scholarly journals Kalidasa's Dushyantha and Shakuntala: A Behaviour Study

HARIDRA ◽  
2021 ◽  
Vol 2 (06) ◽  
pp. 24-28
Author(s):  
Lt. Lisha CR

Abhinjanasakunthala is a world famous kavya in Sanskrit literature. In this paper, I make an observation of the character of Dushyantha and Sakuntala, who are described as rich in virtue in this kavya, and set an example to the best couples all over the world. Here we can see the the genius ofKalidasa and the male-dominated society of that time, using his characters to adapt the needs of a society.

Author(s):  
Abbas Mohammadi

Cinema consists of two different dimensions of art and instrument. A tool that mixes with art and represents society in which anything can be depicted for others. But art has always sought to portray the beauties of this universe. The beauty that lies within philosophy. Since the advent of human beings, men have always sought to dominate and abuse women for their own benefit. In the 19th century, cinema entered the realm of existence and found its place in the human world. With the empowerment of cinema in the world, filmmakers tried to achieve their goals by using this tool.Many filmmakers use women as a propaganda tool to attract a male audience. In many films, when the hero of a movie succeeds in reaching a woman, or in doing so, she is succeeded by a woman. In this way, of course, women themselves are not faultless and have helped men abuse women. Afghanistan, a traditional and male-dominated country, has not been the exception, and in many Afghan films women have been instrumental zed and used in various ways to benefit men, and we have seen fewer films in which women be a movie hero or a woman in a movie like a man. This kind of treatment of women in Afghan films has caused other young Afghan girls to not have a positive view of Afghan cinema.


Author(s):  
Abdulrahman Abdulwaheed Idris ◽  
Rosli Talif ◽  
Arbaayah Ali Termizi ◽  
Hardev Kaur Jujar

This paper focuses on the presentation of women oppression and emancipation in Nawal El Saadawi’s novel, Woman at Point Zero. The novel is specifically a call and an appeal to the women in her Egyptian society and the world at large on the need to revisit their activities and contribution toward the oppression, suppression, molestation, and brutality of their fellow women. Nawal El Saadawi presents with unique clarity, the unpleasant experience women are subjected to in her male-dominated society (Egypt). The novel aesthetically captures the oppression, sexual harassment, domestic aggression, and intimidation that the Egyptian women are subjected to in her patriarchal social milieu. Through a Masculinist study of the text, this paper not only submits that women create sa conducive atmosphere for the unhappiness of their own kinds but also subverts the author’s proposition of the way forward for the Egyptian women who are disenchanted under the atmosphere that is besieged with unfair treatment of the women. This essay unambiguously argues that El Saadawi’s understanding of women emancipation from the persistent violence on the women is outrageously momentary and unsatisfactory. Indeed, the novel has succeeded in subverting the stereotypical representation of the women as weak, passive, and physically helpless yet, the cherished long-lasting emancipation expected from her oppressed women could not be fully achieved. The novelist portrays a resilient and revolutionary heroine whose understanding of women liberation leaves every reader disconcerted. The paper examines the oppression that the heroine, Firdaus suffers from men and her fellow women and how she eventually achieved a momentary emancipation.


Author(s):  
John Emsley

Of all the arsenic murders, the Maybrick case is the most intriguing. On 7 August 1889 Florence Maybrick was found guilty of murdering her husband James and sentenced to death, only to be reprieved two weeks later and her sentence commuted to life imprisonment. There are those who believe she should have been acquitted because she was innocent. There are those who believe that even if she was guilty she did the world a service in that the man she killed was really Jack-the-Ripper. That somewhat dubious claim was made in the 1990s with the publication of an old diary supposedly written by James Maybrick. In the furore which followed the trial, Florence was seen as a martyr by two groups: the supporters of the Women’s Rights Movement, and those who campaigned for a Court of Appeal. The first of these saw her as a victim of a male-dominated legal system, and the second saw her as a prime example of injustice which the British legal system as it then stood was unable to rectify. The Women’s International Maybrick Society even enlisted the support of three US Presidents, but to no avail because, unbeknown to them, Queen Victoria had taken an interest in the case and believed Florence to be guilty. Until the Queen died, there was no possibility of her release from prison, although she was set free soon afterwards. Legal problems raised by the Maybrick trial centred on the summing-up of the Judge, Mr Justice Fitzjames Stephens. In its latter stages this became little more than a tirade of moralizing generalizations that dwelt on Florence’s admitted adultery, implying that a woman capable of committing such a sin was indeed capable of murder. (Nothing was said at the trial about her husband’s mistress and the five children that she had borne him.) The summing-up was flawed in other ways; for example the judge introduced material that was not produced during the trial and he read accounts of what witnesses had said from newspaper cuttings of their evidence because his own notes were in such a poor state.


2020 ◽  
Vol 75 (1) ◽  
pp. 69-74
Author(s):  
Margaretha Geertsema-Sligh ◽  
Ingrid Bachmann ◽  
Mia Moody-Ramirez

Around the world, journalism remains a male-dominated profession. This syndicate discussed the current state of the field and made recommendations on how to educate journalism students on gender and inequality. Participants agreed that good journalism is sensitive to gender and inequality issues and that course work should address these issues. Furthermore, schools must make a commitment to gender equality and diversity and offer resources to help faculty and students understand and better relate to these issues.


1982 ◽  
Vol 36 (4) ◽  
pp. 219-225
Author(s):  
Ann Conrad Lammers

Reflects on an experience by a woman chaplain who worked for a summer at the Seamen's Church Institute in New York and New Jersey. First she experienced humiliation, rejection, sexist sterotypes. Later she wrestled with the tension of being a woman in a male dominated dock area. The world aboard ship presented a more polite yet equally difficult situation. Shares several vignettes of shipboard encounters.


Author(s):  
Prabha Shankar Dwivedi ◽  

This book can be seen as a response to a severe demand in the field of Indian poetics for an introductory book that provides an overview of all the seminal schools of Indian poetical thoughts, keeping in view both the theories and the theoreticians. This book, in the words of authors, is meant to be “An introduction to the world of Sanskrit poetics, explaining its major concepts lucidly for even those who do not know Sanskrit. It offers a comprehensive historical and conceptual overview of all the major schools in Sanskrit poetics…. It is meant to be a beginners’ guide to the awe-inspiring immensity of Sanskrit literature and literary thought, the first step in a journey that should ideally lead to the profundities of ancient thought.” (Chandran et al 2021, p. xii). The discussion in the book progresses with varied theoretical perspectives on Indian aesthetics in a well laid historico-conceptual order. Though the book briefly talks about Tamil poetics putting it parallel to Sanskrit poetics by comparing Tolk?ppiyam with N??ya??stra in the preface, it primarily serves to be an introductory handbook of Sanskrit poetics for the non-Sanskrit University students at various levels. This book succeeds in providing clearer idea of Indian poetical thoughts to its readers.


2010 ◽  
Vol 15 (3) ◽  
pp. 75-85 ◽  
Author(s):  
Karen Lumsden

This paper discusses female participation in the male-dominated ‘boy racer’ culture. Little is known about girls who join male-dominated subcultures while studies of car cultures have tended to describe girls as peripheral participants and emphasise the link between the car and masculinity. Hence this paper provides an analysis of ‘girl racers’; those drivers who are active participants in the ‘racer’ culture through their positioning in the ‘driver's seat’. Gender is understood as ‘performative’ and Connell's notions of ‘hegemonic masculinity’ and ‘emphasized femininity’ frame the analysis. For the ‘girl racers’, ‘doing gender’ involved negotiating a complex set of norms while reconciling the competing discourses of the masculine ‘racer’ scene and femininity. In order to be viewed as authentic participants, females were required to act like ‘one of the boys’ through their style of dress, driving, language and attitudes. They internalised the gender norms of the culture rather than resisting them explicitly, for fear of being excluded from the group. However, the feminine ways in which they modified their cars allowed them to retain an element of femininity within the world of ‘boy racers’. Thus, ‘girl racers’ resourcefully negotiated their way through the culture by employing a combination of complex strategies involving compliance, resistance and cooperation with the masculine values of the group. Findings are presented from participant observation, semi-structured and ethnographic interviews with members of the ‘racer’ culture in Aberdeen, Scotland, and semi-structured interviews with members of ‘outside’ groups.


This chapter discusses the various ways in which language portrays a negative image of women. Some of the ways in which language has been found wanting in as far as women are concerned are outlined as follows: Language creates false gender neutrality as this purported neutrality ends up showing a bias towards maleness anyway. Language generally makes women invisible and always overshadowed by men. It makes maleness the standard measure of humanity, and maturity is all about and thus maleness is seen as the norm. Sex-marking also encourages male visibility and powerlessness of women in a male-dominated world. The world is seen through an oppressive male worldview. Reform efforts have been piecemeal and as such have largely failed to reach the desired destination. The chapter closes by discussing the concepts ‘woman' and ‘generics' which have been found to be controversial in the life of women.


2012 ◽  
Vol 36 (2) ◽  
pp. 197-221 ◽  
Author(s):  
Donna Gabaccia ◽  
Elizabeth Zanoni

This article uses international migration flow (entry and exit) data as compiled by Walter Willcox and Imre Ferenczi (1970 [1929]) for the years between 1820 and 1924 to discuss the timing and cause of a transition in gender ratios—from male-dominated to gender-balanced—among international migrants. The article compares gender ratios for international migrants at the national, regional, and global levels and identifies when and how migration patterns to the United States resembled those to other parts of the world. Historical variations in gender ratios were considerable enough to render problematic the frequently used label “male-dominated” when applied to past migrations. The article discusses past cases of gender-balanced and female-predominant migrations and proposes an alternative typology for distinguishing among differently gendered international migrations. While some scholarly and popular sources depict the feminization of international migration as a recent phenomenon, historical data suggest that the convergence toward gender-balanced migrations began in the first half of the twentieth century. The article concludes by addressing contemporary debates over globalization and migration and cautions scholars against equating increased female mobility with egalitarian gender relations.


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