scholarly journals Transcendental Ground of Intrinsic Worth in Russian Literature

2021 ◽  
pp. 477
Author(s):  
Algis Mickunas
Keyword(s):  
Human Activities ◽  
Phenomenological Study ◽  
Russian Literature ◽  
The World ◽  
Self Worth ◽  
Direct Awareness ◽  
The Way

The essay is a phenomenological study of Russian literature as a point of critique of two lifeworlds: the traditional Russian Feudalism with its “decadent” aristocracy, and the modern Western Enlightenment with its values, specifically the “subjective” construction of val-uations of all environment and human activities. Russian writers, from Turgenev all the way to Gogol found themselves between those two worlds and sought an answer which of them answers the existential question of human self-worth as an “eidetic” criterion of all values and life worlds, given in direct awareness. Self-worth does not belong to the world of categories, but is apparent in active commitments, such as being truthful, honorable, other and self respect‒dimensions absent among modern values.El ensayo es un estudio fenomenológico de la literatura rusa como un punto de crítica de dos mundos: el Feudalismo ruso tradicional con su aristocracia "decadente" y la Ilustración occidental moderna con sus valores —concretamente, la construcción "subjetiva" de evaluaciones de todo tipo de ambiente y actividades humanas. Los escritores rusos, desde Turgenev hasta Gogol, se encontraron entre esos dos mundos y buscaron una respuesta que respondiera a la cuestión existencial de la auto-estima humana como un criterio "eidético" de todos los valores y mundos de la vida, dado en conciencia directa. La autoestima no pertenece al mundo de las categorías, sino que se manifiesta en los compromisos activos, tales como ser veraz, ser honorable, respeto propio y ajeno —dimensiones ausentes entre los valores modernos.

The Empire Strikes Back: How Right-Wing Nationalists Tried to Recapture Russian Literature

1996 ◽  
Vol 24 (4) ◽  
pp. 601-624 ◽  
Author(s):  
Kathleen Parthe
Keyword(s):  
Russian Literature ◽  
The Political ◽  
Right Wing ◽  
Thought Process ◽  
The World ◽  
Political Spectrum ◽  
The Way

This article attempts to reconstruct the khod myshleniia (thought process) of the ultra-nationalist, ultra-conservative camp, not just because it is interesting in and of itself but also because of the way that some of their ideas, concerns, and ways of seeing Russia and the world are shared by a growing number of people in the middle of the political spectrum. The extremists' ideas about russifikatsiia may not spread very far, but russkost' is a powerful and attractive concept.

Marxist Historiography Today

2007 ◽  
Author(s):  
Eric Hobsbawm
Keyword(s):  
Social Sciences ◽  
Human Activities ◽  
Human Society ◽  
The Past ◽  
The Social ◽  
The World ◽  
History Of ◽  
New Perspective ◽  
Methodology Of Science ◽  
The Way

This chapter discusses Marxist historiography in the present times. In the interpretation of the world nowadays, there has been a rise in the so-called anti-Rankean reaction in history, of which Marxism is an important but not always fully acknowledged element. This movement challenged the positivist belief that the objective structure of reality was self-explanatory, and that all that was needed was to apply the methodology of science to it and explain why things happened the way they did. This movement also brought together history with the social sciences, therefore turning it into part of a generalizing discipline capable of explaining transformations of human society in the course of its past. This new perspective on the past is a return to ‘total history’, in which the focus is not merely on the ‘history of everything’ but history as an indivisible web wherein all human activities are interconnected.

Is There a “Russia Abroad” in Music?

2016 ◽  
Author(s):  
Richard Taruskin
Keyword(s):  
Russian Literature ◽  
Russian Music ◽  
The World ◽  
The Way ◽  
At Home

What does it take to form and sustain an émigré culture? Does Russian music between the world wars constitute such a culture, the way Russian literature assuredly does? How did Russian music abroad differ from Russian music at home during this period? These questions are considered in the light of Arthur Lourié’s forceful arguments on behalf of an émigré “school,” which are ultimately rejected, in part by applying the criteria proposed by Marc Raeff in his study Russia Abroad..

scholarly journals Influence of N. Gogol’s and M. Saltykov-Shchedrin’s Satire on Michail Bulgakov’s Prose

2016 ◽  
Vol 6 (1) ◽  
pp. 20
Author(s):  
Alexander Philippovich Petrenko ◽  
Svetlana Anatolyevna Petrenko ◽  
Irina Borisovna Fedotova
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Technical Progress ◽  
Rapid Development ◽  
Russian Literature ◽  
Mechanized Production ◽  
The World ◽  
The 19Th Century ◽  
The Way

The article is concerned with the study of literary relationships between the satire of the famous 20th-century Russian writer M. Bulgakov and the works by the Russian classics of the 19th century – N.V. Gogol and M.Y. Saltykov-Shchedrin. The article describes Gogol’s and Saltykov-Shchedrin’s influence on Bulgakov’s satirical poetics, especially in the period of his development as a writer. Special attention is given to the device of grotesque and the motives of mechanicalness and lifelessness, forming the artistic worlds of the writers under study. The authors note that the technical progress and the rapid development of mechanized production in the 20th century, combined with the satirical motive of primitivism, characteristic of Russian literature, left an imprint on the nature of Bulgakov’s grotesque. The writers at issue are united by such common feature of the satirical poetics as turning to fantasy, hyperbole, ‘strange and queer things’. The article shows the way Bulgakov perceived and embodied the principles of Gogol’s and Shchedrin’s world perception through the comic mixing of absurd, ghostly and real. Bulgakov’s way of seeing the world is characterized as ‘delirious reality’. At the same time, Bulgakov, as well as his literary teachers in the sphere of satire, showed oddness and divergence as regularity, while the comicality of fantasy in his works finally turns into the drama of reality.Keywords: satire, laughter, grotesque, mysticism, fantasy, zoomorphic metaphors

Becoming Politicized

2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou
Keyword(s):  
Collective Identity ◽  
Political Socialization ◽  
Greek Society ◽  
Economic Vulnerability ◽  
The World ◽  
The Future ◽  
Identity Model ◽  
Beliefs About The Future ◽  
Of Greece ◽  
The Way

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.

Restrained Airs: The Diegetic Surface and Nondiegetic Depth of British Film Music

2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey
Keyword(s):  
Film Music ◽  
The World ◽  
British Cinema ◽  
Film Making ◽  
The Way

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.

Profilometry. Using Corneo-scleral topography for scleral lens fitting

The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer
Keyword(s):  
Ocular Surface ◽  
World Wide ◽  
Contact Lenses ◽  
The Past ◽  
The World ◽  
The Future ◽  
The Way

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.

Los criterios de textualidad en la hermenéutica de Paul Ricoeur. Un análisis crítico

2008 ◽  
Vol 14 ◽  
Author(s):  
Adrián Bertorello
Keyword(s):  
Structural Analysis ◽  
Reading Strategies ◽  
Paul Ricoeur ◽  
Material Base ◽  
The World ◽  
Paul Ricœur ◽  
Text Writing ◽  
The Way

RESUMENEl trabajo examina críticamente la afirmación central de la hermenéutica de Paul Ricoeur, a saber, que el soporte material de la escritura es el rasgo determinante para que una secuencia discursiva sea considerada como un texto. La escritura cancela las condiciones fácticas de la enunciación y crea, de este modo, un ámbito de sentido estable en el que se puede validar una concepción de la subjetividad que está implicada en las dos estrategias de lecturas (el análisis estructural y la apropiación), esto es, un sujeto pasivo que se constituye por la idealidad del significado. Asimismo, el trabajo intentará precisar una serie de ambigüedades en el uso que Ricoeur hace del «ser en el mundo» para sostener la referencialidad del discurso.PALABRAS CLAVETEXTO, ESCRITURA, REFERENCIA, SUBJETIVIDAD, MUNDOABSTRACTThis paper critically examines the main assertion of Paul Ricoeur´s hermeneutics, i.e., that the material base of writing is the determining feature to consider a discursive sequence as a text. Writing cancels the factual conditions of enunciation and creates, in this way, a background of stable meaning where it is possible to validate a conception of subjectivity implicated in the two reading strategies (the structural analysis and the appropriation), i.e., a passive subject constituted by the ideality of meaning. Likewise, this paper aims to clarify some ambiguities in the way Ricoeur uses the «beings in the world» to support the discourse referentiality.KEY WORDSTEXT, WRITING, REFERENCE, SUBJECTIVITY, WORLD

The Role of Music and Allied Arts in Public Writings on Cultural Diversity: “People of Sri Lanka”

2020 ◽  
Vol 6 ◽  
pp. 93-100
Author(s):  
Gisa Jähnichen
Keyword(s):  
Sri Lanka ◽  
Cultural Diversity ◽  
South Asia ◽  
Case Studies ◽  
Sri Lankan ◽  
Culturally Different ◽  
The World ◽  
Official Languages ◽  
The Way

The Sri Lankan Ministry of National Coexistence, Dialogue, and Official Languages published the work “People of Sri Lanka” in 2017. In this comprehensive publication, 21 invited Sri Lankan scholars introduced 19 different people’s groups to public readers in English, mainly targeted at a growing number of foreign visitors in need of understanding the cultural diversity Sri Lanka has to offer. This paper will observe the presentation of these different groups of people, the role music and allied arts play in this context. Considering the non-scholarly design of the publication, a discussion of the role of music and allied arts has to be supplemented through additional analyses based on sources mentioned by the 21 participating scholars and their fragmented application of available knowledge. In result, this paper might help improve the way facts about groups of people, the way of grouping people, and the way of presenting these groupings are displayed to the world beyond South Asia. This fieldwork and literature guided investigation should also lead to suggestions for ethical principles in teaching and presenting of culturally different music practices within Sri Lanka, thus adding an example for other case studies.

New species list of plants and lichens of Russia for Turboveg for Windows

2020 ◽  
pp. 151-156
Author(s):  
A. P. Korablev ◽  
N. S. Liksakova ◽  
D. M. Mirin ◽  
D. G. Oreshkin ◽  
P. G. Efimov
Keyword(s):  
New Species ◽  
Vascular Plants ◽  
Russian Literature ◽  
Web Page ◽  
Species List ◽  
Internet Resources ◽  
The World ◽  
A New Species ◽  
The Web

A new species list of plants and lichens of Russia and neighboring countries has been developed for Turboveg for Windows, the program, intended for storage and management of phytosociological data (relevés), is widely used all around the world (Hennekens, Schaminée, 2001; Hennekens, 2015). The species list is built upon the database of the Russian website Plantarium (Plantarium…: [site]), which contains a species atlas and illustrated an online Handbook of plants and lichens. The nomenclature used on Plantarium was originally based on the following issues: vascular plants — S. K. Cherepanov (1995) with additions; mosses — «Flora of mosses of Russia» (Proect...: [site]); liverworts and hornworts — A. D. Potemkin and E. V. Sofronova (2009); lichens — «Spisok…» G. P. Urbanavichyus ed. (2010); other sources (Plantarium...: [site]). The new species list, currently the most comprehensive in Turboveg format for Russia, has 89 501 entries, including 4627 genus taxa compare to the old one with 32 020 entries (taxa) and only 253 synonyms. There are 84 805 species and subspecies taxa in the list, 37 760 (44.7 %) of which are accepted, while the others are synonyms. Their distribution by groups of organisms and divisions are shown in Table. A large number of synonyms in the new list and its adaptation to work with the Russian literature will greatly facilitate the entry of old relevé data. The ways of making new list, its structure as well as the possibilities of checking taxonomic lists on Internet resources are considered. The files of the species list for Turboveg 2 and Turboveg 3, the technique of associating existing databases with a new species list (in Russian) are available on the web page https://www.binran.ru/resursy/informatsionnyye-resursy/tekuschie-proekty/species_list_russia/.

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