scholarly journals A Study on the Interaction of Religious Literature for Children and Adolescents with Illustration in Iran

2016 ◽  
Vol 12 (4) ◽  
pp. 1
Author(s):  
Adeleh Rafaee ◽  
Parisa Shad Qazvini

<p>The formation of the Islamic Revolution in the early sixties and its rise in the fifties has caused major changes and developments in the cultural structures of Iran. These changes emerged in the political - economic and social – cultural areas in the framework of Islamic- revolutionary utopian ideas. In the Pahlavi era, religious literature for children was less considered due to the low attention of the governing regime. Although the forties is considered as the decade of children’s book illustrations but the religious literature for children and its illustration were less considered. With the beginning of the revolutionary activities, some Persian writers decided to make children familiar with spiritual and religious atmospheres by creating works with a focus on Islam. The prevailing hypothesis of this paper is that an interaction was established between religious literature for children and children’s book illustration after the emergence of religious thoughts in children’s stories. Here, the claim is proved that the social needs and the interaction of religious literature with children’s book illustrations led to the emergence of a branch called religious illustration. The methodology of this study is descriptive-analytical. Data collection method is collecting documents and library resources. </p>

Author(s):  
Ieva Širiņa ◽  
Aina Strode

Children's book illustrations have always been an area that allows artists to make the most of their creative potential. Modern design trends for children's books are changing both in the world and in Latvia. The most relevant of these are minimalism and color purity, simplicity and quality. Research also highlights the choice of illustration and font style in favor of retro style and handwriting. Picture books on the topics of kindness and love are popular in terms of content. Activity books are useful for interactive communication. The aim of the article is to develop the concept of graphic design of the ABC of Latgalian language by studying design trends in children's book illustration and the supply and demand of children's Latgalian literature in Latvia. Research methods: theoretical - research and analysis of literature and Internet resources, empirical - questionnaire, analysis of analogues.


Author(s):  
Анна Фаныгина ◽  
Anna Fanygina ◽  
Юлия Ризен ◽  
Yuliya Rizen

The article is devoted to features in a process of creating Children's book illustrations. In this article, illustration is considered not only as a visualization of the text part of the book, but also as the main source of getting information.


2016 ◽  
Vol 32 (suppl 2) ◽  
Author(s):  
Carlos Augusto Grabois Gadelha ◽  
Patrícia Seixas da Costa Braga

Abstract: The effective enforcement of the access to healthcare as fundamental right requires an important theoretical and political effort at linking the often contradictory economic and social dimensions of development. This study suggests the need for a systemic view of policies related to the industrial base and innovation in health and the construction of the Brazilian Unified National Health System (SUS). The authors investigate the relations between health, innovation, and development, seeking to show and update the political, economic, and social determinants of the recent Brazilian experience with the Health Economic-Industrial Complex (HEIC). They discuss how the agenda for innovation and domestic industrial production in health gained a central place in the project for construction of the SUS. The article thus seeks to link inherent issues from the agenda for development, production, and innovation to social policy in healthcare, as observed in recent years, and based on this analysis, points to political and conceptual challenges for implementing the SUS, especially as regards strengthening its technological and industrial base. As a byproduct, the article develops an analytical and factual focus on the consolidation of the HEIC in Brazil, both as a dynamic vector of industrial development, generating investment, income, employment, and innovations, and as a decisive element for reducing vulnerability and structural dependence in health. The authors aim to show that strengthening the SUS and orienting it to social needs is an essential part of building a social Welfare State in Brazil.


2019 ◽  
Author(s):  
Muhammad Deden Purnama ◽  
Dhita Hapsarani

Children’s literature is often used as a medium for teaching values, for example religious values, in order to shape children’s character based on the understanding or ideology of certain groups. Through religious-based children’s literature, the figure of a religious ideal child was created and called a pious child. This example is applied by Salafi Islamic groups in Indonesia. The group that bases its teachings from the Salaf creates Islamic children’s book genre called ”Sunna children’s book”. The method used in this article is library-based qualitative research. Studies of pious character in European minority Muslim children’s literature have been widely carried out by Green-Oldendorf (2011), Shavit (2016) and Janson (2017), while studies of pious children in Indonesian contexts have only been done little, including this article. Textual study on the construction of pious children character is carried out according to the concept of ideal child in children’s literature by Purbani (2009), children book illustration and visual by Nodelman (2004), and pious Muslim child and childhood by research approach (Hendra-Priadi, 2019 and Scourfield et. al., 2013). The result of the research shows that pious children are represented through the main character who is very diligent in worshiping, behaving well, and obedient to parents. In addition, the construction of pious children in Serial Salman dan Hamzah is based on Salafi ideology concept of tarbiyah (education) that textually refers to the Quran and Hadith.


Author(s):  
Catherine J. Golden

In its theatricality, caricature-style book illustration approximates the tableau style popular in the nineteenth century. This chapter examines book illustrations by George Cruikshank, Phiz, Richard Doyle, John Leech, and Robert Cruikshank that, like tableaux, capture a dramatic moment in works by Dickens, Ainsworth, and Thackeray. With lighting, props, clever casting, and detail-laden backdrops, the caricaturists staged scenes ranging from the sensational to the sentimental, from the deeply psychological to the broadly comic. “Caricature: A Theatrical Development” adds two Victorian author-illustrators to this list of recognized caricaturists. Better known as an author than an illustrator, William Makepeace Thackeray designed theatrical pictorial capital letters, vignettes, tailpieces, and full-page engravings for his best-known Vanity Fair (1848) and cast his heroine Becky Sharp in various stage roles. To dramatize Alice’s transformations, Lewis Carroll recalled popular caricature techniques in his illustrations for the first version of Alice in Wonderland (1865) entitled Alice’s Adventures Underground(1864) at a time when realistic illustration held sway. This chapter also examines artistic limitations and scandals (e.g. Robert Seymour’s suicide, Cruikshank’s claim of authoring Dickens’s works) that led to a dismissal or devaluation of the caricaturists and a privileging of the Academy trained artists who entered the field of illustration in the 1850s.


Arthur Szyk ◽  
2004 ◽  
pp. 175-186
Author(s):  
Joseph P. Ansell

This chapter marks Arthur Szyk's return to book illustrations after the war and the ways in which he created interconnections between his art and contemporary world events. In the years after the war book illustration continued to occupy a significant portion of Szyk's creative time. His next project was a series of illustrations for Pathways through the Bible, an abridged version of the Old Testament intended for young audiences. Here, again, Szyk found ways to connect his work to the recent world war. Both the author, Mortimer Cohen, and the illustrator provided dedications for the volume; Szyk's recalled his personal loss resulting from Nazi atrocities, thus connecting his art to the recent war. After exploring his work in Pathways through the Bible, the chapter also analyses his other works during the post-war period.


Experiment ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 207-225
Author(s):  
Ekaterina Vyazova

Abstract This article analyzes the Neo-Russian style in children’s book illustrations in Russia and compares it to analogous artistic developments in England, revealing a similar evolutionary path to that of other national variants of Art Nouveau. The initial aesthetic impulse for this evolution came from the promotion of crafts and medieval handicrafts by “enlightened amateurs.” The history of children’s books, with its patently playful nature, aestheticization of primitives, and free play with quotations from the history of art, is an important episode in the history of Russian and English Art Nouveau. Starting with a consideration of the new attitude towards the “theme of childhood” as such, and a new focus on the child’s perception of the world, this article reveals why the children’s book, long treated as a marginal genre, became a fertile and universal field for artistic experimentation at the turn of the twentieth century. It then focuses on Elena Polenova’s concept of children’s book illustrations, which reflected both her enthusiasm for the British Arts and Crafts movement, and, in particular, the work of Walter Crane, and her profound knowledge of Russian crafts and folklore. The last part of the article deals with the artistic experiments of Ivan Bilibin and the similarities of his book designs to those of Walter Crane.


2008 ◽  
Vol 53 (1) ◽  
pp. 104-119 ◽  
Author(s):  
Nilce M. Pereira

Abstract This article examines book illustrations through the prism of Translation Studies. It mainly suggests that the pictures in illustrated books are (intersemiotic) translations of the text and that, as such, they can be analyzed making use of the same tools applied to verbal interlingual translation. The first section deals with the theoretical bases upon which illustrations can be regarded as translations, concentrating on theories of re-creation, as illustration is viewed essentially as the re-creation of the text in visual form. One of the claims in this section is that, because illustration is carried out in very similar ways as interlingual translation itself, the term “intersemiotic” relates more to the (obvious) difference of medium. For this reason the word is most often referred to in parentheses. The second section discusses three particular ways through which illustrations can translate the text, namely, by reproducing the textual elements literally in the picture, by emphasizing a specific narrative element, and by adapting the pictures to a certain ideology or artistic trend. The example illustrations are extracted from different kinds of publication and media, ranging from Virgil’s Aeneid, Lewis Carroll’s Alice in Wonderland and Mark Twain’s Adventures of Huckleberry Finn to an online comic version of Shakespeare’s Hamlet.


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