Vita Sexualis

2016 ◽  
Author(s):  
Ralph M. Leck
Keyword(s):  
Nineteenth Century ◽  
Cultural Differences ◽  
Legal Systems ◽  
Sexual Diversity ◽  
Sexual Science ◽  
History Of

Karl Ulrichs' studies of sexual diversity galvanized the burgeoning field of sexual science in the nineteenth century. But in the years since, his groundbreaking activism has overshadowed his scholarly achievements. Ulrichs publicly defied Prussian law to agitate for gay equality and marriage, and founded the world's first organization dedicated to the legal and social emancipation of homosexuals. This book returns Ulrichs to his place as the inventor of the science of sexual heterogeneity. The book's analysis situates sexual science in a context that includes politics, aesthetics, the languages of science, and the ethics of gender. Although he was the greatest nineteenth-century scholar of sexual heterogeneity, Ulrichs retained certain traditional conjectures about gender. This book recognizes these subtleties and employs the analytical concepts of modernist vita sexualis and traditional psychopathia sexualis to articulate philosophical and cultural differences among sexologists. This book uses a bedrock figure's scientific and political innovations to open new insights into the history of sexual science, legal systems, and Western amatory codes.

The Origin, Formation and Early History of the Chikunda of South Central Africa

1972 ◽  
Vol 13 (3) ◽  
pp. 443-461 ◽  
Author(s):  
Allen Isaacman
Keyword(s):  
Nineteenth Century ◽  
Historical Linguistic ◽  
Cultural Differences ◽  
Ethnic Groups ◽  
Large Scale ◽  
Central Africa ◽  
Military History ◽  
Early History ◽  
South Central ◽  
History Of

Although historians have examined the process of pre-colonial political integration, little attention has been paid to the complementary patterns of ethnic and cultural assimilation. The Chikunda, who were initially slaves on the Zambezi prazos, provide an excellent example of this phenomenon. Over the course of several generations, captives from more than twenty ethnic groups submerged their historical, linguistic, and cultural differences to develop a new set of institutions and a common identity. The decline of the prazo system during the first half of the nineteenth century generated large scale migrations of Chikunda outside of the lower Zambezi valley. They settled in Zumbo, the Luangwa valley and scattered regions of Malawi where they played an important role in the nineteenth-century political and military history of south central Africa.

Czechs and Germans—An Enduring Problem in the Heart of Central Europe: A Conclusion

1996 ◽  
Vol 24 (01) ◽  
pp. 107-109
Author(s):  
Claire E. Nolte
Keyword(s):  
Nineteenth Century ◽  
Cultural Differences ◽  
Central Europe ◽  
Political Dimension ◽  
Central European ◽  
History Of ◽  
Economic Advancement ◽  
The Relationship ◽  
Teutonic Knights

The relationship between Germans and Czechs has often been the crucible on which the history of Central Europe was forged. Although characterized more by enmity than amity in recent times, this was not always the case. For most of the centuries when Czechs and Germans shared the same Central European space, the cultural differences between them lacked a political dimension, and their interaction was peaceful and mutually beneficial. The Teutonic Knights named their citadel “Königsberg” in honor of the Czech ruler, Přemysl Otakar II, while German townspeople contributed their skills and crafts to the economic advancement of the Bohemian kingdom which he ruled. Beginning in the nineteenth century, however, the positive aspects of this ethnic coexistence were ignored, forgotten, or suppressed by scholars and politicians, both Czech and German, who interpreted the Bohemian past in the language of national separatism.

Motifs in Sexual Science

2017 ◽  
Author(s):  
Ralph M. Leck
Keyword(s):  
Public Knowledge ◽  
Legal Systems ◽  
Sexual Science ◽  
History Of ◽  
Sexual Research ◽  
Scientific Innovations

This chapter places Ulrichs' scholarship within the larger constellation of sexual science. The major motifs discussed here include: the methodology of the case study, debates as to whether sexual research should become public knowledge or remain sequestered among experts, the civic meaning of discourses of nature, Ulrichs' influence on British sexologists, and an explanation of how the story of sexual science is altered by a narrative that commences with and centers around Ulrichs' legacy. The chapter shows how examinations of Ulrichs' political and scientific innovations are a wedge opening new insights into the history of sexual science, legal systems, and Western amatory codes.

A history of some fruit models in wax and other materials: scientific teaching aids and courtly table decorations

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck
Keyword(s):  
Nineteenth Century ◽  
Fruit Trees ◽  
Visual Aids ◽  
Early Nineteenth Century ◽  
Teaching Aids ◽  
Scientific Teaching ◽  
Glass Marble ◽  
History Of ◽  
By Products ◽  
Wax Models

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.

Adam Zalužanský’s “De sexu plantarum” (1592): an early pioneering chapter on plant sexuality

2013 ◽  
Vol 40 (2) ◽  
pp. 244-256 ◽  
Author(s):  
Holger Funk
Keyword(s):  
Nineteenth Century ◽  
English Translation ◽  
History Of Botany ◽  
Main Work ◽  
Botanical History ◽  
History Of ◽  
The University ◽  
First Time

In the history of botany, Adam Zalužanský (d. 1613), a Bohemian physician, apothecary, botanist and professor at the University of Prague, is a little-known personality. Linnaeus's first biographers, for example, only knew Zalužanský from hearsay and suspected he was a native of Poland. This ignorance still pervades botanical history. Zalužanský is mentioned only peripherally or not at all. As late as the nineteenth century, a researcher would be unaware that Zalužanský’s main work Methodi herbariae libri tres actually existed in two editions from two different publishers (1592, Prague; 1604, Frankfurt). This paper introduces the life and work of Zalužanský. Special attention is paid to the chapter “De sexu plantarum” of Zalužanský’s Methodus, in which, more than one hundred years before the well-known De sexu plantarum epistola of R. J. Camerarius, the sexuality of plants is suggested. Additionally, for the first time, an English translation of Zalužanský’s chapter on plant sexuality is provided.

Correspondence between Adolphe Brongniart and Robert Schomburgk: trading natural history collections for honours

2002 ◽  
Vol 29 (3) ◽  
pp. 333-336
Author(s):  
PIOTR DASZKIEWICZ ◽  
MICHEL JEGU
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Dominican Republic ◽  
Southeast Asia ◽  
Herbarium Specimens ◽  
British Guiana ◽  
Natural History Collections ◽  
History Of ◽  
Source Of Information ◽  
German Naturalist

ABSTRACT: This paper discusses some correspondence between Robert Schomburgk (1804–1865) and Adolphe Brongniart (1801–1876). Four letters survive, containing information about the history of Schomburgk's collection of fishes and plants from British Guiana, and his herbarium specimens from Dominican Republic and southeast Asia. A study of these letters has enabled us to confirm that Schomburgk supplied the collection of fishes from Guiana now in the Laboratoire d'Ichtyologie, Muséum National d'Histoire Naturelle, Paris. The letters of the German naturalist are an interesting source of information concerning the practice of sale and exchange of natural history collections in the nineteenth century in return for honours.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

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