scholarly journals Renovación pedagógica e identidad: un estudio comparativo de los expedientes de oposición y de depuración de las direcciones escolares de la Segunda República

2020 ◽  
pp. 209
Author(s):  
Carlos Menguiano Rodríguez
Keyword(s):  
Qualitative Analysis ◽  
Spanish Civil War ◽  
Teaching Staff ◽  
Spanish History ◽  
The Public ◽  
Selection Processes ◽  
Second Spanish Republic ◽  
History Of ◽  
The Impact ◽  
Pedagogical Discourses

This paper evaluates the possibilities offered by a comparative study between two sources unrelated until now: the personal files from professional selection processes produced during the Second Spanish Republic and the files produced in the Francoist purge process which started at the beginning of the Spanish Civil War. We take a privileged segment of the teaching staff as a sample: the teachers who achieved headteacher positions for the new graded schools in the public exams held in 1932 during the Second Spanish Republic. In order to contextualize the relevance of this contingent of teachers, we first offer a quantitative analysis, showing the impact of the purging process on them. Next, we present the approach from which we perform the qualitative analysis, which is based on the interpretation of the files as “institutional life-archives” and we try to characterise this life-archive practice in both processes, keeping in mind that, although different in modality and purpose, both are valuable sources for studying the professional identities of those who elaborated the files. Finally, we propose three models —confirmation, re-adaptation and dissolution— for performinga qualitative analysis, which make it possible to assess the production  and fluctuation of teacher’s identities among these files. These models demonstrate the utility of a comparative analysis of these sources, which can serve to study the configuration of teachers’ professional and pedagogical identities as well as their relationship with the new pedagogical theories and pedagogical tradition in a key time of Spanish history of education. It is our hope that this study will lead to new lines of research in order to analyse the continuities and ruptures of pedagogical discourses and practices between different periods.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 2 ◽  
pp. 1-18
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

The Second Spanish Republic in soviet and russian studies: specificity, problems, interpretations

2021 ◽  
Vol 32 (1) ◽  
pp. 324-368
Author(s):  
Ekaterina Grantseva ◽  
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Soviet Period ◽  
Second Republic ◽  
Interdisciplinary Approaches ◽  
Second Spanish Republic ◽  
History Of ◽  
The Republic ◽  
Cultural Dialogue ◽  
Ideological Attitudes

For many years, representatives of Soviet and then Russian historical science paid special attention to the period of the Second Spanish Republic and, especially, to the events of 1936-1939. The Spanish Civil War was and remains a topic that attracts the attention of specialists and influences the development of a multifaceted Russian-Spanish cultural dialogue. There are significantly fewer works on the peaceful years of the Republic, which is typical not only for domestic science, but also for the historiography of this period as a whole. Four key periods can be distinguished in the formation of the national historiography of the Spanish Republic. The first is associated with the existence of the Republic itself and is distinguished by significant political engagement. The second opens after 1956 and combines the continuity with respect to the period of the 1930s. and, at the same time, striving for objectivity, developing methodology and expanding the source base. The third stage is associated with the period of the 1970s-1980s, the time of the restoration of diplomatic relations between the USSR and Spain, as well as the active interaction of historians of the two countries. The fourth stage, which lasted thirty years, was the time of the formation of the Russian historiography of the Second Republic, which sought to get rid of the ideological attitudes that left a significant imprint on the research of the Soviet period. This time is associated with the active archival work of researchers and the publication of sources, the expansion of topics, interdisciplinary approaches. Among the studies of the history of the Second Republic outside Spain, Russian historiography has a special place due to the specifics of Soviet-Spanish relations during the Civil War, and the archival funds in our country, and the traditions of Russian historical Spanish studies, and the preservation of republican memory.

The Landscape of War and the Transformations of the Public Sphere

2019 ◽  
Vol 44 (2) ◽  
pp. 62-67
Author(s):  
Dijana Alic
Keyword(s):  
The European Union ◽  
Independent State ◽  
The Public ◽  
Time Space ◽  
History Of ◽  
The Public Sphere ◽  
Modern Warfare ◽  
The Impact ◽  
The City ◽  
Edward Soja

On 6 april 1992, the european union (eu) recognised bosnia and hercegovina as a new independent state, no longer a part of the socialist federal republic of Yugoslavia. The event marked the start of the siege of sarajevo, which lasted nearly four years, until late february 1996. It became the longest siege in the history of modern warfare, outlasting the leningrad enclosure by a year. During its 1425 days, more than 11,500 people were killed. The attacks left a trail of destruction across the city, which began to transform it in ways not experienced before. This paper explores how the physical transformation of sarajevo affected the ways in which meaning and significance were assigned to its built fabric. I argue that the changes imposed by war and the daily destruction of the city challenged long-established relationships between the built fabric and those who inhabited the city, introducing new modes of thinking and interpreting the city. Loosely placing the discussion within the framework of ‘Thirdspace', established by urban theorist and cultural geographer edward soja, i discuss the relationship that emerged between the historicality, sociality and spatiality of war-torn sarajevo. Whether responding to the impacts of physical destruction or dramatic social change, the nexus of time, space and being shows that the concept of spatiality is essential to comprehending the world and to adjusting to and resisting the impact of extraordinary circumstances. Recognising the continuation of daily life as essential to survival sheds light on processes of renewal and change in a war-affected landscape. These shattered urban spaces also show the ways in which people make a sense of place in relation to specific socio-historical environments and political contexts.

Guide to the Revised CRCC Code of Ethics for the Rehabilitation Counselor

2001 ◽  
Vol 32 (4) ◽  
pp. 33-37 ◽  
Author(s):  
Lorie J. McQuade ◽  
Gerald C. Murray
Keyword(s):  
Private Practice ◽  
Code Of Ethics ◽  
Rehabilitation Counselors ◽  
Public And Private ◽  
Rehabilitation Counselor ◽  
The Public ◽  
History Of ◽  
The Impact

The purpose of this article is to discuss the most recent changes in the CRCC Code of Ethics (the Code), effective January 1,2002, from the perspective of practicing rehabilitation counselors. The authors present a collaborative view from both the public and private practice sectors. Selected changes in the Code, and the impact of those changes on practitioners are discussed. Questions for reflection are located at the conclusion of the article to stimulate the reader's thinking. A brief history of the development of the Code is also presented.

scholarly journals MODERNIST ARCHITECTURE, CONFLICT, HERITAGE AND RESILIENCE: THE CASE OF THE HISTORICAL MUSEUM OF BOSNIA AND HERZEGOVINA

2017 ◽  
Vol 11 (3) ◽  
pp. 178 ◽  
Author(s):  
Selma Harrington ◽  
Branka Dimitrijević ◽  
Ashraf M. Salama
Keyword(s):  
Bosnia And Herzegovina ◽  
Architectural Heritage ◽  
World War ◽  
World War 2 ◽  
The Public ◽  
Identity Narratives ◽  
History Of ◽  
Modernist Architecture ◽  
The Many ◽  
The Impact

Bosnia and Herzegovina is one of the successor states of former Yugoslavia, with a history of dramatic conflicts and ruptures. These have left a unique heritage of interchanging prosperity and destruction, in which the built environment and architecture provide a rich evidence of the many complex identity narratives.  The public function and architecture of the Historical Museum of Bosnia and Herzegovina, once purposely built to commemorate the national liberation in World War 2, encapsulates the current situation in the country, which is navigating through a complicated period of reconstruction and transformation after the war in 1990s. Once considered as the embodiment of a purist Modernist architecture, now a damaged structure with negligible institutional patronage, the Museum shelters the fractured artefacts of life during the three and a half year siege of Sarajevo. This paper introduces research into symbiotic elements of architecture and public function of the Museum. The impact of conflict on its survival, resilience and continuity of use is explored through its potentially mediatory role, and modelling for similar cases of reuse of 20th century architectural heritage. 

scholarly journals Hospital clownery – entertainment or treatment? History of development and experience

2020 ◽  
Vol 11 (2) ◽  
pp. 109-116
Author(s):  
Nikolay A. Uvarov ◽  
Daria B. Uvarova ◽  
Larisa V. Sakhno ◽  
Marina V. Zemlianykh
Keyword(s):  
Qualitative Analysis ◽  
Emotional State ◽  
Pain Syndrome ◽  
History Of Development ◽  
Subjective Assessments ◽  
Children And Parents ◽  
History Of ◽  
The Russian Federation ◽  
The Impact ◽  
Positive Effect

The article discusses one of the areas of psychological rehabilitation of children in a hospital hospital clowns. The theoretical and practical prerequisites of the history of the development of hospital clownery both abroad and in the Russian Federation are shown. The results of studies of the effectiveness of the impact of hospital clownery and laughter therapy on the emotional state of children and their parents, in particular on the experience of anxiety and fears in the postoperative period, as well as on the severity of pain during medical manipulations such as venipuncture, allergy tests and radionuclide scanning are presented. The results of a qualitative analysis of the authors empirical research of 133 children and 65 parents are presented. The aim of the research was to study the effect of hospital clownery on the emotional state of children resulting from hospitalization and treatment received (painful manipulations, surgical intervention). Subjective assessments by children and parents of their psycho-emotional state were recorded using questionnaires. The projective method was also used the Luscher Test. The results of a qualitative analysis demonstrated a subjective sensation of an improvement in the psychoemotional state in 97% of children and in 92% of parents (improving mood, decreasing of anxiety and fears). 67% of children noted a weakening of the pain syndrome. Thus, the authors have confirmed by their own research the positive effect of hospital clownery on childrens health. The presented review clearly demonstrates the feasibility of expanding the use of this method in childrens hospitals of various profiles.

scholarly journals RAPID DATA COLLECTION FOR THE AUDIT OF MONUMENTS & MEMORIALS IN SOUTH AFRICA

2021 ◽  
Vol XLVI-M-1-2021 ◽  
pp. 313-320
Author(s):  
C. Jackson ◽  
M. Nkhasi-Lesaoana ◽  
L. Mofutsanyana
Keyword(s):  
South Africa ◽  
Public Space ◽  
Large Scale ◽  
National Audit ◽  
The Public ◽  
Funding Mechanism ◽  
History Of ◽  
Monuments And Memorials ◽  
The Impact ◽  
Roll Out

Abstract. The tradition of memorialising people and events through physical constructions such as statues and monuments like in many countries, has shaped the public space of a modern South Africa. Considering the colonial and apartheid history of South Africa, these physical markers, often uncontextualized, continue to maintain positions of prominence within the modern streetscape.Since the turn of the democratic era in South Africa, a pressing need has existed to assess the impact of the markers on the heritage landscape of the country. An endeavour made more difficult by a lack of a comprehensive inventory of these resources across the country.The National Audit of Monuments and Memorials (NAMM) was designed to address this gap through a full national survey of monuments and memorials, conducted under the auspices of a job creation stimulus package designed to create short term employment in the wake of the economic fallout from the Covid-19 pandemic. Undertaking this project under this funding mechanism required that all phases of the project be undertaken within a six-month period.The compressed timeframes associated with this project required an approach that could support a level of fluidity to address the challenges of undertaking a project of this nature, whilst ensuring that the data collected by field surveyors can be monitored and included in the inventory of the national estate in an effective manner.The aim of this paper is to discuss and showcase the tools and workflows used to roll out and manage the large-scale national audit of monuments and memorials across South Africa.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 7 (1) ◽  
pp. 57-76
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

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