past few decades has been such a provincial affair is a mystery. Most of the pieces receiving critical attention from the media are using neo-Romantic aesthetics – bombastic orchestral sounds more connected to the world of Richard Strauss than Helmut Lachenmann. Hearing this type of music, often characterised by its excesses of art nouveau ornamentations, one may wonder what century one is living in. Where is the contemporary world?

scholarly journals “La fijeza”: the hope of the temporary progression through the image of the Caribbean location

2016 ◽  
Vol 3 (5) ◽  
pp. 118-129
Author(s):  
Ana Carolina Ochoa Roa
Keyword(s):  
Alejo Carpentier ◽  
Detailed Knowledge ◽  
Caribbean Studies ◽  
Caribbean Island ◽  
Poetic Image ◽  
Temporal Relationships ◽  
The World ◽  
The Caribbean ◽  
Spatio Temporal ◽  
Beach Resort

 This is a text derivated from the presentation “La fijeza: tiempo y espacio insulares”, in the 38th Conference of the Caribbean Studies Association, on June 4th, 2013 at Grenada Grand Beach Resort, Grand Anse, Grenada.Lezama Lima was a Cuban poet, essayist, and novelist considered as well as Alejo Carpentier, one of the greatest figures of the Caribbean island literature. His detailed knowledge of the baroque literature specially Góngora’s poetry, and also his necessity of fixing a Cuban identity, allowed him to propose a very innovative esthetic which goes beyond the disenchantment proper of the baroque. The verses of “La fijeza” are some examples of this vision. In this order of ideas, the purpose of this work in to present the analysis of some poems of “La fijeza” in order to explain the manner in which Lezama distances himself from the baroque disenchantment conception of the world and how, at the same time, he presents verses of hope, identity and universalism by means of presenting the poetic image of the Caribbean scenery and its spatio-temporal relationships in a way to explain a vision of the poetry as privileged way to re-create the world.  

scholarly journals Female Roles in La Cinta Dorada by María Manuela Reina and Models of the World

2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Ana María Aguilar López ◽  
Marta Miguel Borge
Keyword(s):  
Internal Model ◽  
Point Of View ◽  
The Past ◽  
Male Characters ◽  
The World ◽  
And Gender ◽  
Psychological Balance ◽  
Over Time ◽  
Female Drama

Our model of the world that we perceive within ourselves, our conscience, in short, our psychological balance is influenced by our surroundings. Part of the input to which we are exposed in this immediate environment is related to texts, self-managed discourse, which can also influence our internal model of the world; hence they are deserving of our attention. In the same way as the models of the world that we construct throughout our lives, reality is not static and also changes as time goes by. From a social point of view, we can see that the roles of women in modern-day society and the ways that those roles can be perceived today are a consequence of changes initiated in the past within different areas and in a prolonged process over time up until our day. With the aim of evaluating whether female drama has contributed to that change, we present an analysis in this paper of the play La Cinta Dorada [The Golden Ribbon] by María Manuela Reina, written and set in the 1980s, a decade that for Spain implied a more obvious abandonment of the most traditional conceptions of the role of women. In the analysis of the play, we see how the models of the world of the older people are counterposed with those of the younger people, a generational divide that is enriched with the gender difference, as we also analyze how the psychological structures of the female and male characters confront the clichés pertaining to another era in reference to such topics as success, infidelity, matrimony, and gender. The results of our analysis demonstrate how Reina responds to archaic conceptions, thereby inciting the audiences of the day to question their respective models of the world, especially, with regard to the role of the woman in society. 

scholarly journals The image of the “horror” world in the “Fin de siècle” prose (Mikhail Artsybashev, Fyodor Sologub, Leonid Andreyev)

2021 ◽  
Vol 27 (2) ◽  
pp. 123-129
Author(s):  
Tatyana Alexandrovna Khitarova ◽  
Elena Georgievna Khitarova
Keyword(s):  
World Order ◽  
Turn Of The Century ◽  
Fin De Siecle ◽  
Literary Texts ◽  
The World ◽  
Fin De Siècle ◽  
Literary Process

The article examines the problem of typological features of the chronotope of the prose of the writers of the “Fin de siècleˮ, who defined the model of the world order in the image of the “horror worldˮ. The goal is analysis of the prose samples of the middle epic of Mikhail Artsybashev, Fyodor Sologub (Teternikov), Leonid Andreyev. Perversion, the corporeality of the depicted reality are the main chronotopic features found in all the literary texts involved for consideration. As we can conclude, the writers of the “Fin de siècleˮ really do make fear and horror a constantly sounding plot-forming motif. However, this constant motif for the literary process of the turn of the century sounds in a unique personal key. The writers offer their own architecture of the image of the “horrorˮ. Thus, the sound of the fear motif is an artistic characteristic of the text, it determines both the dominant of its poetics, and the worldview and attitude of the creator of the text.

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