La différence sexuelle chez les Grecs

Author(s):  
Vigdis Songe-Møller

I want to look at two contrasting ways of seeing the relation between the sexes within ancient Greek thought by dividing Greek thought into two main traditions: the Platonic tradition from Parmenides through Plato to Aristotle, and what one might call 'the tragic tradition' including thinkers such as Anaximander, Heraclitus, and Empedocles. The Platonic tradition is characterized by hierarchical thinking in which the norm is unity, harmony and self-sufficiency. In Plato, this turns out to be the norm also for human existence, with the result that there is no room in his philosophy for thinking of sexual difference and sexual reproduction. When, on the other hand, conflicts, discord, and human vulnerability towards misfortune and death are looked upon as the constitutive elements of life-as with the tragic poets-sexual difference also plays an important part. When human existence is treated as something radically different from divinity, the Greek thinkers-in this paper exemplified by Empedocles and the tragic poets-tend to look upon sexual difference as a constitutive element in human existence. For the philosophers in this tradition, all being is constituted by two oppositional elements which do not form a hierarchy but rather an inimical antagonism. Misogyny is perhaps as strong in this 'tragic' tradition as it is in the Platonic-Aristotelian one. However, even if the former tradition has at least provided some space for thinking of sexual difference, it has not been very influential in western, European thought.

Philosophy ◽  
1998 ◽  
Vol 73 (1) ◽  
pp. 21-45
Author(s):  
RICHARD GASKIN

The problem of the unity of the sentence is to explain how a sentence manages to say something, to ‘make a move in the language-game’. In the particular case of the declarative sentence, which is characterized essentially by its ability to say something true or false (cf. Aristotle De Int. ch. 4), the challenge is to explain how the sentence as a whole manages to attract this property, given that its components do not have it. In his book Language, Thought and Falsehood in Ancient Greek Thought, Nicholas Denyer implicitly commits himself to two conflicting accounts of what this unity consists in. The conflict is illuminating because it can be seen as giving expression to two attractive but apparently opposed thoughts on the nature of the sentence: the thought that all significant components of a sentence must have reference, or semantic role (a position which in the writings of Donald Davidson and Michael Dummett is truistic), and the thought that the semantically significant components of the sentence cannot all be names, since then the sentence would lose its peculiar unity — its ability to say something (true or false) — and degenerate into a mere list. In this paper I shall try, using Denyer's text as my point of departure, to resolve the conflict by suggesting how a unified sentence can, after all, be composed of names.The first account which Denyer gives of the unity of the sentence is not offered as such, but it emerges from his discussion of the differences between three primitive kinds of language, which he calls Agglomerative (A), Orthographic (O) and Sentential (S). The three languages have in common that their basic ‘sentences’ all consist of linear strings of unambiguous names of primary elements, themselves arranged linearly. Thereafter they diverge in the following respects. In A and O, these basic ‘sentences’ are, according to Denyer, only by courtesy so called, for they are really complex names; but whereas in A the order in which the names are listed is insignificant, in O it is significant. Thus ‘ab’, for example, would in A merely designate a complex object composed of the simple objects designated by ‘a’ and ‘b’, and is not semantically distinguishable from ‘ba’; in O, on the other hand, these two composite names additionally signify two different ways in which the complex consisting of a and b may be composed, for example, that a is to the left of b, and that b is to the left of a, respectively. In S, by contrast with both A and O, the basic ‘sentences’ are said to be genuine sentences: they are not merely lists of names, but are suitable for the making of assertions. In S, a symbol such as ‘ab’ says that (for example) a is to the left of b.


2020 ◽  
pp. 593-611
Author(s):  
Svavar Hrafn Svavarsson

Until the end of the fifth century BCE, there were few expectations of divine justice after death, or even of a meaningful afterlife. While such beliefs became ever more conspicuous after the fifth century, we do nevertheless find ideas of an afterlife before that time, and of divine justice for the dead. On the one hand, we find the idea of postmortem retributive justice as early as in Homer. On the other, we find promises of posthumous happiness and salvation for those who have lived justly and piously. Among the earliest instances is found in the Hymn to Demeter. Both conceptions express the workings of divine justice. Tracing them from Homer to the end of the fifth century, through such authors as Aeschylus and Pindar, “Justice and the Afterlife” attempts to shed some light on the emergence of this feature of ancient Greek thought.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


Author(s):  
Anthony Ossa-Richardson

This is the first book to examine in depth the intellectual and cultural impact of the oracles of pagan antiquity on modern European thought. The book shows how the study of the oracles influenced, and was influenced by, some of the most significant developments in early modernity, such as the Christian humanist recovery of ancient religion, confessional polemics, Deist and libertine challenges to religion, antiquarianism and early archaeology, Romantic historiography, and spiritualism. The book examines the different views of the oracles since the Renaissance—that they were the work of the devil, or natural causes, or the fraud of priests, or finally an organic element of ancient Greek society. The range of discussion on the subject, as he demonstrates, is considerably more complex than has been realized before: hundreds of scholars, theologians, and critics commented on the oracles, drawing on a huge variety of intellectual contexts to frame their beliefs. A central chapter interrogates the landmark dispute on the oracles between Bernard de Fontenelle and Jean-François Baltus, challenging Whiggish assumptions about the mechanics of debate on the cusp of the Enlightenment. With erudition and an eye for detail, the book argues that, on both sides of the controversy, to speak of the ancient oracles in early modernity was to speak of one's own historical identity as a Christian.


2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.


2021 ◽  
Vol 2 (4) ◽  
pp. 91-101
Author(s):  
Saleha Ilhaam

The term strategic essentialism, coined by Spivak, is generally understood as “a political strategy whereby differences (within Group) are temporarily downplayed, and unity assumed for the sake of achieving political goals.” On the other hand, essentialism focuses that everything in this world has an intrinsic and immutable essence of its own. The adaption of a particular “nature” of one group of people by way of sexism, culturalization, and ethnification is strongly linked to the idea of essentialism. Mulk Raj Anand’s Bakha is dictated as an outcast by the institutionalized hierarchy of caste practice. He is essentialized as an untouchable by attributing to him the characteristic of dirt and filth. However, unlike other untouchables, Bakha can apprehend the difference between the cultured and uncultured, dirt and cleanliness. Via an analysis of Anand’s “Untouchable,” the present article aims to bring to the forefront the horrid destruction of the individual self that stems from misrepresentations of personality. Through strategic essentialism, it unravels Bakha’s contrasting nature as opposed to his pariah class, defied by his remarkable inner character and etiquette. The term condemns the essentialist categories of human existence. It has been applied to decontextualize and deconstruct the inaccurately essentialized identity of Bakha, which has made him a part of the group he does not actually belong to.


Author(s):  
Christo Lombaard

This contribution is the second in a series on methodology and Biblical Spirituality. In the first article, ‘Biblical spirituality and interdisciplinarity: The discipline at cross-methodological intersection’, the matter was explored in relationship to the broader academic discipline of Spirituality. In this contribution, the focus is narrowed to the more specific aspect of mysticism within Spirituality Studies. It is not rare for Old Testament texts to be understood in relationship to mystical contexts. One the one hand, when Old Testament texts are interpreted from a mystical perspective, the methods with which such interpretations are studied are familiar. The same holds true, on the other hand, if texts in the Old Testament, dating from the Hellenistic period, are identified as mystic. However, African mission history has taught us that the Western interpretative framework, based on ancient Greek philosophical suppositions (most directly the concepts rendered by Plato and Aristotle) and rhetorical orientations, is so strong that it transposes that which it encounters in other cultures into its terms, thus rendering the initial cultural understandings inaccessible. This is precisely the case too with Old Testament texts dating from pre-Hellenistic times, identified as mystic. What are the methodological parameters required to understand such texts on their own terms? In fact, is such an understanding even possible?


2002 ◽  
Vol 111 (2) ◽  
pp. 294
Author(s):  
Michael Ferejohn ◽  
R. J. Hankinson
Keyword(s):  

This book focuses from various perspectives on the striking similarities (as well as the concomitant differences) between early Greek and early Indian thought. In both cultures there occurred at about the same time the birth of 'philosophy', the idea of the universe as an intelligible order in which personal deity is (at most) marginal and the inner self is at the centre of attention. The similarities include a pentadic structure of narrative and cosmology, a basic conception of cosmic order or harmony, a close relationship between universe and inner self, techniques of soteriological inwardness and self-immortalisation, the selflessness of theory, envisaging the inner self as a chariot, the interiorisation of ritual, and ethicised reincarnation. Explanations for the similarites are a shared Indo-European origin, parallel socio-economic development, and influence in one direction or the other.


Author(s):  
Lars Albinus

The purpose of the article is to show how the negative dialectics of Adorno gets involved with a concept of myth that is questionable in several respects. First of all, Adorno tries to combine, but rather conflates, two understandings of myth. On the one hand, the concept of myth is defined as the ancient Greek mythos, in which the subject of man is projected on to nature; on the other hand, myth is defined as the backfire of enlightenment, in which self-reflection becomes the blind spot of instrumental reason. Along these lines of argument, Adorno’s interpretation of Homer, which, at any rate, is highly inspiring, attempts to demonstrate that Odysseus is already enlightened in that he keeps the myth at bay in order to gain his self. The point is, as a matter of dialectic necessity, that he just ends up in myth once again, albeit in the second sense, namely by being a victim of his own self-denial. A question that seems to remain unanswered, though, is how the two kinds of myth are related. Further, Adorno draws on a problematic distinction between myth and literature in order to claim that Homer separates himself from the realm of myth. By adopting Adorno’s own game of interpretation, however, it is possible to regard myth as such, including the Homeric one, as being contingently open-ended rather than just a matter of dialectic determination.


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