scholarly journals War on Terra and Eco-Critical Discursivity: Analyzing the Role of Cultural Productions in Creating Eco-Consciousness

2018 ◽  
Vol 8 (3) ◽  
pp. 339
Author(s):  
Umaira Aleem ◽  
Inayat Ullah ◽  
Aziz Ullah Khan ◽  
Afzal Khan

Euro-American exclusivity has been eclipsing the universalizing appeal of Ecocriticism, which attempts to counter the war on terra—the Latin name for earth. Ecocriticism also explores the connection between humans and their environment. It gives way to the examination of the environment and its illustration in literature and, by doing so, develops an investigative ecological consciousness regarding different environmental issues. The present study is aimed to study the non-Euro-American setting of Anis Shivani’s Karachi Raj (2015) through an eco-critical lens. It attempts to explore the eco-critical consciousness of the characters, highlighting the way the effort of creating eco-consciousness is made through the settings and plot of the literary text. The study focuses on environmental issues presented in the novel through various situations. The research uses qualitative method of textual analysis under the theoretical underpinnings of Ecocriticism.

Target ◽  
2018 ◽  
Vol 30 (3) ◽  
pp. 345-387
Author(s):  
Hanna Pięta

Abstract Previous research suggests that in Salazar’s Portugal, Soviet Poland was portrayed as both a friend and a foe. This article argues that these conflicting images are partly due to distinct discourses that reached Portugal through translations of Polish literature. Ultimately, it aims to give insights into the role of literary translation in the construction of a national image abroad. Since all the translations in the corpus are indirect, special attention is paid to the way the mediating texts impacted the image encoded in the target text. The article considers five channels via which texts were imported, presenting the results of a textual analysis of one translation in each of these channels, including its indirect trajectory. The findings confirm the importance of the analysed translations in the construction of the discussed images and show that the mediating texts had a crucial filtering role as regards the transfer of these images.


Author(s):  
Hartini Selian ◽  
Jumino Suhadi ◽  
M. Manugeren

Abstract This study is about heroism in the novel The Jungle Book by Rudyard Kipling. There are three points of discussion under this title: giving protection, defending rights and gratitude. Defending rights is associated with heroic deeds. A hero is a random citizen that rises to an occasion and performs an action of superhero proportions. Gratitude implies thankfulness or an appreciation of benefits conferred together with a desire, when practicable, to return those benefits. Defending rights is tied to human rights which are universally applicable to one and all. These are the significant components of heroism. One of the relevant and outstanding modern theories of heroism applied here is proposed by Gibbon (2009) stating that hero is just an average man who fights to solve a common problem in today’s society. The study is conducted with Descriptive Qualitative Method proposed by Haughman (2009) in which he states that Qualitative research is a form of social inquiry that focuses on the way people interpret and make sense of their experiences and the world in which they live. Kipling leads children down the jungle path into adventures beyond their day to day imagining and along the way he shows the value of ‘doing for yourself', of 'learning who to trust'. The result shows that heroism is highlighted through the major characters and the conclusive points are some of the significant characters such as Mowgli, Father Wolf, Mother Wolf, Hathi, and Bagheera have done heroic deeds. Their heroism is presented in the forms of giving protection, defending rights and gratitude. Keywords: heroism, human rights, gratitude


2020 ◽  
Vol 27 (1) ◽  
pp. 239-259
Author(s):  
Valentina E. Vetlovskaya

<p>The article explores the role of logical connections in an epic text. It is these connections, according to the author of the article, that connect the individual components of the narrative (motifs, complexes of motifs) and make up in the reader&rsquo;s perception for the missing elements. The reticence and failures to mention, common in fiction, appear in the narrative for various reasons. Sometimes due to the aesthetic principles of the writer who prefers ambiguity to a completed statement depriving readers of the opportunity to finish thinking over a vague idea. And sometimes, due to the author&rsquo;s conviction that there is no need to explain the idea implied by what has been earlier said. But it also happens that the omissions in the narrative are engendered by the requirements for the presentation of a chosen topic, for example in crime fiction. But these reasons may go together as it occurs in Crime and Punishment. These ideas are illustrated by the analysis of one of the themes of the novel Crime and Punishment.</p>


2020 ◽  
Vol 217 (9) ◽  
Author(s):  
Lars M. Koenig ◽  
Daniel F.R. Boehmer ◽  
Philipp Metzger ◽  
Max Schnurr ◽  
Stefan Endres ◽  
...  

An exacerbated and unbalanced immune response may account for the severity of COVID-19, the disease caused by the novel severe acute respiratory syndrome (SARS) coronavirus 2, SARS-CoV-2. In this Viewpoint, we summarize recent evidence for the role of neutrophils in the pathogenesis of COVID-19 and propose CXCR2 inhibition as a promising treatment option to block neutrophil recruitment and activation.


2020 ◽  
pp. 77-89
Author(s):  
E.N. Kolokoltsev

The purpose of the study is to actualize the role of descriptions in the novel by M. Yu. Lermontov “A Hero of Our Time” as an important constructive element of the narrative. The most common form of description in the novel is the descriptions of nature and descriptions of the characters’ portraits. The descriptions found a lively response in literature studies, literary criticism, in art criticism, which responded to the paintings of the poet-and-artist and illustrations for the novel. Naturally, it attracted the author’s attention to the study of the works of those scholars, who viewed the features of Lermontov’s narrative manner. In the stories that made up Lermontov’s novel, descriptions play an important compositional role: they accompany the narrative, the thoughts of the characters, and they are often motivated by the author. The article highlights a number of techniques that will allow students to specify ideas about the descriptions in the novel. The students’ comprehension of landscape descriptions can be supported by drawing up a plan that will reflect the spatial and time-line structure of the story “Bela”, which represents both “travel notes” and the novelette. The use of reproductions of Lermontov’s Caucasian landscapes, similar in the object image to its verbal descriptions in the novel, serves as a visible emotional aid in the nature descriptions comprehension by schoolchildren. Turning to Pechorin’s psychological portrait caused such ways of discovery of his portrait features as drawing up a stylistic map that assists students to focus on linguistic means that the narrator uses to relate the hero image with his potential ingrain. The image and words are closely intertwined in the art print that performs the function of figure of speech and gives a spatial image to the piece of writing. The illustration serves as a means of specifying the students’ perceptions of the characters’ portraits, descriptions of nature and the related plot situations. Ways to comprehend a literary text with the wide involvement of works of art assist students to learn about the peculiarities of Lermontov’s narrative manner and facilitate their aesthetic development.


2021 ◽  
pp. 163-181
Author(s):  
Dan Paranyuk

Based on the methodological proposals of literary anthropology, in particular on the conceptual ideas of C. Levi-Strauss (structural anthropology), J. Ortega y Gasset (“dehumanization of arts”), J.-M. Schaeffer (“the end of human exceptionality”), M. Foucault (the fall of a human being from the humanistic pedestal of culture), the article under studies emphasizes the violation of the anthropological dominant in science fiction, which is very typical of the fantasy genre. Consequently, there arise new principles of constructing personosphere of a literary text. On the example of the novel “City” (1953) by an American science fiction writer Clifford Simak, the article traces the way a human being shifts from the center of personosphere to the “outskirts” of narration, whereas its image acquires fictional parameters. This all happens due to the phenomenon of “anthropocene” (the term by G. Canavan), which implies the harmful consequences of the human reigning over the nature. In addition, the author of the article introduces the notion of “phantasoid’ – a character of the fictional world of fantasy (outlined by the narrator) that functions exceptionally in the imagination of a certain fantastic character and is somehow related to his previous experience. The novel by C. Simak outlines a gradual shift of the anthropological vector: the heterogeneous image of a human turns into a counter-image, whereby particular significance is attached to the change in the attitude towards mankind. In the text, human culture is perceived as something alien, while Simak’s image of a human being ruins the so called imagological stereotype, along with the reader’s receptive expectations. The role of the attractor in the novel is assigned to “antromorphized” and “humanized” creatures (plants, animals, objects, robots, mutants), which indicates the drastic breach with the previous genre tradition, as well as higlights a peculiar polemic connection with classical literary science fiction. This all proves the metamorphic nature of science fiction and its transition into the hyperreal dimensions of fantasy, where different artificial forms of life and mentality can peacefully coexist with each other.


2019 ◽  
Vol IV (IV) ◽  
pp. 187-193
Author(s):  
Ayesha Ashraf Awan ◽  
Munawar Iqbal Ahmad

This research seeks to analyze Our Lady of Alice Bhatti in the light of Lyotardian language games. The novel is written by Muhammad Hanif who is arenowned Pakistani novelist and writer. The novel, through language games, subverts the master narratives of nation, science, justice, culture, and faith. This research explores the role of language to interpret, understand and communicate in the postmodern world as in todays world every idea exists in the form of signs or language. This reading explores the novel through textual analysis, and it is qualitative and exploratory. It ends with the findings and recommendations for further research.


2021 ◽  
pp. 91-110
Author(s):  
Denisse Lazo-González ◽  

This article analyzes Fuerzas especiales’ representation of women’s political status and public involvement. From a close reading of the protagonist-narrator’s role as the breadwinner of her family and drawing insights from feminist political theory, this work conducts a theoretically-informed textual analysis of the novels’ view of female public involvement at work in a context of state repression. It aims to unveil the way in which the novel engages critically with the ambiguities of a model of women’s political participation based on female difference and the politics of motherhood.


2021 ◽  
Vol 8 (2) ◽  
pp. 154-172
Author(s):  
Kobi (Yaaqov) Assoulin
Keyword(s):  
Do So ◽  
The Way ◽  

When we discuss the concept of place, we mostly do so geographically, or as a metaphor. That is, by representing what we think about by geographical notions. This paper avoids this literary tendency by discussing directly the role of actual place in W.G. Sebald's The Emigrants. Not only that, While still acknowledging melancholy's main role in the novel, and the way in which it is discussed in Freud and through Freud et al, the paper takes this melancholy to be a phenomenological spring board for explicating the centrality of place within The Emigrants's melancholy. In order to do this, the paper discusses the role of place within major phenomenological thinkers like Husserl, Heidegger and Merleau-Ponty and the way their discussion dissolves the classical dichotomy of subject/object. However, as this dichotomy is dissolved, it becomes clearer as to the way places do not only belong to human-beings – simultaneously, humans belong to places. Through explicating this, we come to understand in The Emigrants what makes it such a tragic story. While the emigrants find their home to be rooted in places and memories of places, these places carry at the same time a mood of being-at-home and alongside that, a sense of ruins which haunt. Thus they become trapped between the conflicting urges of running toward and running from these memories. A dilemma that is finally solved only, in the novel, through death.


Following work is dedicated to the novel “Mrs.Dalloway”. The main characters are emotionally endowed Dreamer Clarissa Dalloway and humble servant Septimus Warren-Smith, who was a contusion in the first World War described only one day in June, 1923 year. In fact, the novel “Mrs.Dalloway” is the "flow of consciousness" of the protagonists Clarissa Dalloway and Septimus Warren – Smith, their Big Ben clock is divided into certain peace with a bang. Virginia Woolf believes that "life" is manifested in the form of consciousness, death and time, she focuses her essays on such issues as the role of a woman in family and society, the role of a woman in the upbringing of children, the way a woman feels about the world, the relationship between a modern man and a woman.


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