Architecture, space and ideology: Between Adorno and Lefebvre
Can architecture become a site of resistance to the machinery of estrangement and alienation? The German philosopher Theodor Adorno found art, where he included specific forms of architecture, to be the only exit from the dominance of machinery of the total system. If architecture in Adorno's philosophy could, with its negative position, step behind the screens into an autonomous art, the French philosopher and sociologist, Henri Lefebvre, developed a more radical notion: the distinctive scenery of architecture, everyday life, is intensely subjected to alienation. As much as Lefebvre puts focus on abstract and social space as a specific production of social relations, he also argued that every architecture is a priori ideological. Introducing the status architecture was given by Adorno and Lefebvre in the age of the birth of neoliberalism, thus paralleling the concepts of cultural industries with arts, social with abstract space, the paper outlines the basic entry point of two distinctive representatives of NEO-Marxism into architecture, in order to suggest an epistemology of architecture, which starts at a foremost critical point.