scholarly journals The Paradox of Kant’s Transcendental Subject in German Philosophy in the Late Eighteenth Century

2020 ◽  
Vol 39 (2) ◽  
pp. 7-25
Author(s):  
M. V. Rouba
Keyword(s):  
Eighteenth Century ◽  
Critique Of Pure Reason ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Thing In Itself ◽  
The Status ◽  
The Subject ◽  
Transcendental Object ◽  
Subject Of Cognition ◽  
Relationship Of

The study of the “first wave” of reactions to the Critique of Pure Reason in Germany from the second half of the 1780s until the beginning of the nineteenth century reveals the paradoxical status of the Kantian transcendental subject. While the existence of the transcendental subject, whatever the term means, is not open to question since it arises from the very essence of critical philosophy, the fundamental status of the subject is sometimes questioned in this period. Although the meaning of the concept of transcendental subject seems obvious today (the subject of cognition, bearer of transcendental conditions of experience) it lends itself to various interpretations in the late eighteenth century. To achieve my goal I have undertaken a textological analysis of the works of the earliest opponents and followers of the Kantian critique and a reconstruction of the conceptual field in the midst of which the transcendental subject has been planted. Among others I draw on the works of J. S. Beck, J. A. Eberhard, J. G. Hamann, F. H. Jacobi, S. Maimon, K. L. Reinhold, G. E. Schulze and A. Weishaupt. The authors of the period are grouped depending on the common themes and questions that prompted them to turn to the concept of the transcendental subject, even though the results of their reflections did not always coincide. These authors think of the transcendental subject in its relationship to the transcendental object, or as “something = х”, and in terms of the relationship of representation to the object. It is characterised sometimes as something absolutely hollow, and sometimes as the fullness of true reality. The status ascribed to the transcendental subject is sometimes that of a thing-in-itself and sometimes that of a “mere” idea. Finally, Kant’s transcendental subject was sometimes seen as something to be overcome and sometimes as an infinite challenge to understanding.

scholarly journals Architecture of Jesuit Churches in the Former Polish-Lithuanian Commonwealth, 1564–1773

2018 ◽  
Vol 5 (3) ◽  
pp. 352-384
Author(s):  
Andrzej Betlej
Keyword(s):  
Eighteenth Century ◽  
Homogeneous Element ◽  
The Third ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Subject ◽  
Relative Decline

The article presents the history and accomplishments of Jesuit architecture in the Polish-Lithuanian Commonwealth from the late sixteenth to the late eighteenth century. The author sees Jesuit architecture as a distinct and homogeneous element within Polish architecture. The paper starts with a brief presentation of the existing research in the subject. It moves on to enumerate the activities of the Society in the field of construction, divided into three major booms: the first roughly between 1575 and 1650, the second between 1670 and 1700, and the third from 1740 to 1770, divided by periods of relative decline caused by a succession of devastating wars. The paper identifies the most important architects involved in the construction of Jesuit churches, as well as their most notable works. The paper ends with a brief note concerning the fate of the Jesuit churches after the suppression of the Society and the partitions of Poland.

Arrival in Lisbon and First Encounters

2017 ◽  
Author(s):  
George E. Dutton
Keyword(s):  
Eighteenth Century ◽  
Sudden Death ◽  
Final Decision ◽  
Royal Family ◽  
Political Position ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Status ◽  
Crown Prince

This chapter discusses the first several weeks of the Vietnamese delegations time in Lisbon. It describes their use of deliberately exotic gowns to attract the attention of the court and the ruler, a strategy that proves very effective. The chapter describes the deliberations about where to house the men, and the final decision to place them in the Necessidades Convent of the Oratorian congregation. The chapter then briefly gives a background on the Oratorians as well as the status of Catholicism in late eighteenth-century Portugal. It then introduces the Portuguese royal family, Binh’s potential patrons, and in particular the ruler, Dom João. It points out the numerous weaknesses of the Portuguese court and its ruler, crippled by an indecisive personality, and a precarious political position cause by his serving as regent to the Queen, who recently plunged into madness. Her insanity had been caused by the sudden death of her eldest son, which had thrust the unprepared Dom João into the position of crown prince. It concludes by discussing the first formal audience given to the Vietnamese delegation, when the met the prince and his wife at his Queluz palace, presented their gifts, and briefly described the nature of their mission.

The Gothic as a Theory of Symbolic Exchange

2019 ◽  
pp. 203-219
Author(s):  
David Collings
Keyword(s):  
Eighteenth Century ◽  
Human Being ◽  
Late Eighteenth Century ◽  
Wide Range ◽  
Late Eighteenth ◽  
Sexual Transgression ◽  
The Status ◽  
Symbolic Exchange ◽  
Active Individual ◽  
Cultural Shifts

Inheriting longstanding norms that require reciprocation between the living and the dead, the Gothic interprets the cultural shifts of the late eighteenth century as a breach in such reciprocation, a breach that it hopes to address through its own account of symbolic exchange. In a wide range of scenarios - ghost tales, stories of sexual transgression, accounts of unborn and undead figures - it proposes that a body, a corpse, or a sexually active individual is inexplicable, out of place, haunting, until it receives the status of human being through a symbolic act. In some tales, it even provides counterfactual narratives of interchanges with supernatural figures - Satan, Dracula - to conceive of how symbolic exchange with the inhuman might cut across, replicate, or disturb human reciprocation. The Gothic thus attempts to redress the conditions of a certain modernity by calling upon -- and theorizing -- the fundamental imperatives of symbolic exchange.

Noi credevamo (We Believed): Story and history of emotions

2021 ◽  
Vol 9 (2) ◽  
pp. 211-223 ◽  
Author(s):  
Alejandro Patat
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
History Of Emotions ◽  
Historical Film ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The Subject ◽  
New Interpretation ◽  
The One

In the last ten years, Noi credevamo (We Believed) (Martone 2010) has been the subject of a very careful criticism interested not only in its historical-ideological implications but also in its semiotic specificities. The purpose of this article is to summarize the cardinal points of these two positions and to add to them some critical observations that have not been noted so far. On the one hand, it is a matter of highlighting how, as a historical film, the work is connected with the history of emotions, a recent historiographical trend that aims to detect the narrative devices of ideological propaganda and the diffusion of feelings since the late eighteenth century. On the other hand, the article proposes a new interpretation of Mario Martone’s film, starting with the analysis of phenomena that are not only historical but also technical and structural.

Can One Speak of Narrativity in Music?

1990 ◽  
Vol 115 (2) ◽  
pp. 240-257 ◽  
Author(s):  
Jean-Jacques Nattiez
Keyword(s):  
Eighteenth Century ◽  
New Hampshire ◽  
Round Table ◽  
Dartmouth College ◽  
Annual Conference ◽  
Narrative Strategies ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
French Speaking ◽  
The Subject

The question of musical narrativity, while by no means new, is making a comeback as the order of the day in the field of musicological thought. In May 1988 a conference on the theme ‘Music and the Verbal Arts: Interactions’ was held at Dartmouth College, Hanover, New Hampshire. A fortnight later, a group of musicologists and literary theorists was invited to the Universities of Berkeley and Stanford to assess, in the course of four intense round-table discussions, whether it is legitimate to recognize a narrative dimension in music. In November of the same year, the annual conference of the American Musicological Society in Baltimore presented a session entitled ‘Text and Narrative’, chaired by Carolyn Abbate, and, at the instigation of Joseph Kerman, a session devoted to Edward T. Cone's The Composer's Voice. A number of articles deal with the subject in our specialized periodicals: I am thinking in particular of the studies published in 19th-Century Music by Anthony Newcomb – ‘Once More “Between Absolute and Programme Music”: Schumann's Second Symphony’ and ‘Schumann and Late Eighteenth-Century Narrative Strategies’ – or, on the French-speaking side of musicology, of Marta Grabocz's article ‘La sonate en si mineur de Liszt: une stratégie narrative complexe’ and the essays of the Finnish semiologist Eero Tarasti. No doubt a good many articles will emerge from the above conferences. And we are awaiting the appearance of Carolyn Abbate's book Unsung Voices: Narrative in Nineteenth-Century Music.

James Byres of Tonley: Jacobites and Etruscans

2010 ◽  
Vol 30 (2) ◽  
pp. 261-274
Author(s):  
Peter Davidson
Keyword(s):  
Eighteenth Century ◽  
Visual Arts ◽  
Art History ◽  
History Of Archaeology ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Art Dealers ◽  
History Of ◽  
The Subject

James Byres of Tonley (1734–1817) is a pivotal figure in many respects, whose life as a virtuoso has been the subject of exemplary scholarship in the fields of art history and the history of archaeology. For three decades, he was close to the centre of the circle of artists, antiquarians and art-dealers who guided and advised the grand tourists and student artists visiting Rome, then the unchallenged capital of the visual arts worldwide. His fortunes, and those of his family, are typical of those of the last generation of Aberdeenshire Catholics before the Relief Acts of the late eighteenth century and the death of Henry Benedict, Cardinal York, in 1807. Like many Scots, whose cultural or military achievements were enacted in continental exile, he is not particularly remembered nor celebrated in Scotland itself.

scholarly journals Foucault, Ferguson, and civil society

2015 ◽  
pp. 36-51 ◽  
Author(s):  
Samantha Ashenden
Keyword(s):  
Eighteenth Century ◽  
Civil Society ◽  
Political Discourse ◽  
Scottish Enlightenment ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Subject ◽  
Per Se ◽  
Way Of Thinking

In contrast to those who trace civil society to “community” per se, Foucault is keen to locate this concept as it emerges at a particular moment in respect of specific exigencies of government. He suggests that civil society is a novel way of thinking about a problem, a particular problematization of government that emerges in the eighteenth century and which combines incommensurable conceptions of the subject as simultaneously a subject of right and of interests. This article takes up Foucault’s discussion of the Scottish Enlightenment in The Birth of Biopolitics to trace the distinctiveness of his discussion of civil society, but also in order to suggest that we ought to pay closer attention to the tensions between commercial-civilizational and civic republican themes in the literature of the late eighteenth century than does Foucault. It is my tentative suggestion that Foucault’s account leaves out significant aspects of these debates that offer counter-valences to the dominant models of the subject available to contemporary political discourse.

scholarly journals La creación de los Vales Reales = The creation of the Vales Reales

2016 ◽  
pp. 17
Author(s):  
Pedro Damián Cano Borrego
Keyword(s):  
Eighteenth Century ◽  
Public Debt ◽  
Precious Metals ◽  
Economic Problems ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Status ◽  
The Creation ◽  
Carlos Iii

<p>A<strong> </strong>finales del siglo XVIII la Monarquía adolecía de graves problemas económicos, derivados del estado permanente de guerra en el que se hallaba sumido el Reino, que impedía la arribada de remesas de metales preciosos y suponía unos ingentes gastos, lo que llevó a que a finales del reinado de Carlos III se creasen los Vales Reales, a modo de deuda pública. Por sus características, fueron desde el principio títulos de renta, amortizables en plazos más o menos grandes, dependiendo de las cláusulas que regían sus emisiones en un principio y más tarde de la situación del Tesoro Público.</p><p>In the late eighteenth century the Spanish monarchy had serious economic problems arising from the permanent state of war in which they had sunk the Kingdom, which prevented the arrival of remittances of precious metals and assumed a heavy expenses, which led to the end the reign of Carlos III the creation of the <em>Vales Reales</em>, a kind of public debt. By their nature, they were from the beginning income securities, redeemable in larger or smaller periods, depending on the terms governing their emissions at first and later on the status of Treasury</p>

Charles Rennett and the London Music-Sellers in the 1780s: Testing the Ownership of Reversionary Copyrights

2004 ◽  
Vol 129 (1) ◽  
pp. 1-23
Author(s):  
Nancy A. Mace
Keyword(s):  
Eighteenth Century ◽  
Intellectual Property ◽  
Copyright Law ◽  
Significant Part ◽  
Late Eighteenth Century ◽  
New Information ◽  
Late Eighteenth ◽  
The Status ◽  
Printed Music

As printed music became a valuable market commodity in late eighteenth-century England, it became a significant part of debates over the interpretation of the first copyright law (1710). In particular, compositions by Charles Dibdin and John Garth became the focus of several lawsuits filed by the attorney Charles Rennett challenging the traditional interpretation of the clause that granted composers a second 14 years of protection after the first had expired. These suits detail the status of music as intellectual property and offer new information about the businesses of major music-sellers like Longman & Broderip, the Thompsons and John Welcker.

Introduction

2017 ◽  
Author(s):  
Ingrid Tieken-Boon van Ostade
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
General Public ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Subject

Usage guides are an extremely popular genre, as is evident from new titles being published year after year and established ones being revised and reprinted. They are a marketable product, as both writers and publishers know. The genre did not start with Fowler, despite what many people think; it has a long history going back to the late eighteenth century. Usage advice today is also found online, while it was already the subject of satire in Punch during the nineteenth century. Yet how many usage problems there are is something authors—journalists, writers, but also linguists—show no consensus on. Usage problems come and go, and attitudes to them, expressed both by the general public and by usage guide writers, are found to change over the years. Some works remain remarkably conservative, which appears to be what is desired by readers who often feel insecure about what exactly proper English is.

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