scholarly journals La emoción del paisaje en el joven Azorín

2020 ◽  
Vol 29 ◽  
Author(s):  
José Manuel Vidal Ortuño
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Literary Works ◽  
New Era ◽  
Locus Amoenus ◽  
Excellent Description ◽  
Siglo Xix ◽  
The One ◽  
The 19Th Century ◽  
Variations On A Theme

Se estudia en este artículo el paisaje como materia literaria en el joven Azorín, el de finales del siglo XIX y principios del XX, renovador de viejos tópicos literarios como el beatus ille y el locus amoenus. A este tiempo nuevo le correspondería, qué duda cabe, una nueva estética (que quedará expresada en dos cuentos de Bohemia, 1897), cuyos postulados, sin duda innovadores, serán llevados a la práctica en Charivari (también de 1897), mediante una magnífica descripción del Collado de Salinas, lugar de huida y refugio para  J. Martínez Ruiz. Una descripción que, como tema con variaciones, aparecerá luego en otras obras del autor.  This article studies the landscape in regard to literary works in the young Azorín, the one from the end of the 19th century and the beginning of the 20th century, which renewed old literary clichés such as beatus ille and locus amoenus. In this new era, there is no question that, a new aesthetic (which will be expressed in two stories from Bohemia, 1897), whose postulates, undoubtedly innovative, will be put into practice in Charivari (also from 1897), through an excellent description of the Collado de Salinas, a place of refuge and flight for J. Martínez Ruiz. Such description, with variations on a theme, will be found later in other works of the writer.

scholarly journals PEMIKIRAN JAMALUDDIN AL-AFGHANI (JAMAL AD-DIN AL-AFGHANI) (1838 – 1897 M)

2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
The West ◽  
Unique Position ◽  
Islamic Reform ◽  
Other Hand ◽  
The People ◽  
The One ◽  
The 19Th Century

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 

Comunicación epistolar y colaboración científica entre especialistas alemanes en Sudamérica a fines del siglo XIX. Un estudio de la correspondencia entre Rodolfo Lenz y Robert Lehmann-Nitsche

2021 ◽  
Vol 72 (1) ◽  
pp. 311-338
Author(s):  
Juan Antonio Ennis ◽  
Claudio Soltmann
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Initial Section ◽  
Romance Languages ◽  
La Plata ◽  
Santiago De Chile ◽  
German Science ◽  
Letter Exchange ◽  
Siglo Xix ◽  
The 19Th Century

Abstract The following paper undertakes the presentation and subsequent analysis of the initial section of an extended, although only partially preserved letter exchange between two salient German scholars settled in Argentina and Chile from the end of the 19th century on, and during the first decades of the 20th century: Rudolf Lenz, trained in linguistics and Romance languages at the renowned Romanistik School of Bonn, who worked at the Instituto Pedagógico in Santiago de Chile, and Robert Lehmann-Nitsche, a Prussian physician and anthropologist who was in charge of the Anthropological Section of a brand new modern Museum in Argentina’s recently founded city of La Plata. The letter exchange between them lasted from 1897 until 1928 and the analysis of its initial pieces (1897–1898) allows us to see how personal and scientific networks were constructed, and how German science and sociability managed to settle down in such distant locations and still remain connected with its system of origin.

De la escena a la viñeta:

Neuróptica ◽  
2021 ◽  
pp. 227-240
Author(s):  
Alejandro Silvela Calvo
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Oscar Wilde ◽  
Musical Work ◽  
Visual Medium ◽  
Richard Strauss ◽  
The World ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Siglo Xx

Resumen: P. Craig Russell ha destacado, entre otras aportaciones, por su labor a la hora de realizar una larga serie de adaptaciones del mundo de la ópera a la viñeta. El estilo de Russell se caracteriza por partir de la idea de adaptar una obra musical a un medio plástico y visual haciendo que no solo se convierta en la simple narración de una ópera musical, sino que crea una obra en sí misma en la que intenta recoger diferentes sensaciones estilísticas, estructurales y estéticas de la obra y generar una representación de las mismas. En este artículo nos valdremos de su adaptación de Salomé, ópera de Richard Strauss de 1905 basada en la obra teatral homónima de Oscar Wilde. Se tratará la idea de musicalización del cómic y la forma en la que Russell plasma diferentes ideas musicales referentes no solo a timbres, leitmotiv u orquestación, sino atendiendo a diferentes parámetros que engloba la obra de Strauss, en torno a la idea de maximalización y decadencia del arte de finales del siglo XIX y principios del siglo XX. Abstract: P. Craig Russell has stood out, among other contributions, for his work in making a long series of adaptations from the world of opera to comic. Russell's style is characterized by starting from the idea of adapting a musical work to a plastic and visual medium, making it not only become the simple narration of a musical opera, but also creates a work in itself in which he tries to collect different stylistic, structural and aesthetic sensations of the work and generate a representation of them. In this article we will use his adaptation of Salomé, an opera by Richard Strauss from 1905 based on the play of the same name by Oscar Wilde. The idea of musicalization of the comic will be discussed and the way in which Russell expresses different musical ideas referring not only to timbres, leitmotivs or orchestration, but also taking into account different parameters that encompass Strauss's work around the idea of maximalization and decadence of art from the end of the 19th century and the beginning of the 20th century.  

scholarly journals ¿CUÁNDO LA GEOGRAFÍA PERDIÓ SU “GRAPHIA”? UN ENSAYO HISTÓRICO Y CRÍTICO SOBRE LAS HABILIDADES GRÁFICAS PROMOVIDAS EN LA GEOGRAFÍA ESCOLAR

GEOgraphia ◽  
2017 ◽  
Vol 19 (40) ◽  
pp. 56
Author(s):  
Carla Lois
Keyword(s):  
Nineteenth Century ◽  
20Th Century ◽  
19Th Century ◽  
Textual Description ◽  
Siglo Xix ◽  
Own Name ◽  
The 19Th Century ◽  
Siglo Xx ◽  
Sobre Todo

Resumo: A geografia é uma disciplina que traz consigo uma longa tradição gráfica, que é parte de seu próprio nome (algumas interpretações etimológicas prevalecem o significado de gráfico ou desenho do sufixo graphia sobre o de descrição textual).No entanto, nos últimos dois séculos, a Geografia se consolidou como uma disciplina eminentemente literária e isso acabou impactando na produção e uso de imagens na geografia escolar. Em oposição a isso, no final do século XIX, foi amplamente aceito que o ato de desenhar (especialmente a cópia e o mapeamento) era um exercício útil para pensar, interpretar e internalizar conteúdos geográficos.Neste artigo, analisamos como as habilidades gráficas promovidas na geografia escolar foram variadas com base em experiências, materiais e atividades desenvolvidos nas instituições escolares (considerando que é lá e quando as habilidades expressivas e comunicacionais são aprendidas) entre o final do século XIX e meados do século XX. Resumen: La geografía es una disciplina que carga con una larga tradición gráfica, que forma parte incluso de su propio nombre (algunas interpretaciones etimológicas hacen prevalecer el sentido de gráfico o dibujo del sufijo graphia sobre la de descripción textual).Sin embargo, en los últimos dos siglos, la Geografía se ha ido consolidando como en una disciplina eminentemente literaria y ello ha terminado impactando sobre la producción y el uso de imágenes en la geografía escolar. Por el contrario, a finales del siglo XIX, estaba ampliamente aceptado que el acto del dibujo (sobre todo, el copiado y el calcado de mapas) era un ejercicio útil para pensar, interpretar e interiorizar contenidos geográficos.En este artículo se analiza cómo fueron variando las habilidades gráficas promovidas en la geografía escolar a partir de experiencias, materiales y actividades desarrolladas en instituciones escolares (considerando que es allí donde y cuando se aprenden las destrezas expresivas y comunicacionales) entre finales del siglo XIX y mediados del siglo XX.   Abtract: Geography is a discipline that carries with it a long graphic tradition, which is even part of its own name (some etymological interpretations prevail the sense of graphic or drawing attributed to the graphia suffix over textual description).However, in the last two centuries, Geography has been consolidated as an eminently literary discipline and this has ended up impacting on the production and use of images in school geography. In contrast, at the end of the nineteenth century, it was widely accepted that the act of drawing was a useful exercise for thinking, interpreting and internalizing geographical contents.In this article we analyzed how the graphic skills promoted in school geography varied from experiences, materials and activities developed in school institutions between the end of the 19th century and the mid - 20th century.   

scholarly journals George Moore: la pasión francesa

2017 ◽  
Author(s):  
Esther González Alarcón
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Palabras Clave ◽  
George Moore ◽  
Artistic Life ◽  
Siglo Xix ◽  
The 19Th Century

Resumen:Nuestro propósito con este trabajo es dar a conocer la obra del autor irlandés George Moore. Hablaremos de la influencia que tuvo Francia, los pintores impresionistas y escritores franceses de finales del siglo XIX y principios del XX en su carrera de escritor. Tomaremos como análisis de estudio su libro de memorias Confessions d´un jeune anglais (1986) ya que dicha autobiografía es un el retrato del espectáculo que se vivía en París durante aquellos años. Sigamos a ese joven por las calles de Montmartre, véamoslo discutir de pintura con Manet y Renoir, oigámosle compartir ideas con Zola y Verlaine…Palabras clave: Francia, pasión, Montmartre, pintura, literatura.Title in English: George Moore: The French Passion.Abstract:Our aim with this piece is to introduce the work of the Irish author George Moore. We will speak of the influence which France, the impressionist painters, and the French writers from the end of the 19th century and the beginning of the 20th century, all had on his career as a writer. For research purposes we have chosen his memoirs Confessions d´un jeune anglais (1986) as this autobiography is a true portrayal of the artistic life which was experienced in Paris in those years. We follow this young man through the streets of Montmartre, we see him discuss painting with Manet and Renoir, we hear him share ideas with Zola and Verlaine….Keywords: France, passion, Montmartre, painting, literature. 

scholarly journals APŠVIETIMAS KAIP ARCHITEKTŪROS MODERNUMO SIMBOLIS

2009 ◽  
Vol 33 (3) ◽  
pp. 183-194
Author(s):  
Martynas Valevičius
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Visual Arts ◽  
Technological Development ◽  
Technical Development ◽  
New Era ◽  
Artificial Lighting ◽  
Modern Times ◽  
Independent Field ◽  
The 19Th Century

The paper is designed to reveal the aesthetics of artificial lighting and its influence on the architecture of the 20th century. The main topics discussed are electric lighting, which appeard in our history at the end of the 19th century, and the technical development of lighting till the middle of the 20th century. Connections of artificial lighting with visual arts, its influence on advertisement, building architecture and the whole city are analysed. An idea is proposed that although lighting by nature was purely functional, very soon it acquired symbolic ambitions to represent architecture. In modern times architects understood that lighting was both a technological development and a symbol of a new era, when there appeared an independent field of creation - lighting architecture. Santrauka Straipsnyje nagrinėjama dirbtinio apšvietimo estetika ir jos įtaka XX a. architektūrai. Išryškinta XIX a. pabaigoje atsiradusio elektrinio apšvietimo svarba ir atskleista apšvietimo techninė raida iki XX a. vidurio. Nagrinėjamos dirbtinio apšvietimo sąsajos su vizualiaisiais menais, apšvietimo įtaka reklamai, pastatų architektūrai bei visam miestui. Straipsnyje keliama idėja, kad nors apšvietimo prigimtis pradžioje buvo grynai funkcionali, ji greitai įgavo simbolinių ambicijų – reprezentuoti architektūrą. Architektai į apšvietimą žvelgė ne tik kaip į technologinę pažangą, tai buvo naują erą ženklinantis simbolis, erą, kurioje atsiranda didelės įtakos visoms kūrybinėms idėjoms turinti nauja savarankiška kūrybos sritis – šviesos architektūra.

Love and Mathemetics. Sofia Kovalevska – Science and Struggle for Happiness

2019 ◽  
Vol 28 (2) ◽  
pp. 265-276
Author(s):  
Nurie Muratova
Keyword(s):  
19Th Century ◽  
Personal Experience ◽  
Modern Science ◽  
Russian Mathematician ◽  
Literary Works ◽  
The One ◽  
The 19Th Century

The author follows the professional successes and the personal experience of the one of the first women in the modern science – the Russian mathematician Sofia Kovalevska. The dialogue between her strong will, energy and intellect in the male world of science and her delicate sensibility and deep emotionality in her literary works has been analysed and the conflict points has been outlined. The author tries to answer to the question why despite of her professional successes Sofia Kovalevska felt unhappy, why the question of happiness is key question in her literary works and memoirs. Due to the tension between the profession-al and personal discourses a sense of polyphony and lack of satisfaction is marking her narratives. An attempt has been made to place Kovalevska in the trends of the Russian feminism in the second half of the 19th century.

THE INFLUENCE OF ABSINTHE ON WORLD CULTURE

2021 ◽  
pp. 5-11
Author(s):  
Beloglazov I.A. ◽  
Biryukova N.V. ◽  
Nesterova N.V.
Keyword(s):  
Side Effects ◽  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
Early 20Th Century ◽  
World Culture ◽  
Artemisia Absinthium ◽  
History Of ◽  
The One ◽  
The 19Th Century

The authors of the work analyzed the sources that characterize the influence of absinthe on human culture. Absinthe, an alcoholic drink containing wormwood (Artemisia absinthium L.), was banned in the early 20th century due to unusual properties attributed to the side effects of drinking this alcohol. This review contains information about the history of the drink. On the one hand, absinthe left its mark in the culture as a “muse” for the creators, remaining forever imprinted in the works of various types of art, on the other hand, it became the main enemy for the most part of society because of the harmful properties that was characterized by researchers of the 19th century.

scholarly journals Eesti- ja Liivimaa libahundipärimus rahvapärase ontoloogia muutumise peegeldajana

Mäetagused ◽  
2021 ◽  
Vol 80 ◽  
pp. 71-88
Author(s):  
Merili Metsvahi ◽  
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Modern Society ◽  
17Th Century ◽  
Human Mind ◽  
The Other ◽  
Human Being ◽  
The World ◽  
The One ◽  
The 19Th Century

The article gives a short overview of the Estonian werewolf tradition in the 16th and 17th centuries and a glimpse into the 19th–20th-century werewolf beliefs. The image of werewolf of the earlier and later periods is compared. The differences between the images of these two periods are explained with the help of the approaches of Tim Ingold and Philipp Descola, which ground the changes in the worldview taking place together with the shift from the pre-modern society into modernity. The mental world of the 16th–17th-century Estonian and Livonian peasant did not encompass the category of nature, and the borders between the human being and the animal on the one side and organism and environment on the other side were not so rigid as they are in today’s people’s comprehension of the world. The ability to change into a wolf was seen as an added possibility of acquiring new experiences and benefits. As the popular ontology had changed by the second half of the 19th century – the human mind was raised into the ultimate position and the animal was comprehended as being inferior – the transformation of a man into an animal, if it was seriously taken at all, seemed to be strange and unnatural.

scholarly journals Sælsomme beretninger i lægen og anatomen Thomas Bartholins skrifter

2018 ◽  
Vol 57 ◽  
pp. 61
Author(s):  
Jesper Brandt Andersen
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Case Reports ◽  
The Other ◽  
Lymph Vessels ◽  
Other Hand ◽  
New Knowledge ◽  
The One ◽  
Scientific Judgment ◽  
The 19Th Century

Jesper Brandt Andersen: Curious case reports in the works of the Danish physician and anatomist Thomas Bartholin Scattered through the voluminous authorship of the Danish physician and anatomist Thomas Bartholin (1616–1680), famous for his discovery of the lymph vessels in the early 1650s, case reports can be found, for which Bartholin was criticized and accused for verbosity and lack of scientific judgment by contemporary scholars and later medical historians. In this article 15 such case reports, mainly from the work Historiarum Anatomicarum Rariorum 1654–1661, are presented, analyzed and perspectivated. It is concluded, that much of the criticism, especially the one submitted by the posteriority and especially during the era of positivism by the end of the 19th century and the beginning of the 20th century and the one concerning observations made by Bartholin himself, is unjustified. When practising science himself Bartholin felt responsible for reproducing his observations correctly and trustworthy, and he was not satisfied by making conclusions on the basis of knowledge handed over by others. The author of this article has not succeded in finding one single example indicating that Bartholin doesn’t reproduce his own observations correctly and truthfully. On the other hand there are in his authorship numerous examples of case reports originating from others, which he either didn’t believe himself or at least doubted. When he published case reports originating from other people, he didn’t feel responsible for the truthfulness. His purpose bringing these case reports was to present his reader for new and interesting matter, to entertain his reader, to arouse his reader’s curiosity and to challenge his reader’s own judgment. Thomas Bartholin was one of the most excellent, diligent and passionate intermediaries of scientific matter of his time, and as a scientist he was characterized by openness. Often he was among the first to recognize, verify and publish new knowledge.

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