scholarly journals Reconsidering Public Space: The Case of Turkish Associations in France

Author(s):  
Alia Kiran

This article examines how immigrant culture in modern-day France is communicated through Turkish associations as a medium of the public space. Through interviews with members of various types of cultural associations, I explore how public and private space dictate how culture and identity are understood within the French context. To better explain their goals and how they fit into larger French "cultural" discussion, I develop a simple typology of these cultural associations as "localizing" or "orientalizing" immigrant culture. Pointing to the space between these categories, I show the need for the immigrant experience to be recognized as part of French history in these public spaces in order to directly confront the issue of "neo-racism."

2012 ◽  
pp. 128-155
Author(s):  
Tiago Estevam Gonçalves ◽  
Tatiane Rodrigues Carneiro

Iniciar uma reflexão acerca da cidade atual nos remete à necessidade de construirmos uma análise sobre os shopping centers como espaços que tem atraído um fluxo considerável da população, ocasionando mudanças na relação dos citadinos com os espaços públicos.  Nesta perspectiva, temos como objetivo analisar o  North Shopping, localizado na cidade de Fortaleza, como um espaço de uso popular onde as camadas de menor poder aquisitivo podem adentrar e usufruir de seus atributos. Imbuídos de tal finalidade nosso aporte teórico fundamentou-se em Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) e Serpa (2007). Conclui-se que na cidade de Fortaleza, o North Shopping é um verdadeiro simulacro da realidade, substituindo as experiências cotidianas dos espaços públicos, configurando-se, assim, a supervalorização do espaço privado que se traveste de público tendo repercussões na nova urbanidade fortalezense.  Public Space and Shopping Mall in the Contemporary City: New Meanings of North Shopping in Fortaleza/CE  Abstract Start a discussion about the current city us the need to build an analysis on malls as spaces that have attracted a considerable  flow of people, causing changes in the relationships of the townspeople with the public spaces. In this perpective, we have to anlyze the North Shopping, located in Fortaleza, as a space where the popular use of lower purchasing power can enter and enjoy its atributes. Imbued with this purpose our theoretival approach was bases on Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) e Serpa (2007).  It’s concluded that in the city of Fortaleza, the North Shopping is a true simulation of reality, replacing the daily experiences of public spaces, becoming  thusovervaluation of private space of public who dresss as having impact on new fortaleza’s urbanity. Espacio Público y Centro Comercial en Ciudad Contemporánea: Nuevos Sentidos del North Shopoing en la Fortaleza/CE ResumenIniciar uma reflexión acerca de la actual ciudad nos recuerda la necesidad de construir um análisis acerca de los centros comerciales como espacios que han atraído um flujo considerable de personas, provocando câmbios en la relación de los habitantes de la ciudad com los espacios públicos. Em esta perspectiva, tenemos que analisar el North Shopping, que se encuentra en Fortaleza, como um espacio de uso popular donde lãs camadas de menor poder adquisitivo pueden entrar y disfrutar de sus atributos. Imbuido de esa finalidad nuestro aporte teórico se fundamento em: Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) y Serpa (2004). Se puede concluir que en la ciudad de Fortaleza el North Shopping es uma  verdadera simulación de la realidad, sustituición de las experiencias diárias de los espacios públicos, convertiéndose, asó, la sobrevaluación del espacio privado que se passa por el público tenendo impactos en la nueva urbanidad de Fortaleza.10.7147/GEO10.1573


IDEA JOURNAL ◽  
2017 ◽  
pp. 88-101
Author(s):  
Menna Agha ◽  
Els DeVos

In 1964, indigenous Nubians were displaced from their original land – the land between what is now Egypt and that of Sudan – to modernised settlements built by the Egyptian state. The Nubians dissatisfaction with the novel built environment translated into transgressive public spaces. One of the most common transgressions was the addition of an external bench called Mastaba. Since power relations between men and women have changed, the built environment now acts as a catalyst in the exclusion of women from formal public spaces such as conventional coffee shops and squares. Mastabas function as liminal spaces, spaces which blur the boundaries between public and private spheres. As these spaces do not suit the formal understanding of public spaces, we investigate these liminal spaces in order to reveal the spatial tactics of the marginal. We argue that the existence of these spaces raises issues of spatial justice and spatial resistance.    The behaviour of liminal public spaces varies; they have the ability to transform adjacent spaces. This research investigates the role of the Mastaba in opening up the public space for women, thereby giving them the ability to contribute to the writing of their social contract. We base our analysis on extensive fieldwork, consisting of auto-ethnographic observations and participation, informed by a feminist epistemology. We use tools of spatial analysis to explore an alternative public space offered by liminality. To question the binary notions of private and public space, we ask ourselves: where does that space start? As spatial professionals, we also wonder: can we contest the hegemonic definition of public space and contribute to spatial resistance? Drawing lessons from the case of the Mastaba, we propose contingencies for designing the liminal that serve the marginal.


ILUMINURAS ◽  
2021 ◽  
Vol 22 (56) ◽  
Author(s):  
Carolina Gallo Garcia

Neste artigo, apresento a obra da artista francesa Sophie Calle (1953 - presente) como um vetor para investigação acerca do espaço público, indagando o papel que as práticas artísticas críticas (Mouffe, 2013) podem desempenhar no questionamento da pressuposição democrática de tais espaços a partir dos conceitos de dissenso, aqui compreendido enquanto racionalidade política não consensual, e da partilha do sensível, que nos permite vislumbrar potencialidades da arte enquanto ferramenta política (Rancière, 1996; 2009). A partir das obras Suíte Veneziana (1980), The Detective (1981), The Address Book (1983), The Bronx (1980), Phone Booth (1994) os conceitos de dissenso e partilha do sensível serão articulados para análise das imagens e à luz dos registros textuais da artista sobre estes trabalhos.Palavras-chave: Sophie Calle; Flânerie; Performance Urbana; Partilha do Sensível; Dissenso.  SOPHIE CALLE’S FLÂNERIE: REFLECTIONS ON PUBLIC AND PRIVATE SPACESAbstract: In this article, I present the artwork of the French artist Sophie Calle (born 1953) as a medium to investigate the public space, inquiring which role that critical art practices (Mouffe, 2013) can play in questioning the assumption of democracy given to public spaces from the concepts of dissent as a non-consensual political rationality, and the distribution of the sensible, which allows us to glimpse the potential of art as a political tool (Rancière, 1996; 2009). From the artworks Suite Venetienne (1980), The Detective (1981), The Address Book (1983), The Bronx (1980) and Phone Booth (1994), the concepts of dissent and distribution of the sensible will be articulated for the analysis of images and the artist's textual records of these artworks.Keywords: Sophie Calle; Flânerie; Urban Performance; Distribution of the Sensible; Dissent.


2021 ◽  
pp. 2057150X2110273
Author(s):  
Alin Li

This article discusses the meaning of public space and the problem of public reconstruction by means of sociological intervention through an experimental study of community formation and courtyard space rearrangement in the old neighborhood of Dashilar in Beijing. In the West, scholars regard public space as part of public life with political or social significance. In the courtyards of Dashilar, however, residents understand public space as important as a shared property of neighboring families that is separate from public life, as they are often acquainted with but alienated from one another. To grasp this different understanding of public space, this article first looks into the historical transformation of property rights in Dashilar. The courtyards in Dashilar have clearly been defined as state-owned urban space since the 1980s but have remained neglected in administration. Therefore, residents gradually encroached upon these courtyards that were owned by the state and divided them for private use. As this act of encroaching was rooted in the relationship between the state and the individual, the courtyards were not merely changed into privatized properties with specific functions, but became places for interactions between various actors. To reveal the complexity of these courtyards as public spaces, we discuss the expansion of private space by individuals in their daily life and the “public disturbances” initiated by temporary coalitions in space construction. This complexity of courtyards as public spaces can be well illustrated by two experiments of space rearrangement conducted in Dashilar. Both experiments introduced strong social interventions into space rearrangement: one attempted to rebuild social life in a courtyard, and the other worked on the public and private boundaries in a courtyard. The former experiment ended in failure while the latter was a success. The results of these two experiments tell us that public reconstruction is not just about rebuilding social interactions between people, but also about adjusting the state–individual relationship and establishing the rules of living together in public space.


Problemata ◽  
2020 ◽  
Vol 11 (5) ◽  
pp. 276-283
Author(s):  
Simã Catarina de Lima Pinto

The essay presents the public and private space from the reconfiguration imposed by the pandemic. It is considered that the information technology was inevitably intensified in order to face the pandemic and allow the continuation of life without major damages to the daily life. If before sociotechnologies were based on physical mobility and information technology for daily activities, restrictions on the use of public space have made information technology the main means of safe confrontation against the spread of the SARS-CoV-2 virus. With this, the delimitation between public and private space is questioned, which also allows the problematization of the relationship between the individual and the collective based on biopolitical concepts, which are resized by the new context that is imposed.


2005 ◽  
Vol 35 (4) ◽  
pp. 367-384 ◽  
Author(s):  
Lee Humphreys

Talking on the phone is usually a private activity, but it becomes a public activity when using a cellphone in certain spaces. Unlike a traditional payphone in public, cellphones do not have privacy booths. Therefore, the ways in which people respond to cellphone calls in public spaces provide markers for social topographical space. In this study I explore how cellphone users negotiate privacy when using cellphones in public space and how those within the proximity of the caller negotiate space in response to these callers. Based on a year-long study involving observation fieldwork and in-depth interviews, I discuss the flexibility with which people constantly negotiate their private and public sense of self when using and responding to cellphones in public spaces.


2020 ◽  
Vol 66 (4) ◽  
pp. 534-553
Author(s):  
Susan E. Hylen

Scholars have often explained discrepancies in evidence for women's participation in the early church by reference to the gendering of public and private spaces. Public spaces were coded male, and when churches moved into these spaces, women's leadership was disavowed. This article rejects the usefulness of the public/private dichotomy as an explanatory tool, arguing that the modern sense in which these terms are used was anachronistic to the New Testament period. The overlap between public functions and space that the modern concept of the ‘public sphere’ takes for granted did not exist in the ancient world. Public functions often occurred in household spaces, and functions considered private also took place outside homes. For these reasons, scholars should look for new language that better describes the ancient patterns.


Author(s):  
Natalia Kostenko

The subject matter of research interest here is the movement of sociological reflection concerning the interplay of public and private realms in social, political and individual life. The focus is on the boundary constructs embodying publicity, which are, first of all, classical models of the space of appearance for free citizens of the polis (H. Arendt) and the public sphere organised by communicative rationality (Ju. Habermas). Alternative patterns are present in modern ideas pertaining to the significance of biological component in public space in the context of biopolitics (M. Foucault), “inclusive exclusion of bare life” (G. Agamben), as well as performativity of corporeal and linguistic experience related to the right to participate in civil acts such as popular assembly (J. Butler), where the established distinctions between the public and the private are levelled, and the interrelationship of these two realms becomes reconfigured. Once the new media have come into play, both the structure and nature of the public sphere becomes modified. What assumes a decisive role is people’s physical interaction with online communication gadgets, which instantly connect information networks along various trajectories. However, the rapid development of information technology produces particular risks related to the control of communications industry, leaving both public and private realms unprotected and deforming them. This also urges us to rethink the issue of congruence of the two ideas such as transparency of societies and security.


Author(s):  
Samuel Llano

This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.


2021 ◽  
pp. 239965442110338
Author(s):  
David Jenkins ◽  
Lipin Ram

Public space is often understood as an important ‘node’ of the public sphere. Typically, theorists of public space argue that it is through the trust, civility and openness to others which citizens cultivate within a democracy’s public spaces, that they learn how to relate to one another as fellow members of a shared polity. However, such theorizing fails to articulate how these democratic comportments learned within public spaces relate to the public sphere’s purported role in holding state power to account. In this paper, we examine the ways in which what we call ‘partisan interventions’ into public space can correct for this gap. Using the example of the Communist Party of India (Marxist) (CPIM), we argue that the ways in which CPIM partisans actively cultivate sites of historical regional importance – such as in the village of Kayyur – should be understood as an aspect of the party’s more general concern to present itself to citizens as an agent both capable and worthy of wielding state power. Drawing on histories of supreme partisan contribution and sacrifice, the party influences the ideational background – in competition with other parties – against which it stakes its claims to democratic legitimacy. In contrast to those theorizations of public space that celebrate its separateness from the institutions of formal democratic politics and the state more broadly, the CPIM’s partisan interventions demonstrate how parties’ locations at the intersections of the state and civil society can connect the public sphere to its task of holding state power to account, thereby bringing the explicitly political questions of democratic legitimacy into the everyday spaces of a political community.


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