Diaspora Dance in the History of Dance Studies

2017 ◽  
Author(s):  
Yvonne Daniel
Keyword(s):  
Visual Analysis ◽  
Franz Boas ◽  
Dance Studies ◽  
Spanish Caribbean ◽  
Dance Culture ◽  
Caribbean Spanish ◽  
History Of ◽  
Katherine Dunham ◽  
Dutch Caribbean ◽  
Dance Anthropology

This chapter examines Diaspora dance culture from a dance studies perspective. It begins by tracing the history of dance anthropology and Diaspora dance as a field of study, with a particular focus on some key dance scholars such as Franz Boas, E. E. Evans-Pritchard, Margaret Mead, Gertrude Kurath, Katherine Dunham, and Pearl Primus. It then reviews the pioneers and pioneering literature of dance anthropology covering Caribbean, Spanish Caribbean, French/Kreyol Caribbean, English/Creole Caribbean, and Dutch Caribbean dance studies as well as dance studies of Afro-Latin territories. It also provides a short background on African and Diaspora U.S. dance studies and concludes by highlighting how visual analysis of dance formations permits a visceral understanding of Diaspora dance.

French Interwar Dance Theory

2016 ◽  
Vol 48 (2) ◽  
pp. 104-110
Author(s):  
Mark Franko
Keyword(s):  
New York ◽  
Modern Dance ◽  
The United States ◽  
Research Area ◽  
Martha Graham ◽  
Dance Studies ◽  
Dance Culture ◽  
History Of ◽  
Anglo American ◽  
Critical Discourses

Interwar French dance and the critical discourses responding to it have until recently been an underdeveloped research area in Anglo-American dance studies. Despite common patterns during the first half of the twentieth century that may be observed between the dance capitals of Berlin, Paris, and New York, some noteworthy differences set the French dance world apart from that of Germany or North America. Whereas in Germany and the United States modern dance asserted itself incontrovertibly in the persons of two key figures—Mary Wigman and Martha Graham, respectively—no such iconic nativist modernist dancer or choreographer emerged in France. Ilyana Karthas's When Ballet Became French indicates the predominance of ballet in France, and this would seem an inevitable consequence of the failure of modern dance to take hold there through at least one dominant figure. Franz-Anton Cramer's In aller Freiheit adopts a more multidimensional view of interwar French dance culture by examining discourse that moves outside the confines of ballet. A variety of dance forms were encouraged in the milieu of the Archives Internationales de la Danse—an archive, publishing venture, and presenting organization—that Rolf de Maré founded in Paris in 1931. This far-reaching and open-minded initiative was unfortunately cut short by the German occupation (1940–1944). As Cramer points out: “The history of modern dance in Europe is imprinted with the caesura of totalitarianism” (13). Although we are somewhat familiar with the story of modern dance in Germany, we know very little about it in France.

The Alice in Wonderland Syndrome in Juvenile Migraine

PEDIATRICS ◽  
1979 ◽  
Vol 63 (4) ◽  
pp. 517-519
Author(s):  
Gerald S. Golden
Keyword(s):  
Body Image ◽  
Family History ◽  
Psychiatric Illness ◽  
Visual Analysis ◽  
Drug Ingestion ◽  
Alice In Wonderland ◽  
History Of

Two children are reported who had recurrent attacks of impairment of time sense, body image, and visual analysis of the environment. These occurred with a clear state of consciousness and in the absence of any evidence of an encephalitic process, seizures, drug ingestion, or psychiatric illness. Both children had recurrent headaches; one was clearly migrainous. There was a family history of migraine in both cases. These children represent examples of the Alice in Wonderland syndrome in juvenile migraine.

scholarly journals Zoantharia (Cnidaria: Hexacorallia) of the Dutch Caribbean and One New Species of Parazoanthus

Diversity ◽  
2020 ◽  
Vol 12 (5) ◽  
pp. 190
Author(s):  
Javier Montenegro ◽  
Bert W. Hoeksema ◽  
Maria E. A. Santos ◽  
Hiroki Kise ◽  
James Davis Reimer
Keyword(s):  
Coral Reefs ◽  
Biodiversity Loss ◽  
Anthropogenic Pressure ◽  
Undescribed Species ◽  
Species List ◽  
History Of Research ◽  
History Of ◽  
The Caribbean ◽  
Dutch Caribbean ◽  
One New Species

Species of the anthozoan order Zoantharia (=Zoanthidea) are common components of subtropical and tropical shallow water coral reefs. Despite a long history of research on their species diversity in the Caribbean, many regions within this sea remain underexamined. One such region is the Dutch Caribbean, including the islands of St. Eustatius, St. Maarten, Saba, Aruba, Bonaire, and Curaçao, as well as the Saba Bank, for which no definitive species list exists. Here, combining examinations of specimens housed in the Naturalis Biodiversity Center collection with new specimens and records from field expeditions, we provide a list of zoantharian species found within the Dutch Caribbean. Our results demonstrate the presence at least 16 described species, including the newly described Parazoanthus atlanticus, and the additional potential presence of up to four undescribed species. These records of new and undescribed species demonstrate that although the zoantharian research history of the Caribbean is long, further discoveries remain to be found. In light of biodiversity loss and increasing anthropogenic pressure on declining coral reefs, documenting the diversity of zoantharians and other coral reef species to provide baseline data takes on a new urgency.

Migration History as a Transcultural History of Societies

2015 ◽  
Vol 1 (2) ◽  
pp. 121-135
Author(s):  
Dirk Hoerder
Keyword(s):  
Chicago School ◽  
Columbia University ◽  
University Of Minnesota ◽  
Franz Boas ◽  
Social Distance Scale ◽  
Migration History ◽  
Ethnic History ◽  
History Of ◽  
Multicultural Perspectives ◽  
The University

As ‘ethnic’ history — the nation-to-ethnic-ghetto version of migrant strategies — came to include the process of migration and the socialization, the ‘roots’ of the field were still traced to the Chicago School and Oscar Handlin. European scholarship in the initial stages centred on emigration to North America and followed us approaches. I discuss, to the 1950s, European and Canadian epistemologies of the field and briefly refer to research in other parts of the world. The essays discuss neglected, theoretically and conceptually complex origins of migration studies and history in the us: (1) the Chicago Women’s School of Sociology of Hull House reformers and women economists from the 1880s and the cluster of interdisciplinary scholars at Columbia University (Franz Boas et al.); (2) scholars at the University of Minnesota who included the migrants’ societies of origin; as well as (3) scholars in California (Bogardus, social distance scale) and (4) British Columbia who recovered data collected in the 1920s and read them in modern multicultural perspectives. Against these many threads the emphasis by Chicago scholars, E. Park in particular, and O. Handlin on disorganization and ‘marginal men’ are assessed.

Staging and Embodiment of the Tragic in Pina Bausch's Orpheus and Eurydice (1975)

2016 ◽  
Vol 2016 ◽  
pp. 191-197
Author(s):  
Nicole Haitzinger
Keyword(s):  
Twentieth Century ◽  
Structure And Function ◽  
Dance Studies ◽  
Central European ◽  
Orpheus And Eurydice ◽  
Mise En Scene ◽  
History Of ◽  
Longue Duree ◽  
Longue Durée ◽  
And Function

This paper is concerned with resonances of the tragic in twentieth-century central-European dance theatet, to be discussed with particular reference to Pina Bausch's 1975 Orpheus and Eurydice. In my study Resonances of the Tragic: Between Event and Affect (2015), I have argued that in terms of a history of the “longue durée,” the evocation of the tragic occurs in a field of tension between technique, the mise-en-scène, and conceptions, as well as procedures and moments of interruption, of suspension, of disruption and of the indeterminable resulting from ecstatic corporeality. Its structure and function can generate an event in the emphatic sense of the term; consequently, it provides a paradigm for recognizing structures of form and of an aesthetic of reception, structures emerging from individual constellations of the fictional and choric, absence and presence. From the perspective of dance studies, the tragic emanates from the representation of horrendous monstrosity testing the limits of what can be imagined by means of the moved body in all senses of the word; but how exactly does Bausch produce the qualities of the ambivalent, ambiguous, and paradoxical—and, consequently, the tragic?

scholarly journals MRI-negative Temporal Lobe Epilepsy: Is there a Role for PET?

2005 ◽  
Vol 5 (3) ◽  
pp. 118-119 ◽  
Author(s):  
Theodore H. Schwartz
Keyword(s):  
Temporal Lobe Epilepsy ◽  
Temporal Lobe ◽  
Fdg Pet ◽  
Visual Analysis ◽  
Hippocampal Sclerosis ◽  
Significant Difference ◽  
Hippocampal Sparing ◽  
Temporal Lobe Seizures ◽  
Temporal Structures ◽  
History Of

MRI-negative PET-positive Temporal Lobe Epilepsy: A Distinct Surgically Remediable Syndrome Carne RP, O'Brien TJ, Kilpatrick CJ, MacGregor LR, Hicks RJ, Murphy MA, Bowden SC, Kaye AH, Cook MJ Brain 2004;127:2276–2285 Most patients with nonlesional temporal lobe epilepsy (NLTLE) will have the findings of hippocampal sclerosis (HS) on a high-resolution MRI. However, a significant minority of patients with NLTLE and electroclinically well-lateralized temporal lobe seizures have no evidence of HS on MRI. Many of these patients have concordant hypometabolism on fluorodeoxyglucose-PET ([18F]FDG-PET). The pathophysiologic basis of this latter group remains uncertain. We aimed to determine whether NLTLE without HS on MRI represents a variant of or a different clinicopathologic syndrome from that of NLTLE with HS on MRI. The clinical, EEG, [18F]FDG-PET, histopathologic, and surgical outcomes of 30 consecutive NLTLE patients with well-lateralized EEG but without HS on MRI (HS–ve TLE) were compared with 30 consecutive age- and sex-matched NLTLE patients with well-lateralized EEG with HS on MRI (HS+ve TLE). Both the HS+ve TLE group and the HS–ve TLE patients had a high degree of [18F]FDG-PET concordant lateralization (26 of 30 HS–ve TLE vs. 27 of 27 HS+ve TLE). HS–ve TLE patients had more widespread hypometabolism on [18F]FDG-PET by blinded visual analysis [odds ratio (OR,+∞(2.51,–); P = 0.001]. The HS–ve TLE group less frequently had a history of febrile convulsions [OR,0.077 (0.002 to 0.512), P = 0.002], more commonly had a delta rhythm at ictal onset [OR,3.67 (0.97 to 20.47); P = 0.057], and less frequently had histopathologic evidence of HS [OR,0 (0 to 0.85); P = 0.031]. No significant difference in surgical outcome despite half of those without HS having a hippocampal-sparing procedure. Based on the findings outlined, HS–ve PET-positive TLE may be a surgically remediable syndrome distinct from HS+ve TLE, with a pathophysiologic basis that primarily involves lateral temporal neocortical rather than mesial temporal structures.

Intonation in Palenquero

2008 ◽  
Vol 23 (1) ◽  
pp. 1-31 ◽  
Author(s):  
José Ignacio Hualde ◽  
Armin Schwegler
Keyword(s):  
Final Section ◽  
Equatorial Guinea ◽  
Strong Tendency ◽  
Lexical Tone ◽  
Stressed Syllable ◽  
Word Level ◽  
Caribbean Spanish ◽  
History Of ◽  
Final Syllable ◽  
Published Research

The least understood aspect of Palenquero phonology is its intonational system. This is a serious gap, as it is precisely in the realm of prosody that the most striking phonological differences between Palenquero and (Caribbean) Spanish are apparent. Although several authors have speculated that African influence may be at the source of Palenquero’s peculiar intonation, to date published research offers no detailed information about the intonation of the creole. The goal of this study is to remedy this situation. Here we identify several specific intonational features where conservative (or older-generation) Palenquero differs from (Caribbean) Spanish. One of these features is a strong tendency to use invariant word-level contours, with a H tone on the stressed syllable and L tones on unstressed syllables, in all sentential contexts, including prenuclear positions. A second feature that we have identified is the use of a sustained phrase-final high or mid level contour in declaratives accented on the final syllable, and a long fall in declaratives accented on the penult. The final section addresses the issue of the possible origin of these intonational features. We point out similarities with Equatorial Guinea Spanish and conclude that, at some point in the history of Palenquero, the Spanish prosodic system was interpreted as involving lexical tone, in conformity with claims in the literature regarding several Atlantic creoles.

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