Walls, Attractions, and Media

2016 ◽  
Author(s):  
Erkki Huhtamo
Keyword(s):  
Public Spaces ◽  
Media Culture ◽  
Public And Private ◽  
The Public ◽  
Public Displays ◽  
Visual Elements ◽  
Public Media ◽  
Physical Elements ◽  
Magic Lantern ◽  
Peculiar Mode

This chapter examines pre-twentieth precedents for big screen displays in public spaces to demonstrate how media culture has never been segregated from outdoor milieus of distraction. It addresses largely ignored histories of public displays, including trade signs, banners, broadsides, billboards, and early dynamic displays including magic lantern shows. The chapter contextualises outdoor screens within this history to argue that public media culture is a peculiar mode of spectatorship that must be apprehended as element among many that vies for the attention of individuals within public spaces, including aural, physical elements, and other visual elements. It argues that the tendency to characterise large screens as an incursion of the private into the public fails to address the history and context of public displays, which are instead more productively apprehended as sites where the distinction between public and private is renegotiated.

scholarly journals Liminal Publics, Marginal Resistance

IDEA JOURNAL ◽  
2017 ◽  
pp. 88-101
Author(s):  
Menna Agha ◽  
Els DeVos
Keyword(s):  
Built Environment ◽  
Public Space ◽  
Public Spaces ◽  
The Novel ◽  
Public And Private ◽  
Spatial Justice ◽  
The Public ◽  
Liminal Spaces ◽  
Private And Public ◽  
Definition Of

In 1964, indigenous Nubians were displaced from their original land – the land between what is now Egypt and that of Sudan – to modernised settlements built by the Egyptian state. The Nubians dissatisfaction with the novel built environment translated into transgressive public spaces. One of the most common transgressions was the addition of an external bench called Mastaba. Since power relations between men and women have changed, the built environment now acts as a catalyst in the exclusion of women from formal public spaces such as conventional coffee shops and squares. Mastabas function as liminal spaces, spaces which blur the boundaries between public and private spheres. As these spaces do not suit the formal understanding of public spaces, we investigate these liminal spaces in order to reveal the spatial tactics of the marginal. We argue that the existence of these spaces raises issues of spatial justice and spatial resistance.    The behaviour of liminal public spaces varies; they have the ability to transform adjacent spaces. This research investigates the role of the Mastaba in opening up the public space for women, thereby giving them the ability to contribute to the writing of their social contract. We base our analysis on extensive fieldwork, consisting of auto-ethnographic observations and participation, informed by a feminist epistemology. We use tools of spatial analysis to explore an alternative public space offered by liminality. To question the binary notions of private and public space, we ask ourselves: where does that space start? As spatial professionals, we also wonder: can we contest the hegemonic definition of public space and contribute to spatial resistance? Drawing lessons from the case of the Mastaba, we propose contingencies for designing the liminal that serve the marginal.

scholarly journals The Transformation of Public TV Companies into Digital Services at the BBC and RTVE

Comunicar ◽  
2011 ◽  
Vol 18 (36) ◽  
pp. 87-94 ◽  
Author(s):  
Mercedes Medina-Laverón ◽  
Teresa Ojer-Goñi
Keyword(s):  
New Media ◽  
New Technologies ◽  
Public And Private ◽  
Public Companies ◽  
The Public ◽  
Media Companies ◽  
Public Media ◽  
Public Broadcasting Service ◽  
Nuevas Tecnologías ◽  
Public Tv

Some authors question the existence of public television companies in the new environment of digitalization, Internet proliferation, growing competition and audience segmentation. However, others believe they should act as a driving force in the process of convergence and even that the new media present an opportunity to redefine the public broadcasting service (PBS) remit. The current challenge for the public media companies is to deliver their content through the maximum number of devices, not only via television sets but also broadband and mobile devices. Over the years, the BBC has adapted to new market situations and has implemented solutions that have been adopted by other public and private broadcasters around the world. The objective of this article is to show how the BBC has taken up the leadership of transforming public TV companies into online services in order to maintain market share; and how it has influenced Spain’s public TV broadcaster, RTVE. The methodology is based on internal and external documents of both corporations, and the findings are complemented by interviews with online service managers at RTVE. We conclude that these public companies have adapted their activities to the new technologies and have developed interactive services to reinforce their public service mission.Algunas voces cuestionan la permanencia de las televisiones públicas en el nuevo entorno digital, caracterizado por una mayor presencia de Internet, más competidores y la fragmentación de la audiencia. Sin embargo, hay otros que creen que deberían actuar como una fuerza motriz en el proceso de convergencia e incluso que los nuevos medios representan una posibilidad de redefinir la misión de las televisiones públicas. El reto actual de las corporaciones públicas es proporcionar los contenidos a través del mayor número de soportes posibles, no solo a través de la televisión, sino también a través de Internet y dispositivos móviles. Un rasgo de la BBC es haberse adaptado siempre a los cambios del mercado y muchas de sus soluciones han sido transferidas a otras empresas de comunicación tanto públicas como privadas de todo el mundo. El objetivo de este artículo es mostrar cómo la BBC es uno de los modelos en los que las empresas televisivas se han fijado para transformar sus servicios digitales a fin de mantener su existencia en el mercado, y conocer cuál ha sido su influencia en la televisión pública española RTVE. La metodología empleada radica en el análisis de los documentos internos y externos de las compañías y entrevistas realizadas a los responsables de los servicios digitales de RTVE. Las conclusiones apuntan a destacar que estas compañías han adaptado sus actividades a las nuevas tecnologías y han desarrollado servicios interactivos como refuerzo de su misión de servicio público.

scholarly journals As Flanâncias Urbanas de Sophie Calle: Reflexões entre público e privado

ILUMINURAS ◽  
2021 ◽  
Vol 22 (56) ◽  
Author(s):  
Carolina Gallo Garcia
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Public And Private ◽  
The Public ◽  
Political Rationality ◽  
Address Book ◽  
Art Practices ◽  
Performance Distribution ◽  
Textual Records

Neste artigo, apresento a obra da artista francesa Sophie Calle (1953 - presente) como um vetor para investigação acerca do espaço público, indagando o papel que as práticas artísticas críticas (Mouffe, 2013) podem desempenhar no questionamento da pressuposição democrática de tais espaços a partir dos conceitos de dissenso, aqui compreendido enquanto racionalidade política não consensual, e da partilha do sensível, que nos permite vislumbrar potencialidades da arte enquanto ferramenta política (Rancière, 1996; 2009). A partir das obras Suíte Veneziana (1980), The Detective (1981), The Address Book (1983), The Bronx (1980), Phone Booth (1994) os conceitos de dissenso e partilha do sensível serão articulados para análise das imagens e à luz dos registros textuais da artista sobre estes trabalhos.Palavras-chave: Sophie Calle; Flânerie; Performance Urbana; Partilha do Sensível; Dissenso.  SOPHIE CALLE’S FLÂNERIE: REFLECTIONS ON PUBLIC AND PRIVATE SPACESAbstract: In this article, I present the artwork of the French artist Sophie Calle (born 1953) as a medium to investigate the public space, inquiring which role that critical art practices (Mouffe, 2013) can play in questioning the assumption of democracy given to public spaces from the concepts of dissent as a non-consensual political rationality, and the distribution of the sensible, which allows us to glimpse the potential of art as a political tool (Rancière, 1996; 2009). From the artworks Suite Venetienne (1980), The Detective (1981), The Address Book (1983), The Bronx (1980) and Phone Booth (1994), the concepts of dissent and distribution of the sensible will be articulated for the analysis of images and the artist's textual records of these artworks.Keywords: Sophie Calle; Flânerie; Urban Performance; Distribution of the Sensible; Dissent.

scholarly journals Public space without the public: State and individuals in courtyard space in Dashilar, Beijing

2021 ◽  
pp. 2057150X2110273
Author(s):  
Alin Li
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Social Life ◽  
Public Life ◽  
Public Spaces ◽  
The State ◽  
Social Significance ◽  
Public And Private ◽  
The Public ◽  
The Individual

This article discusses the meaning of public space and the problem of public reconstruction by means of sociological intervention through an experimental study of community formation and courtyard space rearrangement in the old neighborhood of Dashilar in Beijing. In the West, scholars regard public space as part of public life with political or social significance. In the courtyards of Dashilar, however, residents understand public space as important as a shared property of neighboring families that is separate from public life, as they are often acquainted with but alienated from one another. To grasp this different understanding of public space, this article first looks into the historical transformation of property rights in Dashilar. The courtyards in Dashilar have clearly been defined as state-owned urban space since the 1980s but have remained neglected in administration. Therefore, residents gradually encroached upon these courtyards that were owned by the state and divided them for private use. As this act of encroaching was rooted in the relationship between the state and the individual, the courtyards were not merely changed into privatized properties with specific functions, but became places for interactions between various actors. To reveal the complexity of these courtyards as public spaces, we discuss the expansion of private space by individuals in their daily life and the “public disturbances” initiated by temporary coalitions in space construction. This complexity of courtyards as public spaces can be well illustrated by two experiments of space rearrangement conducted in Dashilar. Both experiments introduced strong social interventions into space rearrangement: one attempted to rebuild social life in a courtyard, and the other worked on the public and private boundaries in a courtyard. The former experiment ended in failure while the latter was a success. The results of these two experiments tell us that public reconstruction is not just about rebuilding social interactions between people, but also about adjusting the state–individual relationship and establishing the rules of living together in public space.

scholarly journals Airtime: the public sphere, the public screen, and AIDS activism in contemporary North America

2021 ◽  
Author(s):  
Jennifer Burwell
Keyword(s):  
Mass Media ◽  
Public Sphere ◽  
Social Space ◽  
Media Culture ◽  
Public And Private ◽  
The Public ◽  
Aids Activism ◽  
Private Citizens ◽  
The Mass Media ◽  
The Public Sphere

Through a complex web of technological innovations, social and political changes, and market forces over the last century, we have witnessed vast changes in the arrangement and environments of public and private space. Douglas Kellner observes that "a media culture has emerged in which images, sounds, and spectacles help produce the fabric of everyday life, dominating leisure time, shaping political views and social behavior, and providing the materials out of which people forge their very identities" (Media Culture, 1). The introduction of visual media such as television and personal computers, as well as the popularization of the internet over the last two decades, has brought about major shifts in our conception of the public sphere. Most notable is the transformation, outlined by Jurgen Habermas, from the bourgeois public sphere to a public sphere marked and shaped by mass media and spectacle. Ideally, Habermas' bourgeois public sphere is structured as a social space in which private citizens may assemble to discuss, debate, and come to consensus in order to mediate between the state and civil society. According to Habermas, however, this ideal has been brought to its demise largely because of the influence of the mass media. Habermas' ideal public sphere rests on notions of consensus brought about by rational debate which has been replaced by consumption and uncritical reception. He concludes that the "world fashioned by the mass media is a public sphere in appearance only" (Structural Transformation 171).

scholarly journals Airtime: the public sphere, the public screen, and AIDS activism in contemporary North America

2021 ◽  
Author(s):  
Jennifer Burwell
Keyword(s):  
Mass Media ◽  
Public Sphere ◽  
Social Space ◽  
Media Culture ◽  
Public And Private ◽  
The Public ◽  
Aids Activism ◽  
Private Citizens ◽  
The Mass Media ◽  
The Public Sphere

Through a complex web of technological innovations, social and political changes, and market forces over the last century, we have witnessed vast changes in the arrangement and environments of public and private space. Douglas Kellner observes that "a media culture has emerged in which images, sounds, and spectacles help produce the fabric of everyday life, dominating leisure time, shaping political views and social behavior, and providing the materials out of which people forge their very identities" (Media Culture, 1). The introduction of visual media such as television and personal computers, as well as the popularization of the internet over the last two decades, has brought about major shifts in our conception of the public sphere. Most notable is the transformation, outlined by Jurgen Habermas, from the bourgeois public sphere to a public sphere marked and shaped by mass media and spectacle. Ideally, Habermas' bourgeois public sphere is structured as a social space in which private citizens may assemble to discuss, debate, and come to consensus in order to mediate between the state and civil society. According to Habermas, however, this ideal has been brought to its demise largely because of the influence of the mass media. Habermas' ideal public sphere rests on notions of consensus brought about by rational debate which has been replaced by consumption and uncritical reception. He concludes that the "world fashioned by the mass media is a public sphere in appearance only" (Structural Transformation 171).

The Social Aspects of Hand Washing in American Restaurants: An Administrative Approach to Reducing Public and Private Health Care Costs

2016 ◽  
Vol 49 (5) ◽  
pp. 753-771 ◽  
Author(s):  
Kenneth Oldfield
Keyword(s):  
Health Care ◽  
Health Care Research ◽  
Public Spaces ◽  
Hand Washing ◽  
Private Health Care ◽  
Public And Private ◽  
The Public ◽  
The Social ◽  
Care Costs ◽  
Restaurant Owners

Proper hand sanitation prevents spreading of many types of illness and infection, thereby lowering the quantitative and qualitative costs of public and private health care. Research shows that thinking or knowing someone is watching you wash your hands in a public lavatory appreciably improves the odds of you doing so. Nevertheless, most restaurants place their hand washing facilities inside the bathroom, beyond public view. Reformers from the public and private sectors should work cooperatively to incentivize restaurant owners voluntarily to place their hand washing facilities in public spaces. If this uncompelled approach proves unsuccessful, reformers should seek to impose laws requiring that all public eateries place their bathroom washbasins in conspicuous locations. The discussion closes by suggesting ancillary improvements to test in pursuit of further improving hand washing rates and practices in public spaces.

Public and Private Space and Action in the Early Roman Period

2020 ◽  
Vol 66 (4) ◽  
pp. 534-553
Author(s):  
Susan E. Hylen
Keyword(s):  
Public Spaces ◽  
Women's Leadership ◽  
Early Church ◽  
Modern Concept ◽  
Public And Private ◽  
Private Space ◽  
The Public ◽  
Women's Participation ◽  
The New Testament ◽  
The Public Sphere

Scholars have often explained discrepancies in evidence for women's participation in the early church by reference to the gendering of public and private spaces. Public spaces were coded male, and when churches moved into these spaces, women's leadership was disavowed. This article rejects the usefulness of the public/private dichotomy as an explanatory tool, arguing that the modern sense in which these terms are used was anachronistic to the New Testament period. The overlap between public functions and space that the modern concept of the ‘public sphere’ takes for granted did not exist in the ancient world. Public functions often occurred in household spaces, and functions considered private also took place outside homes. For these reasons, scholars should look for new language that better describes the ancient patterns.

scholarly journals Reconsidering Public Space: The Case of Turkish Associations in France

2021 ◽  
Vol 2 ◽  
pp. 51
Author(s):  
Alia Kiran
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
French History ◽  
Public And Private ◽  
Private Space ◽  
The Public ◽  
Immigrant Experience ◽  
Immigrant Culture

This article examines how immigrant culture in modern-day France is communicated through Turkish associations as a medium of the public space. Through interviews with members of various types of cultural associations, I explore how public and private space dictate how culture and identity are understood within the French context. To better explain their goals and how they fit into larger French "cultural" discussion, I develop a simple typology of these cultural associations as "localizing" or "orientalizing" immigrant culture. Pointing to the space between these categories, I show the need for the immigrant experience to be recognized as part of French history in these public spaces in order to directly confront the issue of "neo-racism."

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